Henryk Górecki

Variazioni, op. 4 (1956)

Much like his better-known contemporary Penderecki, Henryk Górecki (b.1933) first achieved fame in the late 1950s and early 1960s as a darling of the European avant-garde spearheaded by Pierre Boulez, only to abandon their intellectual asceticism, and instead strive during the 1970s toward a more personal idiom that often seems to embrace deep sorrow as a catharsis for healing. Upon his abandonment of post-Webern serialism in favor of a simpler and more direct style, Górecki was dismissed by critics as suddenly unimportant. But Górecki went on to surprise even himself when the 1992 release of his then 15-year-old Symphony no. 3, op. 36 ("Symphony of Sorrowful Songs") sold over a million copies world-wide, an unmatched success for a modern symphony. His mature style, sometimes described as "sacred minimalism," is infused with religious mysticism and characterized by modal harmonies derived from early Polish church music melded with repetitive melodies and rhythms.

In contrast, Górecki's youthful Variations, op. 4, has been described as combining "the fluid lyricism of Szymanowksi, the rhythmic fervor of Bartók and the textural severity of Webern," but with his own voice "already recognizable, especially in the way small melodic or harmonic motifs suddenly explode with the energy of a split atom [Mark Swed, LA Times, 10.3.1997]."

--Music @ Main, December 8, 2008 (Piotr Szewczyk, violin & Christine Clark, piano)