Professor
Graphic Design
Patrick Gosnell is an Associate Professor of Graphic Design at Austin Peay State University. He holds a BFA in Photography from the University of Georgia and an MFA in Communication Design from Texas State University. As a design educator and full-fledged “type nerd”, Patrick prides himself on being able to spot the improper use of an Em Dash from fifty yards away. Since 2013, he has taught courses in typography, editorial design, branding, and the history of graphic design. His work has been recognized by the international design publication Graphis and the University & College Designers Association. Patrick also regularly publishes reviews of design conferences in Slanted magazine.
Rutherford Pediatric Dentistry Brand Guidelines (detail)
2026
Digital print
11 x 17 inches
Most pediatric dental branding blatantly caters to children: cartoon molars, primary colors, a beaver mascot with gigantic teeth holding a toothbrush…you get the picture. But children don't choose their dentist; parents do. Rutherford Pediatric Dentistry understood this and asked for an identity that would earn the confidence of the adult sitting in the waiting room.
I built the branding system with typography at the center, pairing a nested acronym with a nuanced geometric sans to convey the practice name, set with wide letterspacing and a disciplined hierarchy that holds from signage down to a business card. The color palette (“Solace”) exudes cool modernity, leaning heavily on navy blue. Nothing infantilizes.
The tagline (“Welcome to Smile Central”) came from the initial research. Rutherford County sits at the geographic center of Tennessee. Welcome to Smile Central claims that position and converts it into a promise.
The smile mark came from the name itself. The smile was already inside the spelling; I only had to find it. I modified the “Y” in “DENTISTRY” by separating the stem from the upper curve. That single alteration produced the icon, and the icon detaches cleanly for use as an avatar, favicon, or repeating pattern.
For this year’s Faculty Triennial, I am exhibiting the style guide—the document that keeps all of this stable once it leaves my hands. It specifies clear-space, type scale, color values, application standards, and voice. A brand usually fails six months in, when someone stretches the logo or picks a random typeface from a template. Strong brand guidelines prevent that, and they deserve to be seen as design, not paperwork.