Adjunct Professor
Art
Hannah Mathis Nashville-based artist who works in traditional and digital media, such as watercolor, colored pencil, ink, and Procreate. The influences of folklore, Spiritualist Art, and natural history are woven throughout Mathis’ drawings, and paired with vivid color palettes and delicate line and dot work to create textural images that invite a closer look. Mathis received her BFA in Graphic Art with a focus in Drawing, Painting, and Printmaking from DePaul University in Chicago, Illinois, and a Master of Art History and Visual Culture from Lindenwood University in St. Charles, Missouri. She completed the SIM Artist Residency in Reykjavik, Iceland in 2020, has exhibited throughout the United States, and frequently sells her work at Expos and Fairs in the South and Midwest
Black Walnut (detail)
2026
Colored pencil and ink on paper, and metal
2 1/2 x 7 1/4 inches
Black Walnut belongs to an ongoing series of colored pencil and ink drawings that began as an exercise in recollection and association, drawing seeds, leaves, insects, and other seemingly minute natural elements from recall. Inspired by Spiritualist Art, Victorian Natural History Illustrations, and Storybook Drawings, this series utilizes nature motifs and esoteric allusions to create meditative images.
Ultimately, I have come to acknowledge these drawings as tokens of a largely forgotten childhood. Each chosen subject (black walnuts, honeysuckle, magnolia seed pods, thistle) held sentimental, memory-jogging and lore-building properties for me (a thistle is not just a thistleThe Thistle was the tall, alien creature that seemed to have spontaneously emerged from my childhood front lawn on Harrow Drive; the Magnolia Seed Pod was a make-shift tiger’s paw during child’s play; The Okra represented a full belly and the security of a Grandmother’s kitchen; and the Black Walnut was a hollow-eyed face staring back at me as I cupped it in my hand). As I struggle to remember major events of the past, these tiny talismans represent specific moments of recognition, slivers of memories, for the viewer to contemplate and project their own memories onto.