Figures

"Biformity"  is a piece that can be interpreted many different ways making it an ambiguous image. The eye could be the ear or the nose depending upon how it is initially perceived and the figure could be seen as hostile or sorrowful, it is merely a matter of perspective. In this way it is akin to an ink blot test, although, I am uncertain as to what your initial viewing says about you.

"Closing Matrix" was created with the constraints of the shape of the character as well as the requirement of having contrasting colors. Now, this piece does have a multitude of meanings, but I find it is better to let the viewer ponder what those meanings may or may not be on their own, rather than me telling them outright.

"Witchzard" is a piece that required me to have a cyan sus image downsized. It was downsized, but I did not like being forced to draw such silly figures so I created a force to counteract it in the form of the shadow figure. If you listen closely, you'll here the shadow figure saying, "Resistance is futile." Not really, but I had to put that meme in here somewhere.

"Hoop Hat" was a cool dude. And he ran a bunch of cool boys. And back in those days—to show how things have changed—one of the things you had to use, if you used markers in your drawing, you had to be aware of the mistake trap. And he was up on the tile—wouldn't listen to me—I said, "Hey Hoop Hat, you off the tile or I'll come up and drag you off."

Well, he didn't come off and he said, "I'm permanent." 

My marker—this was mostly, this was almost all required design—my marker, there was a date on it. I marketed my drawing outside of that date and I and he said, "I am permanent."

He was waiting for me with the broken tiles. Not a joke. There was a guy named Hoop, the only imaginary guy, and he did all the color, he was the one who panicked. And I said, "What am I gonna do?"

And he said, "Come down here in the basement where the colors, where, where, all the cool, s-stuff is."

You know the stain, there used to be a stain across the tiles. And he cut off a six inch length of stain, he folded it up, he said, "You mark out, with that stain, and you mark out with the marker and say you may cut me man but I'm gonna wrap this stain around your hat."

I said, "You kidding me?"

He said, "No if you don't, don't come back."

And he was right. So, I walked out to the stain. And I walked up to my marker. And, in those days, remember the sharpie markers you used to bang them on the side of the table get them working, but them in a cup, upside-down get em' working? 

And I looked at him. But I was smart, then, I said, first of all, I said, "When I tell you to get of the tile you get off the tile, and I'll mark you up again, but I shouldn't have called you Hoop Hat, I apologize for that. I apologize."

But I didn't know if that apologize was going to work.

He said, "You apologize to me?"

I said, "I apologize. Not for marking you up. But I apologize for what I said."

He said, "Okay," closed the stain and my heart began to beat again."

Anyway, I am coming directly to you for ask a quick favor. Please don't use sharpie until you are sure you have everything were you want it in a drawing. Truininanashabadepressure!