Pen Light

                                        color designs

I've always enjoyed vivid colors and movement; it's soothing, calming, gratifying, and demanding all at the same time. The bottom line is the emotion and message I want to communicate through the medium. When I paint, I make every effort to capture the sensations of warmth, passion, joy, and bliss in a non-objective or figurative composition. I adore experimenting with various media and subjects.

My subject changes according to my passion and statement, but my love of colors remains consistent. Despite this, viewers perceive many forms or figures in my abstract expressions. The benefit of these expressions is that viewers can see and enjoy the forms in their minds' eyes, much like face painting in the viewer's eye.

 My cubism, abstract pictures, abstract relief seascape, drawing, pastels, and watercolor painting all incorporate the symbols and forms of this art style.

The depth of what you actually see when you look at the paintings is largely depending on individual exposure and comprehension of art forms, color, shapes, lines, and texture; which are the physical aspects that unite to make up the artworks.

A variety of dark hues, shapes, and forms may create diverse sensations in different minds; light, airy images may be mystical; balanced, temperate forms may be peaceful. Uli organic forms and shapes, like colors and forms, have meaning in and of themselves. It is an unavoidable fact that you cannot give what you do not have. I am a believer, and my work time is also a meditation period, which can go either way depending on the creative mind's spiritual consciousness.

To me, my work section is a private moment between myself, the canvas, and the colors. There is a spiritual impartation from the creator to the work at this creative moment. As a result, we have an emotional reaction to these ingredients, even though they do not produce an identifiable object for us to grasp.

I like how space is added and removed. The use of space or the

Another example is the illusion of space.

Another strong element in the artist's psyche is the illusion of space. You are not alone if you are lured into a yard of three-dimensional space that extends beyond the framework of the painting to sculpture. To obtain the desired result, the perception of depth, perspective, airiness, solidity, textures, and other spatial interactions are created and regulated.

My painting or sculpture's general composition or design is created to guide the viewer's gaze to understanding and appreciation of the imagery.

I must confess that the majority of my figurative works are a celebration of womanhood, which I am very glad to be a part of because women are the seat of wisdom and knowledge.

I take pride in my clients' and spectators' reactions to my products.

I take pride in my clients' and spectators' reactions to my products. I am blessed in more ways than I can articulate. Getting the composition right, or balancing the elements of color, lines, and shapes while retaining dynamic tension and massage beneath, can be difficult at times.

The life force contained in all good work is energy. This is not an easy concept to define. Every work I do has the same life force, but different energy and statements. This peculiar energy is what makes my paintings speak to you and distinguishes them as unique, original, and recognizable to me. This energy is developed through experience and self-awareness, as well as materials and instruments, but the end result is more.

. This energy is formed through experience and self-awareness, as well as materials and equipment, but the end is more than the means, just as a musical composition is more than just a collection of sounds.

You are welcome to enter my world of abstract wall art or modern art, relax, and let your eye gently roam over the variety of art forms and styles. Allow your heart and mind to be moved by my colors, shapes, figures, and textures. Come indulge in the illusion of bright spaces, the movement of lines, and the mood of a peaceful atmosphere.

Come get up and personal with the brushstrokes, spatula strokes, paint thickness, textures, and compositional subtleties. Take note of how the components are intertwined to produce the whole.

Provide yourself plenty of time. My art cannot be understood or appreciated in ten seconds. Allow my art to grow on you as you interact with it, becoming more intriguing and delightful to look at.