Nightstand

Adriana Alfaro

In utilizing archival photography to manufacture a domestic home setting, I bring what was originally dedicated for the private sphere, into the public eye. With an aim to highlight the collective memory and experiences of those within the Latinx community, Nightstand speaks to themes of home and belonging.

The pronounced nature of employing archival photography shares the histories and experiences that coincide with them. Using furniture and other familiar items found in the domestic setting – such as a nightstand, journal, radio, and devotion candle – further expounds on the definition and common imagery associated with the Latinx home.

 It is my hope that, through my art, I inspire those both within and out of the Latinx community to engage in self-reflection; to ponder where they feel most at home. I foresee viewers manifesting their own connections between place, family, and what it means to belong.

About the Artist

My work primarily combines archival photography and three-dimensional elements informed by research and personal investigation. To address the collective experiences associated with the Latinx community and further explore notions of place and memory with the effect of representing Chicanismo.

As a multimedia artist, I find joy in working with several mediums. I am most drawn to archival photography and videography, and sound design. These materials are important to me as an artist, as they integrate the past with the future: unifying the old and the new.

My work is informed by Chicano Art history, as well as my own personal relationship and understanding of Chicano identity. My artistic process begins with a single thought or idea that might manifest itself through everyday activity. Following research of both theme and technique, I assess the medium and materials that would best suit my idea.

My contribution to the MUSE exhibition, Nightstand, explores themes, forms, and topics that are part of a never-ending process. It does not stop here: ideas expand and overlap over time. Thus, my work is never truly done.

Additional Documentation [Forthcoming]