The emergence of a successful group of female Singer-Songwriters in the early 1970s – Joni Mitchell, Carole King, Carly Simon, and Janis Ian – both reflected and advanced this growing spirit of female empowerment. The rise of feminism started to emerge within music, as more and more female led bands were taking over maistream music. Female led bands such as Blondie, Kate Bush, Joan Jett, Joni Mitchell, and many more who had an infleunece on future female artists.
https://www.culturesonar.com/joan-jetts-bad-reputation/#:~:text=Joan%20Jett%20may%20have%20had,is%20nothing%20short%20of%20exemplary.
The 1970s was the decade of change in the music industry, following on from the 60s development of psychedelic rock. The 70s introduced more genres of music such as the introduction to disco and punk, that youths were starting to listen to.
Culturally and socially, society was changing with the ongoing Vietnam War, which people were protesting against both within music and without. Many Amricans opposed the war on moral grounds, and by the devastation and violence that war had brought. Others claimed the conflict was a war against Vietnamese independence, or an intervention in a foreign civil war. Youths began to rebel within the punk development, through clothing that they wore that rejected traditional needs and the people they looked up to were not necessarily 'ideal' models, such as Johnny Rotten. Vivienne Westwood had a major infleunec with the punk style, how she matched the punk attitude with the styeling of clothes. Following on from the rise of the Hippies in the 60s, people's clothing was influenced by that decade.
The days of rock 'n' roll, blues, and R&B dominating were over, replaced with a wide and interesting spectrum of genres, with disco, funk, and soul becoming arguably the most popular genres of the decade. Despite typical Elvis-style rock 'n' roll fading in popularity, rock was far from dead.
https://livebandentertainment.co.uk/1970s-music-a-turning-point/#:~:text=The%20days%20of%20rock%20'n,rock%20was%20far%20from%20dead.
George Harrison's search for peace was found when he travelled to India.George Harrison visited India in 1966 to take sitar lessons from Ravi Shankar, and his humility and creative curiosity is still moving. Harrison drew inspiration from his experiences and with the people he met along the way.
https://www.theguardian.com/film/2021/oct/01/the-beatles-and-india-review-documentary#:~:text=George%20Harrison%20visited%20India%20in,creative%20curiosity%20is%20still%20moving.
George Harrison's firts solo album 'All Things Must Pass' was released in the year 1970. One of his top tracks on the ablum ' My Sweet Lord' was a religious song, as Harrison enjoyed his teachings of hindusim and wanted to create a song of peace. Within the song itself, the Christian references appear via the repetition of 'My sweet Lord', as well as using the call to faith phrase 'Hallelujah'. Also in the lyrics are the phrases 'Hare Krishna and Hare Rama', which praise the Hindu god Krishna.
Harrison's lyrics proceed as he repeats 'Really want to see you, Lord, Harrison sings, But it takes so long, my Lord (Hallelujah)'. This verse speaks to Harrison’s own spiritual journey in which he heavily studied Eastern religions like Hindu. In his exploration, Harrison was particularly drawn to the Indian Hindu monk Swami Vivekananda’s teachings. One such teaching, “If there’s a God, we must see him. And if there is a soul, we must perceive it,” was an inspiration for “My Sweet Lord.”
https://americansongwriter.com/the-meaning-behind-my-sweet-lord-by-george-harrison/
Big Yellow Taxi” was written and released before the term ‘global warming’ was commonplace. In the late 1960s and early 1970s, climate change was not yet an environmental concern. Mitchell has continued to influence future artists and individuals about climate change, modern listeners have reinterpreted the lyrics to apply to climate change. The lines “Don’t it always seem to go that you don’t know that you’ve got ‘til it’s gone?” refer to the loss of natural land and trees. From a more contemporary perspective, it could be interpreted to apply to the planet as a whole.
Joni Mitchell is a Canadian Folk songwriter, multi- instrumentalist and painter who was famous during the 70s onwards. Mitchell liked to sing about her personal life as well as problems that were occurring in society.
One of her most popular songs 'Big Yellow Taxi' was released in 1970 and targeted environmental destruction. She wrote this song on a trip to Hawaii where she noticed a large parking lot that tarnished the natural beauty. Throughout the chorus, Mitchell repeats the phrase “They paved paradise and put up a parking lot.” This line references the stain of asphalt and concrete on nature.
https://www.science.smith.edu/climatelit/big-yellow-taxi-by-joni-mitchell/#:~:text=%E2%80%9CBig%20Yellow%20Taxi%E2%80%9D%20is%20an,of%20the%20northern%20Pacific%20Ocean.
Edwards style of playing evoked precision, punchy finger playing without a pick. He also used his fingers like a plectrum to create more funky sounds.
Edwards's chucking technique consisted of playing the strings like you are holding a plectrum, placing your thumb and first finger together. Within Chic's 'Everybody Dance' Edwards is seen playing with this technique, with the opening sound of the chucking effect.
One of the most popular genres of music that evolved in the 70s, was Disco music. During the ensuing years the introduction and wide use of the electric bass, with its easier technique, resulted in an increase in the complexity of the bass lines. The "four to the bar" Motown beat provided rhythmic stability to rock, freeing the electric bass to play the more complex lines without disrupting the basic beat.
A famous disco bass player named Bernard Edwards played along with Chic, Madonna, Sledge Sisters, and Diana Ross throughout the 70s till his death in the 90s. He created some of the most iconic discos beats such as 'He's the Greatest Dancer', 'Material Girl', and 'Le Freak' etc.
https://www.thisisdig.com/feature/best-bernard-edwards-chic-basslines/
Within 'Le Freak' Bernard played on the downbeat for the first two notes, before drifting to upbeats on the third and fourth notes, Edwards’ skittish underpinning remains one of the most iconic grooves in pop music history. Giving Le Freak a jitter and fidgety feel, it’s a sublime bass performance chock-full of sliding fretwork.
This style of playing often utilizes percussive techniques, such as muting and palm-muting, as well as slapping and popping the strings. One of the pioneers of funk guitar was Jimmy Nolen, who played in James Brown's band and is known for his distinctive “chicken scratch” rhythm guitar style
The guitar was a central instrument in the 1970s for rock n roll and those who played it superbly were idolized. Such as Brian May, Jimmy Page, and Eric Clapton. Whilst the electric guitar has been used in popular music since the 1930s, it was arguably the players of the 1970s that really showed the world how far we can go with this instrument.
A popular chord progression that was considered the foundation of classic rock ‘n’ roll, modern rock, and pop music. It is extremely common in songs from the 1960s to 1970s and traces its roots all the way back to the blues, as guitarists still incorporated the 12-bar-blues chord progression.
C - F - G (I - IV - V)
Playing these three chords in different variations will also give you some other common progressions. An example that uses the simple I - IV - V progression is the entirety of “Stir it Up” by Bob Marley.
https://www.libertyparkmusic.com/5-common-guitar-chord-progressions/#:~:text=C%20%2D%20F%20%2D%20G%20(I%20%2D%20IV%20%2D%20V)&text=It%20is%20extremely%20common%20in,you%20some%20other%20common%20progressions.
Slap playing is based around two techniques – slap and pop – that a bassist may rapidly alternate between in any lick. The "slap" involves the bassist whacking the bony part of their thumb against the strings, close to the neck of the guitar. When "popping", the player will wrench the played string or strings away from the guitar and let it twang hard against the fretboard upon release. The point is to create a percussive, loud, buzzing tone, with guitar solo-like techniques of hammer-ons and pull-offs replacing the usual root-note pulse. https://www.theguardian.com/music/2009/jun/01/whats-that-sound-slap-bass#:~:text=Where%20does%20it%20come%20from,the%20then%20drummerless%20Family%20Stone.
The bass guitar was growing in recognition from 60s on to the 70s, as funk and disco were being popularised. Famous funk bassists such as Larry Graham, Bootsy Collins, and Bernard Edwards.
Larry Graham rarely played with his 4-string Moon bass, nicknamed Sunshine, Graham also has a matching 5-string, Moonshine. “I actually love using a 5-string bass,” he says. “Not for live shows, but I've used it on records and playing with other artists like Prince or Chaka Khan."
Bernard played a stock late 1970s MusicMan StingRay with the strings that came with the bass. He bumped the bass up on the 2-band EQ and added a tiny bit of treble. Designed by Leo Fender, Tom Walker, and Sterling Ball, the StingRay bass appeared in 1976 and, though somewhat similar to a Fender Precision Bass, had a number of distinctive features. It employed Humbucking pickups both placed near the bridge for a tighter sound, and an active pre-amp powered by a 9-volt battery.
The famous disco song by Donna Summer incorporated the famous 'Moog IIP synth' that was developed in the late 60s by Dr. Robert. A Moog. These types of modular synthesizers have unique sonic characters due to many physical components and attributes. Within the opening of the song, the build-up of electronic music is heard and creates a dreamy effect to the song.
The introduction of synthesizers and other electronic instruments opened up new possibilities for musicians, allowing them to experiment with sounds that had never been heard before. It was during this time that artists like Kraftwerk, Giorgio Moroder, and David Bowie began incorporating synthesizers into their music, laying the foundation for the synth-pop movement.
Synthesizers are used for the composition of electronic music and in live performances. The intricate apparatus of the sound synthesizer generates waveforms and then subjects them to alteration in intensity, duration, frequency, and timbre, as selected by the composer or musician.
Further on, synthesizers grew in popularity within the 1980s, as new romantics and glam rock artists took to creating new sounds that were not heard of before. Changing their aesthetic and groove and paving the way for mainstream music in the 1980s.
https://www.yellowbrick.co/blog/music/discover-the-electrifying-sounds-synth-pop-in-the-70s#:~:text=The%201970s%20marked%20a%20period,had%20never%20been%20heard%20before.
Performing the song was enjoyable, as the bassline was funky to play. I think we performed it really well with great vocals that led the group, to improve next time would be to nail the guitar solo as we didn't have much time to fit in the whole 6-minute song, and just cut the solo short. I think so far it is one of my favorites to perform because of its grooviness as well as being a rock song.
In my group, for our 1970s song we covered Eagles classic hit 'Hotel California' released in 1976. The song is about the experimentation of drugs in Mexico that the band experienced. The song has been described as being "all about American decadence and burnout, too much money, corruption, drugs, and arrogance; too little humility and heart." It has also been interpreted as an allegory about hedonism, self-destruction, and greed in the music industry of the late 1970s.
1. The working title of “Hotel California” was “Mexican Reggae.”
Though it’s since become synonymous with the dark, sinister underside of Los Angeles, the album’s title track took shape in a surprisingly idyllic setting. Don Felder had rented a beach house in Malibu, and was in the midst of taking in the ocean breeze as he leisurely strummed his guitar. “I remember sitting in the living room on a spectacular July day with the doors wide open,” he told Guitar World in 2013. “I had a bathing suit on and was sitting on this couch, soaking wet, thinking the world is a wonderful place to be. I had this acoustic 12-string and started tinkling around with it, and those ‘Hotel California’ chords just kind of oozed out.”
For our creative cover, we transformed a classic pop song into a 1970s-style punk song. One of Katy Perry's early hits 'I Kissed A Girl' was released in 2008. As a group, we really enjoyed turning pop songs into rock songs, as we did with 'All the Good Girls Go to Hell' by Billie Eilish for our 60s creative cover. Within our cover, I wanted to research what a classic punk sound was from the 1970s, I listened closely to the basslines and was mainly looking at The Sex Pistols, Buzzcocks, The Clash, The Stranglers, and Blondie. I took inspiration from the repetitive chugging hand motions by using a pick and down picking.
I enjoy listening to The Stranglers and hearing JJ Burnel's bass tone within one of their top songs 'Peaches' which was released in 1977. His technique is using a plectrum and strumming hard on the strings. In the opening to Peaches, you can hear Burnel's raw bassline, which is played throughout.
The influence of “The Dark Side of the Moon, which is a landmark album in progressive and psychedelic rock, it would go on to influence a number of future musicians and groups, such as Tame Impala, Radiohead, and The Flaming Lips, and it would skyrocket Pink Floyd into the spotlight as rock legends that they are known as today.
Pink Floyd not only revolutionized music with its psychedelic songs, but it also pioneered how audiences listen to music. The use of psychedelic elements in their music, such as the song 'Comfortably Numb'which is about people's experiences with drugs.“Comfortably Numb” is a dialogue between two characters from The Wall, Pink and the Doctor, which Waters has said was inspired by two incidents. The first came when, as a child, he had a fever that induced a sensation of dissociation and distance; the second came prior to a Floyd gig in the 1970s, when a doctor injected Waters, who had stomach cramps, so that he could get through the show. He later told Mojo magazine that he was “rendered almost insensible”. Hence the lyric: “There is no pain, you are receding.”
https://ig.ft.com/life-of-a-song/comfortably-numb.html#:~:text=The%20contrast%20between%20the%20verses,top%20of%20a%2035ft%20wall.
The band performed the world's first-ever, surround-sound concert at London's Queen Elizabeth Hall in 1967. Pink Floyd were the architects of two major music movements—psychedelic space-rock and blues-based progressive rock—and became known for their biting political, social, and emotional commentary
As an artist who employed urban soul music to express social and personal concerns, as well as a singer of exquisite sensitivity and romantic grace, Gaye left a legacy that has widened since his demise, and his music has become a permanent fixture in American pop. Artists such as Michale Jackson were inspired by the political aspects and later on, Bruno Mars was inspired by Gaye's grooviness
Comapred to the infamous Marvin Gaye, the legendary R'n'B, soul, funk, and folk singer, left an indelible mark on the music industry with his powerful vocals, emotional depth, and genre-defying artistry. With a career spanning several decades, Gaye's discography is filled with timeless classics that continue to captivate audiences to this day.
https://neonmusic.co.uk/marvin-gaye-the-iconic-hits-that-define-his-legacy/
Marvin Gaye turned his music into a call for the positive change that can be wrought by love, and “What’s Going On” implores us to realize his aspiration for unity: “Let’s get some understanding here today.” As an advocate for social and environmental justice, Gaye created music that would retain its relevance and urgency for generations to come. Gaye’s “What’s Going On” invokes personal and historical memories and continues to resonate and stir emotions. As such, it became a model for current sociopolitical commentary in American music. Contemporary topical music not only provides insight into current protests, but it also provides connections between the past and the present that public historians can use to help audiences understand the struggles that continue today.
https://ncph.org/history-at-work/the-contemporary-resonance-of-marvin-gaye/#:~:text=Marvin%20Gaye%20turned%20his%20music,would%20retain%20its%20relevance%20and
Who are their influences?
Pink Floyd's genre is psychedelic rock and experiments with sound and electronics compared with Marvin Gaye who is very much funk and soul. But their influences are similar nas they both take inspiration from blues musicians.
Pink Floyd's music was heavily influenced by the blues genre, so it comes as no surprise that the band's cofounder Syd Barrett named the group after two of his favorite blues artists, Pink Anderson and Floyd Council.
Gaye's main musical influences were Rudy West of The Five Keys, Clyde McPhatter, Ray Charles, and Little Willie John. Gaye considered Frank Sinatra a major influence in what he wanted to be. He also was influenced by the vocal styles of Billy Eckstine and Nat King Cole.
These artists were some of the biggest names in the 1970s, with their ground-breaking music that influenced future musicians. Harmonically, Marvin Gaye takes on the funk and soul with his hit 'Whats Going On' album and hit song. What's Going On is written in the key of E Major. According to the Theory tab database, it is the 5th most popular key among Major keys and the 5th most popular among all keys. Major keys, along with minor keys, are a common choice for popular songs. The three most important chords, built off the 1st, 4th and 5th scale degrees are all major chords (E Major, A Major, and B Major). Harmonically within Pink Floyds hit 'Another Brick in The Wall' .
Another Brick In The Wall is written in the key of D Dorian. According to the Theorytab database, it is the most popular key among Dorian keys and the 27th most popular among all keys. The D Dorian scale is similar to the D Minor scale except that its 6th note is a half step higher (B). Chord progressions in Dorian have a characteristic sound due to the major quality of the chord built on the 4th scale degree.
Both groups of musicians share in common with changing the music industry revolutionizing classic genres and turning them modernistic. Pink Floyd was the architect of two major music movements psychedelic space-rock and blues-based progressive rock and became known for their biting political, social, and emotional commentary. Marvin Gaye e
The way he pushed his music to capture political ideas and actively protest in the way he knew best — through his incredible musicianship. Gaye reinvented what social boundaries could be like for a singer and truly introduced the vastness of what great music could be. Therefore both groups pushed the industry in order to make way for up-and-coming artists.