The video above, was produced for Iowa State University's Active Learning Institute, it explores the basics of open educational resources and how open educational practices align with active learning.
Additional reading
Clifton, Alexis, and Kimberly Davies Hoffman (eds). 2020. Open Pedagogy Approaches: Faculty, Library, and Student Collaborations. New York: SUNY Geneseo. https://milnepublishing.geneseo.edu/o...
Openpedagogy.org. n.d. Open Pedagogy Notebook. http://openpedagogy.org/ DeRosa, Robin.
Cronin, Catherine, and Iain MacLaren. 2018. Conceptualizing OEP: A review of theoretical and empirical literature in Open Educational Practices. Open Praxis, 10(2), 127–143. DOI: http://doi.org/10.5944/openpraxis.10....
Tietjen, Phil, and Tutaleni I. Asino. 2021. What Is Open Pedagogy? Identifying Commonalities. The International Review of Research in Open and Distributed Learning, 22(2), 185-204. DOI: https://doi.org/10.19173/irrodl.v22i2...
Bali, M, et al. 2020. Framing Open Educational Practices from a Social Justice Perspective. Journal of Interactive Media in Education, 2020(1):10, pp. 1–12. DOI: https://doi.org/10.5334/jime.565
"Active Learning and OER" by Abbey Elder is available under a Creative Commons Attribution 4.0 License: https://creativecommons.org/licenses/
It is used under a Creative Commons Attribution Noncommercial License: https://creativecommons.org/licenses/...
The following definitions and resources below were borrowed from the Open for Anti-Racism Program I participated in; I give full attribution to the facilitators of this course. The learning material they curated and organized definitely helped fill in gaps in my understanding of what open pedagogy is, and how it can support anti-racist teaching and learning practices.
Further, below I am sharing previous Students' Digital Portfolios with their Student Release of Course Material Consent Forms attached, as evidence that their consent has been approved to share so audiences can evaluate how open pedagogy can potentially democratize learning while improving teaching and learning.
I also want to transparently claim, I am still developing my open pedagogical practices, learning as I go, and sharing as I go to accelerate the momentum in changing stagnant and harmful forms of curriculum and assessment design. Nevertheless, I am striving to improve my teaching and learning practices by actively seeking students' perspectives and centering their voices. This is how I radically transform learning in my classes and share my power as an educator--by inviting students to be co-creators of the knowledge base.
Here is the definition of Open Pedagogy:
Open pedagogy applies the 5 Rs of OER (free to reuse, revise, remix, redistribute, and retain) to support effective teaching and learning. This can be accomplished by the doing away with disposable assignments and through the use of meaningful assignments where students add value to the world through their work.
Disposable assignments are those assignments students work very hard preparing, you work hard grading, and then, that's it. After all that effort, we hope students have retained what they learned, and we simply move forward.
We can leverage these assignments to become pieces which contribute to more learning in the world in the form of openly licensed materials. That way, students' learning supports further learning, and students become active contributors in your field.
To explore Open Pedagogy more, engage with the following:
Please read this article by David Wiley: What is Open Pedagogy
Please read this resource which further explains Non-Disposable vs. Disposable assignments, prepared by Aloha Sargent.
Then, watch Open Educational Practices by Dr. Rajiv Jhangiani (youtube.com)
I'm excited to share the e-portfolio of first-generation, Yemeni-Arab American, Klud Zandani, whose work traces a powerful journey of growth in literacy, identity, and self-expression. Her portfolio reflects a deep engagement with language, culture, and voice—challenging traditional notions of what counts as “academic” while embracing vulnerability and authenticity.
As you explore Klud’s work, you’ll see how she connects personal experience with critical analysis, using writing as a tool for reflection, resistance, and empowerment. With her permission, bear witness her journey by clicking the red link above.
I am honored to share Thi's story. Thi, a student at Cosumnes River College is studying MRI Technology. Originally from Vietnam, Thi moved to the U.S. in 2020 and has been working hard to strengthen her English through reading, writing, and critical thinking.
As you engage with Thi's literacy portfolio, you’ll see that her motivation to enter the medical field is deeply personal—she lost both parents as a child to cancer due to delays in access to care. Her writing, expressed in both Vietnamese and English, reflects her resilience, purpose, and growth as a language and literacy learner. From reflective essays to creative poems she wrote in Vietnamese and translated into English using ChatGPT—such as “Lost” and “The End of Winter”—her work offers a powerful window into her journey and shows how education and technology can help translate and amplify students’ stories of resilience.
I hope Thi’s work inspires you as much as it inspires me—each student’s journey is unique, and this blog is my way of celebrating their growth, creativity, and vision.
What I learned from Janeen? That she loves the movie, "Everything Everywhere All at Once" and loved writing about this movie because she was able to discuss a topic she was passionate about, and "it was fun to analyze the choices made from the director"...
Janeen's literacy portfolio provides a rich description and visual illustration of what literacy means to her, and how her Filipino identity has shaped her communicative and literacy practices. To learn more about Janeen's intellectual works, with her permission, please click the red link above.
What I learned from Kiera? How finding the right words and asking the right questions can transform and heal ..
In person, Kiera was quiet and timid during our MW afternoon class. On paper, however, Kiera's voice was deeply reflective and thoughtful about the topics we read and wrote about. Well aware that the topics in my class can be heavy, Kiera applied herself with care and intentionality.
Early in the Fall semester I learned from 'Letter to my Teacher' that Kiera grew up with a learning disability and was fearful of writing and public speaking; however, what I personally learned from Kiera was her learning disability never impeded how she contributed to each learning task before her. I was always excited to read Kiera's thoughts, and was deeply moved by the research and interview she conducted for our Solidarity Project.
Kiera reminded me that humans are all capable of practicing critical thinking and compassion, and when these two life skills work together, we can transform the world around us. To learn more about Keira's intellectual works, with her permission, please click the red link above.
In my Fall 2024 English 300 class, one of the most inspiring parts of teaching is watching students experiment with form—using writing not only to complete an assignment, but to discover something about themselves and their ways of communicating. One of my students, Coco, recently took up this challenge by blending a poem with the opening of her first essay, showing how the creative process of poetry could shape and inform academic writing.
Her poem, Joey & Interruption, stages the frustrations of being talked over, silenced, or misread—experiences that connect directly to the essay she develops afterward, where she reflects on how her voice has been perceived as having an “attitude.” Rather than keeping poetry and essay separate, she weaves them together, fusing her creative self, and voice into a developing academic piece. By moving from a creative dialogue-poem into a reflective essay that draws on Audre Lorde, Dan Melzer, and Mike Bunn, Coco shows that literacy is not only about analyzing texts, but also about reclaiming one’s own voice.
This creative approach sets the stage for her culminating research project, where she shifts focus to illuminate the subtle nuances of emotional abuse in relationships. What I find powerful in this work is not just the skillful use of poetic form, but the way it demonstrates literacy as lived experience—writing that emerges from the texture of personal memory, family interactions, and relational conflict. Her portfolio reminds us that writing can be both academic and deeply personal, a way of resisting interruption and insisting on being heard.
With Coco's permission, bear witness to her voice and intellectual creations.
This Spring 2024 semester I had the privilege of learning from Ariel Lautiej, a Marshallese Native Descendent. For major project two, Ariel wrote a critical discourse analysis of Marshallese poet and activist, Kathy Jetnil- Kijiner's poem, Anointed. In Ariel's critical essay titled, "Nuclear Justice for The Marshall Islands" Ariel analyzes and synthesizes the meaning of the poem Anointed, shedding light on the nuclear bomb testing that was conducted on the Marshall Islands after World War 2, "which had dire effects on many Marshallese Peoples' lives to this day" (Lautiej, 2024). For our Solidarity: Preserving an Oral History-Story Research Unit, Ariel decided to interview her grandmother, a Native Marshallese Island Survivor. Ariel's interview gives voice to her grandmother, where she orates her lived experiences living on the Island during the U.S. Nuclear Bomb Testing on her peoples and discusses the dire environmental and health effects that resulted from the bombs' toxic exposure. Thank you for enriching our collective learning experiences this semester Ariel, and for giving your grandmother a voice and platform to share her, and her Native Peoples story, click the link above to engage with Ariel's work.
Nazar Adam was a student of mine during the spring 2024 semester. Nazar, on most days would come to class late, not intentionally. I could tell because every time he would enter class he would be panting, out of breath, and then with his eyes and facial expressions, he would apologize for his lack of punctuality. Nazar made up for his tardiness by always being the first to contribute to class discussions, and not just saying something, to say something; his comments and ideas were always thought provoking, enriching our classroom, making it easier for his classmates to express their thoughts, too.
Please click the link above, and consider engaging with Nazar's writings, valid criticisms and listen to him talk with his brother, as they delve "into the complex and often overlooked struggles faced by individuals living in America without citizenship. From navigating legal hurdles to grappling with identity and belonging, hear firsthand accounts of the challenges and triumphs experienced by Qais (Nazar's Brother) explore the multifaceted dimensions of the immigrant experience and the resilience of communities striving for recognition and inclusion in the land they also want to call home"--Nazar Adam
I will never forget Eymin's bravery, and courage to utter on paper and in a recording, her lived experience with sexual assault. Eymin's and her cousin's story has implications for how we talk about sexual abuse, mental health, and what it means to live with trauma. I hope Eymin's story normalizes talking about sexual assault, researching and writing about sexual assault, and organizing community and health resources for sexual assault survivors. To learn more about Eymin's story and the research she did in my class, click on the link above, and listen to her podcast recording, after you have carefully read her research and interview process, where she provides in-depth context for her readers and listeners.
For major project two, using the framework of Fairclough's Language and Power (1989), Edward analyzes and synthesizes Cillian Murphy’s performance in Peeky Blinders, to show how the act of silence and use of non-verbal language can affect discourse (Cervantes, 2024). For our final project, originally Edward was going to interview a classmate about their immigration journey, and what obstacles they face due to their immigration status; however, due to unforeseen circumstances, Edward had to change his topic last minute. Time was a constraint factor, so Edward decided to share how his personal lived experiences have shaped his perspective about what solidarity means to him. Edward frames his talk using Palestinian peacemaker Aziz Abu Sarah and Israeli peacemaker Maoz Inon's Ted Talk, fusing their talk with his perspective to discuss "the immeasurable tragedies they've experienced growing up in the region — and how they choose reconciliation over revenge, again and again". Edward also draws from his teachings of the bible, too--which he believes is an acronym for "Basic Instructions Before Leaving Earth" (10:25). Thank you for sharing your perspective with us, Edward. To interact with Edward's intellectual works, please click on the link above.
Rawand decided for her end of the term ESL 47 project, she wanted to share her Palestinian Oral History, sharing sources, significant memories and artifacts that have shaped her, and her family. Rawand supports the story of her native country's origin using open educational resources, as cited and hyperlinked in her Power Point Presentation Slides, and at the end of her google sites landing page, too. Students in my Novice-Intermediate ESL 47 Integrated Reading and Writing class worked very hard to develop their practices in formal citations and paraphrasing the works of others to support their personal ideas. Nevertheless, consider Rawand's work to be a curation of a combination of both outside sources and personal sources that make meaning to show aspects of Rawand's Oral History Story. Bear witness by clicking on the link above.
Mr. Zuri was always eager to contribute his perspective to our class discussions and was always eager to help translate my instruction to his fellow Afghani classmates. He was always gracious too, in providing me with feedback about my instructions, to ensure my instructions were clear to him and our ESL community of learners. I was amazed with his personal story, and journey too, coming here to America, I learned a lot of about Afghani resilience, and the different kinds of text and authors Mr. Zuri was well versed in. To engage with Mr. Zuri's intellectual works, click on the link above.
For Megumi's final ESL Project, she wanted to share the significance of a specific Chinese meal that represents her personal identity and cultural heritage. Megumi's professional power point presentation explores the following two questions: What is the story behind the creation of Chinese Dumplings? Why is it important? And how would you describe the process of the meal preparation, what are the ingredients, and when is it normally eaten? To learn more click on Megumi's ESL 47 Portfolio above.
To engage with the intellectual works of Koi, click the link above. Koi was timid and shy the first month of attending my 8:00 am MW English 300/108 class in the fall of 2023. However, as time progressed, Koi began to open up in writing about their diagnosis with ADHD and what it means to live with anxiety. I was not surprised to discover through Koi's research how complicated and complex it is living with such a condition; regardless of this condition that is stigmatized, Koi has excelled in their ability to express themselves, and in analyzing and synthesizing texts. Thank you for sharing your lived experiences with us, Koi.
To engage with the intellectual works of Emmanuel Duru Alexis, click on the link above. One thing I appreciated about Emmanuel was his thoughtful and intentional questions, never hesitated to ask questions and was always the first to contribute to class discussions.
To interact with the works of Aniket Anand, click the link above. While Aniket missed many class sessions for personal and professional development reasons, Aniket always contributed quality critical thinking and engaged thoughtfully and personally with every task before him, this is why I invited Aniket to share his works, hopefully to inspire other students who are juggling (learning how to master EMT health professional skills) while trying to stay committed to their class studies. Aniket proves it is possible.
The Solidarity Project: Preserving an Oral-History Story © 2024 by Fairuze Ahmed Ramirez is licensed under Creative Commons Attribution-NonCommercial 4.0 International
Unpacking My OFAR Teaching Process with Guided Video and Accessible Google Slides
You can access our OFAR Google Sites Page, created by our Team Lead, Greg Breyer and access our OFAR Cohort Team's works and teaching materials here (OFAR Solidarity Project for Cosumnes River College & Cohort Team Implemented Projects)
You can also easily access all of my transparent reflections here Open For Anti-Racism Reflections