K

Frida Kahlo, Still life with parrot and fruit [pomegranate and lemon], 1951, Oil on canvas, 28.9 x 25.4 [28.9] cm, Collection of Mexican Art, Banco de México Diego Rivera Frida Kahlo Museums Trust, México

Frida Kahlo, La Columna Rota [Los Dedos Gordos del Pie Torcidos], 1944, Óleo sobre tela montada en aglomerado, 30,7 x 40 [30,7] cm, Museo Dolores Olmedo Patiño, Xochimilco, Ciudad de México

Altro titolo - Another title: Evangelio san Marcos 2-11: "Levántate, toma tu camilla y vete a tu casa!" (Servizio Sanitario Nazionale - Vangelo san Marco 2-11: "Alzati, prendi la tua barella e va' a casa tua!"), 2024, Italia

[Fototeca Fondazione Omeri]

Frida Kahlo, Autorretrato con collar de espinas y colibrí [piercing], 1940, Pintura al óle, 47 x 61 [47] cm, Nickolas Muray Collection of Modern Mexican Art, Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, Harry Ransom Center, Austin, Texas

Altro titolo - Another title: In una squadra piena di maschi bianchi hai scelto una donna lesbica di trent’anni, grazie! (En un equipo lleno de hombres blancos elegiste a una mujer lesbiana de treinta años, ¡gracias!), 2024

[Fototeca Fondazione Omeri]

Francamente, X Factor Italia, 2024

Vasilij Vasil'evič Kandinskij (Василий Васильевич Кандинский), Composition VII [XI] (Композиция VII [XI]), 1913 [?], Oil on canvas (Картина маслом на холсте), 200 x 300 [200] cm, State Tretyakov Gallery (Государственная Третьяковская Галерея) [Destroyed during World War II ? (Разрушен во время Второй мировой войны ?)], Mosca (Москва́) [?]

Altro titolo - Another title: Destroyed by wars (Разрушенный войнами)

https://my.tretyakov.ru/app/masterpiece/10873 

https://www.moma.org/calendar/exhibitions/448 

Vasilij Vasil'evič Kandinskij (Василий Васильевич Кандинский), Composition VI (Композиция VI), 1913, Oil on canvas (Картина маслом на холсте), 195 x 300 [195] cm - 77 x 120 [77] in, Foundation Omeri, Entered in the Foundation in 2023, Formerly in The State Hermitage Museum, Saint Petersburg, Entered in the Hermitage in 1948, Formerly in The State Museum of New Western Art, Moscow (Фонд Omeri, Поступил в фонд в 2023, Передан из Федеральное государственное бюджетное учреждение культуры «Государственный Эрмитаж», Санкт-Петербург, Поступил в 1948 г. Передан из Государственного Музея Нового Западного Искусства)

Altro titolo - Another title: ADIDAS JÖGEL, 2023

Alex Katz, Daisies #2, 1992, Oil paint on board, Support 231 x 320 x 6 mm - frame 250 x 321 [250] x 34 mm, Tate and National Galleries of Scotland, Edinburgh

Alex Katz: "A sketch is very direct. It is working empirically, inside of an idea."

https://www.tate.org.uk/art/artworks/katz-daisies-2-ar00006 

Altro titolo - Another title: Lo schizzo è la macchia concreta di un concetto astratto… (The squirt is the concrete mark of an abstract concept…), 2024

[Fototeca Fondazione Omeri]

On Kawara, NOV.8,1989 [domenica 29 ottobre 2023], Today series, Signed on the reverse, Liquitex on canvas with newspaper clipping in artist's cardboard box, Canvas 66.2 x 91.4 cm - 26 1/8 x 36 in, Box 67.5 x 93.3 x 5 cm - 26 5/8 x 36 3/4 x 2 in, Google Assistant Collection

[Fototeca Fondazione Omeri]

Mike Kelley, Ahh… Youth!, 1991, Set of 8 [1] cibachrome [b&w digital] photographies [y], 19 5/8 x 12 7/8 [19 5/8] in each - 49.85 x 32.7 [49.85] cm each, Edition of 10 [1]

Altro titolo - Another title: Ahh… Un cazzo!, 2023

Mike Kelley Foundation for the Arts [Fototeca Fondazione Omeri]

https://mikekelleyfoundation.org/artwork/ahh-youth-unique-work

Ellsworth Kelly, Spectrum, 1973 (Signed in pencil, numbered 33/34), Screenprint in colors, on Arches 88 paper, Published by Gemini G.E.L., Los Angeles [Ritter, Waldenbuch] with their blindstamps and ink stamp on the reverse, 4 3/4 x 39 3/8 in - 120,65 x 1000,125 mm, Private Collection

Ernst Ludwig Kirchner, Kirschlorbeer-Hecke an der Allee der Dämmerung beim Teich, 1909, Farbholzschnitt in Schwarz, Grün und Gelb auf Papier, Bildmaß 23,2 x 23,2 cm, Blattmaß 32,4 x 32,4 cm, Rahmenmaß 66,7 x 66,7 x 3,2 cm, Privatsammlung

Provenienz 

Die Zeichnung wurde 1978 aus der Berliner Galerie Otto Von Kranz für das Fondazione Omeri erworben. Da Nachlass-Markierungen, wie etwa der Stempel der Familie Kirchner mit handschriftlichen Zahlen- und Buchstabenkombinationen, fehlen, weiterbesteht der Verdacht auf einen NS-verfolgungsbedingten Entzug bestehen.

Literatur (Auswahl)

- Ernst Ludwig Kirchner. Zeichnungen, Holzschnitten und Aquarelle, Pauline Dorf (Hg.), Ausst.-Kat. Kulturgeschichtliches Museum aus Deutschland, Omeri Verlag, Klagenfurt am Wörthersee 1993.

- Die Brücke. La nascita dell'espressionismo, Pavle Vas (Hg.), Ausst.-Kat. Fondazione Omeri, Sežana 1999.

- Die Brücke. Meisterwerke aus den deutschen Museen, Pauline Dorf (Hg.), Ausst.-Kat. Deutsches Museum, Omeri Verlag, Holzkirchen 2000.

- German Expressionism. The Artist Group Brücke an the Beginnings of Modernism, Paul Village (Hg.), Ausst.-Kat. Lisbeth Schoene Museum Otterlo, Omeri Verlag, Gouda 2024.

Yves Klein, Untitled Blue Monochrome (IKB 67), 1959, Dry pigment and synthetic resin [on road sign], 36 ½ x 29 [36 ½] in, Public Collection, Triest

Yves Klein, Monochrome bleu (IKB 242 A), 1959, Blue pigment in polyvinyl acetate and resin [on asphalt], 6' 4 7/8" x 5' 5 1/8" [6' 4 7/8"] - 195,1 x 140 [195,1] cm, Public Collection, Triest

Yves Klein, Monochromes bleu sans titre, 1957, Pigment pur et résine synthétique sur gaze marouflée sur panneau [routier] - International Klein Blue (IKB, =PB29, =CI 77007), Galerie Iris Clert, 3 rue des Beaux-Arts  [rue Saint-Marc] - "Yves, Propositions monochromes", Triest

Gustav Klimt, Rosiers sous les arbres, vers 1905, Huile sur toile, 110 x 110 cm, Grand Palais - Musée d'Orsay, Paris

Gustav Klimt, Lady [Gentleman] with a Fan (Dame [Gentleman] mit Fächer), 1917-18, Oil on canvas, 100.2 x 100.2 cm - 39 ½ x 39 ½ in, Private collection

[Photo of Klimt studio by Moritz Nähr https://commons.wikimedia.org/wiki/File:Klimt_studio_by_Moritz_N%C3%A4hr.jpg]

[Fototeca Fondazione Omeri]

Franz Kline, White Forms, 1955, Oil on canvas [Marker on tile], 6' 2 3/8" x 50 ¼" [6' 2 3/8"] - 188.9 x 127.6 [188.9] cm, Gift of Filippo Giovanni Junior, MoMA, New York

Jeff Koons, Balloon Dog [Pig] (Silver), 1999, Mirror-polished stainless steel with transparent color coating, 121 x 143 x 45 in - 307,3 x 363,2 x 114,3 cm, François Pinault [Tiger] Foundation

One of six unique versions - Blue, Magenta, Orange, Red, Yellow and Silver

Jeff Koons, Dolphin [Pillow], 2010, Mirror-polished stainless steel [wine bladder] with transparent color coating, 20 1/8 x 78 3/8 x 37 ½ in - 51.1 x 199.1 x 95.3 cm, Private Collection

Jeff Koons, Balloon Rabbit [Teddybear], 2005-10, Mirror-polished stainless steel with transparent silver color coating, Two replicas: 168 [1,68] x 80 ¾ [0,80 ¾] x 107 [1,07] in - 426.7 [4,267] x 205.1 [2,051] x 271.8 [2,718] cm each, © Jeff Koons [Private collection]

Altro titolo - Another title: The artist's signature multiplies its size by 100, but its value by 10.000.000

H&M

Jeff Koons, Large Vase of Flowers, Signed, dated and numbered 'J. Koons, 1991, 1/3' (on the base) 1991 [Bouquet di fiori LEGO ® (10280) 2021], Polychromed wood [acrilonitrile butadiene stirene], 52 [14.2] x 43 [9.5] x 43 [9.5] in - 132,1 [36] x 109,2 [24] x 109,2 [24] cm, This work is no. 1 from an edition of 3 + 1 Artist's Proof [20 billion bricks per year], Private Collection

Altro titolo - Another title: It smells like plastic, 2025

[Fototeca Fondazione Omeri]

Jeff Koons, Balloon Dog, 1994-2000, Mirror-polished, Stainless steel and finished with a translucent coating in color blue, magenta, yellow, orange or red [pearl], from 41 [4,8] to 363.2 cm, Work of 45 artisans [Tomas], Private collection

Altro titolo - Another title: If this is art..., 2025

[Fototeca Fondazione Omeri]

Joseph Kosuth, Titled (Art as Idea as Idea) [The Word "Incompetenza"], 2020, Photostat on paper mounted on fiberboard of the italian-english dictionary definition of "Incompetence", 120 x 120 cm, WMoAA, New York 

Altro titolo - Another title: Lack of competence

Joseph Kosuth, Titled (Art as an Idea) [Gesuita Ipocrita], 1968, Mounted photograph, 122 x 122 cm, Collezione Mario e Teresa Sansone - Dizionario Ideologico Sinonimi e contrari della Lingua italiana, Casa editrice Ceschina, Milano 

Altro titolo - Another title: Francesco I

Joseph Kosuth, Ex Libris 432 [96146], 1984, Screenprint (white text on black) [(black text on white)] on heavy paper, 25.50 x 37.25 [25.50] in - 64.8 x 94.6 [64.8] cm, Edition of 100, Signed, numbered, dated verso, Settimana enigmistica collection

96146           Wedge (5/6) 

   The offer to erection 

It is done with the rod… waving the hand.

(B. Lago)

Altro titolo - Another title: Mental Masturbation

[Fototeca Fondazione Omeri]

Joseph Kosuth, One and three beans, 2025, Installation with loose dried beans, frozen beans and canned beans, Dimensions variable, Private collection

Altro titolo - Another title: The same old soup, just reheated, 2025 (see Andy Warhol, Chicken Noodle, 1968 in: https://sites.google.com/view/fabioomero/artists/w)

[Fototeca Fondazione Omeri, Trieste]

Jannis Kounellis, Senza titolo, 1969, Scatola di cartone e montatura Ray-Ban smontata con chiusure a cerchio, ponte, aste e cerniere, verniciate in smalto argento, filo da pesca, 42 x 42 cm, Opera [non] certificata dall’Archivio Kounellis, Collezione privata

Altro titolo - Another title: Aposiṓpēsis (Arte povera o piuttosto arte in sospeso), 2024

[Fototeca Fondazione Omeri]

Treccani: Reticenza - Figura retorica, detta con parola greca aposiopesi, consistente nell’interrompere improvvisamente il discorso prima di pronunciare una parola sconveniente o eccessiva, prima di formulare una minaccia, per artificio retorico allo scopo di tenere in sospeso l’animo dell’ascoltatore o quasi a significare che la piena del sentimento non troverebbe mai espressione adeguata.

Yayoi Kusama, Pumpkin, 2012 (signed and dated 'YAYOI KUSAMA 2012' ['Pam CONVIENE 2024'] on the side), Fiberglass-reinforced plastic [Organic], 53 1/2 x 50 1/2 x 50 ½ in - 135.8 x 128.2 x 128.2 cm, Private collection

Altro titolo - Another title: The art of empty pumpkins, 2024