H

Richard William Hamilton, Just what is it that makes today's homes so different, so appealing? (Was macht unser Zuhause so anders, so anziehend? ), 1956, Collage of magazine photographs on paper (Collage von Magazine Foto auf Papier), 26 x 24.8 [26] cm - 10.25 x 9.75 [10.25] in, Kunsthalle, Tübingen

Duane Hanson, Supermarket Shopper (Supermarket Lady), 1969-70, Polyester resin and fiberglass polychromed in oil [Human] with clothing and accessories, shopping cart and grocery, Life-size - h. 65 in (166 cm),  Neue Gallerie, Sammlung Ludwig, Aachen

Keith Haring, Tuttomondo (All world), Giugno 1989, Murale, Vernici viniliche, copolimeriche e acriliche [su asfalto stradale] - Vinyl, copolymer and acrylic paints [on road asphalt], Dettaglio (30 figure - 180 mq), Canonica di sant'Antonio abate (Convent of the Church of Sant'Antonio), Pisa

Altro titolo - Another title: Tuttomondo!

Keith Haring, Senza titolo (Untitled), 1983, Inchiostro vinilico su telone vinilico (Vinyl ink on vinyl tarpaulin), 590 x 290 [590] cm, Terrae Motus, Reggia di Caserta

Keith Haring, Untitled (Orange), 1983, Ink and acrylic on paper [Tiles] 126.60 x 126.60 cm, Private Collection, Milano

Keith Haring, Fight Aids Worldwide, 1990, Edition litograph [Water on concrete floor], 11 x 8 ½ [11] inc - 27.94 x 21.59 [27.94] cm, Edition of 1000 [1], © The Keith Haring Foundation

Altro titolo - Another title: Walking to Solitude

[Fototeca Fondazione Omeri]

Grace Hartigan, [Nord-]East Side Sunday, 1956, Oil on canvas [gas meter box], 80 x 82 in - 203.2 x 208.3 cm, Anonymous gift, Brooklyn Museum, New York

Hans Hartung, Y1955-D31, 1955 (Signed and dated 'Hartung 55'), Acrylic on canvas, pastel, graphite, charcoal and wax crayon on paper and card [Knitting needles], 38,4 x 46,3 [38,4] cm - 15,1 x 18,2 [15,1] in, Private Collection

Sheila Hicks, Ruffians, 2019, Cotton, linen and pigmented acrylic fiber, Dimensions variables, Courtesy Galerie Frank Elbaz, Private collection

Altro titolo - Another title: « Kissing my ass », 2025

[Fototeca Fondazione Omeri, Trieste]

Damien Hirst, The More You Know, the More You Need to Know…, 2002, Glass, stainless steel, steel, aluminium, nickel, bismuth and cast resin, coloured plaster and painted pills with dry transfers [candy and food colors], Detail 55 x 175 x 5 in (1397 x 4445 x 127 mm), Genentech-Roche Collection, Risch, Canton Zug

Damien Hirst, For the Love of Go[L]d, 2007, Pavé-laid diamonds over a platinum cast, human skull and teeth [Skull-piggy bank, plastic, gold enamel and false human teeth], 6.7 x 5 x 7.5 in - 171 x 127 x 190 mm, Private [Pylones] Collection

Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991, [Murano] glass, painted stainless steel, silicone, stainless steel, monofilament, tiger shark [and little goldfish] and formaldehyde solution, 20.000 x 20.000 x 20.000 μm, My own private Collection

Damien Hirst [Dan Aykroyd and John Alexander], For the Love of God [Vodka], 2007-08, Platinum cast of an 18th-century human skull encrusted with 8.601 flawless diamonds [Crystal head and vodka (no more)], 25.36 oz (750 mL), Bruno Glass Manufacture, Milano

Damien Hirst, Treasures from the Wreck of the Unbelievable, 2017, Video frame from the documentary on the recovery of one of the treasures, Pinault [Aquarium ] Collection, Venice

Altro titolo - Another title: The Frauds of Art

Damien Hirst, Roman amphora, 2017, Treasures from the Wreck of the Unbelievable, Pinault Collection, Punta della Dogana, Venice [Sala delle Oliere, Abbazia di Chiaravalle, Abbadia di Fiastra, Macerata]

David Hockney, Portrait of an Artist (Pool with Two [One] Figures), 1972, Acrylic on canvas, 84 x 120 [84] in - 213.5 x 305 [213.5] cm, Private Collection

Hans Hofmann, Swamp Series V - Sunburst, 1959 ([un]signed and [un]dated 'hans hofmann 59' - lower right; [un]signed again and [un]titled 'Swamp Serie #V Sunburst hans hofmann' on the reverse), Oil on canvas [wooden top of school desk], 48 x 60 [48] in - 121.9 x 152.4 [121.9] cm, Private Collection

Liceo artistico Nordio, Trieste

Carsten Höller [Tomas Rigali], [4] Doppelpilzvitrine[n] (24 [18] Doppelpilze), 2009, 24 [18] repliche di funghi in poliuretano e acrilico dentro vetrina[e] (cornice in ferro [sughero] e vetro), 145 x 175 x 25 [5,3 x 18,4 x 4,6] cm, Fondazione CRT Progetto Arte Moderna e Contemporanea, in deposito presso GAM - Galleria Civica d'Arte Moderna e Contemporanea, Torino

Carsten Höller [Tomas Rigali], [2] Doppelpilzvitrine[n] (24 [8] Doppelpilze), 2009, 24 [8] repliche di funghi in poliuretano e acrilico dentro vetrina[e] (cornice in ferro [sughero] e vetro), 145 x 175 x 25 [5,3 x 9,2 x 4,6] cm, Fondazione CRT Progetto Arte Moderna e Contemporanea, in deposito presso GAM - Galleria Civica d'Arte Moderna e Contemporanea, Torino

https://fondazioneartecrt.it/en/artist/carsten-holler/

Jenny Holzer, Red Looming [L.O.L.!], 2004, Projected red electronic signs of alarm clock, 13.3 x 6.5 [13.3] cm - 5 ¼ x 2 ½ [5 ¼] in, Collection of the artist

Laughing Out Loud 

Jenny Holzer, Inflammatory Wall of Sex [6] Essays, 1979-82, Graphic work, stencil and paint on plaster, 43.2 x 43.2 cm, MACBA Collection

Liceo artistico Nordio, Trieste

Jenny Holzer, Inflammatory Essays, 1979-82, Offset printing on paper, 10 impressions 43.2 x 43.2 cm c/u, MACBA Collection, Barcelona

Altro titolo - Another title: Surrogacy universal crime, 2024

[Fototeca Fondazione Omeri]

Edward Hopper, Nighthawks, 1942, Oil on canvas, 33 1/8 x 60 [33 1/8] in - 84.1 x 152.4 [84.1] cm, Signed l.r. "Edward Hopper", Friends of American Art Collection, Art Institute of Chicago

Edward Hopper, Girl at a Sewing Machine, 1921 ca, Oil on canvas, 48.3 x 46 [48.3] cm, Museo Nacional Thyssen-Bornemisza, Madrid

Altro titolo - Another title: WLM, 2025

[Fototeca Fondazione Omeri, Trieste]