C

Gustave Caillebotte, Paris Street (Rainy Day), 1877 [2021], Oil on canvas, 212,2 x 276,2 [212,2] cm - 83 ½ x 108 ¾ [83 ½] in, Art Institute, Chicago [Le Petit Vendôme, 8, rue des Capucines (2°), Paris]

Alexander Calder, [Ikea-]Mobile, 1932, Metal, wood, cotton, felt, wire and string, 550 x 325 x 1150 mm, Fondazione Solomon R. Guggenheim, New York, Collezione Peggy Guggenheim, Venezia

Alexander Calder, Plain Wood (Constellation, Hanging Mobile), c. 1943, Wood, string, sheet metal and paint, 79" x 75" x 79", Collection Mary Reynolds, Gift of her brother, 1954 (no. 54.1390), Collection Solomon R. Guggenheim Museum, New York

Altro titolo - Another title: Global balancing act, 2024

The Solomon R. Guggenheim Foundation [Fototeca Fondazione Omeri]

Giovanni Antonio Canal (Canaletto), Capriccio con il Canal Grande - Il Ponte di Rialto da sud (Capriccio with Grand Canal - The Rialto Bridge from the South), c. 1737, Olio su tela (Oil on canvas), 68,5 x 92 [68,5] cm, Galleria Nazionale d'Arte Antica a Palazzo Barberini (National Gallery of Ancient Art in Barberini Palace) - GNAA, Murano, Venice

Canaletto, Campo santi Giovanni e Paolo (with Verrocchio's equestrian monument to Bartolomeo Colleoni), 1736-40, Oil on canvas, 46.4 × 78.4 [46.4] cm, Royal Collection of the United Kingdom, The Queen's Gallery, Buckingham Palace, London

Antonio Canova, Amore e Psiche stanti, 1796, Gesso [Pelle e lattuga] , 145,1 x 63 x 56 cm, Ø 74 cm, Museo e Gypsotheca di Possagno, Treviso

Altro titolo - Another title: Pontifical hypocrisy

Giuseppe Capogrossi, Superficie 678 (Cartagine), 1950, Olio su carta applicata su tela, 169 x 88,5 [169] cm, Mart, Deposito collezione privata

Altro titolo - Another title: Insensate ossessioni del quotidiano (by Angela Vettese), 2024

[Fototeca Fondazione Omeri]

flic.kr/p/2qEqpBr

Michelangelo Merisi da Caravaggio, Canestra di frutta, 1597-1600 ca, Olio su tela, 54,5 x 67,5 [54,5], Pinacoteca ambrosiana [Maisons du Monde], Milano

Altro titolo - Another title: Vanitas, 2023

[Fototeca Fondazione Omeri] 

https://www.ambrosiana.it/opere/canestra-di-frutta

Michelangelo Merisi da Caravaggio, Rosenkranzmadonna, um 1601, Öl auf Leinwand, 364,5 x 249,5 [364,5] cm, Gemäldegalerie Kunsthistorisches Museum, Wien

Altro titolo - Another title: Der Widerstand, der heute gepredigt wird, 2025

[Fototeca Fondazione Omeri, Trieste]

Annibale Carracci, Il Mangiafagioli (The Bean[s] eater), 1583-85, Olio su tela (Oil on canvas), 57 x 68 [57] cm - 22 x 27 [22] in, Galleria Colonna, Roma

Altro titolo - Another title: What does ECB President Christine Lagarde eat?, 2023

[Fototeca Fondazione Omeri]

Maurizio Cattelan, Untitled, 2007, Taxidermied horse [Plastic], 300 [14] x 170 [7] x 80 [6] cm, Pinault Collection, Punta della Dogana, Venezia

Another Fucking Ready-made embalmed by Ikea

Maurizio Cattelan, Untitled, 2001-02, Wax, pigment, human hair, fabric, polyester resin, [concrete and glass], Museum Boijmans Van Beuningen, Rotterdam

https://www.perrotin.com/artists/Maurizio_Cattelan/2/untitled/7069

Maurizio Cattelan, La Nona Ora (The Ninth Hour), 1999, Moquette, carpet, wax, glass resin, polyester resin, natural hairs, clothes, accessories and stone, variable size, Musée des Beaux-Arts, Rennes

Maurizio Cattelan, Il Bel Paese (The Beautiful Country), 1994, Tappeto in lana tastato (Wool Carpet) [Stagnola ed etichetta in carta (Silver foil and paper label)], Ø 300 cm (1[,]18 1/8 in), Museo d’Arte Contemporanea, Castello di Rivoli, Torino

Maurizio Cattelan [and David Datuna], Comedian[s], 2019, Perrotin Art Gallery, Art Basel Miami

Maurizio Cattelan, Lavorare è un brutto mestiere (Working is a bad job), 1993 [2021], Aperto 93 - a cura di Francesco Bonami, 45. Esposizione Internazionale d'Arte: Punti cardinali dell'arte [17. Mostra Internazionale di Architettura: How will we live together?], La Biennale, Venezia

Maurizio Cattelan, L.O.V.E. (Libertà Odio Vendetta Eternità), 2010, Marmo bianco di Carrara e travertino romano [Bronzo], 1100 x 470 x 470 [172 x 50 x 30] cm, Piazza Affari, Milano [Piazza sant’Antonio, Trieste] 

Altro titolo - Another title: Fuck yourselves, 2023

[Fototeca Fondazione Omeri]

Maurizio Cattelan, America, 2016, Toilet made of 18-karat solid gold, Lost

Altro titolo - Another title: The art market [mall], 2025

[Fototeca Fondazione Omeri, Trieste]

Mario Ceroli, Profili, 1974, Scultura in legno, 4[,]5 x 7[,]5 x 1[,]7 cm, Collezione privata

Altro titolo - Another title: Pop Art Poor, 2023

[Fototeca Fondazione Omeri]

Mario Ceroli, Albero della Vita, Anni ‘60, Legno pino di Russia, 300 [25] x 550 [25] x 250 [12] cm, Collezione privata

Altro titolo - Another title: L’uomo non pretenderà mica di stendere ancora la mano e prendere anche dall'albero della vita, mangiarne il frutto e vivere per sempre!?! (Genesi 3, 22), 2024

[Fototeca Fondazione Omeri]

César (César Baldaccini), Compression, 1966, Compressed automobile parts [and uncompressed cars], 162 x 68.5 x 66 cm, National Galleries of Scotland, Edinburgh

Paul Cézanne, Nature morte avec pot à lait et fruits (Still Life with Milk Jug and Fruit), c. 1900, Huile sur toile (Oil on canvas), 45,8 x 54,9 [45,8] cm, [Gift of my Foundation in memory of mine], National Gallery of Art, Washington

Paul Cézanne, Mont Sainte-Victoire [by Google Maps], 1902-04, Oil on canvas, 28 3/4 x 36 3/16 [28 3/4] in - 73 x 91.9 [73] cm, The George W. Elkins Collection, (1936), Philadelphia Museum of Art

Paul Cézanne, Baigneurs, Vers 1890, Huile sur toile, 60,5 x 82,5 [60,5] cm, Musée d'Orsay, Paris

[Fototeca Fondazione Omeri]

Christo and Jeanne-Claude (Christo Javachev and Jeanne-Claude Denat de Guillebon), Lower Manhattan [Triest] Wrapped [Finance] Building, 2014, Lithograph printed in colors on vellum signed with black marker, collage of fabric, thread and masking tape, with additional hand-coloring, 66.2 x 101.5 [66.2] cm, Edition of 99 

This work is temporarily sold out

Christo and Jeanne-Claude, Wrapped Reichstag Berlin [Frauenkirche Bell Tower Munich], 1995 [2014], 50.000 square meters - 538.165 square feet of thick woven polypropylene fabric with an aluminum surface and 7.8 kilometers - 4.85 miles of blue polypropylene rope, diameter 3.2 cm - 1.26 in, Photograph signed "Christo and Jeanne-Claude" Color, 4 x 5¾ [4] in

Christo, The Pont Neuf [Balcony], Wrapped (Project for Paris [Ancona]), Signed 'Christo 1985' (lower right of the upper element), Two [One] elements - pencil, charcoal, wax crayon and pastel on printed map, Upper element 15 ½ x 65 ½ [15 ½ ] in - 39.3 x 166.3 [39.3] cm, Lower element 42 ½ x 65 ½ in - 107.9 x 166.3 cm, Private Collection

Christo & Jeanne-Claude, Wrapped Book, 1973, Multiple bound volume wrapped in canvas [paper, sealing wax] and twine, 305 x 228 x 25 mm, 12 x 9 ¼ x 1 in, Signed and numbered 51/100 [08/07/2022] in black ink, lower right, Published by Abrams Original Editions, New York [Istituto Nautico Tomaso di Savoia Duca di Genova, Trieste], Hand assembled by Christo, Private Collection

Pieter Claesz, Vanitas. Still Life with a Skull and a Writing Quill [a Headstone and a Rubber Hose], 1628, Oil on wood, 9 ½ x 14 1/8 [9 ½] in - 24.1 x 35.9 [24.1] cm, Metropolitan Museum of Art [Anglican Cemetery], New York [Triest] 

[Fototeca Fondazione Omeri]

https://www.metmuseum.org/art/collection/search/435904 

https://sites.google.com/view/fabioomero/memoria-smemorata 

Pieter Claesz, Stillleben mit Römer und Silberschale[rahmen], um 1635, Oil on panel, 43,2 x 60 [43,2] cm, Gemäldegalerie, Berlin

Altro titolo - Another title: Monochromen Banketje (ndl. für monochromes Bankettbild), 2025

[Fototeca Fondazione Omeri, Trieste]

John Constable, Cloud Study, 1822, Oil paint on paper on board [concrete flooring], 47.6 x 57.5 [47.6] cm, Tate, London

John Constable, Clouds, 1822, Oil on paper on cardboard, 30.0 x 48.8 [30.0] cm, National Gallery of Victoria, Melbourne

Inscribed in pen and ink on paper label on reverse: "5 Sepr 1822 / 10 o'clock Morning, looking South-East [West] / very brisk wind [Bora] at West [East-Nord-East] / White + fresh Grey Clouds running very fast over a yellow [light blue very bright] bed about in the half lower way in the sky / very appropriate for the Coast at Osmington [Triest]".

John Constable, Flatford Mill (‘Scene on a Navigable River with Bridge’), 1816-17, Oil paint on canvas [Decoration on ceramic plate], 101.6 x 127 [101.6] cm, Tate, London

Gustave Courbet, Les Casseurs de pierres, 1849, Huile sur toile, 165 x 257 [165] cm, Gemäldegalerie Alte Meister de Dresde (détruite en février 1945, lors du bombardement en Allemagne)

Altro titolo - Another title: Workplace security 

Chaussures retrouvées et réparées en 2019