G

Artemisia Gentileschi, Giuditta [ha appena] decapita[to] Oloferne, 1620 ca, Olio su tela, 146,5 x 108 [146,5] cm, Le Gallerie degli Uffizi, Firenze

Altro titolo - Another title: Poche le Giuditte e troppi gli Oloferni, 2022 (Few Judiths and too many Holofernes, 2022)

Théodore Géricault, Le Radeau de La Méduse, 1818-19, Peinture à l'huile, toile sur bois, 491 x 716 [491] cm, Musée du Louvre, Paris

"C’est Venice elle-même qu’il embarque sur ce radeau". (Jules Michelet, Cours professoral au Collège de France: 1847-48)

Altro titolo - Another title: UNESCO: Venice not on List of Endangered World Heritage Sites..., 2023

Actv, Zattere, Venezia

Franz Gertsch, Barbara und Gaby, 1974, Acryl auf ungrundierter Baumwolle (Acrylic on unprimed cotton), 270 x 420 [270] cm, Nationalgalerie Berlin, Staatliche Museen, Berlin

Alberto Giacometti, L'Homme qui marche I (Walking Man I), 1960-61 - executed in 1960 and cast in bronze [molded in tin and copper alloy] in 1961, numbered [7]/6 and with the foundry mark Susse Fondeur Paris,  Bronze, 180,5 x 26,5 x 95,5 cm,  Published in the catalogue raisonné prepared by the Fondation Alberto et Annette Giacometti, Fondation Marguerite at Aimé Maeght, Saint-Paul-de-Vence

Giotto di Bondone, Storie di Gioacchino e Anna e di Cristo, 1303-05, Affresco (Fresco) [Rotocalco su carta (Gravure on paper)], Parete sud (South wall) - Cappella Scrovegni (Scrovegni Chapel), Padova (Padua)

Primo registro - Storie di Gioacchino (Cacciata di G., Ritiro di G. tra i pastori, Annuncio a sant’Anna, Sacrificio di G., Sogno di G., Incontro di Anna e G. alla Porta d’oro) / Upper tier - Stories of Joachim (The Expulsion of J., J. amongst the shepherds, An angel comes to Anna in prayer announcing the birth of Mary, J. sacrifices a kid goat to the Lord, Joachim's dream, J. meets Anna at the Golden gate).

Secondo registro - Scene della vita di Cristo (Natività di Gesù e annuncio ai pastori, Adorazione dei Magi, Presentazione al tempio, Fuga in Egitto, Strage degli innocenti) / Middle tier - Scenes from the Life of Christ (Nativity, Adoration of the Magi, Presentation in the Temple, Flight into Egypt, Massacre of the Innocents). 

Terzo registro (Lower tier) - Ultima cena (Last Supper), Lavanda dei piedi (Washing of Feet), Bacio di Giuda (Kiss of Judas), Cristo davanti a Caifa (Christ before Caiaphas), Flagellazione (Flagellation). 

Quarto registro - Le sette virtù (Prudencia, Fortitudo, Temperantia, Iusticia, Fides, Karitas, Spes / Bottom tier - Seven virtues (Prudence, Fortitude, Temperance, Justice, Faith, Charity, Hope).

Giotto, Presepe di Greccio [Weihnachtsgans], 1290-96, Affresco [Oca sottovuoto], 230 x 270 [230] cm, Basilica superiore di san Francesco d'Assisi, Assisi

[Fototeca Fondazione Omeri]

Domenico Gnoli, Shirt Collar Size 14 ½ [L], 1969, Acrilico e sabbia su tela, 170 x 130 [170] cm, Courtesy Archivio Gnoli [Fototeca Fondazione Omeri], Maiorca [Trieste]

Ralph Goings, Still Life [with Mutti], 1995, Watercolor, gouache and pigmented inkjet on rag paper, 15 ¼ x 16 7/8 [15 ¼] in - 38.7 x 42.9 [38.7] cm, Private Collection, New Jersey

Ralph Goings, Relish, 1994, Oil on linen, 44 x 64 ½ [44] in - 111.7 x 163.8 [111.7] cm, Private Collection, New York

Arshile Gorky, The Liver Is the Cock's Comb, 1944, Oil on canvas [Markers and synthetic colors on school desk], 42 ¼ × 48 ¾ [ 42 ¼] in - 107.3 × 123.8 [107.3] cm, Collection Albright-Knox Art Gallery, Buffalo

Altro titolo - Another title: The soul is the red crown of penis, the dick's glans.

Liceo artistico Nordio, Trieste

Francisco José de Fuendetodos Goya y Lucientes, El tres de mayo [siete de octubre] de 1808 [2023] en Madrid [Trieste], o El 3 de mayo [7 de octubre] en Madrid [Trieste], o Los fusilamientos, o Los fusilamientos de la montaña del [de la] Príncipe Pío [Villa Julia], o Los fusilamientos del tres de mayo [El siete de octubre], 1814 [2023], Óleo sobre lienzo, 268 x 347 [268] cm, Museo Nacional del Prado, Madrid, España

[Fototeca Fondazione Omeri]

Rhinocéros à grandes cornes, Paléolithique supérieur, Pigments minéraux du charbon de bois (de pin sylvestre) et charbon d'os (d'ours) [Marqueur sur carrelage et cintre en plastique], Grotte ornée du Pont d'Arc (ou grotte Chauvet-Pont d'Arc) [Toilettes pour hommes], Département de l'Ardèche [Institut professionnel Galvani], Auvergne-Rhône-Alpes [Campanelle-Trieste]

Laughing Out Loud

Aurochs et chasseur, Paléolithique supérieur (21.500 à 21.000 ans cal AP [aujourd'hui]), Gravure et peinture pariétale et rupestre, Salle des Taureaux [de bains], Grotte de Lascaux, Montignac-su-Vézère, Département de la Dordogne, Région Nouvelle-Aquitaine

George Grosz (Georg Ehrenfried Groß), Metrópolis (Grossstadt), 1916-17 (Bezeichnet verso: Grosz dezember 1916 bis August 1917), Óleo sobre lienzo (Öl auf Leinwand), 100 x 102 [100] cm, Museo Nacional Thyssen-Bornemisza [Nº INV. 16 (2015.03)], Madrid

Subodh Gupta, This is not a fountain [These are Watering Cans], 2012, Old stainless steel utensils, stainless steel, aluminum and wood, lights, wire and water, 0.35 x 0.50 x 0.25 m, Exhibition Paris/Delhi/Bombay - Installation view Art Basel Unlimited 2013, Private Collection

Renato Guttuso, Vucciria [Mercato coperto], 1974, Olio su tela, 300 x 300 cm, Palazzo Steri, Palermo [Trieste]