Embedded Files
BACON
Francis Bacon, Study for Self-Portrait [of Corrado], 1973, Oil and pastel on canvas, 35.5 x 30.5 [35.5] cm, Private Collection
Francis Bacon’s studio at 7 Reece Mews (South Kensington, London), Reconstructed in Hugh Lane Gallery, 1998-2001, Over 7,000 objects, Dublin, Ireland [Trieste, Italia]
[Fototeca Fondazione Omeri]
Francis Bacon, Study After Velázquez[Poli]'s Portrait of Pope Innocent X [Bishop Santin], 1953, Oil on canvas [Bronze], 59 7/8 × 46 3/8 in - 152.1 × 117.8 cm, Des Moines Art Center, Des Moines, Iowa
Altro titolo - Another title: Points of view: terrifying or terrified (Argan vs Montanari) (Secularity vs deference)
[Fototeca Fondazione Omeri]
Francis Bacon: « If you go into one of those big butcher’s shops, especially Harrods - it is not to do with mortality like lots of people think, but it’s to do with the colour of the meat. The colour of meat is so powerful, so beautiful really. People ask me why my pictures have this feeling of rawness and mortality. If you think of a nude, if you think of anything going on around you, think how raw it all is. How can you make anything more raw than that? ». (Francis Bacon, Carcasses and crucifixes, The Times, Monday May 20, 1985)
BALLA
Giacomo Balla (signed Futur Balla lower left), Velocità di motocicletta (The speed of the motorcycle), 1913, Blue [and white] crayon on paper [asphalt], 21 x 21 cm, Private Collection
Giacomo Balla, Velocità astratta n. n., 1914, Pastello su cartoncino, 28,5 x 44,1 [28,5], Collezione privata
BANKSY
Banksy, Untitled [or No words really], 2021, [No] Graffiti on concrete wall, 225 x 225 cm, Certificated [not] authentic (COA), Pest Control Office Ltd
Banksy, Girl with Balloon (also Balloon Girl or Girl and Balloon), 2002, Stencil mural [Rubber balloon] on plaster, Waterloo Bridge in South Bank, London
Altro titolo - Another title: Che balun, Banksy ! (What a drag, Banksy !)
[Fototeca Fondazione Omeri]
BASQUIAT
Jean-Michel Basquiat [signed, titled and dated 'Jean-Michel Basquiat WC, NY 1973’], This is not a Bathroom or WC. It is ART, 1982, Acrylic, oilstick, marking pen, chalk, graphite pencil, wax crayon [on tiles and plaster], 152.4 x 152.4 cm, Biennale di Venezia
Jean-Michel Basquiat, Untitled (Portrait of A[L]-One A.K.A. King), 1982 (signed, titled and dated ''PORTRAIT OF A [L] ONE A.K.A. KINGS' Jean Michel Basquiat SEPT 1982' on the reverse), Acrylic, marker, spray paint and oilstick on canvas mounted on wood panel [plaster], 72 x 72 3/8 [72] in - 182.9 x 183.8 [182.9] cm, Private Collection
Jean-Michel Basquiat, Untitled, 1985, Graphite, colored pencils, oilstick, acrylic, torn and pasted papers on paper [wood], 29 ¼ x 42 [29 ¼] in - 74.3 x 106.7 [74.3] cm, The Met, New York
School desk in Liceo artistico Nordio, Trieste
Jean-Michel Basquiat, Untitled (Jack Johnson [Aurora Lenarduzzi]), 1982, Wax crayon on paper [school desk], 60 x 80 [60] cm, Museum Boijmans Van Beuningen, Rotterdam
School desk in Liceo artistico Nordio, Trieste
Jean-Michel Basquiat, A Panel of Experts, 1982, Synthetic polymer paint and oil pastel on paper mounted on canvas and wood, Detail (original 152.5 x 152.0 cm), Montreal Museum of Fine Art
LA SCUOLA È COME UNA MONTAGNA DA SCALARE, SI VA AVANTI A PICCONI ! (termine gergale per i voti negativi) / THE SCHOOL IS LIKE A MOUNTAIN TO CLIMB, IT GOES ON BY PICKS ! (slang term for negative grades)
School desk in Liceo artistico Nordio, Trieste
Jean-Michel Basquiat, Untitled (Plaid), 1982, Oil stick and ballpoint pen on paper [wood], Sheet (Irregular) 19 5/8 x 15 ½ [ 19 5/8] in - 49.8 x 39.4 [ 49.8] cm, Whitney Museum of American Art, New York
FACILE FARE
DELLA FILOSOFIA
QUANDO NON 6
TU QUELLO CON
LA MERDA
IN CORPO !!
(EASY TO DO PHILOSOPHY WHEN YOU'RE NOT THE ONE WITH THE SHIT IN BODY !!)
School desk in Liceo artistico Nordio, Trieste
BECKMANN
Max Beckmann, Die Synagoge in Frankfurt am Main [Triest], 1919, Öl auf Leinwand, 89,8 x 140,4 [89,8] cm, Städel Museum, Frankfurt am Main
Altro titolo - Another title: Ohne Worte, 2025
[Fototeca Fondazione Omeri, Trieste]
https://sammlung.staedelmuseum.de/de/werk/die-synagoge-in-frankfurt-am-main
BEUYS
Joseph Beuys, 7000 Eichen - Stadtverwaldung statt Stadtverwaltung, 1982, Ausstellung documenta 7 (bis documenta 8, 1987), Portal des Fridericianums, Kassel
Altro titolo - Another title: At least 1 Oak - City Forestation instead of City Administration, 2025
[Fototeca Fondazione Omeri]
Joseph Beuys, Fettstuhl (Fat Chair), 1964, Wooden [Polypropylene] chair, wax, fat [and butter] and wire, 40¼ x 16⅝ x 18 [30⁴⁵/₆₄ x 20⁹/₃₂ x 18⁵⁷/₆₄] in - 102 x 42 x 46 [78 x 51.5 x 48] cm, Tate and National Galleries of Scotland [Skin of Calligaris, Manzano, Udine]
Altro titolo - Another title: Butter harm coronary arteries (and woke culture) - Il burro nuoce alle coronarie (e alla cultura woke), 2025
[Fototeca Fondazione Omeri, Trieste]
BOCCIONI
Umberto Boccioni, Stati d'animo, gli addii (States of Mind I: The Farewells) [by Ikea], 1911, Olio su tela (Oil on canvas) [Wood and stainless steel (Legno e acciaio inossidabile)], 70,5 x 96,2 [70,5] cm, Moma, New York
Umberto Boccioni, Rissa in galleria, 1910, Olio su tela, 76,9 × 64 [76,9] cm, Pinacoteca di Brera, Milano
Umberto Boccioni, Stati d'animo, quelli che vanno (States of Mind II: Those Who Go), 1911, Olio su tela (Oil on canvas), 70,8 x 95,9 [70,8] cm, Moma, New York
BOETTI
Alighiero Boetti, Mappa (titled and inscribed ‘1989 alighiero e boetti kabul afghanistan’), 1988-89 [2013], Ricamo su tela (Embroidery on canvas) [Puzzle in cartoncino colorato e stampato (Puzzle in colored and printed cardboard)], 121,8 x 186,8 cm, Private Collection
Altro titolo - Another title: European Union Denied, 2013-2023
Alighiero Boetti, Il muro, 1972-1993 [1977-2019], Installazione di 75 [15] elementi, Tecniche miste, Collezione privata, Trieste
Alighiero Boetti, Mappa rosa (Carte rose), Signé, inscrit et daté 'alighiero e boetti - KABUL - AFGHANISTAN NEL 79 anno dell'invasione russa' ['fabio e omero EUROPA LGBTIQ+ NEL 24 anno dell’omotransfobia'] (sur l'extrémité d'un bord, partiellement indistinct), Broderie sur toile, 130 x 230 [130] cm - 51 1/8 x 90 ½ [5 11/8] in, Exécuté en 1979-1980 [2024], Collection Privée Meloni Orban
BOTERO ANGULO
Fernando Botero Angulo, Delphine, 1972, Olio su tela, 126 x 95 [126] cm, MOLAA (Museum of Latin American Art), Long Beach
Altro titolo - Another title: Body shaming, 2025, Piazza del santo, Padova
[Fototeca Fondazione Omeri, Trieste]
BOTTICELLI
Alessandro di Mariano di Vanni Filipepi (Sandro Botticelli), Nascita di Venere (Birth of Venus), 1485, Tempera su tela (Tempera on canvas) [Molded plastic] 172,5 x 278,5 [172, 5] cm, Gallerie degli Uffizi, Firenze
Sandro Botticelli, La Primavera (Spring), c. 1478-82, Tempera grassa su tavola (Tempera grassa on wood) [Trifoglio e margherite (Clover and daisies)], 207 x 319 [207] cm, Galleria degli Uffizi, Firenze
Arazzo fiammingo Millefiori / Flemish Millefiori tapestry
Sandro Botticelli, La Primavera (dettaglio di Flora [Amanda]), 1480 ca, Tempera grassa su tavola di pioppo [Video], 207 x 319 cm, Gallerie degli Uffizi, Firenze [Eredità, Rai1]
BOURGEOIS
Louise Bourgeois, Maman, 1999, Stainless steel, bronze, marble, 9[,]271 x 8[,]915 x 10[,]236 mm, National Gallery of Canada, Ottawa
Louise Bourgeois, Spider I, 1995, Cast 1996, Bronze [Synthetic ceramic and steel], 101.6 x 98.43 x 53.34 cm [µm], San Francisco Museum of Modern Art
Altro titolo - Another title: Vedova bianca (Grass widow), 2024
[Fototeca Fondazione Omeri]
Louise Bourgeois, Passage Dangereux, 1997, Metal, wood, tapestry, rubber, marble, steel, glass, bronze and bones, 104 x 132 1/8 x 345" - 264.2 x 335.6 x 876.3 cm, © The Easton Foundation/VAGA at Artists Rights Society (ARS), New York
Altro titolo - Another title: Passaggio Pericoloso (Dangerous Passage), 2024
[Fototeca Fondazione Omeri]
BRAGAGLIA
Anton Giulio Bragaglia, Fotodinamica [Metronomo] (Photodynamics [Metronome]), 1911, Signed and annotated 'Roma' in ink on the image, titled and annotated 'fotodinamica futurista di A. Bragaglia' in pencil and stamped 'Foto Ritratti D'Arte, Piazza Spagna 51' on the reverse, framed, stampa alla gelatina d’argento (silver gelatin print), 11,4 x 17,1 [11,4] cm, Private Collection
Anton Giulio Bragaglia, Fotodinamismo Futurista, 1911-13, 16 gelatin silver prints in original box, printed by Carlo Ludovico Bragaglia in 1986 [Fabio Omero in 2025], 24 x 17,8 [24] cm (pictures in differet sizes) - 9.4 x 17.8 [9.4] in (pictures in differet sizes), Edition 1 of 12, Each one signed and 14 titled and one dedicated in pencil by Carlo Ludovico Bragaglia [Fabio Omero] on the white inferior recto margin, Work accompanied by a letter of Carlo Ludovico Bragaglia [Fabio Omero] to Giuliana Scimé [Tomas Rigali], Giuliana Scimé Collection, Milan [Fototeca Fondazione Omeri, Trieste]
Altro titolo - Another title: Spin the bottle, 2025
BRÂNCUȘI
Constantin Brâncuși, Măiastra, 1911, Bronze on limestone base [Crow on tree], 905 x 171 x 178 mm, Tate, London
BRAQUE
Georges Braque, Maisons à l'Estaque (Houses at L'Estaque), 1908, Oil on canvas [Wood], 59,5 x 73 [59,5] cm, Kunst Museum, Bern
Georges Braque, Il clarinetto (La Clarinette), 1912, Olio con sabbia su tela, 91,4 x 64,5 [91,4] cm, Collezione Peggy Guggenheim, Venezia
Chez Janou, 2, rue Roger-Verlomme, (3°) Paris
BÜCHEL
Christoph Büchel, Barca Nostra, 2019, Installazione con barca (Installation with boat), 58. Esposizione Internazionale d’Arte - May You Live in Interesting Times, Venezia
Venice - november 2019
Barca Nostra, a collective monument and memorial to contemporaneity, represents the collective policies and politics that create these kinds of [environmental] disasters.
Altro titolo - Another title: Barca Nostra
https://www.labiennale.org/it/arte/2019/partecipanti/christoph-b%c3%bcchel
BUONARROTI
Michelàngelo (Michelàgnolo) Buonarroti, David [wears Hello Kitty], 1501-04, Marmo (Marble), h. 486 [39] cm, Galleria dell'Accademia, Firenze
DADA / NEW-DADA / POP / DUBAI
Michelàngelo Buonarroti, David, 1501-04, Marmo (Marble) [Skin], h. 486 cm - dettaglio (detail), Galleria dell'Accademia, Firenze
Michelàngelo Buonarroti, Prigione Atlante (Atlas Slave), c. 1530, Marmo non finito (Marble unfinished) [Formaggio parmigiano grattugiato (Grated parmesan cheese)] h. 277 cm - dettaglio (detail), Galleria dell'Accademia, Firenze
Michelàngelo Buonarroti, Bacco (Bacchus), 1496-97, Marmo (Marble) [Pelle (Skin)], h. 209 cm - dettaglio (detail), Museo Nazionale del Bargello, Firenze
Michelàngelo Buonarroti, Creazione di Adamo (part), 1509-10, Affresco, Volta della Cappella sistina, 1508-1512, 40,23 x 13,41 m, Palazzi vaticani, Città del Vaticano
Michelàngelo Buonarroti, [Dente del] Giudizio universale, 1537-41, Affresco, 13,7 x 12,2 m, Roma, Palazzi vaticani, Città del Vaticano
Altro titolo - Another title: Dens Sapientiae Āmissae (Lost Wisdom Tooth)
[Fototeca Fondazione Omeri]
BUREN
Daniel Buren, Les Deux Plateaux (Colonnes de Buren), 1985-86, Installation en marbre de Carrare et marbre noir et blanc des Pyrénées, 3.000 [c]m² de la cour, 260 colonnes tronquées, bandes de 8,7 [2,7] cm, Cour d'honneur du Palais-Royal, Paris
Altro titolo - Another title: Vandalisme d'État, 2025
[Fototeca Fondazione Omeri, Trieste]
Daniel Buren, Fare, Disfare, Rifare. Lavori in situ e situati 1968-2025, Palazzo Buontalenti, Pistoia [Prato]
[Fototeca Fondazione Omeri, Trieste]
BURRI
Alberto Burri, Grigio cretto Y 2 (Grey cretto Y 2), 1975, Vernice idrosolubile ad asciugatura rapida, creta, caolino, bianco di zinco, acciaio con collante Acrovinilico su supporto in legno (Fast-drying, water-soluble paint, clay, kaolin, white zinc, steel with Acrovinyl glue on wooden support) [Poliuretano, zucchero e caffè (Polyurethane, coffee, and sugar)], 71 x 71 cm, Private Collection
Gal Weinstein, Jezreel Valley in the Dark, Israeli Pavilion, 57th Venice Biennale 2017
Alberto Burri, Black Cellotex, 1986-87, Cellotex, acrilico nero e vinavil (Cellotex, black acrylic and vinavil) [Vernice su intonaco (Paint on plaster)], 151 x 251 [151] cm, Collezione Burri, Città di Castello
Wall of the Ex Tobacco Driers - Parete degli Ex Seccatoi di Tabacco
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