[Name] Seo Yoon-hee
[Nickname] Yuni
Dal-ah (Korean word for “Moon” Something her brother calls her teasingly)
[Age] 17
[Gender] Female
[Height] 5'3
[Nationality] South Korean
//About//
[Personality]
Yoon-hee is soft spoken, preferring to be the one listening in most conversations, but offering helpful advice where she can. She does tend to ramble on when the topic of music comes up, enjoying teaching others how to string together lyrics into songs. She hums to herself as she does menial tasks, and can often be found scribbling lyric ideas into her notebook when ideas strike her. When Yoon gets flustered or overwhelmed, she can sometimes fly off the handle, letting her emotions get the best of her.
[Likes]
Lo-fi Music
Reading
Genuine Conversation
Japchae
Comedy Movies
Hibiscus Tea
[Dislikes]
Fame
Cameras
Pictures
Loud Noises
Unflavoured Water
[Other / Miscellaneous info / Talents]
She purposefully distances herself from the ΔURΔ persona, dressing in baggy sweatshirts and messy hairstyles to keep away the image of the highly stylized wigs and outfits she wears while doing public appearances and performances. She does not own any piece of ΔURΔ merch, and sometimes cringes when she hears the name in public.
[Songs]
When the party's over - Billy Eilish
SLOW DANCING IN THE DARK - Joji
THrough the Night - IU
[Digivice] Digimon Linker
[Digimon Attribute] Data
[Crest] Crest of Resonance
[Digi-Mentals] N/A
//Digivolution Line//
Moonmon - Lunamon - Lekismon - ...LOADING...
Born in Busan to a widowed mother, Yoon-hee’s earliest memories were of her mother’s singing. It flowed in a way that made people around her smile effortlessly, sweet, melodic, and welcoming. The soft tones filled the family’s tiny apartment all throughout the day, and Yoon would find herself transfixed by it, and by the time she learned to walk and talk, she danced and sang along.
As the years passed, the songs slowly turned sour, melancholy twinging her songs, financial burden weighing heavy on the family as bills piled higher and higher. In an effort to change fortunes, and find more opportunity for work, her mother took what little she had saved up, and moved the family to the U.S when Yoon-hee was 6 years old.
The transition to American life was hard for Yoon, with a clash of cultures throwing her life out of balance, with her Korean upbringing drowning in American idealisms and norms. In an effort to bring balance to her life, Yoon-hee dove into music, learning piano, taking voice lessons, learning to write songs, everything she could to put feelings into lyrics and give herself an outlet to let all the bottled emotions out.
This continued as Yoon-hee grew up, her mother and older brother supporting her as best they could, wanting her to turn this talent into something real, but tragedy struck. A month after Yoon-hee’s 15th birthday, her mother was diagnosed with cancer, bringing everything to a screeching halt. Her brother dropped out of university to help pay for medical bills, Yoon-hee herself taking up a part time job to help in any way she could.
However, despite the family’s best efforts, their mother passed away a year later, leading a grieving Yoon-hee to the one thing that made her feel the closest to her mother, singing. She went to her lyric book and wrote, line after line, crafting something that could bottle of the despair and longing and heartbreak, and turned it into music. A week later, late at night on an old youtube account, she posted a raw, emotional love letter to her mother, and went to bed.
When she awoke, her life had irrevocably changed. The music that she thought no one would ever listen to had gone viral, picking up steam and within the first week reaching 1 million views, Yoon-hee was thrust into viral fame like a boat in a tidal wave. She had phone calls and text messages blowing up her phone constantly, from news reporters, to record labels, to fans, all wanting to hear from the girl who sang her bottled up emotions out, and it all felt so very wrong.
Unfortunately, virality alone does not pay funeral costs, and Yoon-hee saw the way her brother toiled away trying to pay for the mounting medical and funeral bills. She looked through her options, and chose a label to sign with a week later, and became ΔURΔ, a pop star for the people to cheer for. She tried her best to stay afloat with the constant pressure to deliver music and songs that the label would approve of, with mixed success, but her fame continued to rise as the record label crafted her into a star to rise where they needed her.
A year has passed now since Yoon-hee became ΔURΔ. An album released, a tour has been announced, and she has tried her best to distance her real life, and this strange reality she finds herself in, and now on top of it all, her phone keeps glitching out… you can never depend on technology I guess.
Yoon’s farewell song to her mother, written while in her hospital room. The first time she had performed it was by her mother’s side the day before she passed away. This was the song that, after uploading to YouTube on an old account, thrusted her into virality.
Genre: Acoustic, Lo-fi beat
The first song released under the moniker, Aura. Written by Yoon in her spare time between classes and her first few interviews that were mandated by her record label. It remains mostly her own but scrubbed down by executive hands trying to craft a more friendly song, for a wider audience.
Genre: Soft pop, Synth beat
Released just 5 months after the signing of her contract, Aura released this album to the public, being well received. The contents of this album are a mix of Aura’s own emotional ballads, with her soft undertones and beats, and those that her record label helped to create, with more pop elements.
1. Tideglass (Studio Version)
2. Beneath the Surface (Pop)
3. Tears to Gold (Pop)
4. Party of One (Lo-fi Ballad)
5. My Mother, the Moon (Ballad)
6. Traced (Pop)
7. Violet Field (Ballad Sung in Korean)
8. Brave Voyager (Pop)
9. In a Glass Bottle (A mix of Ballad and Pop)
Bonus Track: The original audio of Tideglass
Written to appease the label during a mental block, Yoon made this EP geared towards more of the pop side of her fanbase. While still popular by label standards, it was critiqued by early Aura fans for not having much of her more emotionally charged ballads included.
1. Cherry Garden (Lo-fi)
2. Wander (Pop)
3. Yonder (Pop)
4. Wallclimber (Pop)
5. Broken Chain (Ballad)
Butterfly (Digimon Adventure Opening)
Runaway by Aurora
Ocean Eyes by Billie Eilish