8:30 AM, I sit and suffocate in my child home. I wonder what my mother was like when she was my age, sixteen and eccentric about the world. In an alternative fantasy, I saw her smiling in photographs with strangers I never knew, no children by her side, and the happiest she’d ever been.
As I saw it, my mother’s life had been gambled away before she had the luxury of an opinon. My father held her down, or so I liked to think, like shackles strapped to her ankles. She was buoyant by nature; she wanted to see the world, confide in her friends, and cement her life into books. Instead, she was tethered to my father’s one-bedroom apartment, where newspapers lay splattered on the coffee table and teased a child about a life she’d never live.
My mother had never been in the picture. After I was born, my father had scowled at a my mother’s ineptitude in providing him a son. Ironically for him, the two had divorced and decided to leave my fate in his hands. Every conversation with my father about my mother would begin with a crude remark that said the only thing my mother had ever done for me was give birth to me, as if it was a disservice on her end. The rest would flow into a river of blames and slurs about a woman child me never got the privilege of knowing.
I’d like the believe there were flickers of guilt that lived throughout our house. Like my mother, I wasn’t entitled to friends or the outside world so I spent my life memorizing the lifeless reality within four walls. Amongst the things shoved between sofa cracks and headboards were tattered photographs, frayed medical textbooks, and chipped drawings.
The photographs reflected the faces of people I only recognized by blood. My mother was smiling alongside her sister, dancing at parties and creating makeshift fashion shows with borrowed jewlery. The textbooks carried carvings of a set of initials: HK. Flowers, hearts, and characters surrounded the words and I could only imagine the look on her face as she sat on our dining room table, distracted and hopeful. The last, and possibly my favorite, were sketches of hand prints. The pages were crumpled, but smelled strong of eucalyptus and cloves. The prints were garnished in intricate patterns created by an already hardened paste. The decorative lines were dry leaves that had been created into a red paste called mehndi, eventually being used to temporarily stain the skin.
In my culture, the paste is a symbolism of prosperity in health and marriage. The patterns, colour, and history of the plant were deeply rooted in thousand-year stories. My ancestors believed that the paste was a reflection of the love between two people, a darker stain would be indicative of a more prosperous marriage. My mother’s creations were cracked and prison-like brick hues.
I spent my childhood memorizing every piece of those drawings. I would secretly trace the chips into perfect copies when my father left for work. Later, I would shove them back under the sofa I called my bed and anticipate our next encounter.
My father never let my mother see me, nor did I ever get the opportunity to do so. I wanted to believe that, despite to my father’s wishes, I was just like her. I used the small pieces I had of her to construct a woman in mind that I tried to find closure in. I caught myself using the
same words etched into her books, parting my hair like her sixteen year old portraits, and painted my hands with pictures regardless of the occasion.
I’m still trying to find solace in a woman I never met and heal from a family that never wanted me. Above all, I’m terrified of making my mother a villain in my story as my father did. The San Francisco therapist keeps telling me I shouldn’t be terrified because she was, like I, a victim. While I absently pretend to agree with her, I felt I was pretending to call my creation family despite her early disloyalty to me.