My vision for the body of work revolves around my personal introspection and retrospection. As an artist, I desire to create art imbued with personal relevance while exploring the multiple aspects in relation to my past and mental processes. Ultimately, I wish to depict the aspects that define me and in turn reach a better understanding of myself.
The audience views from left to right to experience the progression of my self-understanding, starting with the piece A Warming Pot, we peer into a positive and comfortable experience reflecting my love for hotpot and the warmth it brings. The next piece, How Short do You Want It? is a dramatic shift from the previous work as it presents a challenge in the form of risk inspired by my experiences at the hairdresser. Said risk incites fear of leaving my comfort zone and inspires the next piece, The Lost Era. This piece communicates my mourning for childhood, a less complicated time without the confusions and fears I experience now. The multiple emotions experienced by me then evolved into a turning point as they combine to create powerful forces as represented by the piece Sea of Emotion. Said piece delves into how our emotions can overwhelm one’s self but it is up to you on whether to face it or crumble. In my case, I decide to experience these strong emotions and to come out a developed individual. Rather than pulling me down, my experiences with my emotions make me open to the greatest change. I still mourn my childhood and simpler times, but I have accepted that the past is past and we should learn from it instead of dwelling on it to move forward, which is the message of the piece Look To the Future. The piece particularly exemplifies how we should remember our past memories while moving forward to create new ones. The piece Creative Minds is an example of my looking back at past memories, especially those of creative pursuits that have culminated into what is my creative mind as a development. Knowing what’s possible with this in mind, my creativity starts to envision the future I can have, a common message with my piece Daydreams For Tomorrow, which depicts my tendency to daydream often about various subject matter, especially my future. Ultimately, daydreaming is not going to get me to who i want to be and only serves as a blueprint. Thus, the piece Become, Overcome illustrates the resolve to develop and use the pieces of my past in order to flourish in the future. Through this flow, the audience can uncover aspects of myself while understanding my development of self in response to the moving of time.
Most of my works incorporate acrylic paint as it is the medium I am most familiar with. This makes for a more efficient and diverse application of ideas to artwork. Besides this, I made use of digital and mixed media. Digital media was helpful to accomplish what I would not be able to do traditionally, particularly in the realm of precision. Alternatively, mixed media was crucial to the piece Creative Minds as it allows for the incorporation of my multiple creative practices. Through mixed media, the message of the piece is emphasised upon in terms of its variety and sheer scale. In addition, the use of past creative practices is symbolic of looking back onto past experiences with these mediums (retrospection) while communicating my inherent creative nature (introspection).
The main strategy I used to establish connections with my viewers is the fact that I am disclosing information about myself. By revealing the various aspects of my personality, the audience can come to know me through my work. Additionally, what I disclose though personal, may be a shared experience or feeling with the audience, establishing connection through mutual understanding. Color was used to attract attention to the pieces. Specifically, the visual impact of colour was to draw the attention of the audience to certain areas of the piece or spread their attention throughout. This way the audience is able to follow the flow of the works and get a sense of the piece’s message through colour direction.
Acrylic on Canvas
50 cm x 60 cm
Hotpot is my comfort food. Literal and figurative warmth surround me when I eat it with others, as represented in the predominant use of warm tones coupled with the appearance of four chopsticks. The reason for this is the intimacy that hotpot provides. The four chopsticks reach in together to cook and share the foodstuffs with each other while the painting’s collapsed space creates a sense of proximity. Meanwhile, the organic assortment on the table encourages ease with its unkemptness.
Acrylic and Paper on Canvas
40 cm x 60 cm
A haircut has always been a measure of my ability to take risks: the risk of not liking it and having to grow it back. Although simple like the painting, the question sparks a myriad of fears and insecurities on my decision’s outcome. As my figure frowns, the starkness of the question is made more apparent by the orange while the purple cape symbolises the fear weighing me down. It is the green of the question and scissor that represents the opportunity for change and growth coming with risk.
Digital Art
42 cm x 63 cm
Growing older means unavoidably leaving my youth. As my figure looks up to my younger self, the daisy petals adorning her head fall and create tears for the innocence and purity of childhood long gone, as Daisies symbolise. The bright and sunny day of childhood transitioned into the moonlit night of maturity and with it the sprawling meadow of daisies has become barren and plain. Holding up a singular lily flower, I offer it as a symbol of transience and mourning the era I’ve lost to time.
Acrylic on Canvas
60 cm x 40 cm
The force of emotion is one to be reckoned with. Humongous and imposing waves represent the 5 core emotions: joy, sadness, fear, disgust and anger. Amidst this sea of emotions, floats a delicate little paper boat, representing myself, that must confront the monstrous waves in the distance. Frail and unsullied, the tiny paper boat will inevitably be overwhelmed by her emotions and become changed as a result. But, it is up to her whether she will let it ruin her or triumph and see the other side.
Digital Art
42 cm x 59.4 cm
Memories are wonderful to look back on, but one must look forward to creating new ones. My depiction stands in a room decorated with picture frames. Each frame displays childish and colourful drawings stemming from various memories that contrast the purely white figure. In the centre is an imposing arch that advises one to peer into past memories and then move forward. Said direction leads inside the unending hallway within the arch where empty frames await to be filled with new memories.
Mixed Media Collage on Canvas
50 cm x 60 cm
Inherently I am a creative person. In contrast to my exterior, my mind is teeming with ideas and thoughts piled throughout the ages. I incorporated previous media of pencil, crayon, marker, watercolour, and acrylic to name a few. As a result, the inside of the black outlined head produces a sharp contrast with its surroundings as it creates an overflowing plethora of colour, form and line that represent my ideas and thoughts. Hence, the creative mind can be illustrated as such a complex visual.
Acrylic and Marker on Canvas
40 cm x 50 cm
Daydreams are essential to my everyday. I think up all you see in the painting for today and tomorrow. Eyes wide open, my figure relaxes on grassy plains to see the land and sky before her and more. Accompanying the landscape are white outlines of various subjects and objects resulting from my imagination and thought process. Although simple and childlike, these illustrations do contain all my thoughts, both good and bad. But when daydreams seep into real life, what trouble that would be.
Acrylic on Linen Paper
40 cm x 60 cm
To become something you must overcome another. This affirmation rings true to me and is depicted in the painting. The messy sprawled words become and overcome are continuously repeated back to back going downwards to create a mantra. The words are coloured black to provide contrast with the white linen paper with a darker shadow overlapping a less saturated black. Additionally, splotches of red paint litter the top of these words to create a sense of urgency to these words as red signals alarm.