(1868-1924) Ernest Shand

Guitar solo

• March of the Pixies, op. 16 (Bournemouth: Barnes & Mullins, 1896)

• Danse capriccio, op. 28

• 1er Air varié, op. 31 (London: Boosey & Co., 1893)

• Mazurka, op. 36 (London: Schott, 1895)

• Mélodie. Nocturne, op. 51 (London: Schott, 1895)

• Souvenir (A Memory), op. 53 (London: Schott, 1897)

• 3 Pièces faciles, op. 56; includes 1. Inquiétude (Sorrow), 2. Espérance (Hope), 3. Joie (Joy) (London: Schott, 1895)

• Songe d'amour, op. 57 (London: Schott, 1896)

• Calme du soir (Rest at Eventide) et Berceuse (Lullaby), op. 58 (London: Schott, 1896)

• Fantaisie irlandaise, op. 59 (London: Schott, 1897)

• Andante espressivo, op. 60 (Bournemouth: Barnes & Mullins, 1896)

• Andante Caprice, op. 65 (London: Schott, 1896)

• Tsigane, op. 66 (Bournemouth: Barnes & Mullins, 1896)

• Gavotte et Méditation, op. 69 (London: Schott, 1896)

• Sorrow and Song, op. 70

• Scène de Ballet, op. 72 (Bournemouth: Barnes & Mullins, 1896)

• The Gnomes, op. 77

• Andante religioso, op. 87

• Danse antique, op. 88

• Funeral March, op. 89

• Songes d'été, op. 95 (London: Schott, 1897)

• Hungarian Dance, op. 96

• Morceau lyrique No. 1, op. 97 (London: Schott, 1897)

• Cradle Song, op. 99

• Morceau lyrique No. 2, op. 104

• Impromptu, op. 108

• Marche triomphale, op. 109

• Morceau lyrique No. 3, op. 111

• Vain regrets. Mélodie, op. 112 (London: Schott, 1897)

• A Forgotten Strain, op. 116

• Auf Wiedersehn, op. 117

• Phyllis. Gavotte, op. 200 (London: Schott, c.1912)

• Légende, op. 201 (London: Schott, c.1912)

• Au Coin de feu. Souvenir, op. 202

• Varsovie. Mazurka, op. 204

• La Danse des nymphes. Petit morceau, op. 205

• Introduction et chanson, op. 220

Chamber music

• Premier Concerto, op. 48, for guitar and string quartet or piano

• L'Absence. Mélodie, op. 122, for mandoline and piano (London: Schott, 1898)

• Danse bacchique, op. 125, for mandoline and piano (London: Schott, 1898)

• A Dream of Love, op. 127, for mandoline and piano (Bournemouth: Barnes & Mullins, 1896)

Songs

• Gondoliera, with accompaniments for banjo, guitar or piano (Bournemouth: Barnes & Mullins, 1896)

• Consequences (Roland Carse), with piano (London: Hopwood & Crew, 1900)

• Euclid (C.H. Taylor), with piano (London: Price & Reynolds, 1902)

• Little Mary (C.H. Bovill), with piano (London: E. Ascherberg & Co., 1903)

• Why Does a Lady? (George Arthurs), with piano (London: Shapiro, von Tilzer Music Co., 1907)

• Where Blighty Is. Humorous song (Fred Austin), with piano (London: Reynolds & Co., c.1918)

Other

• Ours, I think?. Valse, for piano (London: Metzler & Co., c.1912)