Course Outline
Art 30 Course Outline
Art 30
Prepared by Mrs. McNeice, Onoway Junior Senior High School 2024
Welcome to Art! I look forward to working with you this year!
Art 30 OVERVIEW & PURPOSE:
Art 30 is an opportunity for personal exploration as an artist:
To foster enjoyment of and appreciation for the visual arts.
To provide opportunities for visual expression in both two and three-dimensional media.
To explore a variety of techniques, media, and approach through the creation and appreciation of images.
To develop creative solutions through visual problem solving.
To improve understanding and better articulate visual meaning through art-making, speaking and writing.
To develop a respect for individual differences and expression
Art 30 Program:
By Art 30, students should be capable in a self-directed process. By now, students will have a good understanding of Art fundamentals. They will have experimented using most artistic mediums, including Acrylic Paint, Collage, Clay, Pencil, Ink, Watercolour, Pastel, Charcoal and the like. They will now have the opportunity to build a portfolio based on their strengths established in Art 10 and Art 20. Because Art 20 was based on topical inspiration, the students will have the ability to think of creative pieces that have personal and social meaning. Should they struggle with finding inspiration, there will be new topics in Art 20 which they could use as a springboard. The goal is to create a portfolio where each piece connects to the others in style and explores a variety of personal, social and topical subjects.
The portfolio is meant to prepare the Art 30s, as well as build a professional compilation of their work, for Art/Design-driven post-secondary. It also serves as a creative endeavour for those wishing to go further in their artistic experiences.
Art History will be studied throughout the year and will be interwoven with studio projects. Other Assignments, objectives and deadlines will be prompted as the year progresses.
Content/ Timeline (subject to change):
September/ February Proposal #1 All of the proposals are free choice for ART 30’s with only 2x stipulations:
Proposal #2 1. -One project must incorporate ART HISTORY
2. -Three projects MUST include the same Theme/Topic OR Medium
October/ March Proposal #3 -Students must propose their idea for approval before beginning
-There is a slide in Google Classroom to submit proposals.
November/ April Proposal #4
December/ May Proposal #5
January/ June Proposal #6
Evaluation and Assessment:
Each Art 30 student will submit a portfolio of 12 pieces by (DATE TBA) of the current year along with a sketchbook, due (DATE TBA). Students should submit pieces as they are completed in order to receive a tentative mark. Students will be encouraged to submit at least 1 finished piece from each medium we explore. 3x pieces should reflect a chosen theme or topic. Many Art/Design schools will be looking for variety and require a 12-15 piece portfolio. Students may choose to rework their piece(s) before final portfolio submission which may, in turn, change their mark on the reworked pieces.
Student understanding of concepts covered in class will be assessed through group critiques, self-evaluation, studio work, sketchbook and individual conferences. Rubrics with guidelines, objectives and criteria will be given with each project so students will understand how marks are arrived at. Due dates will be given throughout the course, but projects will only hold a tentative mark until final submission of the portfolio, at which point they will receive their final mark. Students may rework pieces until final submission.
Projects will be decided by the student, presented to the teacher prior to commencing, and then reflected upon at completion. Students will be given appropriate class time to complete assignments, although some personal time will be expected for sketchbook projects. Sketchbook entries will be a combination of personal and prompted sketches and media experiments, as well as reflective written work about each project and the progress throughout.
Percentage Breakdown:
Attendance is a must for all Senior Art classes.
This is an academic-level elective required by most Post-Secondary schools for admissions and should be treated as such.
Much of the learning/course curriculum is covered in lectures/instruction class each day. Lectures and instruction include Art History, Contemporary Art, Elements and Principles of Art and Design, PostModern Elements of Art, Featured Artists and drawing prompts. Drawing Prompts are beneficial for all students as it ensures a minimum of sketchbook pages are completed during class time for a passing grade.
Please note*** If students have to work from home, progress photos are a MUST in order to prove their work. Progress photos are encouraged for every project to show progress and creative thinking through possible adaptations as they encounter artistic challenges.
Portfolio - 60%
including class projects along with self assessment for Artist behaviour such as Critique participation and Art Cleanup
DUE JANUARY/ JUNE 15
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Artist Statements - 25%
including Art History, Artist Research, Artist Reflection
(4.2% per artist statement or you will be required to complete a Final Art Exam on elements and principles of art and design and the art history covered in class)
NOTE:
Miss 1x Artist Statement
or you Do Not Achieve a passing grade on 1x Artist Statement,
you will be required to complete a Final Art Exam
DUE JANUARY/ JUNE 15
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Sketchbook -15%
(25 Pages)
(Option to create a Senior Solo art slideshow, minimum 3x pieces and must have a theme, to reduce 10 pages)
DUE JANUARY/ JUNE 15
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Sketchbooks:
Sketchbook should contain three sections:
Section One: Project Brainstorming.
1st page, should include notes on topics you want to explore a minimum of 6, up to 12, theme art projects.
This section will be a combination of rough sketches of each of their projects (layout, measurements, medium, etc) that will be presented to me prior to their actual beginning of the project in the form of a proposal, as well as a summary of their trials and tribulations during the project and ending with a final summary describing their project, it's intended objectives and their feelings about it.
Section Two: Prompted Sketches
Various prompted sketches, medium experiments and research/ study pieces including Art history or Artist Research.
6x of these can be used for your final portfolio submission.
Section Three: Free Sketch
At least 15 pages with their own sketches and medium experiments
Total of 25 pages at minimum are required for full marks. Art 30 students are encouraged to use the entire sketchbook as it will benefit your creative processes later in life. I welcome you to look at the Art 10 Sketchbook requirements if you need inspiration as to what I will expect. It should be a combination of expressing yourself, exploring objects, people and themes and experimenting with new materials or concepts.
***Students will take daily progress photos of their sketchbook and any other work completed in class to post on to PADLET! This is for marks. If photos aren't uploaded, the work will not be graded. (NO PHOTO=NO MARK) All other completed assignments should be handed in via Google Classroom. Artwork will not be accepted without progress photos especially if progress is not seen in person, in class, by the teacher.
Student Materials:
Most media options are at no charge. If the students want to use something that we do not have they may be asked to bring it in and pay for it themselves. All students will be using materials for media that are purchased from the OJSH art budget and there is no need for students to purchase anything at this time. Please take care of these materials as these can be expensive.
Mrs. McNeice would like to work towards including more digital art and exploration in all grades. The class will be encouraged to help fundraise for Ipads in the Art Room. We will discuss ideas as a class.
Student Expectations:
Punctuality and preparedness are required. A good attitude and respect towards oneself, others, materials and the classroom will lead to a positive art experience. If students have late assignments due to NOT using class time efficiently, parents will be notified and students will be asked to move to another seat until caught up.
Be A Nice Human
Students will be required to upload photos from their sketchbooks everyday. If you miss a day of school, you will then be responsible to catch up at home. If you miss a day, you miss marks.
Students will also need to upload photos of their completed assignments to Artsonia/Google Classroom for evaluation.
Cell Phone Policy:
NO CELL PHONES in class as per the updated Student Handbook. If you DO NOT ASK Permission to take it out first, it goes straight to the office and your Parents/Guardians will be notified. Chromebooks will be required in the Art Room for research, to participate in online games, and taking progress photos at the end of day. Desks, counters and sinks must be cleaned before chromebooks come out for end of day photos. If free time is earned, all materials and desk areas are cleaned, then students may listen to their own music on their chromebooks.
This brings to mind the importance of choosing and creating the best reference photos. Copying photographs or other artist's works does not demonstrate your ability to make design decisions concerning the placement of forms on the page. Drawing from observation will always be encouraged as this is what most Art/Design schools are looking for as well.
Important****Photos of peers or staff are prohibited unless supervised for educational purposes or for our Web Page/Newsletter
Late Assignments:
Late assignments create more work for me. To be efficient at marking assignments, I need to mark them all at once. If you are late, I have to spend more time to go back in to Google Classroom, pull up the rubric, and refer to your PADLET for progress photos just to mark one assignment. Can you imagine if I have 5 students from every Grade level with late assignments? It accumulates a lot of time just to mark the late assignments. This takes time away from YOU and everyone else in the class for more personalized instruction, interviews and media exploration and extra cool art lessons.
Therefore, you will receive 5% off your final grade for every day that your assignment is late up to a 50%. If you hand in “A” quality work later than 5 school days behind the deadline, you will receive no lower than 50%. -BUT Don’t be LATE! If your artwork is not "A" quality, you will not receive a passing grade. On occasion, you may discuss with me how to make up that time lost by helping me afterschool with prepping and organizing the art room in order to keep a more deserving grade for your final project. (1 Hour of your time per 5%) = (5 Days late= 5 hours)
*Remember, if you see yourself as a working artist or designer of any kind in the future, deadlines must be met. If you miss the deadline another artist will get the work and you miss a pay day. If you can create a habit of meeting deadlines and due dates, you will be very successful in this field.
Volunteers and Fieldtrips:
Guest artists are also invited to share art and techniques with the class. If you are an artist, and would like to share your skills in a particular media or style please let me know by phone or email.
Volunteer Parents and Guardians are always welcome. An extra pair of hands to help with clean up, distribution, set-up, etc. are always appreciated.
Fieldtrips:
I am hoping to organize a fieldtrip during each semester for all Senior High Art students. The intention is to expose young artists to contemporary art, art history, art exhibits, art curation, and how to view and appreciate the arts. Students will be encouraged to use their sketchbooks during these field trips to record ideas and inspiration. Volunteer chaperones will be needed. Please send you contact information if you are interested in volunteering in the Art Room or on fieldtrips. Please note: If school fees have not been paid in full, students will not be permitted to attend any fieldtrips.
Contact:
Connie McNeice– Please reach me at school between 8:15 AM and 4:00 PM at
780 967 2271 or by email at connie-lee.mcneice@ngps.ca
I am always open to suggestions and if you have any questions or concerns, please contact me.
Art 30 Curriculum
DRAWINGS Students will:
Record ACHIEVE PERSONAL STYLE.
Concepts
A. Individual treatments of subject or thematic matter may serve to identify individual artists.
Investigate DEVELOP AND REFINE DRAWING SKILLS AND STYLES.
Concepts
A. A repertoire of drawing techniques is needed to express visual ideas.
B. Explorations of a technical or creative nature may lead individuals into highly personalized work sessions.
Communicate EXHIBIT A PERSONAL STYLE THROUGH IN-DEPTH STUDIES.
Concepts
A. Recording the development of visual ideas in a consistent manner is a part of developing personal style.
B. A series of complete compositions presented for public display provides a visual statement about an artist.
Articulate and Evaluate USE THE VOCABULARY AND TECHNIQUES OF ART CRITICISM TO ANALYZE AND EVALUATE THEIR OWN WORKS IN RELATION TO THE WORKS OF PROFESSIONAL ARTISTS.
Concepts
A. An understanding of major 20th century artists and movements adds to the ability to evaluate one’s own work.
B. Identification of similarities and differences between the students and professional artists enhances analysis of their own work.
C. The ability to discriminate between subjective response and an analytic response enhances analysis of one’s own work.
COMPOSITIONS Students will:
Components USE PERSONAL EXPERIENCES AS SOURCES FOR IMAGE MAKING.
Concepts
A. The selection and presentation of perceptions, conceptions and experience as visual content for artworks is an important aim of the artist.
B. Planned and spontaneous methods of working are ways of developing visual images.
C. Colour modifies the experience or idea presented in visual form.
Relationships 1 DEVELOP AND SOLVE DESIGN PROBLEMS.
Concepts
A. Individually devised or discovered design problems may lead to highly personalized works.
Relationships 2 USE THE VOCABULARY AND TECHNIQUES OF ART CRITICISM TO ANALYZE AND EVALUATE THEIR OWN WORKS IN RELATION TO THE WORKS OF PROFESSIONAL ARTISTS.
Concepts
A. Criteria such as originality, organization, technique, function and clarity of meaning may be applied in evaluating works of art.
B. Artworks may be analyzed for personal, social, historic or artistic significance.
Organizations DEVELOP A PORTFOLIO OF WORKS THAT WILL REPRESENT THEIR PERSONAL STYLE.
Concepts
A. Artistic concerns and styles will determine the conception and the organization of images.
B. Personal preferences for a medium influence visual problem-solving methods.
ENCOUNTERS Students will:
Sources of Images RESEARCH SELECTED ARTISTS AND PERIODS TO DISCOVER FACTORS IN THE ARTISTS’ ENVIRONMENTS THAT INFLUENCED THEIR PERSONAL VISIONS.
Concepts
A. Personal situations and events in artists’ lives affect their personal visions and work.
B. Historical events and society’s norms have an affect on an artist’s way of life and work.
Transformations Through Time
ANALYZE THE FACTORS THAT GENERATE A WORK OF ART, OR AN ARTISTIC MOVEMENT: THE EXPERIENCES OF THE ARTISTS AND THE IMPACT OF THE CULTURE.
Concepts
A. A specific artistic movement and its works of art are influenced by the members’ philosophic theme, stylistic identity and relationship to the community in which they exist.
B. A specific artistic movement and its works of art influence later artistic movements.
Impact of Images QUESTION SOURCES OF IMAGES THAT ARE PERSONALLY RELEVANT OR SIGNIFICANT TO THEM IN CONTEMPORARY CULTURE.
Concepts
A. Imagery can depict an important local, political or social issue.
B. Imagery can depict important aspects of the student’s own life.