Course Outline
Art 10 Course Outline
Art 10
Prepared by Mrs. McNeice, Onoway Junior Senior High School 2024
Welcome to Art! I look forward to working with you this year!
OVERVIEW & PURPOSE:
Art 10 is an opportunity for personal exploration as an artist:
To foster enjoyment of and appreciation for the visual arts.
To provide opportunities for visual expression in both two and three-dimensional media.
To explore a variety of techniques, media, and approach through the creation and appreciation of images.
To develop creative solutions through visual problem solving.
To improve understanding and better articulate visual meaning through art-making, speaking and writing.
To develop a respect for individual differences and expression
Art 10 Program:
Art 10 is a fun exploration of discovery, experimenting and mastery, where the students learn how to use each medium, including Acrylic Paint, Collage, Clay, Pencil, Ink, Watercolour, Pastel, Charcoal and the like. Art 10 also teaches students how to make art using the elements of design, composition, texture, drawing, painting and multi-media. The students will be exploring both realistic and abstract compositions. The goal is to create a portfolio where there is a broad exploration of media and subject matter. It is a year of development of skills and experimentation.
Each Art 10 student will submit a portfolio of 6 as the year goes on along with a sketchbook, due (Date TBA). Students will submit pieces as they are completed in order to receive a tentative mark. This will happen at the end of each month as listed below. They may choose to rework their piece before the end of the year which may, in turn, change their mark on the reworked pieces.
Content/ Timeline (subject to change):
September/ February Unit 1
Drawing-Students will use various tools and media to learn the fundamentals of drawing.
- Blind contour, cross contour, and tonal drawings
- One and Two-point perspective
- Sighting Techniques
- Value and shading
Unit 2
Art History- Watercolour, Gouache or Digital Painting
-understanding how artist movements evolved through time
October/ March Unit 3
Painting- Students will study fundamentals of colour theory and learn basic painting techniques.
- Colour wheel
- Tints and Shades
- Non-objective painting with graduations
- Still life painting techniques
November/ April Unit 4
Sculpture- Students will learn the fundamentals of three-dimensional form using a variety of materials.
December/ May Unit 5
Mixed Media/ Collaborative/ Other-students will learn and practice use and identification of the elements and principles of design.
- Elements and principles of design
- Composition
- Mixed-Media Collage with personal/social content
January/ June Unit 6
Printing-Students will be introduced to the many different methods of printing through time. Students will experiment with 1-2 methods in class focusing on composition and abstract art.
Evaluation and Assessment:
Student understanding of concepts covered in class will be assessed through group critiques, self-evaluation, studio work, sketchbook and individual conferences.
In-class projects will have set deadlines and will be evaluated in a timely manner. Students will be given appropriate class time to complete assignments, although some personal time will be expected for sketchbook projects.
Guidelines with objectives and criteria will be given with each project so students will understand how marks are arrived at. Opportunity to re-do assignments will be given when appropriate.
Percentage Breakdown:
Attendance is a must for all Senior Art classes.
This is an academic-level elective required by most Post-Secondary schools for admissions and should be treated as such.
Much of the learning/course curriculum is covered in lectures/instruction class each day. Lectures and instruction include Art History, Contemporary Art, Elements and Principles of Art and Design, PostModern Elements of Art, Featured Artists and drawing prompts. Drawing Prompts are beneficial for all students as it ensures a minimum of sketchbook pages are completed during class time for a passing grade.
Please note*** If students have to work from home, progress photos are a MUST in order to prove their work. Progress photos are encouraged for every project to show progress and creative thinking through possible adaptations as they encounter artistic challenges.
Portfolio - 60%
including class projects along with self assessment for Artist behaviour such as Critique participation and Art Cleanup
DUE JANUARY/ JUNE 15
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Artist Statements - 25%
including Art History, Artist Research, Artist Reflection
(4.2% per artist statement or you will be required to complete a Final Art Exam on elements and principles of art and design and the art history covered in class)
NOTE:
Miss 1x Artist Statement
or you Do Not Achieve a passing grade on 1x Artist Statement,
you will be required to complete a Final Art Exam
DUE JANUARY/ JUNE 15
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Sketchbook -15%
(25 Pages)
(Option to create a Senior Solo art slideshow, minimum 3x pieces and must have a theme, to reduce 10 pages)
DUE JANUARY/ JUNE 15
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Sketchbooks:
Sketchbook should contain three sections Express, Experiment and Explore. Students will be creating pieces within their sketchbook as a supplemental project to ensure their exploration of media and subject matter. The sketchbook requirements consist of 15 Expressions, 10 Experimentations with various media and 10 Explorations of various subject matter. Sketchbook requirements will be handed out and posted on the class website.
***Students will take daily progress photos of their sketchbook and any other work completed in class to post on to PADLET! This is for marks. If photos aren't uploaded, the work will not be graded. (NO PHOTO=NO MARK) All other completed assignments should be handed in via Google Classroom to Padlet. Artwork will not be accepted without progress photos especially if progress is not seen in person, in class, by the teacher.
Student Materials:
Most media options are at no charge. If the students want to use something that we do not have they may be asked to bring it in and pay for it themselves. All students will be using materials for media that are purchased from the OJSH art budget and there is no need for students to purchase anything at this time. Please take care of these materials as these can be expensive.
Student Expectations:
Punctuality and preparedness are required. A good attitude and respect towards oneself, others, materials and the classroom will lead to a positive art experience. If students have late assignments due to NOT using class time efficiently, parents will be notified and students will be asked to move to another seat until caught up.
Be A Nice Human
Students will be required to upload photos from their sketchbooks everyday. If you miss a day of school, you will then be responsible to catch up at home. If you miss a day, you miss marks.
Students will also need to upload photos of their completed assignments to Artsonia/Google Classroom for evaluation.
Cell Phone Policy:
NO CELL PHONES in class as per the updated Student Handbook. If you DO NOT ASK Permission to take it out first, it goes straight to the office and your Parents/Guardians will be notified. Chromebooks will be required in the Art Room for research, to participate in online games, and taking progress photos at the end of day. Desks, counters and sinks must be cleaned before chromebooks come out for end of day photos. If free time is earned, all materials and desk areas are cleaned, then students may listen to their own music on their chromebooks.
This brings to mind the importance of choosing and creating the best reference photos. Copying photographs or other artist's works does not demonstrate your ability to make design decisions concerning the placement of forms on the page. Drawing from observation will always be encouraged as this is what most Art/Design schools are looking for as well.
Important****Photos of peers or staff are prohibited unless supervised for educational purposes or for our Web Page/Newsletter
Late Assignments:
Late assignments create more work for me. To be efficient at marking assignments, I need to mark them all at once. If you are late, I have to spend more time to go back in to Google Classroom, pull up the rubric, and refer to your PADLET for progress photos just to mark one assignment. Can you imagine if I have 5 students from every Grade level with late assignments? It accumulates a lot of time just to mark the late assignments. This takes time away from YOU and everyone else in the class for more personalized instruction, interviews and media exploration and extra cool art lessons.
Therefore, you will receive 5% off your final grade for every day that your assignment is late up to a 50%. If you hand in “A” quality work later than 10 school days behind the deadline, you will receive no lower than 50%. -BUT Don’t be LATE! If your artwork is not "A" quality, you will not receive a passing grade. On occasion, you may discuss with me how to make up that time lost by helping me afterschool with prepping and organizing the art room in order to keep a more deserving grade for your final project. (1 Hour of your time per 5%) = (5 Days late= 5 Hours) to get your 25% back.
*Remember, if you see yourself as a working artist or designer of any kind in the future, deadlines must be met. If you miss the deadline another artist will get the work and you miss a pay day. If you can create a habit of meeting deadlines and due dates, you will be very successful in this field.
Volunteers and Fieldtrips:
Guest artists are also invited to share art and techniques with the class. If you are an artist, and would like to share your skills in a particular media or style please let me know by phone or email.
Volunteer Parents and Guardians are always welcome. An extra pair of hands to help with clean up, distribution, set-up, etc. are always appreciated.
Fieldtrips:
I am hoping to organize a fieldtrip during each semester for all Senior High Art students. The intention is to expose young artists to contemporary art, art history, art exhibits, art curation, and how to view and appreciate the arts. Students will be encouraged to use their sketchbooks during these field trips to record ideas and inspiration. Volunteer chaperones will be needed. Please send you contact information if you are interested in volunteering in the Art Room or on fieldtrips. Please note: If school fees have not been paid in full, students will not be permitted to attend any fieldtrips.
Contact:
Connie McNeice– Please reach me at school between 8:15 AM and 4:00 PM at
780 967 2271 or by email at connie-lee.mcneice@ngps.ca
I am always open to suggestions and if you have any questions or concerns, please contact me.
Art 10 Curriculum
DRAWINGS Students will:
Record COMBINE DESCRIPTION, EXPRESSION AND COGNITION IN THE DRAWING PROCESS.
Concepts
A. Subject matter and expressive intention can be depicted with a variety of notational marks.
B. The expressive content of drawings is affected by the drawing media selected.
Investigate DEVELOP AND REFINE DRAWING SKILLS AND STYLES.
Concepts
A. A change in drawing techniques can express a different point of view about the same subject matter.
B. Tactile qualities of surfaces can be rendered through controlled use of line.
C. Linear perspective is a representational device that gives the illusion of three-dimensional pictorial space.
D. Natural forms can be used as sources of abstract images and designs.
Communicate INVESTIGATE VARIETIES OF EXPRESSION IN MAKING IMAGES.
Concepts
A. Drawings can express the artist’s concern for social conditions.
B. A drawing can be a formal, analytical description of an object.
Articulate and Evaluate USE THE VOCABULARY AND TECHNIQUES OF ART CRITICISM TO ANALYZE THEIR OWN WORKS.
Concepts
A. Discussing the components of composition is part of learning to talk about art.
COMPOSITIONS Students will:
Components 1 EXTEND THEIR KNOWLEDGE OF AND FAMILIARITY WITH THE ELEMENTS AND PRINCIPLES OF DESIGN THROUGH PRACTISE IN COMPOSING TWO- AND THREE-DIMENSIONAL IMAGES.
Concepts
A. Colour and value concepts are important components of an artist’s compositional skill.
B. Positive and negative space are essential to the description of two- and three-dimensional forms.
Components 2 SOLVE TEACHER-DIRECTED PROBLEMS OF UNITY AND EMPHASIS IN CREATING COMPOSITIONS.
Concepts
A. Compositions use positioning and grouping of subjects for different meanings and emphasis. B. Unity is achieved by controlling the elements of a composition within the picture plane.
Relationships 1 SOLVE TEACHER-DIRECTED SPATIAL PROBLEMS OF MOVEMENT AND DIRECTION IN THE CREATION OF COMPOSITIONS.
Concepts
A. Movement, rhythm and direction are used in recording humans and their activities.
Relationships 2 USE THE VOCABULARY OF ART CRITICISM TO DEVELOP AND ACCEPT ANALYSES OF THEIR OWN WORK
Concepts
A. Describing and discussing media and techniques used in one’s own works will develop vocabulary.
B. Describing and discussing components of design are part of the process of analyzing one’s own work.
Organizations 1 EXPERIMENT WITH VARIOUS REPRESENTATIONAL FORMATS.
Concepts
A. Various materials alter representational formats and processes used in achieving certain intended effects.
Organizations 2 BE CONSCIOUS OF THE EMOTIONAL IMPACT THAT IS CAUSED AND SHAPED BY A WORK OF ART.
Concepts
A. Image making is a personal experience created from ideas and fantasies.
B. Mood is created by tools like atmospheric perspective.
ENCOUNTERS Students will:
Sources of Images INVESTIGATE THE PROCESS OF ABSTRACTING FORM FROM A SOURCE IN ORDER TO CREATE OBJECTS AND IMAGES.
Concepts
A. Artists simplify, exaggerate and rearrange parts of objects in their depictions of images.
B. Artists select from natural forms in order to develop decorative motifs.
Transformations Through Time COMPARE THE IMAGE CONTENT OF CERTAIN PERIODS.
Concepts
A. Works of art contain themes and images that reflect various personal and social conditions.
B. Technology has an affect on materials used in image making.
Impact of Images BECOME AWARE OF THE RELATIONSHIP BETWEEN FUNCTION AND FORM IN ARTISTIC PRODUCTIONS.
Concepts
A. Simplified form communicates the purpose and function of designed objects.
B. The function of an artwork can be emphasized by its decoration.