Programme

9 October 2019 | Institut del Teatre | Barcelona

MORNING SESSION: AUDITORI

8.45 am – 9 am. Registration and collection of documentation

9 am – 9.15 am. Opening remarks, by Magda Puyo, Director General of the Institut del Teatre. Presentation of the Day of Debate and the IT journal Estudis Escènics, by Carles Batlle, Editor-in-Chief

9.15 am – 10.30 am. Lecture by Jonathan Châtel (Université Catholique de Louvain. Belgium): “The Road to Andreas [FR]

10.30 am – 11.15 am. Lecture by Imma Merino (Universitat de Girona): “Strindberg’s Influence on Bergman”

11.15 am – 11.30 am. Break


11.30 am – 12.30 pm. Lecture by Jean-Pierre Sarrazac (Université Paris III-Sorbonne Nouvelle. France): “My Experience with Strindberg” [FR]

12.30 pm – 1.30 pm. Lecture by Teresa Rosell (Universitat de Barcelona): The Ghost Sonata: Poison and Vision ”


1.30 pm – 2.30 pm. Lecture by Carolina Moreno (Universitat de Barcelona): “Strindberg, the Artist”

2.30 pm – 4 pm. Break


AFTERNOON SESSION: AUDITORI

4 pm – 5 pm. Lecture by Anna Pettersson, Director of the Intima Teater in Stockholm. Sweden [ENG]

AFTERNOON SESSION: TEATRE ESTUDI

5 pm – 6.30 pm. Roundtable: “Staging Strindberg”

Pau Carrió

Jordi Casanovas

Claudia Faci

Alfons Flores

Raimon Molins

Teresa Vilardell

Roundtable led by Carles Batlle


6.30 pm – 7 pm. Dramatised reading: M.A.A.M.D.T.I

August Strindberg*, August Falck and Teresa Vilardell

With: Marta Millà, Jordi Font, Alícia Buil and Ricard Boyle

Reading directed by Teresa Vilardell

7.30 pm – 7.45 pm Closing remarks, by Carolina Moreno (Universitat de Barcelona) and Teresa Vilardell (Institut del Teatre)

The lectures and other presentations will be in Catalan unless otherwise indicated, and in French [FR] or English [ENG] when specified. All the lectures in French and English will be simultaneously translated into Catalan. The lectures in Catalan during the morning session will be simultaneously translated into French.
* Edited by Carolina Moreno and Teresa Vilardell, it brings together in Catalan both plays (Lucky Peter’s Journey, The Stronger, The Dance of Death and The Ghost Sonata) and several of his “Comments on Drama and Theatre”.