STUDY PROGRAMME
Graphic Design and Art Direction
AFAM CODE
ABST45
DISCIPLINARY AREA
Theory of multimedia arts
DISCIPLINARY FIELD
Aesthetic of new media
CREDITS
6
APPROACH
Theoretical/project based
This theoretical and philosophical course focuses on bodies and on the perceptive effects associated with the use of digital media as new means of signification. Starting from the phenomenological tradition, it considers the impact of new technologies on the subjects that generate new cultures and sensitivity.
The programme consists of one single module, which grants 6 credits.
Successful students will be able to:
Develop a historical and epistemological talk about the aesthetic of media, correctly using the disciplinary language
Set up, understand and develop a critical and original talk about the role of images in the contemporary media scenario
Introduction to the ideas that characterise the disciplinary approach in modern and contemporary times
Phenomenology of the subject in the new digital paradigm
Overview of the contemporary scenario: how the experience of the bodies changes in the expressive forms/ works in relation to the diffusion of virtual reality, digitalization and to the experiential immersion
This is a theoretical/project based course.
Students will take part in the following activities, which may vary depending on the development of different projects:
Classroom lectures
Use of tutorials, videos or other media tools
Exercises and revisions
Workshops
Individual or group projects
Individual or group study and research
Assessment tools may include:
Mid-term written exam: open questions on the themes covered in class
Written exam
Oral exam
Further details about the exams will be provided by the professors.
Haraway, D. J. (1991), Simians, Cyborgs and Women: The Reinvention of Nature, Routledge: London - New York.
Many of the recommended sources, together with additional material, are also available online on MyNaba, in the Library section.
Books and resources might be requested or suggested by the professors.
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