Modular Synth Guide
Modular Synth Rack Basics: VCO, VCF, and VCA
Four voltage controlled oscillators (VCO) that send out signal of pure waveforms - triangle, sawtooth, or square.
There is a master channel at the bottom that outputs the sum of all the oscillators for each type of waveform.
1V input = 1 volt per octave, controls pitch
Mod input = modulates pitch and you can adjust how much it is modulating based on mod level
Signal flow tip: Patch out from specific waveform outputs on the right side into filter then into amplifier, or straight into amplifier to hear what the VCO sounds like.
Filters (VCFs)
Doepfer A-106-5 SEM VCF
a 12dB multimode filter equipped with band pass output and a combined low pass/high pass output
Inputs on left side:
CV1 and CV2 modulate the filter - can be random (noise), ADSR envelope, LFO, etc.
CV1 has no attenuator and CV2 has a polarizer (which reduces + inverts signal). Good explanation of this difference here.
Audio In is input for signal that will be filtered
BP Out is band pass output
LP/HP Out is low pass / high pass output
Knobs on right side:
Frq defines the cutoff frequency for the filter
CV2 mixes from negative signal to positive signal using polarizer
Lev attenuates audio in
Res filter resonance
Mix mixes between Low Pass and High Pass filter
Signal flow tips: Go from the output on the oscillator to the audio in, and then patch from the BP Out or the LP/HP Out to one of the inputs of the of the amplifier. Try modulating CV1 or CV2 with an ADSR envelope that you trigger with a LFO or sequencer.
Serge by Random Source Variable Slope VCF
Intellijel Quad VCA
info: https://intellijel.com/downloads/manuals/quad-vca_manual_2021.08.02.pdf
a voltage-controlled amplifier that can also be used as a mixer or a signal booster
CV inputs modulate amplifier level
IN 1, 2, 3, and 4 are inputs
Each output (OUT
1, 2, 3, and 4) is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth
output can be used as a master mix output when none of the other outputs are patched.
Doepfer Quad ADSR A-143-2
Behringer 140 Dual Envelope / LFO
Modulators
MATHS by Make Noise
MATHS is laid out top to bottom, with symmetrical features between CH. 1 and 4. The signal inputs are at the top, followed by the panel controls and control signal inputs at the middle. The signal outputs are at the bottom of the module. LEDs are placed near the signal they are indicating.
CH. 1 and 4 also have a Trigger input. A gate or pulse applied to this input triggers the associated circuit regardless of activity at the Signal Inputs. The result being a 0V to 10V function, aka Envelope, whose characteristics are dened by the Rise, Fall, Vari-Response and Attenuverter parameters.
The Cycle Button and Cycle Input both do the same thing: they make MATHS self-oscillate aka Cycle, which are just fancy terms for an LFO! When you want an LFO, make MATHS Cycle.
Rise/Fall/Vari-Response:
These controls shape the signal that is output at the Unity Signal Output and Variable Outputs for CH. 1 and 4. The Rise and Fall controls determine how fast or slow the circuit responds to signals applied to the Signal Input and Trigger Input. The range of times is larger than the typical Envelope or LFO
Rise sets the amount of time the circuit takes to travel up to the maximum voltage. When triggered the circuit starts at 0V and travels up to 10V. Rise determines how long it takes for this to happen. When used to process external control voltages the signal applied to the Signal Input is either increasing, decreasing or at a steady state (doing nothing). Rise determines how fast that signal could increase.
Fall sets the amount of time the circuit takes to travel down to the minimum voltage. When triggered the voltage starts at 0V and travels up to 10V, at 10V the upper threshold is reached and the voltage begins to drop back down to 0V. Fall determines how long it takes for this to happen. When used to process external control voltages the signal applied to the Signal Input is either increasing, decreasing or at a steady state (doing nothing). Fall determines how fast that signal could decrease.
You can modulate both rise and fall parameters with the “both” cv input on the left and right side
-Longer cycles are achieved with more Logarithmic response curves. The fastest, sharpest functions are achieved with extreme Exponential response curves.
-Adjustment to the response curve aects Rise and Fall Times.
-To achieve longer or shorter Rise and Fall Times than available from Panel Controls, apply a voltage oset to the Control Signal Inputs. Use CH. 2 or 3 for this oset voltage.
-Use the INV SUM Output where you require reversed modulation but do not have means for inversion at the CV destination (Mix CV Input on ECHOPHON, for example).
-Feeding an inverted signal from MATHS back into the MATHS at any of the CV inputs is highly useful for creating responses that are not covered by the Vari-Response control alone.
-When utilizing the SUM and OR Outputs, set any unused CH. 2 or 3 to 12:00 or insert a dummy patch cable to Signal Input of associated Channel to avoid unwanted osets.
-If it is desired that a signal processed or generated by CH. 1, 4 is both on the SUM, INV, and OR busses AND available as an independent output, utilize the Unity Signal Output, as it is NOT normalized to the SUM and OR Busses.
-OR Output does not respond to or generate negative voltages. -End of Rise and End of Cycle are useful for generating complex control voltage functions where CH. 1 and CH. 4 are triggered from one another. To do this, patch EOR or EOC to the other Channel’s Trigger, Signal, and Cycle inputs.
Great tutorial vids:
https://www.youtube.com/watch?v=0QqcLtHR9tg
https://www.youtube.com/watch?v=XJtpzysqJv8 (17:30 sidechain is awesome, 18:05 shows how to use it as a clock/gate, good explanation of how to use it as a filter at 22:14, uses verbos module which is familiar)
Sequencers
Erica Synths Black Sequencer
Lifeforms Micro Sequencers: 8-step sequencer (full documentation and tutorials here)
Channel sliders in the middle control output voltage of both quantized pitch and analog CV out
When a slider is all the way down, it is “muted”, the gated output does not trigger and the pitch output does not change. This can be useful for repeating notes and syncopation.
Buttons on the right side:
The direction button determines direction of the sequencer.
Press once to show the selected direction. Press again to cycle through direction options. After selecting a new direction mode, the change takes effect on step 1. The first step of the cycle. Details on each direction in link above.
The length button assigns the number of steps in the sequence. Press once to show the number of steps. Press again to cycle through and assign the number of steps in the sequence. When Transpose Direction Mode is active, the length button sets the number of steps in the bottom transposing sequence. (note: The transpose option is great for bass lines!)
The scale button sets the quantized pitch output scale. Control is just like the other parameters: Press once to show the current scale. Press again to cycle through scale options.
The gate in mode button assigns the external gate input jack to one of four modulation destinations.
Reset: The sequence resets to step 1 when the incoming gate signal goes high.
Hold: The sequence pauses on the active step while the incoming gate signal is high.
Reverse: The sequence direction reverses when the incoming gate signal goes high. The sequence returns to normal when the gate goes high a second time. If the direction mode is set to random 1 or random 2, reverse mode enables the sequence to play forward.
Ratchet: The sequence gate output triggers 4 times per clock cycle while the incoming gate signal is high.
The clock button can be in internal or external mode
To toggle external or internal: Press and hold the clock button. Tap the run button to switch between internal tap tempo and external clock source. Slider 1 lights up to indicate internal tap tempo and slider 2 lights up to indicate external clock source is selected.
Internal mode: tap tempo
External mode: The clock button acts as a clock divider selecting the division of the incoming clock signal. Select between ÷1, ÷2, ÷3, ÷4, ÷5, ÷6, ÷7, ÷8.
Pressing the reset button resets the sequence to step 1, and the run button starts and stops the sequencer
Inputs/Outputs on the bottom:
The highlighted “gate” is the gate input to be used for the gate in modes, and the rest of the jacks are outputs
Pitch outputs the quantized pitch that is adjusted by the channel sliders (useful to put into the 1V input on the VCO)
Gate output useful for triggering an envelope over and over (if you want syncopation, see note on muted sliders above)
Examples/More Tips
Basic Signal Flow
Top rack: basics
oscillator -> filter -> amp
Bottom rack: modulators
LFO, sequencer, Maths, noise, and envelopes
Cool Basic Sequencer setup
Pitch output of sequencer → 1v input of oscillator (VCO)
Output (pick a waveform) of oscillator → audio in of filter
Gate output of sequencer → G (gate) input of adsr
Output of adsr → CV in of filter
Output of filter → input of amplifier
Using arturia keyboard
Use the midi section at bottom right of patch bay on arturia synth
Kbd → 1V in on VCO
Gate out → filter ADSR and/or amp adsr
VCO output → amp in