Keys to the microphone closet and synth cabinet are stored in the lockbox on the closet doorknob.
2 AKG Perception 420 – Switchable pattern (cardioid, omni, figure-8), large diaphragm. Good for vocals, instruments, and speech.
Store in its shock mount to prevent damage.
2 AKG C314 – Multi-pattern condenser (cardioid, supercardioid, omni, figure-8). Comes with a shock mount, clip, and windscreen.
1 Audio Technica AT825 – Stereo condenser (two cardioid patterns at a 100-degree angle). Ideal for drum overheads, piano, acoustic guitar, and room miking.
Requires a special 5-pin to dual XLR (left/right) cable—keep with microphone.
2 Audio Technica AT Pro37 – Small diaphragm cardioid condenser. Good for instruments, drum overheads, stereo techniques, and room miking.
1 Mogami MXL V69 – Cardioid large diaphragm tube condenser. Produces a warm, slightly colored sound due to its tube circuitry.
Requires a separate power supply box included in the kit.
2 Studio Projects B1 – Cardioid large diaphragm condenser. Modeled after classic Neumann mics, versatile for vocals and instruments.
2 Studio Projects C4 – Small diaphragm condenser with interchangeable capsules (cardioid, hypercardioid, and omni).
Handle with care when swapping capsules—ensure proper threading before tightening.
2 Neumann TLM 103 – Large diaphragm condenser, great for vocals, instruments, and room sound.
1 Avantone CK-40 – Stereo multi-pattern condenser.
Top mic can be rotated for M-S recording.
Requires a special 5-pin to dual XLR cable and converter box—keep with microphone.
Heavy mic—hold onto it when securing in shock mount.
1 Behringer ULTRAVOICE XM8500 – Cardioid dynamic, similar to a Shure SM58.
1 Shure SM57 – Cardioid dynamic, a classic for snare drums and instruments.
2 Shure Beta 56A – Cardioid dynamic, excellent for toms, snare, and percussion.
1 Sennheiser e609 – Supercardioid dynamic, designed for guitar amps. Can be hung over a grille cloth.
2 Cascade Vin-Jet Ribbon Mics – Classic figure-8 ribbon mics, excellent for vocals, overheads, and instruments.
Comes with two shock mounts and a Blumlein bar for stereo miking.
3 Whirlwind IMP2 – Passive DI boxes for electric instruments.
1 Behringer Tube Ultragain Mic100 – Tube preamp/DI box.
1 Dual RDB – 2-channel reamplifier & direct box for sending DI guitar/bass tracks from DAW to an amp.
1 SplitComPro – Mic splitter/combiner with balanced XLR connections.
1 Minibrute 2 – Analog synthesizer.
1 Avantone CK-40 – Stereo multi-pattern condenser mic.
2 Neumann TLM 103 – Large diaphragm condenser microphones.
3 Audix D2 – Dynamic instrument mics for toms/snare.
1 Audix D4 – Hypercardioid dynamic mic for low-frequency instruments.
1 Audix D6 – Cardioid dynamic mic for kick drum and bass-heavy sources.
1 Ampeg Reverbrocket – Tube guitar combo amp.
1 Fender Rumble 100 – Bass combo amp.
1 Fender Champion 40 – Guitar combo amp.
1 Crate GLX15 – 15W guitar amp with built-in effects and a digital tuner.
1 Gorilla GG-25 – Small practice amp with an 8-inch speaker.
1 CD-100 – 10W guitar amp with a 6.5-inch speaker and a 3-band EQ.
1 Squier Sidekick – Compact guitar amp.
Please ensure all gear is properly stored and handled carefully to prevent damage. Leave a note or email jim_moses@brown.edu if any equipment is missing or needs maintenance.