Biography, CV (Detailed)

BIOGRAPHY, CURRICULUM VITAE

Pedro José Oliveira de Andrade



TABLE OF CONTENTS


Brief biographical note ... 2

1. Scientific performance ... 3

1.1. Scientific or technological production ... 3

1.2. Coordination and participation in scientific or technological development projects ... 24 

1.3. Intervention in the scientific community ... 28


2. Knowledge transfer and enhancement ... 31

2.1. Patents/Industrial Property Registrations ... 31     

2.2. Activities of cooperation and connection to the productive/business fabric... 31

2.3. Dissemination of science and technology ... 31


3. Other relevant activities ... 33

3.1. Participation in academic management services ... 33

3.2. Participation in scientific/academic juries outside the institution itself ... 33     

3.3. Participation in the supervision/co-supervision of graduate students ... 34       

3.4. Teaching activities and advanced training ... 35



Brief biographical note ... 2


Pedro Andrade is a Sociologist and Researcher at Communications and Society Research Centre-CECS, University of Minho. PhD obtained in 2002, at New University of Lisbon, Faculty of Social and Human Sciences, under supervisor of José Augusto Mourão, and titled Drink, Power and Knowledge: socio-symbolic and cultural consumptions within drinking houses. PhD Grade: Very Good with Distinction Cum Laude by unanimity (Muito Bom com Distinção e Louvor por unanimidade). He taught at the University of Coimbra and University of Lisbon, on Sociology of Culture, Communication, Sociological Methods, Digital Humanities. Research about urban cultures, art communication, art/science museums, literacies, digital social networks (Web 2.0/Web 3.0), methodologies/hybrimedia. Coordinator of international projects, e.g., Scientific-Technological Literacy and Public Opinion (2005, on science museums), and Public Communication of Arts (2011, about art museums and its relationships with audiences, tourism, digital/virtual sociological methodology, hybrimedia interaction, sociological/cultural games, social networks, virtual/augmented reality), both projects funded by the FCT. Participation within international university webs, e.g., Virginia Commonwealth Univ. (USA); member of the project Manifesto Art and Social Inclusion in Urban Communities, involving King’s College, Chelsea School of Arts, Universities of Loughborough, Plymouth (UK), Utrech, Gronigen (Netherlands), Leuven (Belgium). Author of several books and scientific papers published in international and national journals with peer review, and indexed in global bibliographic databases (Web of Science; Google Scholar; World Cat; Library of Congress; LatinIndex; Bulletin Signalétique du CNRS, Paris; LORETO: Base de données en Culture du Temps Libre,Bruxelles; PORBASE; Repositório UM-Univ. Minho.etc.). 

Director of the first Portuguese-French scientific journal, Atalaia-Intermundos (1995-2008).


ORCID: https://orcid.org/0000-0003-4550-0562


Email: pjoandrade@gmail.com


Address: Communication and Society Research Centre, Institute of Social Sciences, 

University of Minho, Campus de Gualtar, 4750-057 Braga, Portugal


Social Web Lab (Director):

Av. Eng. Arantes e Oliveira, 5, 3rd floor, A, 1900-221 Lisbon, European Union, Portugal.

Sites:

Viral Intercultural Tourism City: 

https://www.sites.google.com/view/viral-tourism-city/home 

Pedro de Andrade Art Works:

https://sites.google.com/view/pedro-de-andrade-art--works/home 



1. Scientific performance ... 3


1.1. Scientific or technological production ...3


Almost all texts written by the author are presented here, via bibliographic references formatted in APA. They are accessible in open access, for consultation and download in format PDF, within universities sites (ex: RepositoriUM: search through the words ‘Pedro José de Oliveira Andrade’, for disambiguation in what regards other similar names), as well as research centres (ex: Communication and Society Research Centre-CECS), publishing houses sites, social networks, etc. Or via the URL links indicated below:


Writings in general:

https://drive.google.com/drive/folders/1gUVMACkGS490T109Vi5AybK7lSAH2iME

 

Book chapters only:

https://drive.google.com/drive/folders/1AwqRE5ldYoly8nIoTvS4xQ5yYw9oYhNB?usp=sharing 


Journal articles only:

https://drive.google.com/drive/folders/16cTwcs3txGBS2J8ckWC03ZJrRAJKIW_1?usp=sharing


Conference papers only:

https://drive.google.com/drive/folders/1jUY9loExOr6lE9TWfw35_M7XIkAun5l0?usp=sharing


Books: author, coauthor, editor (21)


1. Andrade, Pedro; Martins, Moisés (Eds.) (2022). Handbook of Research on Urban Tourism, Viral Society, and the Impact of the COVID-19 Pandemic. Hershey: IGI Global (USA). 

This book, gathers 30 texts written by the 65 following authors from worldwide universities: 

USA: Dean MacCannell, University of California; Kimberly Nehls, University of Nevada, Las Vegas; Andres Montenegro, Purdue University, Fort Wayne. 

France: Philippe Joron, University Paul-Valéry Montpellier 3; Philippe Viallon, Viola Krebs, University of Strasbourg; Cécile Dolbeau-Bandin, Jérémy Picot, Université de Caen; Natacha Cyrunlik, University of Aix-Marseille - CNRS, UMR PRISM. 

Germany: Regina Frank, Theheartispresent.

Nedherlands: Ana Pereira Roders, Delft University of Technology.

Italy: Cinzia Colapinto, Vladi Finotto, Daniela Pavan, Fabio Pranovi, University of Venice. 

Spain: Fernando Contreras, University of Sevilla, Alba Marin, University of Extremadura. 

Bulgaria: Silvena Yordanova, Hanna Stratchen,  Varna University of Management.

Portugal: Pedro Andrade, Moisés Martins, Helena Pires, Zara Pinto-Correia, Pedro Chamusca, Miguel Bandeira, Filipa Corais, Pedro Rocha, Communication and Society Research Centre-CECS, University of Minho; José Lopes, University of Lisboa, ISEG; Ângela Lopes, José Portugal, Antónia Correia, KIPT; Carlos Sangreman, Raquel Faria, University of Lisbon, ISEG; Jorge Pinto, José Fernandes, University of Lisbon, FLUP/CEGOT; José Abreu, Portuguese Catholic University; Clara Cabral, Rosana Albuquerque, Open University; Manuela Hasse, Lisbon University; Sérgio Eliseu, Marta Noronha, Ângela Berlinde, Mihaela Bogdan, University of Aveiro, CI-ISCE/ ISCE Douro.  José Barros, Graciete Honrado, Ana Nata, Cecília Baptista, Cláudia Silva, Luís Figueira, Marta Dionísio, Jorge Simões, João Simões, Luís Figueira, Polytechnic Institute of Tomar; Filipe Romão, HighSun DMC & Tour Operator. Juliana Wexel, Mirian Tavares, University of Algarve.

Guinea Bissau: Bubacar Turé, Human Guinean Rights Ligue.

Brazil: Lucia Santaella, Luiz Felipe Napole, Pontifícia Catholic University of São Paulo; Laryssa Tarachucky, University of São Paulo; Rafael Simão, Maria Baldessar, Federal University of Santa Catarina; Filomena Moita, Leandro Lucas, State University of Paraiba – UEPB; Jane Almeida, Mackenzie University; Cícero Silva, Federal University of São Paulo (Unifesp); Alfredo Suppia, State University of Campinas (UNICAMP), Brazil.

2. Andrade, Pedro; Martins, Moisés; Silva Cícero; Almeida, Jane; Bueno, Jacques; Contreras, Fernando (Eds.) (2023). Media and Methods within Viral Society. Taylor & Francis (UK) (to be published in 2023).

3. Andrade, Pedro; [other Editors presently in negotiation] (2024). Heritage and Digital Arts for Territory and Tourism Policies, Politics and Publics. Cambridge Scholar Publishing (UK) (to be published in 2024).

4. Andrade, Pedro; Barros, José; Marques, Carlos (Eds.) (2020). [2nd edition, 1st edition out of print : Public art and citizenship: new readings in the creative city] Arte pública e cidadania: novas leituras na cidade criativa. Editora Caleidoscópio, Lisboa.

5. Andrade, Pedro (2020). Viral Cultural Tourism via Mobile Devices:  Open Research using Open Methods and Open Media.  Lisbon: Social Web Lab Publishers.

6. Andrade, P. (2020).  Poem on the Corona virus using Pessoa Effect: an app and e-book anti-virus. Lisbon: Social Web Lab Publishers.

7. Andrade, Pedro (2020).  Digital Literary Heteronyms: Poetic Apps and E-books Anti Viral Society.  Lisbon: Social Web Lab Publishers.

8. Araújo, E.; Sales, C.; Ribeiro, R.; Andrade, P. et al. (Eds.) (2018). [Living in / Mobility: Towards New Cultures of Time, Space and Distance] Viver em / a Mobilidade: Rumo a Novas Culturas do Tempo, Espaço e Distância. Braga: Centro de Estudos de Comunicação e Sociedade. 

9. Pires, H; Curado, M.; Ribeiro F. & Pedro Andrade (Eds.) (2017). [Cyberculture: circum-navigations in transcultural networks of knowledge, archives and thought] Cibercultura: circum-navegações em redes transculturais de conhecimento, arquivos e pensamento. Editora Humus, Vila Nova de Famalicão.

10. Andrade, Pedro (Ed.) (2016). [Public Communication of Art: the case of local / global art museums] Comunicação Pública da Arte: o caso dos museus de arte locais / globais. Lisboa: Edições Caleidoscópio. [participation of Malcolm Miles (University of Plymouth), Michel Maffesoli (Université Paris Sorbonne-Descartes), Antoni Remesar (Universidat Barcelona; Luís Petry (PUC- S.Paulo), etc.

11. Andrade, Pedro (2015). Austerity History Through Sociological Comics: a Guide to Social Media and Networks against Austeritocracy for use by all Generations. North Charleston: Create Space.

12. Andrade, Pedro (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na sociedade da investigação: significados e discursos quotidianos em blogs, wikis, mundos/museus virtuais e redes sociais semântico-lógicas. Lisboa: Edições Caleidoscópio.

13. Andrade, Pedro (2011). Novas autorias / leitorias / actorias: escrita comum, literacias híbridas e anti-vigilâncias na Web 2.0. Lisboa: Edições Caleidoscópio.

14. Andrade, Pedro (2011). Novela GeoNeológica nº 1: um caso de Literatura Transmediática/1ª  Novela da Web 3.0. Lisboa: Edições Caleidoscópio.

15. Andrade, Pedro; Leite, José Pinto; Martins, José Soares (2011). 'Poesia Sociológica', In Ménage à 3. Porto, Cordão de Leitura.

16. Andrade, Pedro; Barros, José; Marques, Carlos (2010). [Public art and citizenship: new readings in the creative city] Arte pública e cidadania: novas leituras na cidade criativa. Lisboa: Editora Caleidoscópio. 1st Edition out of press. 2ª Edição: 2020.

17. Andrade, Pedro (2010) (Ed.). [Museums, Public and Scientific-Technological Literacy: social networks of communication of meanings in the interdimensional space of the museum] Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu. Lisboa: Ed. Colibri.

18. Andrade, Pedro; Paixão, Maria de Fátima; Mourão, José. (2007). Jardins dos Noivos. Lisboa, Apenas.

19. Andrade, P.; Galera, Andrès; Dória, Henrique; Cascais, Fernando (2006). Jardins no Corpo. Lisboa: Apenas.

20. Andrade, Pedro; Pinto, Paulo Mendes; Guedes, Maria Estela, (2006). Links: Entre virtude e virtual. Lisboa, Apenas.

21. Andrade, Pedro; Fróis, João Pedro; Andrade, Pedro; Marques, Frederico (Eds.) (2004). IAEA 2004: XVIII Congress International Association of Empirical Aesthetics, 13-16 September 2004, Calouste Gulbenkian Foundation, Lisboa. IAEA.


Theses and other Dissertations (4)


1. Andrade, P. (2002). [Drink, Power and Knowledge: socio-symbolic and cultural consumptions within drinking houses]. PHD Thesis at New University of Lisbon, Faculty of Social and Human Sciences, 1417 pages]. Tese de Doutoramento, na Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 1417 páginas.

2. Andrade, P. (1985). La taverne, son boire et leurs savoirs: ruses et muses mystico-profanes, Master thesis, Mestrado (Thèse de 3ème cycle), Paris, École des Hautes Études en Sciences Sociales (614 pp.).

3. Andrade, P. (1980). Les groupes ‘Excursionistes’-‘De Déjeuners’ Portugais et leur Art . Thèse de Diplôme d´ Études Approfondis, Paris, École des Hautes Études en Sciences Sociales (150 pp.).

4. Andrade, P. (1977). Le cinéma au Portugal après le 25 avril 1974. ‘Maitrise'. Licence final thesis. Trabalho final de Licenciatura na Universidade de Paris VIII (155 pp.).


Books chapters (65) 


https://books.google.pt/books?hl=pt-PT&lr=&id=R3VjEAAAQBAJ&oi=fnd&pg=PA83&dq=ISCAP+Concepts+and+Dialogues+across+Shifting+Spaces+in+Intercultural+Business&ots=bJ0ZusGZPz&sig=EmXDwHOCdjamm-CHv3A6ha6ek1g&redir_esc=y#v=onepage&q=ISCAP%20Concepts%20and%20Dialogues%20across%20Shifting%20Spaces%20in%20Intercultural%20Business&f=false 

https://hdl.handle.net/1822/79330 

https://hdl.handle.net/1822/79331 


In preparation: Encyclopedia article named ‘Sociological Knowledge on Heritage, Digital Arts and Tourism: Big Knowledge versus Big Data?’. To be published, under invitation, in Encyclopedia of Information Science and Technology, Sixth Edition, IGI Global, USA:


Journal articles (70)  


1. Andrade, P. (2022). Risk Tourism within Viral Society: A Study using Hybrid Discourse Analysis, Lusophone Journal of Cultural Studies, 9, 1, 127–151. https://hdl.handle.net/1822/78577 

2. Andrade, P. (2022). L’Effet Pessoa dans le réseau social Covid-19: écritures numériques hybrides et virales, Cartographis sensibles, [accepted, on press]

3. Andrade, P. (2021). Globalization of Consumption, Lifestyles and 'Viral Society'. Revista de Estudos  Interculturais-REI, 9, 1-25. https://hdl.handle.net/1822/74111 

4. Andrade, P. (2020 ).  Introductory note: public art for tourism communication? / Nota introdutória: arte pública para a comunicação turística?. Lusophone Journal of Cultural Studies, Public Art Comunication via mobile and urban cultures 'Public Art for Tourism Communication' / Revista Lusófona de Estudos Culturais 'Arte  Pública para a Comunicação Turística', 7,1, 7-18. https://hdl.handle.net/1822/65796 

5. Andrade, P. (2020). Urban public art and tourist communication / Arte Pública Urbana e Comunicação Turística. Lusophone Journal of Cultural Studies, Public Art Comunication via mobile and urban cultures 'Public Art for Tourism Communication' / Revista Lusófona de Estudos Culturais 'Arte  Pública para a Comunicação Turística', 7,1, 39-59. http://hdl.handle.net/1822/65824 

6. Andrade, P. (2020). An author of urban public art: Luis Baldini / um autor de arte pública: Luís Baldini. Lusophone Journal of Cultural Studies, Public Art Comunication via mobile and urban cultures 'Public Art for Tourism Communication' / Revista Lusófona de Estudos Culturais 'Arte  Pública para a Comunicação Turística', 7,1, 259-279. https://hdl.handle.net/1822/65802 

7. Andrade, P. (2020). Cultural resistance to Covid-19: an Encyclopedia of Public Art for artists and tourism publics?. Cadernos de Arte Pública, 2, 2, pp. 57-74. http://hdl.handle.net/1822/57459 

8. Andrade, P. (2018). Mobile Cultural Tourism. Art spaces, times and logos / Turismo cultural móvel. Espaços, tempos e logos da arte. Lusophone Journal of Cultural Studies, Public Art Comunication via mobile and urban cultures 'Discourses and Images of Cultural Tourism' / Revista Lusófona de Estudos Culturais 'Discursos e imagens do turismo cultural', 5, 2, 349-378.

9. Andrade, P. (2018 ). Social Image and Sociological Image. Sociological Comics as a visual method for political activism. E-REI - E-Revista de Estudos Interculturais, 6, 1-17. 

10. Andrade, P. (2018). Digital Literature and Big Knowledge: the case of Sociological Comics. MATLIT, 6,2, 138-147. 

11. Andrade, P. (2018). Epistemology and methodology of urban cultural tourism: the case of the artistic sociology of mobile cultures and tourism communication in urban social networks / Epistemologia e Metodologia do Turismo Cultural Urbano: o caso da Sociologia Artística das culturas móveis e da comunicação turística em redes sociais urbanas. Comunicação e Sociedade 'Espistemologia e Metodologias em Comunicação', 33, 215-242. https://hdl.handle.net/1822/55275 

12. Correia, M: Pires, H. & Andrade, P. (2017). [Passeio, passing by, walking by. A platform of urban art and culture] Passeio, passante, passeante. Uma plataforma de arte e cultura urbana. Lusophone Journal of Cultural Studies 'Flows and Paths of Visual Culture'/ Revista Lusófona de Estudos Culturais 'Fluxos e Caminhos da Cultura Visual', 4 , 1, 167-201. http://hdl.handle.net/1822/54178 

13. Andrade, P. (2017). Communication of art via open research: on cultural policies, heritage and reception of innovation in art / Comunicação da arte pela investigação aberta: sobre políticas culturais, património, gestão e receção da inovação na arte. Communication and Society ‘Communication and Art’ / Comunicação e Sociedade  ‘Comunicação e Arte’, 31, 343 – 376. http://hdl.handle.net/1822/48587 

14. Andrade, P. (2016). GeoNeoLogical Novel and other Hybrimedia Experiments: or how to use Hybrid Methods such as Hybrid Discourse Analysis (HDA) within a Knowledge Base. MATLIT 4 (2), 157-181.

15. Andrade, P. (2016). Transcultural Cinema debated in a Knowledge Network: postcolonial hybrid meanings within resistance cinema / Cinema transcultural em debate numa rede de conhecimento: significados pós-coloniais híbridos no cinema de resistência. Communication and Society ‘Colonial Imaginaries: Propagand, Militancy and ‘Resistance’ in Cinema 7 Comunicação e Sociedade ‘Imaginários Coloniais: Propaganda, Militância e ‘Resistência’ no Cinema, 29, 395 – 411. http://hdl.handle.net/1822/59582 

16. Andrade, P. (2013). Sociological Ontology of the digital public sphere: the case of Web 2.0/3.0 / Ontologia Sociológica da Esfera Pública Digital: o caso da Web 2.0/3.0. Communication and Society ‘Digital Public Sphere: Weaknesses and Challenges’ /  Comunicação e Sociedade ‘Esfera Pública Digital: fragilidades e desafios’, 23, 186-201. http://hdl.handle.net/1822/29484 

17. [Indexed at Web of Science, em: WOS: 000321678100010 ] Andrade, P. (2013). [Semantico-Logical Sociology of the Ruins: for a hybrid hermeneutics from ruin to Web 2.0 and Web 3.0] Sociologie Sémantico-Logique des Ruines: pour une hermeneutique hybride de la ruine à la Web 2.0 et à la Web 3.0. Sociétés, 115, 105-119.  [Indexed at Web of Science, em: WOS: 000321678100010 ]. http://hdl.handle.net/1822/29958 

18. Andrade, P. & Neves, José Pinheiro (2011). [Presentation] Apresentação. Revista de Comunicação e Linguagens 'Genealogias da Web 2.0', 42, 25-27.

19. Andrade, P. (2011). [Web 2.0, prolegomenon of Web 3.0?] Web 2.0, prolegómeno da Web 3.0?. Revista de Comunicação e Linguagens 'Genealogias da Internet', 42, 87-101.

20. Andrade, P.  et al (2012). Homenagem a José Augusto Mourão. Revista de Comunicação e Linguagens 'Genealogias da Internet', 43 , 18.

21. Andrade, P. (2011). Terras e Sobreterras: Redacções e Inversões, reflexões sobre as sobreterras os mundos virtuais. Triplov, 12, Nova Série. Retirado de https://www.triplov.com/novaserie.revista/numero_12/pedro_andrade.html

22. Andrade, P. (2010). [Design and Web 2.0] Design e Web 2.0. Revista de Comunicação e Linguagens, 41, 181-200.

23. Andrade, P. (2009). [Public art and Urban artistic alterities: the other spaces of memory, writing and archive] Arte Pública e Alteridades Artísticas Urbanas: os Outros Espaços de Memória, Escrita e Arquivo. Revista de Comunicação e Linguagens, 40, 155-167.

24. Andrade, P. (2008). [The Virtual Photographic in Second Life: notes for a Sociology of Web 2.0] O Fotográfico virtual no Second Life: apontamentos para uma Sociologia da Web 2.0. Revista de Comunicação e Linguagens, 39, 189-204.

25. Andrade, P. (2008). [Cultural citizenship and artistic literacy: leisures and knowledge within museums and cybermuseums of the creative city] Cidadania cultural e literacia artística: lazeres e saberes em museus e cibermuseus da cidade criativa. Communication and Society ‘New Literacy Territories’ / Comunicação e Sociedade ‘Novos Territórios da Literacia', 14, 51-59.

26. Andrade, P. (2007). [The society of research and journalism: good practices of participatory citizenship through the mobile internet and social bookmarking] A sociedade da investigação e do jornalismo: boas práticas de cidadania participativa através da internet móvel e do social bookmarking. Anuário Internacional de Comunicação Lusófona 'Os Media no Espaço Lusófono', 1, 307-312.

27. Andrade, P. (2007). [Sociology of the Blogosphere: human and social representations in blogs and hybrilogs] Sociologia da Blogosfera: figurações do humano e do social em blogues e hibrilogues. Communication and Society 'Technologies and Figures of the Human' /  Comunicação e Sociedade 'Tecnologias e Figurações do Humano', 12, 51-65.

28. Andrade, P. (2007). [Artistic visibilities and daily vigilances: Art and Sociology in the context of the devices post-panoptic and Inter-panópticos] Visibilidades artísticas e vigilâncias quotidianas: arte e sociologia no contexto dos dispositivos pós-panópticos e inter-panópticos. Revista de Comunicação e Linguagens, 37, 91-107.

29. Andrade, P. (2007). [The Alphabet of Universal relations (ARU)] O Alfabeto de Relações Universais (ARU). Revista de Comunicação e Linguagens ‘Mediação dos saberes’, 38, 143-55.

30. Andrade, P. (2006). [The social is dimensional?] O social é dimensional?. Atalaia/Intermundos, 14/15, 250-276.

31. Andrade, P. (2006). [Nature of food risk and culture of nutritional accident] Natureza do risco alimentar e cultura do acidente nutricional. Atalaia/Intermundos, 14/15, 90-91.

32. Andrade, P. (2006). [Notes for the biographical, curricular and professional profile of Prof. Doctor António Alberto Banha de Andrade] Notas para o perfil biográfico, curricular e profissional do Prof. Doutor António Alberto Banha de Andrade. Revista Portuguesa de História do Livro, 17, 353-380.

33. Andrade, P. (2006). Virtual Schools and Cyberpedagogy: the Hybrilog as a Bloniversity. Prisma, 3, 367-380.

34. Andrade, P. (2005). [The objects collecting subjects (style or genre of writing: sociological dialogues)] Os objectos que coleccionavam sujeitos (estilo ou género de escrita: diálogos sociológicos). Episteme, 21, 206-210.

35. Andrade, P. (2004). [6 theses on Naturalism] 6 teses sobre o Naturalismo. Atalaia/Intermundos, 14/15, 1.

36. Andrade, P. (2003). [Virtualities of the museum and the virtual museum] Virtualidades do museu e o museu virtual. Atalaia/Intermundos, 12/13, 93-102.

37. Andrade, P.; Lopes, C.; N. Peiriço; Póvoas, L.; Escudeiro, A.; Leal, C. (2003). [The publics of Science museability: The XIV International Fair of minerals gems and fossils of Lisbon] Os públicos da museabilidade da Ciência: a XIV Feira Internacional de Minerais Gemas e Fósseis de Lisboa. Atalaia/Intermundos, 12/13, 62-91.

38. Andrade, P. (2003). [The Museability of Science: consumption, citizenship, culture and communication] A museabilidade da Ciência: consumo, cidadania, cultura e comunicação. Atalaia/Intermundos, 12/13, 12-32.

39. Andrade, P. (2003). [Scientific-technological literacy and public opinion: the case of consumers of the Museums of Science]  Literacia científico-tecnológica e opinião pública: o caso dos consumidores dos Museus de Ciência. Atalaia/Intermundos, 12/13, 1-6.

40. Andrade, P. (2003). [Daily tastes and knowledge: public drinking houses] Sabores e saberes diários: os estabelecimentos do beber público. Trajectos, 3, 149-162.

41. Andrade, P. (2002). Do consumo de cidadania à cidadania do consumo: o risco alimentar e o acidente nutricional. OA: Boletim da Ordem dos Advogados, 20 Jul-Ago, 42.

42. Andrade, P. (2002). Some synthetic ideas to work with qualitative analysis software. Atalaia/Intermundos, 10/11, 153-165. http://hdl.handle.net/1822/29994 

43. Andrade, P. (2001). [Fundamentalization of society and / or cultualization of the real?] Fundamentalização da sociedade e / ou cultualização do real?. Cadernos ISCTA 'Proliferação de transcendências: a religião que anda no ar', 11, 87-99.

44. Andrade, P. (2001). [Create-activity: the communication of Colloquium as an example of artistic communication and creativity] Cria-actividade: a comunicação de Colóquio como exemplo de comunicação e de criatividade artísticas. Atalaia/Intermundos, 8/9, 63-72.

45. Andrade, P. (2001). [The hybrid hermeneutics of contemporaneity] A hermenêutica híbrida da contemporaneidade. Atalaia/Intermundos, 8/9, 5-18.

46. Andrade, P. (2000). [The epistemological-theoretical problematic of dimensonalism] A problemática epistemológico-teórica do dimensonalismo. Atalaia/Intermundos, 6/7, 6-19.

47. Andrade, P. (1999). [From referentiation as a reference in action: to a Sociology of Citation] Da referenciação como referência em acção: para uma Sociologia da Citação. Atalaia, 5, 83-101.

48. Andrade, P. (1999). [The unity and the hybridization of the writings] A unidade e a hibridação das escritas. Atalaia, 5, 7-13.

49. Andrade, P. (1999). [Fear? No, Timor: the new technologies of public opinion] Temor? Não, Timor: as novas tecnologias da opinião pública. Atalaia, 4, 63-77.

50. Andrade, P. (1999). [The New Society and Interdimensional Historical Sociology] A nova sociedade e a Sociologia Histórica Interdimensional. Atalaia, 4, 9-44.

51. Andrade, P. (1998). [Historical Sociology of Intolerance: marginal contexts and agents in Portuguese past] Sociologia Histórica da Intolerância: contextos e agentes marginais no passado Português. Nova Renascença, 69/71 primavera-outono, 281-304.

52. Andrade, P. [pseudónimo André Nietsnie] (1997). Sociology of gaze: A new look at sociology?] Sociologia do Olhar: um novo olhar sobre a Sociologia?. Atalaia, 3, 197-201. PDF?

53. Andrade, P. (1997). [The negotiation of the visible-II: the time of social visibilities and as visions of nature] A negociação do visível-II: o tempo das visibilidades sociais e as visões da natureza. Atalaia, 3, 143-151

54. Andrade, P. (1997). [Navigations in cybertime: virtual journeys and cybertravel] Navegações no cibertempo: viagens virtuais e vitualidades da ciberviagem. Atalaia, 3, 111-124.

55. Andrade, P. (1997). [Sociology of intolerance: or how to transform society in the third millennium] Sociologia da intolerância: ou como transformar a sociedade no terceiro milénio. Atalaia, 3, 9-20.

56. Andrade, P. (1995). [Portuguese Editorial] Editorial Português. Atalaia, 1/2, 15-21.

57. Andrade, P. (1995). [Tavern, powers and social negotiations] Taverne, pouvoirs et négociations sociales. Atalaia, 1/2, 165-177.

58. Andrade, P. (1995). [The negotiation of the visible: social visibilities as an illustrative theoretical object of Interdimensional and Mediating Sociology-I] A negociação do visível: as visibilidades sociais enquanto objecto teórico ilustrativo da Sociologia Interdimensional e Mediadora-I. Atalaia, 1/2, 73-93.

59. Andrade, P.; Martins, Moisés de Lemos et al (1993). [Small and medium-sized enterprises in northwestern Portugal: identities and rationalities] As pequenas e médias empresas no Noroeste de Portugal: identidades e racionalidades. Cadernos do Noroeste, 12, 265-285.

60. Andrade, P. (1993). [Sociology of travel: daily displacements and nomadic anti-everyday] Sociologia da viagem: deslocações diárias e anti-quotidiano nómada. Revista Crítica de Ciências Sociais, 37, 51-77.

61. Andrade, P. (1991). [The mediatic tavern, a reticular site of social and sociological negotiations] A Taberna mediática, local reticular de negociações sociais e sociológicas. Revista Crítica de Ciências Sociais, 33, 265-286.

62. Andrade, P. (1991). [Review of book] Bryan Pfaffenberger (1988). Microcomputer Applications in Qualitative Research [Softwares em pesquisa qualitative]. Newbury Park: Sage. [Revisão do livro] Bryan Pfaffenberger (1988). Aplicações de Microinformática em pesquisa qualitativa [softwares em pesquisa qualitativa]. Newbury Park: Sage . Revista Crítica de Ciências Sociais, 34, 290-293.

63. Andrade, P. (1988). [Drinking and tavern: tavern practices in vinous body] O beber e a tasca: práticas tabernais em corpo vínico. Povos e Culturas, 2, 223-263.

64. [Indexed at Web of Science, em: WOS: A1987K736100003 ]  Andrade, P. (1987). [Alvarez, a Dionysian painter] Alvarez, pintor dionisíaco. Colóquio-Artes, 74 Set., 20-25.

65. [Indexed at Web of Science, em: WOS: A1986A930600001] Andrade, P. (1986). [Excursionist art] A arte Excursionista. Colóquio-Artes, 68 Mar., 5-11. 

66. Andrade, Pedro José de Oliveira (1982). Filme em estreia: o cinema. Sema, 4 , 71-73.

67. Andrade, Pedro José de Oliveira (1979). Sociologia urbana:  pequeno-anúncio digestivo, tipo correspondência sentimental, acenando aos equipamentos, retóricos e outros, da cidade-campo

do prazer informativo. Sema, 3, 106-111.

68. Andrade, Pedro José de Oliveira (1979). Da necessidade de, depois da letralização e visualização dos números na arte, quantificar as palavras acerca da criação plástica ou outra, em Portugal. Sema, 2 , 83-85.

69. Andrade, P. (1979). [Manifesto of art-thanatos or the other face of crafts and other popular arts] Manifesto da arte-thanatos ou a outra face do artesanato e demais artes populares. ARTA.

70. Andrade, P. (1979). [The tavern] A taberna. Arte-Opinião, 6, 13-16. 


Articles in Congresses Proceedings (45) 


1. Andrade, P. (2022). Viral Cultural Heritage: A Case Study applying Hybrid Discourse Analysis.  In (In)Tangible Heritage(S): A conference on design, culture and technology – past, present, and future. 15-17 june 2022, University of Kent (accepted, on press).

2. Andrade, P. (2022). Tourism as a Central Activity for Sustainable Development within Covid-19 Pandemic. International Congress “The Sustainable Development Goals: Problems and Challenges for a Multidisciplinary Agenda. ADVANCED/CSG, Universidade de Lisboa, June 22-23. Lisbon (accepted, on press).

3. Andrade, P. (2022). Digital Arts in Ukraine: an Augmented Digital Art Pedia as an Expression of Culture Wars. In Proceedings of ARTeFACTo 2022, 12th International Conference on Digital and Interactive Arts (Artech 2022). Macau, China. (accepted, on press).

4. Andrade, P. (2022). Cultural Mobile Tourism and Tourist Knowledge at Viral Society: a Research Game against Covid-19 within Big Knowledge context. In Noah Harper (Ed.), Urban Assemblage: The City as Architectures, Media, AI and Big Data, 28-30 June, 2021 (pp. 99-114). London, Virtual, Hatfiled: University of Hertfordshire. https://hdl.handle.net/1822/79343

5. Andrade, P. (2021). Sociological (Re)search Games: play and transfer cultural knowledge among social sciences, museum staff and publics  / Jogos sociológicos de investigação: jogue e transfira conhecimento cultural entre ciências sociais, funcionários do museu e públicos. In Adérito Marcos & Paulo Bastos (Eds.), Artech 2021: Hybrid Praxis - Art, Sustainability and Technology. Proceedings of the 10th International Conference on Digital and Interactive Arts, 13-15 October 2021, Aveiro, Portugal (pp.127-138). New York: ACM. https://hdl.handle.net/1822/79344 

6. Andrade, P. (2021). App Art: a-book nº1 Viral Society. In Jacques Ibanez Bueno (Eds.), International Conference Visual methods in Social Sciences: from capture to dissemination of results. Data, methods, results, valorization, 10 & 11 / 12 / 2021. Canary Islands: Universidad de La Laguna. [on press].

7. Andrade, P. (2021). Viral Urban Tourism within Viral Society: Sociological Touring Guides using Apps and e-Books. In Howard Griffin (Ed.), AMPS PROCEEDINGS SERIES 20.1, University of Kent , AMPS, Canterbury: 29-30 June, 2020 International Conference Connections: Exploring Heritage, Architecture, Cities, Art, Media (pp.125-134).Canterbury: University of Kent. https://hdl.handle.net/1822/79346 

8. Andrade, P. (2020). [Rua Augusta, an Intercultural space: tourist communication via locative media for territory sustainability] Rua Augusta, um Espaço Intercultural: Comunicação Turística via Media Locativos para a Sustentabilidade Territorial. In P. Romoaldo et al (Eds.). XI Congresso da Geografia Portuguesa: Geografias de Transição Para a Sustentabilidade, 13 a 15 de novembro de 2019, Universidade do Minho – Guimarães. Livro de Atas (pp. 326-331).  Universidade do Minho: Guimarães. http://hdl.handle.net/1822/59582 

9. Andrade, P. (2020). Pessoa Effect within Viral Society: Viral Sociological Poetry using Apps and e-Books Anti-Virus. In Proceedings of 2nd International Conference on Transdisciplinary Studies in Arts, Technology and Society, ARTeFACTo2020. November 26-27 (pp. 96-103). Universidade do Algarve, Centro de Investigação e Comunicação (CIAC). Faro. http://hdl.handle.net/1822/70089 

10. Andrade, P. (2019). Mobile Social Hybrids and Drone Art [Híbridos sociais móveis e arte drone].  In P. Abrantes et al (Eds.), Proceedings of the 9th International Conference on Digital and Interactive Arts - Digital Media Art Ecosystems (pp.361-365). New York: The Association for Computing Machinery. https://hdl.handle.net/1822/79347 

11. Andrade, P. (2018). Hybrid Research and Visual Methods: Bridges between Social Technologies and Social Sciences [Investigação híbrida e métodos visuais: pontes e pontos entre as tecnologias sociais e as ciências sociais]. In J. Herrero & M. Trenta (Eds.), Atas del Congreso 'Comunicación y Música: mensajes, manifestaciones y negócios' (pp.362-383 ). La Laguna: Sociedad Latina de Comunicación Social.

12. Andrade, P. (2018). Mobile Art Flows: tourism mobilities at the museum. In E. Araújo; C. Oliveira, R. Ribeiro, P. Andrade  (Eds.) Viver em|a mobilidade: rumo a novas culturas de tempo, espaço e distância. Livro de atas (pp. 193-198). Braga: Centro de Estudos de Comunicação e Sociedade. http://hdl.handle.net/1822/55107 

13. Apresentação [a Viver em|a mobilidade: rumo a novas culturas de tempo, espaço e distância: livro de atas]. In E. Araújo; C. Oliveira, R. Ribeiro, P. Andrade  (Eds.) Viver em|a mobilidade: rumo a novas culturas de tempo, espaço e distância. Livro de atas pp. 5-8). Braga: Centro de Estudos de Comunicação e Sociedade. http://hdl.handle.net/1822/55105     http://hdl.handle.net/1822/55104 

14. Andrade, P.(2017). [Multicultural, intercultural or cultural lusophone networks?] Redes Lusófonas Multiculturais, Interculturais ou Transculturais? In M. Gama (Ed.).  Atas do Congresso Redes de Cooperação Cultural Transnacionais: um Olhar sobre a Realidade Lusófona’, 15 e 16 de Novembro de 2016, CECS, ICS. Braga. http://hdl.handle.net/1822/54018  

15. Andrade, P. (2016). [The (at the) light of panoptism] A (à) luz do panoptismo: retidão e sinuosidades das omni e pluri modernidades. In M. Oliveira; S. Pinto (Eds.). Atas do Congresso Internacional Comunicação e Luz (pp. 24-44): Braga: CECS [e-Book]. http://hdl.handle.net/1822/41466 

16. Andrade, P. (2014). [Publics and artists in museums: authors, readers and/or actors in the social networks of Web 2.0/Web 3.0?] Públicos e artistas em museus: autores, leitores e/ou atores nas redes sociais da Web 2.0/Web 3.0?. In Associação Portuguesa de Sociologia (Eds.), Atas do VIII Congresso Português de Sociologia '40 Anos de democracia: progressos, contradições e prospetivas (pp. 1-9). Évora: Associação Portuguesa de Sociologia.

17. Andrade, P. (2014). Hybridization and PostColonialism. In CECS (Ed.), 4th International Congress in Cultural Studies "Colonialisms, Post-Colonialisms and Lusophonies" (pp.523-7). Aveiro Universidade do Minho/Universidade de Aveiro. Programa Doutoral em Estudos Culturais. http://hdl.handle.net/1822/40801 

18. Andrade, P. (2013). Innovative Game Genres: sociological games. In J. Bueno (Ed.), Seminar at University of Savoye. Annecy: University of Savoye. http://hdl.handle.net/1822/29968 

19. Andrade, P. (2013). [Digital literacy in WEB 2.0/3.0: Learning and research in social and semantic networks] Literacia digital na Web 2.0/3.0: aprendizagem e investigação em redes sociais e semânticas. In S. Silva & S. Pereira (Eds.), Atas do 2º Congresso 'Literacia, Media e Cidadania' (pp. 334-353). Lisboa:Centro de Estudos de Comunicação e Sociedade.

20. Andrade, P. (2013). Open Research for diffusion of Open Digital Memories at Web 2.0/3.0 [Investigação aberta para difusão de memórias digitais abertas na Web 2.0/3.0. In Daniel Riha (Eds.), 8th Global Conference on Cybercultures (pp. 1-11). Prague: Inter-Disciplinary.Net , Univeristy of Prague. http://hdl.handle.net/1822/29967 

21. Andrade, P. (2013). Leisure, Drink and Tell: Discourses on drinks in cafés, bars and taverns. In III Congresso Internacional em Estudos Culturais Ócio. Lazer e Tempos Livres nas Culturas Contemporâneas, 28-29/1/2013. Aveiro: University of Aveiro. http://hdl.handle.net/1822/29966 

22. Andrade, P. (2012). [Critical Sociology and Semantic-Logical Methodology: Museum publics between Web 2.0 and Web 3.0] Sociologia Crítica e Metodologia Semântico-Lógica: Os públicos dos museus entre a Web 2.0 e a Web 3.0. In Associação Portuguesa de Sociologia (Ed.), Atas do VII Congresso Português de Sociologia ‘Sociedade, Crise e Reconfigurações' (pp.1-16). Porto:Associação Portuguesa de Sociologia.

23. Andrade, P. (2012). [Open Research na Web 3.0] Pesquisa aberta na Web 3.0. In T. Chambel, A. Ariza, G. Perin, M. Tavares, J. Bidarra, M. Figueiredo  (Eds.), Artech 2012 'Crossing Digital Boundaries', 6th International Conference on Digital Arts (pp.187-194 ). Faro: Artech.

24. Andrade, P. (2011). [The hybridization of literacies: GeoNeoLogical Methods in the Research Society] A hibridação das literacias: métodos GeoNeoLógicos na sociedade da investigação. In S. Pereira (Ed.), Atas do Congresso Nacional 'Literacia, Media e Cidadania' (pp.71-89). Braga: Centro de Estudos de Comunicação e Sociedade. https://hdl.handle.net/1822/39529 

25. Andrade, P. (2010). Intercultural Publics and Communication Strategies: the case of Cultural Tourism at the Art Museum. In (Eds.), Travelling Languages: Culture, Communication and Translation a Mobile World, 10th Annual Conference of the International Association of Languages and Intercultural Communication, 3-5/12/2010. Leeds. http://hdl.handle.net/1822/30010 

26. Andrade, P. (2009). [New media and common intelectual] Novos media e intelectual comum. In R. Oliveira (Eds.), CIANTEC 2009 - III Congresso internacional em artes, novas tecnologias e comunicação: Arte, tecnologia e comunicação novos territórios de conhecimento (pp.79-83). Aveiro: Universidade de Aveiro.

27. Andrade, P. (2008). [The Cultural-Artistic Sociology of Gardens] A Sociologia cultural-artística dos jardins. In E. Franco & C. Gomes (Eds.). Actas do Congresso Internacional 'Jardins do Mundo: Discursos e Práticas' (pp. 481-9). Lisboa: Gradiva.

28. Andrade, P. (2008). Web 2.0 and Digital Museums. In Psychology and Aesthetics Into the Future (pp. 56-60). Chicago: Baywood.

29. Andrade, P. (2008). Wiki Art, Wiki Collection, Wiki Artist and Wiki Web. In Psychology and Aesthetics Into the Future (pp. 241-245). Chicago: Baywood.

30. Andrade, P. (2008). [Web 2.0 and Reflexivity: Wikipedia's discourse about YouTube] Web 2.0 e Reflexividade: o discurso da Wikipédia sobre o YouTube. In M. Martins & M. Pinto (Eds.), Atas do 5º Congresso da Associação Portuguesa de Ciências da Comunicação (SOPCOM) (pp.1592-1608). Braga: SOPCOM. http://www.lasics.uminho.pt/ojs/index.php/5sopcom/issue/current/showToc 

31. Andrade, P. (2006). A sub-version of writing and of citizenship: the blog’s auto-writing and the hybrilog as trans-writing. In VI Colóquio Internacional ´Discursos e práticas alquímicas’, Guimarães, 22-24 Julho de 2006. http://hdl.handle.net/1822/29974 

32. Andrade, P. (2006). Art Democracies, Art constitution and style art works. In H. Gottesdiener; J. Vilatte (Eds.), Culture and Commmunication (pp. 317-318). Avignon: International Association of Empirical Aesthetics. http://hdl.handle.net/1822/30004 

33. Andrade, P. (2006). Cybermuseums and cybermuseology: the Hybrilog as a Bloseum. In H. Gottesdiener; J. Vilatte (Eds.) Culture and Commmunication (pp. 553-557). Avignon: International Association of Empirical Aesthetics.

34. Andrade, P. (2006). O Museu e a literacia e viagem cultural. In J. Pita & L. Pereira (Eds.), Rotas da Natureza: cientistas viagens expedições instituições (pp.279-283). Coimbra: Imprensa da Universidade de Coimbra.

35. Andrade, P. (2006). Net Art and Hybridosphere: the Hybrilog as Blogart. [Arte da Net e Hibridosfera: o Hybrilog como Blogart]. In L. Dopico (Eds.), Conferencia Internacional de Arte Electrónico e Dixital (3º.2006. Pontevedra) Conectando fronteiras: arte, ciencia, sociedad (pp.137-143 ). Pontevedra: Artech.

36. Andrade, P. (2005). [Sociology of the eLearning: a sociological writing analysis] Sociologia d o e¬Learning: uma análise de escr ita sociológica. . In SOPCOM (Eds.), Atas do 4º Congresso da Associação Portuguesa de Ciências da Comunicação (SOPCOM) 'Repensar os Media: novos  contextos da Comunicação e da Informação' (pp.425-434 ). Aveiro: SOPCOM.

37. Andrade, P. (2005). [Sociology of eLearning for the arts] Sociologia do eLearning para as artes. In A. Marcos, L.Valbom, Leonel, M. Meira  (Eds.), Artech 2005 – 2º Workshop Luso-Galaico de Artes Digitais, 'Nas fronteiras do imaginário’  (pp.120-128 ). Vila Nova de Cerveira: Artech.

38. Andrade, P. (2004). [For a sociology of hypermedia / hypertext] Para uma sociologia do hipermédia / hipertexto. In Associação Portuguesa de Sociologia (Ed.), Atas do V Congresso Português de Sociologia 'Sociedades Contemporâneas, Reflexividade e acção' (pp.51-56). Braga: Associação Portuguesa de Sociologia.

39. Andrade, P. (2004). Art is a network of language webs. In J.Fróis,, P.Andrade & F. Marques (Eds.), Art and Science: Proceedings of the XVIII Congress, 13-16 /9/ 2004 (59-64). Lisbon. (pp.727-730 ). Lisbon : International Associaton Experimental Aesthetics. http://hdl.handle.net/1822/30004 

40. Andrade, P. (2003). [The museum and literacy of cultural travel] O museu e a literacia da viagem cultural. In J. Pita & A. Pereira (Eds.), Atas do Congresso 'Rotas da Natureza' (pp.279-283). Coimbra: Universidade de Coimbra.

41. Andrade, P. (2001). [Wine and public drinking houses] O vinho e os estabelecimentos do beber público. In (Coord.) ‘O Vinho, a História e a Cultura Popular, ’Actas de Congresso, 24-25 de Junho de 1994 (296-306). 

42. Andrade, P. (1994). [For a theory of social negotiations] Para uma teoria das negociações sociais. In C. Gonçalves, J. Pinto, F. Ruivo, H. Carreiras, I. Dias & M. Figueirinhas (Eds.), Actas do Encontro da Associação Portuguesa de Sociologia ‘Dinâmicas Culturais, Cidadania e Desenvolvimento  Local’ (pp. 333-355). Vila do Conde: Associação Portuguesa de Sociologia.

43. Andrade, P.(1994). [Social tactilities: sensory mediations of life and/or reflection?] As tactilidades sociais: mediações sensitivas de vida e/ou de reflexão? In J. Pais, F. Torres, S. Cox (Eds.), New Routes for Leisure: Actas do Congresso Mundial do Lazer - World Leisure Congress (pp.111-130). Lisboa:Instituto de Ciencias Sociais.

44. Andrade, P. (1993). [Social sonorities] As sonoridades sociais. In Associação Portuguesa de Sociologia (Ed.), Actas do 2º Congresso Português de Sociologia ' Estruturas Sociais e Desenvolvimento' (pp.82-105). Lisboa: Associação Portuguesa de Sociologia.

45. Andrade, P. (1985). [For a sociology of documentation: sensitization to the need for its construction] Para uma Sociologia da Documentação: sensibilização à necessidade da sua construção. In Associação de Bibliotecários, Arquivistas e Documentalistas (Ed.), I Congresso Nacional de Bibliotecários, Arquivistas e Documentalistas ´A informação em tempo de mudança´, Actas, Vol II (pp.421-450 ). Porto: Associação Portuguesa de Bibliotecários, Arquivistas e Documentalistas.


Communications at conferences (extract from 2016-2022 texts)


1. Andrade, P. (2022). The Covid-19 debate: pandemic’s impact on cultural urban tourism. Congress SOPCOM. XII Congresso SOPCOM: Comunicação & Disrupção. 11,12 & 13 Abril 2022. Lisboa, Nova FCSH.

2. Andrade, P. (2022). Sessão de Seminário ‘Turismo Patrimonial e Desenvolvimento, Invitation by Prof. Luís Mota Figueira, Instituto Politécnico de Tomar, 21/10/2021.

3. Andrade, P. (2021). What Sociology of Tourism?  For an intercultural, intermediary and intermethodological Open Research. In Graça Joaquim (Eds.), XI Congresso Português de Sociologia: Identidades ao rubro: diferenças, pertenças e populismos num mundo efeverescente, 29 – 31 Março, ICS, Univ. Lisboa. Lisboa, Online: Associação Portuguesa de Sociologia-APS. 

4. Andrade, P. (2021). Big Knowledge on Public Arts at Viral Society: Sociological Tour Guides for urban citizens and cultural tourists using mobile devices. In Helena Barranha & Joana Simões Henriques (Eds.), Art, Museums and Digital Cultures | International Conference, 22.23/4/2021. Lisboa: Maat.

5. Andrade, P. (2021). Internet das Pessoas-Coisas ou das Coisas-Pessoas? Como investigar a Sociedade Viral, via estudos de artes e design. Invitation by Mário Caeiro, at event MGC Talks! Comunicação (e Cultura) na era da Internet das Coisas), 22/4/2021, Caldas da Rainha: Instituto Politécnico de Leiria, Escola Superior de Arte e Design. 

6. Andrade, P. (2021). Que Sociologia do Turismo Cultural-Artístico? Open Research Intercultural, Intermedial e Intermetodológica. In Lígia Dabul, Paula Guerra & Pedro Costa (Eds.), II Encontro Interacional Todas as Artes / Todos os Nomes, 1-2/6/2021. Porto: Faculdade de Letras da Universidade do Porto.

7. Andrade, P. (2016). Postcolonial hybrid meanings within resistance cinema. [International conference Liberation struggles, the "fall of the empire" and the birth [in pictures] of African nations, on January 27 and 28, 2016, London ] Conferência internacional: Lutas de libertação, a "queda do império” e o nascimento [em imagens] das nações africanas, at Centre for Film Aesthetics and Cultures, University of Reading (2016/1/27), in Camões Centre for Portuguese Language and Culture, King's College of London (2016/1/28).


Other publications: newspaper texts, art catalogs, book reviews, etc. (extract) (6)


1. Andrade, P. (1992, 5 de Fevereiro). [Tavern and drinking, their flavors and knowledge] A taberna e o beber, seus sabores e saberes. Correio das Regiões, p.6..

2. Andrade, P. (1989, 28 de Maio). [The art of stealing art: or the enigma of the digital painting’s theft]

3. A arte de furtar a arte: ou o enigma do roubo do quadro informático. Diário de Notícias, p. 11.

4. Andrade, P. (1984, 5 de Abril). [Final prelude of Pessoa’s (and echoes)] Prelúdio final de Pessoa´s (e ecos). Diário de Notícias, p.16.

5. Andrade, P. (1984, 7 de Dezembro). [Coffee in the cinema or café-cinema? Anaesthesiating arts, anaesthesiated arts] Café no cinema ou café-cinema? artes anestesiantes, artes anestesiadas. Diário de Notícias, p.32.

6. Andrade, P. (1977, 1 de Fevereiro). [Underground cinema is dead: death to Underground cinema?] Le cinéma Underground est mort: mort au cinéma Underground?. Libération, p.15.


Texts and articles in the Internet (extract)


The following texts are just a brief sample of writings made in the beginning of social networks inside Web 2.0. Please see other online and new media works at section 'Multimedia...'


Andrade, P. (2007). Corpo virtual e Web 2.0: a escrita do feminino na internet e na blogosfera, Working Papers. CECL. Available at: http://www.cecl.com.pt/

Andrade, P. (2007). Internet Art. Working Papers. CECL. Available at: http://www.cecl.com.pt/ 

Andrade, P. (2007). A imagem da imagem na Web 2.0. Working Papers. CECL. Available at:  http://www.cecl.com.pt/

Andrade, P. (2005). Pvilog [proposal of a ‘pvilog’, which is a poetic diary (plog), constituted by poems declaimed in digital video clips]. Available at: http://triplov.com 

Andrade, P. (2005). Sociologia da blogosfera. Available at: http://triplov.com


Technological prototypes (9)


The author developed the following digital prototypes, as: affiliate of Paris Film Coop, Paris, France; within projects he coordinated funded by FCT, at Centro Interdisciplinar de Ciência, Tecnologia e Sociedade  and at Centro de Estudos de Comunicação e Linguagens; and as Director of Social Web Lab, Lisbon. Such prototypes and final digital products were shown at worldwide high tech and artistic events. Their presentation and analytic articles, indicated below, were published via international and national publishers (USA, UK, Portugal), and some are located at the RepositoriUM addresses or others, indicated below:


1. 2020: Sociological Research Games and Covid-19: 

Source: Andrade, P. (2022). Cultural Mobile Tourism and Tourist Knowledge at Viral Society: a Research Game against Covid-19 within Big Knowledge context. In Noah Harper (Eds.), Urban Assemblage: The City as Architectures, Media, AI and Big Data, 28-30 June, 2021 (pp. 99-114). London, Virtual, Hatfiled: University of Hertfordshire.  

https://hdl.handle.net/1822/79343

2. 2014. Sociological Research Games: how to build one, for teachers, students and researchers:

Source: Andrade, P. (2021). Sociological (Re)search Games: play and transfer cultural knowledge among social sciences, museum staff and publics  / Jogos sociológicos de investigação: jogue e transfira conhecimento cultural entre ciências sociais, funcionários do museu e públicos. In Adérito Marcos & Paulo Bastos (Eds.), Artech 2021: Hybrid Praxis - Art, Sustainability and Technology. Proceedings of the 10th International Conference on Digital and Interactive Arts, 13-15 October 2021, Aveiro, Portugal (pp.127-138). New York: ACM. https://hdl.handle.net/1822/79344 

3. 2020: Pessoa Effect (Poetry Interactive App):

Source: Andrade, P. (2020). Pessoa Effect within Viral Society: Viral Sociological Poetry using Apps and e-Books Anti-Virus. In Proceedings of 2nd International Conference on Transdisciplinary Studies in Arts, Technology and Society, ARTeFACTo2020. November 26-27 (pp. 96-103). Universidade do Algarve, Centro de Investigação e Comunicação (CIAC). Faro. http://hdl.handle.net/1822/70089 

4. 2018: Art Exhibitions with Sociological Mobile Games, Drone Art and a Droseum, i.e. a Drone Art Museum.

Source: Andrade, P. (2019). Mobile Social Hybrids and Drone Art [Híbridos sociais móveis e arte drone].  In P. Abrantes et al (Eds.), Proceedings of the 9th International Conference on Digital and Interactive Arts - Digital Media Art Ecosystems, 23-25 October 2019, Braga, Portugal (pp.361-365). New York: The Association for Computing Machinery. https://hdl.handle.net/1822/79347 

5. 2017. Sociological Gallery (Augmented Realty Sociological Web) and Video App with a Sociological Questionnaire:

Source: Andrade, P. (2018). Epistemology and methodology of urban cultural tourism: the case of the artistic sociology of mobile cultures and tourism communication in urban social networks / Epistemologia e Metodologia do Turismo Cultural Urbano: o caso da Sociologia Artística das culturas móveis e da comunicação turística em redes sociais urbanas. Comunicação e Sociedade 'Espistemologia e Metodologias em Comunicação', 33, 215-242. https://hdl.handle.net/1822/55275

6. 2010. Participation in the design of multimedia device 'Multitouch Multimedia Table', especially in the modules Multitouch Questionnaire and Thricotomies Game, included in project Public Communication of Art, funded by Fundação para a Ciência e a Tecnologia, and coordinated by Pedro Andrade. Exhibited at Lisboa, Museu Coleção Berardo, since 15 february until 31 may 2010.

Source: Andrade, Pedro (2011b). Sociologia Semântico-Lógica  da Web 2.0/3.0 na sociedade da investigação: significados e discursos quotidianos em blogs, wikis, mundos/museus virtuais e redes sociais semântico-lógicas. Lisboa: Edições Caleidoscópio. .

7. 2009: GeoNeoLogic Novel (app including a plot based on GPS). Production, directing and public presentation of an experimental, interactive and colective novel, GeoNeoLogic Novel, at Acta Media 7 (S.Paulo), at CIANTEC 2009 (Aveiro) and at IV Congreso de la Cibersociedad.

Source: Andrade, P. (2016). GeoNeoLogical Novel and other Hybrimedia Experiments: or how to use Hybrid Methods such as Hybrid Discourse Analysis (HDA) within a Knowledge Base. MATLIT 4 (2), 157-181.

Source: Andrade, Pedro (2011). Novela GeoNeológica nº 1: um caso de Literatura Transmediática/1ª Novela da Web 3.0. Lisboa: Edições Caleidoscópio.

8. 2006. Major Valentão. First Sociological Game, digital game constructed with Flash and programmed with Action Script.

9. 1976: Body Cinema/Cinéma-Corps. Images and sound made with the humidity and temperature of human body, via a portable electronic device. Art work produced at Atelier Cinéma Independent-Paris, an experimental lab founded by Pedro Andrade, Marcus Reinfried and Giovani Martedi. This art work was included in the Paris Film Coop catalog, and exhibited at Foyer International, Paris, Institute of Contemporary Arts, London, Festival du Cinema Experimental de Nancy, Centre Pompidou, etc. Today it is part of Serralves Art Collection.

Source: Andrade, P. (2007). [Artistic visibilities and daily vigilances: Art and Sociology in the context of the devices post-panoptic and Inter-panópticos] Visibilidades artísticas e vigilâncias quotidianas: arte e sociologia no contexto dos dispositivos pós-panópticos e inter-panópticos. Revista de Comunicação e Linguagens, 37, 91-107.


Artistic works, articulated with sociological and technological proposals and cultural events 


2020: co-founder of SOS ART.PT, a socio-cultural-political movement, to mitigate the effects of the Covid-19 crisis in visual arts, e.g., through exhibitions, creation of an Emergency Fund, Protection Circles. It has about 2500 members worldwide at Internet. https://sosartept.blogspot.com/p/english.html https://www.facebook.com/sosartept/

A list of some of the author’s ‘Artistic Sociology’ works and other art works, is consultable in the following site, or in the next section named ‘Multimedia…’.


Pedro de Andrade Art Works:

https://sites.google.com/view/pedro-de-andrade-art--works/home 



Multimedia, mixed media performances, internet, infoart, experimental cinema, arts, etc., created by the author (61)


1. 2020.12. Site Viral Intercultural Tourism City.

2. 2020.11.27. Presentation of interactive p-app / po-book Poem to Corona Virus using Pessoa Effect: an app and e-book anti-virus, at Congress ARTeFACTo2020, University of Algarve, Faro, Portugal.

3. 2020.9.25. Exhibition of interactive p-app / po-book Poem to Corona Virus using Pessoa Effect: : an app and e-book anti-virus, within presential expo Without Limits at Forum da Maia art gallery.


4. 2020.8.4. Participation at Virtual Expo Without Limits’ opening, at Zoom, curated by SOS ART PT association.

5. 2020.6.29. First worldwide App Paper, named Viral Cultural Tourism via Mobile Devices: Open Research using Open Methods and Open Media, published by Social Web Lab Publishers, Lisbon. An App Paper is an interactive app, available in the following platforms: desktop Mac and Windows, mobile iOS and Android, epub e-books. It works as an alternative mode of production and of dissemination / presenting papers in congresses. App Paper Viral Cultural Tourism was first shown at international conference Connections Exploring Heritage, Architecture, Cities, Art, Media, that took place the 29-30 june 2020, at Kent University, Cantebury, UK.

6. 2020.6. Site Viral Cultural Tourism.

7. 2020.6.4. e-book Art, Pessoa Effect, Research Art, 3 art works exhibited at the first art expo shown at cyberspace in Portugal, after the emergence of Covid-19. The opening of the exhibition took place the 4 june 2020, it is named Sem Limites [Without Limits], and is organized by association SOS ART PT.

8. 2020.6.3. App Art Manifesto, Lisbon. App Art means creating art using apps, in order to obtain art apps or artistic apps. It also means separating art both from social routines and from art routines. 

9. 2020.3.7. First p-app / po-book, named Poem on the Corona virus using Pessoa Effect: an app and e-book anti-virus, published by Social Web Lab Publishers, Lisbon. This is an alternative mode of production and of dissemination / presenting poetry. As for its form, it consists of an interactive app hybridized with an e-book, where it is possible to read, comment, dialog and even re-write the contents of an author’s poetry.

10. 2020.3. Site Pedro Andrade art works.

11. 2018. Droseum: a Drone Art exhibition, Exhibited at NewArtFest'18 (event in partnership with the Web Summit), that took place at Sociedade Nacional de Belas Artes, Museu Nacional de História Natural e da Ciência, Faculdade de Belas Artes de Lisboa and Ordem dos Arquitetos, Lisbon, November 28-December 2.

12. 2018. Virtual course The Futur Futur of Democracy / O Futuro Futuro da Democracia. Universidade Estadual da Paraíba, 28/5/2018. Exhibition of the following videos: 2018. Video Director of Introduction / Apresentação. Duration: 1’ 30’’, Format: video mp4.

13. 2018. Video Director. Activism against austerity /Ativismo contra a austeridade. Duration: 18’ 20’’. Format: Video Paper, mp4.

14. 2018. Video Director. Socio(logical) image / Imagem social(lógica). Duration: 8’ 28’’. Format: Video Paper, mp4.

15. 2018. Video Director. Mobile Democracy: Virtual Visual Inquiry / Democracia Móvel: Inquérito Visual Virtual. Duration: 16’ 16’’. Format: Video Paper, mp4.

16. 2017. Sociological Exhibition, Virtual Inquiry and Virtual Sociological Gallery in Augmented Reality. These works are included in the Artistic Sociology genre, exhibited in the NewArtFest'17 (event in partnership with the Web Summit), that took place at the Museum of Natural History and Science-MUNHAC, Lisbon, from November 13 to 30, 2017. Paper at this event: Tourism Conference 3.0. 

17. 2015. Sociological Comics. Artist book selected to show at 2nd exhibition OFF THE S{H}ELF: the self and subjectivity in the artist’s book. Exhibition 29 May 2015, at i-klectic Art Lab, London.

18. 2014. Research Game, the first game for researtainement. Lisbon.

19. 2014. Planning of Site Think Tank COMMUNITAS, at Communication and Society Research Centre, Institute of Social Sciences, University of Minho.

20. 2013. Hook Book. Presentation of an experimental pedagogical book on Sociology, within a ‘sociological performance’using a multimedia Artistic Game. Exhibited at Aljustrel Town Hall gallery: 2013.11.8.

21. 2012. GeoNeoLogic Novel. Experimental novel exhibited at collective art exhibition OFF THE S{H}ELF: the self and subjectivity in the artist’s book, curated by London i-klectic Art Lab, the 8-9 December 2012 at Stockwell Studios, London. 

22. 2012. Co-organization of exhibition Utopia Azul-Leiria, with Mathilde Amberger and Paulo Matos, and presentation of digital art works at Teatro José Lúcio da Silva, Leiria, January 2012.

23. 2012. Several digital paintings exhibited at Leiria, Teatro José Lúcio da Silva, January 2012. 

24. 2011. Social-semantic site Public Communication of Art, at https://sites.google.com/site/compubarte

25. 2011. Social-semantic site Experimental Books, at https://sites.google.com/site/livrosexperimentais/

26. 2011. Social-semantic site Web3novel, at https://sites.google.com/site/web3novel/.

27. 2011. Several digital paintings exhibited at Collective Exhibition 'Utopia Azul-Elvas' at Museum of Photography, Elvas, 31/7/2011.

28. 2011. e-book novel. Lisboa, an experimental e-book, located at Google Site 'Experimental Books'. 

29. 2011, Movie novel. Lisboa, an Experimental movie located at Google Site 'Experimental Books'. 

30. 2010. Participation in the design of multimedia device 'Multitouch Multimedia Table', especially in the modules Multitouch Questionnaire and Thricotomies Game, included in project Public Communication of Art, funded by Fundação para a Ciência e a Tecnologia, and coordinated by Pedro Andrade. Exhibited at Lisboa, Museu Coleção Berardo, since 15 february until 31 may 2010.

31. 2010. Participation, as co-curator and artist, at Collective Exhibition Interacções/Interactividades at Casa do Brasil and Casa da América Latina, Lisboa, November 2010.

32. 2010. Several digital paintings exhibited at Lisboa, Casa do Brasil and Casa da América Latina. 

33. 2009. Production, directing and public presentation of an experimental, interactive and colective novel, GeoNeoLogic Novel, at Acta Media 7 (S.Paulo), at CIANTEC 2009 (Aveiro) and at IV Congreso de la Cibersociedad.

34. 2008. Exhibition of 4 art works (genre Wiki Art): Wiki Collection, Wiki Artist, Wiki Art, Wiki Web, at Chicago, 19-22/08/2008.

35. 2008. Intermedia consultor at art visual center HANGAR, Barcelona, Nov. 2008.

36. 2007. Director of digital film Visit to Serralves Art Museum, exhibited at University of Austin´s web page, Texas, USA, at http://colab.ic2.utexas.edu/idporto2007

37. 2006. Major Valentão. First Sociological Game, constructed with Flash and programmed with Action Script. Lisbon. 

38. 2006. Hybrilog, a hybrid blog constituted by several genres of blogs (text blog, video blog, video poetry blog, art blog, hypermedia log and game blog).

39. 29/8-1/9 2006. Digital paintings Art Democracies, Art constitution and Style Art Works, exhibited at a gallery within IAEA 2006, Culture and Commmunication, XIX Congress of the International Association of Empirical Aesthetics, Université d´Avignon, Aug 29th1st Sep.

40. 22-24/6/2006. Several digital paintings exhibited at a gallery within the VI Colóquio Internacional ´Discursos e práticas alquímicas´, 22-24 Julho de 2006, Guimarães.

41. 13-1/9/2004: Art is a network of language webs, a set of digital paintings exhibited at an art gallery within IAEA 2004, XVIII Congress, International Association of Empirical Aesthetics, 13-16 September 2004, Calouste Gulbenkian Foundation, Lisboa.

42. 2003.Digital paintings Criação da Criação: em tríptico digital, em conceito3 (conceito tridimensional); Espiral La Mamma (ciberpintura interestelar 1; Big Bang Estético (ciberpintura interestelar 2); Boomeramng Galático (pintura pós-himana interestelar 3); 

43. 13/1/2003. Literatura ciber-alfabética, Lisboa. Published in Atalaia journal. 

44. 3/7/1997 a 7/9/1997: Body Cinema and Cinema Spatial Nº 1. exhibition and performances at “Perspectiva: Alternativa Zero”, Casa de Serralves, Porto.

45. 1996. First intermedia sociological questionnaire in Portugal, included in Atalaia Association Web Page.

46. 1995. Multimedia interactive Article. Digital paintings included in paper “Taverne, pouvoirs et négociations sociales”, Atalaia (1/2), and a digital version in disquette.

47. 1995. Design and programming of the Atalaia Association Web Page, since July 1995, recognized by revue cyber.net (nº de Set de 1995) as the first Web Page proposing a cultural project in Portugal.

48. 1995. Interative exhibition. An interactive digital art exhibition, made with Director software and Lingo programming language, with several digital paintings made since1987.  Included in the first Portuguese CD-ROM on Portuguese digital art named “Museu Virtual”, published by António Cerveira Pinto, Aula do Risco multimedia school, Lisbon. 

49. Set 1990: Several digital paintings, exhibited at cultural event “InfoFesta”.

50. -14-20/11/1988. Several digital paintings (Thesaurus Art, etc.), exhibited at "Audio Visual Lisboa 88", Forum Picoas, Lisbon, in a collective exhibition with Ernesto de Melo e Castro, etc.

51. 1987-90. Several digital paintings made with Amiga computer.

52. 1985. Fishes. Digital drawing made in the Macintosh computer, 2nd in Portugal.

53. 9/11/ 1979. Body Poems: The Wall. Declamation of Body Poems with the electronic device Body Music, at the opening of an exhibition promoted by artist group ´ARTA´ atelier, at Lisbon. 

54. 1977. Body Music. First musical instrument played with the humidity and temperature of human body, via a portable electronic divice. Shown and interactively played at "Alternativa 0" exhibition, at Lisbon. 

55. 9/1/1976. Alchemical Projections. Expanded Cinema exhibited at Institute of Contemporary Arts, London.

56. 5/3/1976. Body Cinema/Cinéma-Corps. Presently included in Fundação Serralves collection, Porto.

Images and sound made with the humidity and temperature of human body, via a portable electronic device. Art work produced at Atelier Cinéma Independent-Paris, an experimental lab founded by Pedro Andrade, Marcus Reinfried and Giovani Martedi. This art work was included in the Paris Film Coop catalog, and exhibited at Foyer International, Paris, Institute of Contemporary Arts, London, Festival du Cinema Experimental de Nancy, etc. 

57. 1975. Film Spatial Saboté nº1. Presently included in Fundação Serralves collection, Porto.

A proto-hypertex cinema & artwork, in the form of an hybrid film sculpture, produced at Atelier Cinéma Independent, and included in the Paris Film Coop catalog. 

58. -1975. Entrance at Paris Film Coop, experimental cinema cooperative developed under Jean-François Lyotard´s theoretical inspiration, who was a cooperative member and professor of the author. 

59. 1973-74. Presence. Co-direction of this 16 mm movie, at Université Paris VIII, with Saul Shapiro, Pierre Rovere and Antonietta Pizzorno.

60. 1972. 16mm movie. Co-direction of this 16 mm movie at Università Statale de Milano, Italy.

61. 1968, May, 7. First prize at Liceu Nacional de Oeiras award, with the oil painting ‘1968, May’, in a two author’s work with José Jorge Letria, who made a poem.



Passive Bibliography and distribution channels of author’s works

Prefaces, Reviews on Andrade's books (some examples)


About Andrade, Pedro (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na Sociedade de Investigação. Lisboa: Caleidoscópio. https://hdl.handle.net/1822/24108

Martins, Moisés (2011). [Preface] Andrade, P. (2011). Sociologia Semântico-Lógica (...) [pp.5-9]. 

Costa, Pedro. (2011). [Review] Andrade, P. (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na Sociedade de Investigação, Revista de Comunicação e Linguagens ‘Genealogias da Web 2.0’, 42, 294-6. 

On Andrade, Pedro (2011). Sabores e saberes do beber: consumos de lazer, poder e cultura em cafés, tabernas e bares Portugueses. Campina Grande: Editora da Universidade Estadual da Paraíba.

Mourão, José Augusto (2011). [Preface] Andrade, Pedro (2011). Sabores e saberes... [pp. 1-59].



Book publishers’ catalogs including Andrade’s works published by those houses (some examples)


1. Shaker Verlag, Germany

2. Les Éditions de l’Immatériel, Paris, France.

3. Universidade Estadual da Paraíba, Brazil : Andrade, Pedro, Books

4. Caleidoscópio, Portugal: Andrade, Pedro, Books

5. Colibri, Portugal: Andrade, Pedro, Books

6. Colibri, Portugal: Atalaia Journal, Director: Andrade, Pedro

7. Cordão de Leitura, Portugal: Andrade, Pedro, Books

8. ApenasLivros, Portugal, Andrade, Pedro, Books

9. AteneuLivros, Portugal, Povos e Culturas


  Edições Calidoscópio


1. Andrade, Pedro (Ed.) (2016 ). Comunicação Pública da Arte: o caso dos museus de arte locais / globais. Lisboa: Edições Caleidoscópio. https://caleidoscopio.pt/products/a-comunicacao-publica-da-arte?_pos=3&_sid=9ebf0788c&_ss=r

2. Andrade, Pedro. (2020). [2ªEdição: 1ª Edição de 2010 esgotada] Arte pública e cidadania: novas leituras na cidade criativa. Lisboa: Editora Caleidoscópio. 

https://caleidoscopio.pt/products/arte-publica-e-cidadania-novas-leituras-da-cidade-criativa-2-ª-edicao?_pos=4&_sid=3ac83da1f&_ss=r 



 Edições Colibri


1. Atalaia Revista Internacional de Exegese Contemporânea

https://www.edi-colibri.pt/Detalhes.aspx?ItemID=104

2. Andrade, Pedro (2010c). Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu. Lisboa: Edições Colibri.

https://www.edi-colibri.pt/Detalhes.aspx?ItemID=1696  

   

  Editora Cordão de Leitura


Andrade, Pedro; (2011). 'Poesia Sociológica', In Martins, José; Andrade, Pedro; Leite, José Pinto; Ménage à 3. Porto, Cordão de Leitura. https://www.cordaodeleitura.pt/livros/menage-a-trois/ 


Bookstores selling Andrade’s books/texts (some examples):


Amazon


1. Andrade, Pedro (2015). Austerity History Through Sociological Comics: a Guide to Social Media and Networks against Austeritocracy for use by all Generations. North Charleston: Create Space.

https://www.amazon.com/Austerity-History-through-Sociological-Comics/dp/1522934553 

2. Andrade, Pedro (Ed.) (2016). Comunicação Pública da Arte: o caso dos museus de arte locais / globais. Lisboa: Edições Caleidoscópio. https://www.amazon.com/-/pt/dp/B073H4SWT4/ref=sr_1_1?__mk_pt_BR=ÅMÅŽÕÑ&crid=3616T9YCVSBR1&keywords=Comunicação+Pública+da+Arte&qid=1660908942&s=books&sprefix=comunicação+pública+da+arte%2Cstripbooks-intl-ship%2C116&sr=1-1 

3. Andrade, Pedro; Camus Perez, Avner (Directors) (1995-2008). Atalaia Intermundos: Revista Internacional de Exegese Contemporânea, Shaker Publishing, Germany. [Imported to Amazon the 15 May 2007] https://www.amazon.de/-/en/Pedro-Andrade/dp/9042303115/ref=sr_1_1?crid=2PWNL0FCA2KC0&keywords=Atalaia+Intermundos&qid=1660908607&s=digital-text&sprefix=atalaia+intermundos%2Cdigital-text%2C71&sr=1-1 


Other booksellers or publishing houses where the author has works can be searchable in Google, e.g.:

Shaker, Germany.

Atalaia Intermundos: Revista Internacional de Exegese Contemporânea, Lisbon.

Almedina and Wook: Andrade, P. (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na Sociedade de Investigação, Caleidoscópio.


Social networks, blogs, newsletters citing or reporting Andrade’s activities.

The following texts are just some examples contemporary to the period of consolidation of social semantic networks that characterize the new web paradigm represented by Semantic Web 3.0, initiated by Wikipedia, FreeBase, etc. and institutionally and globally legitimated by Europeana, or by the Knowledge Graph search engine, presently used by Google, Facebook, etc. Within this period, the author coordinated project ‘Public Communcation of Art’, funded by FCT. The project’s final conference, named ‘Conferences Public Communcation of Art and Museums: Interactions * Intermedia * Interactivity', were publicized by the following newspapers, mass media and social networks, among others:

1. Centro de Estudos de Comunicação e Sociedade-CECS. (2011). Pedro Andrade, sociólogo e investigador do CECL, deu seminário. CECS Newsletter (15) [news on Seminar at Institute of Social Sciences, University of Minho, December 2010, titled “Social Sciences for innovation, sensible digital methodologies and hybrid sociological writing”.

2. Centro de Estudos de Comunicação e Linguagens-CECL. (2011). Conference | "Public Comunication of Art and Museums: Interactions * Intermedia * Interactivity". Consulted on 20/9/2011 at: http://www.cecl.com.pt/pt/actividades/actividades-realizadas/180-conferencia-qa-comunicacao-publica-daarte- e-os-museus-interaccoes-intermedia-interactividade    

3. Museu Colecção Berardo. (2011). Conferências Comunicação Pública da Arte e os Museus: Interacções * Intermédia * Interactividade'. Newsletter: Setembro '11. Consulted on 20/9/2011 at: http://metalgest.dyndns.org:8888/conteudo/2011/setembro/index.html 

4. Neves, José Pinheiro. (2011). Conferências ‘Comunicação Pública da Arte e os Museus'. Facebook. Consulted on 23/9/2011 at: https://www.facebook.com/event.php?eid=248491035195358 

5. Guedes, Maria Estela. (2011). Conferências Comunicação Pública da Arte no Museu Colecção Berardo'. TRIPLOV. Consulted on 20/9/2011 at: http://triplov.com/triplo2/2011/09/20/lit-conferencias-comunicacao-publica-da-arte-no-museu-coleccaoberardo/ 

6. Carvalho, Ana. (2011). Mais algumas conferências em Setembro. Blogue ‘No Mundo dos Museus’. Consulted on 20/9/2011 at: http://nomundodosmuseus.wordpress.com/ 

7. INA. (2011). Conferências Comunicação Pública da Arte e os Museus: Interacções * Intermédia * Interactividade', INA. Consulted on 20/9/2011 at: http://comunidades.ina.pt/content/conferência-comunicaçãopública-da-arte-e-os-museus-interacções-intermédia-interactividade 

8. pporto dos museus.pt. (2011). Conferências Comunicação Pública da Arte e os Museus: Interacções * Intermédia * Interactividade'. pporto dos museus.pt. Consulted on 20/9/2011 at:

http://www.pportodosmuseus.pt/?p=31086&utm_source=rss&utm_medium=rss&utm_campaign=conferenciaa-comunicacao-publica-da-arte-e-os-museus-interaccoes-intermedia-interactividade 

9. PUC- Universidade São Paulo. (2011). Conferências Comunicação Pública da Arte e os Museus: Interacções * Intermédia * Interactividade'. Blog Jogos Digitais. Consulted on 20/9/2011 at:

http://blog.pucsp.br/jogosdigitais/2011/09/15/conferencia-a-comunicacao-publica-da-arte-e-os-museusinteracoes-intermedia-interactividade/ 

10. Plancast. (2011). Conferências - Comunicação Pública da Arte e os Museus. Plancast. Consulted on 20/9/2011 at: http://plancast.com/user/1618085


Newspapers, radio and TV news that published citations and references to Andrade's works 


The following texts are just some examples from the period of emergence of the World Wide Web that organize Web 1.0, and social networks that constate Web 2.0, when the author inaugurated the first Portuguese web page with a cultural project in 1995, simultaneously to sociological research on urban cultures such as popular cultures within taverns (see below). 


1. Raimundo Orlando. (2003, 8 February). [Interview by journalist on public drinking houses and about Andrade's Phd Thesis on this subject] Expresso: Revista ‘Actual’, 50-51.

2. Matos, Vitor (2003, 19 January). [Interview by journalist on public drinking houses and about Andrade's Phd Thesis] A Capital: GLX, Suplemento de cultura e lazer, Capa e pp. 3, 6-10.

3. LORETO. (1997). [bibliographic references and abstracts on papers], LORETO: Revue du Centre de Recherches et Base de données en Culture du Temps Libre, XII, 41), Bruxelles, Direction générale de la Culture du Ministère de la Culture [Citations in pp. 10, 18, 58, 64, 69, 70, 73, 74, 75, 76, 82c.]

4. Fundação de Serralves. (1997). Perspectiva: Alternativa Zero, [exhibition catalog]. Porto: Fundação de Serralves [Citations in pp. 27, 28, 186, 38, 242, 285, 306].

5. Faria, Óscar. (1997, 11 july). Alternativa Clone: Fundação de Serralves: nova programação. Público: Artes, 16.

6. [s.a]. (1995). [mention to the first Portuguese Web Page developing a explicit cultural project, the association and revue Atalaia´s web page, directed by the author] : ‘Padrão dos Descobrimentos: penso, logo, em quê?’, Cyber.net, 4, 49.

7. LORETO. (1993). [bibliographic references and abstracts on papers], LORETO: Revue du Centre de Recherches et Base de données en Culture du Temps Libre, X, 31), Bruxelles, Direction générale de la Culture du Ministère de la Culture [Citations in pp. 3, 16-21].

8. Manuel, Alexandre. (1992, 16 april). Sai um copo de três. Diário de Notícias, Magazine, 291, 16-23.

9. [s.a]. (1991, 5 april). Amici... in Portogallo. L´Osteria Friulana, 1, 2.

10. Castro, Ernesto Melo. (1988). Poética dos meios e Arte High Tech. Lisboa: Vega.

11. [s.a]. (1988). [bibliographic reference and abstract of Thèse de Doctorat de 3ème cycle], in Bulletin Signalétique, Centre National de Recherche Scientifique. Sociologie, 42, 3, 61.

12. [s.a]. (1986, 24 april). Café: do pastor Kaldi ao ´Xico Fininho´. O Jornal, 11-A e 12-A.

13. [s.a]. (1981, 11 january). Tabernas de Lisboa são tese de doutoramento: um património cultural em vias de extinção. Portugal Hoje, 1, 7 [and published in the front page].

14. [s.a]. (1981, 11 january). Tabernas foram tema de palestra no Centro Nacional de Cultura. Diário de Notícias, 6.

15. [s.a]. (1981, 12 january). Sociólogo elogia taberna: património cultural transfere-se para os novos bairros pobres", A Capital, 11.

16. [s.a]. (1981, 12 january). As tabernas são lugares de compensação do trabalho e da família: em análise no Centro Nacional de Cultura. Diário de Lisboa, 16.

17. [s.a]. (1981, 12 january). Taberna - local onde penetra fortemente a comunicação social e se discute política. Tribuna.

18. [s.a]. (1981, 12 january). As tabernas são ainda ponto de convívio. A Tarde, 11.

19. [s.a]. (1981, 13 january). Tabernas ´promovidas´ a tese de doutoramento. I, 22.

20. Dacosta, Fernando. (1981, 13 january). Os refúgios da nossa solidão: cafés, leitarias, tabernas, bares, O Jornal, 32-33.


 

1.2. Coordination and participation in scientific or technological development ... 24


Researcher (4)


1. 1/9/2013 to 16/6/2016: 

Researcher University of Minho, Social Sciences Institute (Instituto de Ciências Sociais), Communications and Society Research Centre (Centro de Estudos de Comunicação e Sociedade), Campus de Gualtar, 4710-057 Braga.

2. 2005-2011: 

Researcher at New University of Lisbon, Faculty of Social and Human Sciences, Center for Studies of Communication and Languages-CECL (Universidade de Lisboa, Faculdade Ciências Sociais Humanas, Centro de Estudos de Comunicação e Linguagens).

3. 2000-2005:

Researcher at Classical University of Lisbon, Interdisciplinary Center of Science, Technology and Society (Universidade Clássica de Lisboa, Centro Interdisciplinar de Ciência, Tecnologia e Sociedade- CICTSUL):

1988-2000:

4. Researcher at University of Coimbra, Center for Social Studies (Centro de Estudos Sociais), presently an Associate Laboratory funded by Foundation for Science and Technology (Fundação para a Ciência e a Tecnologia).


Research projects (8)


1. 2017: 

Coordinator of project 'Mobile Culture for Tourism Communication: A Knowledge and Social Network on Cultural e-Heritage for ‘Augmented’ e-Tourism.

Team: 50 researchers from Universities worldwide:

Portugal: University of Minho, Institute of Social Sciences, Communications and Society Research Centre: Pedro Andrade, Emília Araújo, Rita Ribeiro, Helena Pires, Maria da Luz Correia, Zara Pinto Coelho, Silvana Mota-Ribeiro, Fábio Ribeiro, Felisbela Lopes, Vitor Sousa, Alberto Sá, Nelson Zagalo, Pedro Rocha. University of Minho, School of Engineering: Luis Magalhães. University of Minho, Department of Archeology: Paulo Bernardes. University of Lisbon: Idalina Conde, Catarina Salles de Oliveira, ISCTE. Instituto Superior Técnico, Lisbon: Fernando Nunes da Silva (consultant), Helena Rolim New University of Lisbon, Faculty of Science and Technology Nuno Correia (consultant). Open University of Lisbon: Ricardo Campos. Braga City Hall: Manuel Bandeira, Fátima Pereira. Luís Fernandes, Gnration (student association). Mário Caeiro, Escola Superior de Educação Caldas da Raínha; Luca Alverdi, Cabiria Video Productions; Helena Pereira, gallery Shairart; Pedro Teixeira, firm Edigma, Emanuel Pimenta (art curator), António Pinto (art curator).

USA: Dean McCannell, U. California; Maurizio Forte, U. Durham.

UK: Kim Akas, U. Heltfordshire;

France: Fabbio La Rocca, U. Sorbonne Descartes; Phillipe Viallon, U. Strasbourg; Phillippe Joron, U. Paul Valéry; Geofrey Williams, U. Bretagne-Sud; Jacques Bueno, U. Savoye. BELGIUM: Noel Salazar, U. Leuven; Brazil: Lucia Santaella, Sérgio Byron, Artur Matuck, U. São Paulo; Cidoval Morais de Sousa, U. Paraíba; Jane de Almeida, U. Mackenzie; Cícero Silva, Marcelo Guimarães, Isabel Meister, U. Federal S.Paulo; Luís Petry, Arlete Petry, U. Católica S.Paulo; Cidoval Sousa, Filomena Moita, Univ. Paraíba

2. 2016: 

Participation in project Braga Creative city cidade UNESCO. Organization: Braga City Hall, Theatro Circo, Media Arts.

3. 2014:

Member of internacional projet Olympic Orbital Village ‘UIRA’.

Team: coordinator Emanuel Pimenta (ASA Art and Technology), Pedro Andrade (CECS-UM), Raúl Fangueiro (University of Minho), Donald Barker (International Space Station Program Science Office), Sandra Häuplik-Meusburger (Vienna University of Technology), Ricardo Peruchi (European Institute of Design), Nina Colosi (Streaming Museum, New York), Marianela Mirpuri (Manifesto MODA).

4. 2007-2011:

At CECL, coordinator of funded project 'Public Communication of Art: the case of global/local art museums', in cooperation with Faculty of Science and Technology-Center of Informatics and Information Technology, Portuguese Institute of Museums, Gulbenkian Foundation, Serralves Foundation, Technical Superior Institute, Faculty of Psychology and Education Sciences. Funded by Foundation for Science and Technology (Fundação para a Ciência e a Tecnologia) Ref. PTDC/CCI/68595/2006. Classification: Very Good.

5. 2012: 

Coordinator of project 'Common Innovation Communication at Cultural Artistic Contexts'.

The team includes 40 researchers from universities worldwide (35 members, being 8 from CECS, and 5 consultants) and 4 grant holders, all maintaining a global research web titled 'Innovative Web of Innovation', including: USA: Dean McCannell, U. California; Marcel Pope, Commonwealth Virginia U. UK: Malcolm Miles; Joasia Krysa, U.Plymouth; Denmark: Hvass Munar, Copenhagen. B.S. France: Fabio LaRocca, U.Sorbonne. Jerôme Glicenstein, U. Paris. Jean Davallon, U. Avignon; Jacques Bueno, U. Savoie. Belgium: Noel Salazar, U. Louvain. Switzerland:  Philippe Viallon, U.Geneve.  Italy: Paolo Parmeggianni, U. Udine. Spain: Antonio Remesar, U.Barcelona. Portugal: Moisés Martins, U.Minho. Teresa Alves, IGOT. Jorge Gonçalves, IST. José Moura; Nuno Correia, FCT- UNL. Brazil: Artur Matuck; Sérgio Byron, U.S.Paulo. Luís Petry; Lucia Santaella, PUC S.P.; Cidoval Morais, Filomena Moita, U. Paraíba, etc.

6. 2006: 

Project Coordinator, 'Multimedia and new artistic avant-gardes: History and practical applications' University of Lisbon, Faculty of Fine Arts (Faculdade de Belas Artes), Center for Studies on Cyberspace (Centro de Estudos sobre o Cibrespaço)

7. 2006-2009:

Coordinator of project 'Public Art, Tourism and Citizenship: New Cultural Heritages in the City of Lisbon', at Technical University of Lisbon, Superior Institute for Social and Political Sciences, Center for Administration and Public Policies (Universidade Técnica de Lisboa, Instituto Superior de Ciências Sociais e Políticas, Centro de Administração Políticas Públicas).

8. 2000-2005:

At CICSTUL, Coordinator of funded project ‘Scientific Technological Literacy and Public Opinion: the case of Science Museums', in partnership with Museu da República e Resistência, Museu de Évora and Escola Superior de Educação de Évora. Financial support from Fundação para a Ciência e a Tecnologia. Ref. POCTI/SOC/35279/2000. Classification: Excellent.


Publishing Projects: books, etc. (10)

As books Editor


‘Common Communications’: an international collection for publication by North American and English publishing houses such as IGI Global, Cambridge Scholar Publishing and Taylor and Francis.

In the press:

1. Andrade, Pedro; Martins, Moisés (Eds.) (2022). Handbook of Research on Urban Tourism, Viral Society, and the Impact of the COVID-19 Pandemic. Hershey: IGI Global (USA). 


In a Editor’s planning stage


2. Andrade, Pedro; Martins, Moisés; Silva, Cícero; Almeida, Jane; Bueno, Jacques; Contreras, Fernando (Eds.) (2023). Media and Methods within Viral Society. Taylor & Francis (UK) (through a direct invitation to the author by a publishing house’s editor, this is a collective book to be published in 2023).

3. Andrade, Pedro [other Editors presently in negotiation] (2024). Heritage and Digital Arts for Territory and Tourism Policies, Politics and Publics. Cambridge Scholar Publishing (UK) (to be published in 2024).


Other collection’s Director and authorship


Director of collection Communications and Cultural Studies, Caleidoscópio Publishing House. Publication of the following book, financed by CECS:

4. Andrade, Pedro (Ed.) (2016). [Public Communication of Art: the case of local / global art museums] Comunicação Pública da Arte: o caso dos museus de arte locais / globais. Lisboa: Edições Caleidoscópio. [participation of Malcolm Miles (University of Plymouth), Michel Maffesoli (Université Paris Sorbonne-Descartes), Antoni Remesar (Universidat Barcelona; Luís Petry (PUC- S.Paulo), etc.


Director of collection Experimental Books, at Caleidoscópio Publishing House.

5. Andrade, Pedro. (2011). Sociologia Semântico-Lógica da Web 2.0/3.0 na sociedade da investigação: significados e discursos quotidianos em blogs, wikis, mundos/museus virtuais e redes sociais semântico-lógicas. Lisboa: Edições Caleidoscópio. .

6. Andrade, Pedro. (2011). Novas autorias / leitorias / actorias: escrita comum, literacias híbridas e anti-vigilâncias na Web 2.0. Lisboa: Edições Caleidoscópio. .

7. Andrade, Pedro. (2011). Novela GeoNeológica nº 1: um caso de Literatura Transmediática/1ª  Novela da Web 3.0 . Lisboa : Edições Caleidoscópio.


Other publications as Editor


8. Andrade, Pedro; Barros, José; Marques, Carlos (Eds.) (2010). [Public art and citizenship: new readings in the creative city] Arte pública e cidadania: novas leituras na cidade criativa. Lisboa: Editora Caleidoscópio. 1st Edition out of press. 2ª Edição: 2020.


9. Andrade, Pedro (Ed.) (2010). [Museums, Public and Scientific-Technological Literacy: social networks of communication of meanings in the interdimensional space of the museum] Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu. Lisboa: Ed. Colibri.


10. Member of the Scientific Comission of Book Collection Caroá, State University of Paraíba,

Brazil. Since 01/1/2017.

    

 Another activities, as a CECS investigator were reported on the CECS website 

(found by using search to ‘Pedro Andrade’ in 2022/8/10)


Pedro Andrade apresentou livro educativo experimental de sociologia (HOOK BOOK) 2013-11-20

Pedro Andrade, sociólogo e investigador do CECL, deu seminário  2011-01-12

Livro publicado pela IGI Global integra capítulo no quadro de projeto do CECS 2018-01-02

Ciclo de Aulas Abertas do Doutoramento em Ciências da Comunicação (4) 2014-12-01

[Novo prazo] Chamada de capítulos: Urban Tourism, Viral Society and the Impact of the Covid-19 Pandemic 2021-10-29

Estudos científicos 2020-09-09

Novo volume da Revista Lusófona de Estudos Culturais sobre “Arte pública para a comunicação turística” 2020-06-29

Chamada de trabalhos | Vol. 7, nº 1 | Comunicação da arte pública urbana: via culturas móveis e turísticas 2019-03-06

Nova publicação do CECS: “Publi-cidade e comunicação visual urbana” 2018-06-06

Publi-cidade e comunicação visual urbana 2018-06-05

Mestrado em Ciências da Comunicação 2018-05-07

Publicação de novo ebook: “Viver em|a mobilidade: rumo a novas culturas de tempo, espaço e distância” 2018-05-04

Cibercultura em discussão no espaço GNRation 2017-12-20

O livro “Cibercultura, circum-navegações em redes transculturais de conhecimento” no GNRation 2017-12-11

Publicações e republicações de livros do CECS 2017-12-04

Cibercultura: Circum-navegações em Redes Transculturais de Conhecimento, Arquivos e Pensamento 2017-11-21

Investigador do CECS participa no NewArtFest’17 2017-11-08

Ações de formação complementar do Doutoramento FCT em Estudos de Comunicação chegou ao fim 2017-06-02

CECS organiza ações de formação complementar – Doutoramento FCT em “Estudos de Comunicação: Tecnologia, Cultura e Sociedade” 2017-03-01

CECS organiza ações de formação do Doutoramento FCT “Estudos de Comunicação” 2017-02-06

Conferência internacional: Lutas de libertação, a "queda do império” e o nascimento [em imagens] das nações africanas 2016-01-18

I Simpósio Internacional “Ecosofia na Era Digital” 2011-06-29

Helena Pereira: nova doutora em Ciências da Comunicação 2021-01-19

Provas de doutoramento de Helena Pereira 2020-12-15


Projects/studies on Covid-19 at CECS, not funded 


1. Viral Urban Tourism within Viral Society | Pedro de Andrade

2. Cultural Resistance to Covid-19: An Encyclopedia of Public & Mobile Art for Artists and Tourism Publics | Pedro de Andrade

3. L’ Effet Pessoa: Écritures Numériques Hybrides et Virales | Pedro de Andrade e Marc Veyrat

4. Sociological Poetry using Apps and e-Books Anti-Virus | Pedro Andrade



1.3. Intervention in the scientific community ,,, 28

Coordination and participation in program committees of scientific or artistic events


Organization and co-coordination of congresses (17)


1. 2017, Co-coordination, with Emilia Araújo, of session Cultures of Time, Mobilities and Social Imaginaries; ant coord. of table Time, Resource and Communication. III Congresso Internacional sobre Culturas, Interfaces da Lusofonia, 23-25/11/2017, Braga.

2. 2016, Co-coordination, with Manuel Curado, Helena Pires and Fabio Ribeiro, of congress ‘Cibercultura em Redes Transculturais: Circum-navegações de informação, arquivos, conhecimento e pensamento’, 13-14 Outubro 2016, Univerdade do Minho.

3. 2016, Co-coordination, with Emilia Araújo, Internacional Interdisciplinar Seminar y "Viver em|a mobilidade: Rumo a Novas Culturas de Tempo, - Espaço e Distância" 10-11 de novembro 2016, Universidade do Minho.

4. 2011, Coordination of Conferências Comunicação Pública da Arte no Museu: Interacções * Interactividade * Intermedia, 23 de Setembro de 2011, Museu Coleção Berardo.

5. 2011, Coordenation of session in Congress Visual Methodologies, 13-15 Set 2011, Milton Keynes, Reino Unido.

6. 2010, Coordenation of session in Congress 21th Biennal Congress of IAEA ‘Aesthetics + Design’, 25-28th August 2010, Dresden, Alemanha.

7. 2010, Co-organização do evento Brasil e Portugal em Movimento, em particular a sessão de conferências ‘Interacções e interactividades nas artes’, FCSH-UNL, 2010/11/3.

8. 2009, Co-organization of Encontro de Estética e Teoria Cultural ‘Política-Criação-Valor, in 3 sessions: Teatro Municipal de Almada, 2009/7/17-18; Casa da Cerca, Almada, 2009/7/23; Biblioteca FCT/UNL, Campus da Caparica, 2009/9/13.- 2008u, Coordenation of session ‘Os sentidos das artes: contextos da criação e representação social”, em VI Congresso Português de Sociologia ‘Mundos sociais: saberes e práticas, Lisboa, FCSH/UNL, 25-28/06/2008.

9. 2008, Co-organization of Encontro de Estética e teoria da Cultura ‘Efémero. Criação. Acontecimento, 16- 17/09/2008, Institut Franco-Portugais.

10. 2006, Co-ordination of session ‘Museums and art using computer and technology’, In Culture and Commmunication, Proceedings of the XIX Congress of the International Association of Empirical Aesthetics, Université d’Avignon, Aug 29th – 1st Sep. 2006.

11. 2005, Co-ordination of Symposium ´Virtualidades da Informação Presencial / Virtual´, In ´Milenio y Memoria, II Congreso Internacional Europa-America, Museos, Archivos y Bibliotecas para la Historia de la Ciencia, Buenos Aires, 5-7/10/2005.

12. 2005, Presentation of José Augusto Mourão´ book, O mundo e os modos da Comunicação, Editorial Minerva, 2005, at Congress ´Milenio y Memoria´.

13. 2005h, Scientific Comission´s member in Congresso Internacional ´Jardins do Mundo: Discursos e práticas´, Funchal.

14. 2004 (18/1/2003): Scientific Comission´s member in Congresso Internacional ´Arte e Ciência´, 13 -16 de Setembro de 2004, sponsored by F. Calouste Gulbenkian, F. Luso-America e CML, and promoted by Associação Internacional de Estética Experimental.

15. 2000. Tardes de Sofia: public conferences and debates organized by project Museus, Públicos e Literacia Científico-Tecnológica: redes sociais de comunicação de significados no espaço interdimensional do museu, coordinated by the author and sponsored by FCT, Lisbon.

16. 1999 (4/10/1999): Co-organization of Colóquio Internacional ´Cidadania e Novas Tecnologias´, Forum Lisboa, in partnership with Museu da República e Resistência and CITIDEP - Centro de Investigação das Tecnologias de Informação e da Democracia. Co-oordination of the session and videoconference with Massachussets Institute of Technologies, EUA.

17. 1990: Member of the co-ordination team in 1º Congresso Luso-Afro-Brasileiro de Ciências Sociais, Centro de Estudos Sociais da Universidade de Coimbra.


Organization of cinema and visual arts distribution and exhibition (4)


1. 1984, Outubro: proposition of the idea ´Café-Cinema´, which took place at bar Constituinte, Lisbon. Source: Andrade, P. (1984, 7 de Dezembro). [Coffee in the cinema or café-cinema? Anaesthesiating arts, anaesthesiated arts] Café no cinema ou cafécinema? artes anestesiantes, artes anestesiadas. Diário de Notícias, p.32.

2. 1979-80, Organization of Centro de Documentação de Arte Actual - ARTA, em Lisboa, with 3 visual artists, Leonel Moura, António Cerveira Pinto and José Barrias. The aim was the intervention and information on contemporary art proposals. Member of the Center´s revue (´Arta´) Editorial Board (1979-80).

3. 1975, Foundation and organization of ´Atelier Cinéma Independant´ with German critc Marc Reinfried and Italian visual artist Giovanni Martedi. This was a group of filmakers who, besides the film production and making, has diffused in 1975-7 multiple essay cinema works , manly examples from the German New Cinema (Fassbinder, Herzog, etc.), in Casa de Portugal, Cité Universitaire, Paris.

4. 1970 Member of Teatro "Primeiro Acto´, Algés, (theoretical participation in work groups about Brecht and Stanislawsi, actor in the scenic team co-ordenated by Rogério Paulo and Inês Palma, posters and programs making)


Organization and collaboration of peer reviewed scientific journals editing (9)


1. Since 1993. Member of Comité de Rédaction in LORETO Journal, published by Ministère de la Culture et Université Libre de Bruxelles.

2. 1995-2008. Director of the 1st Luso-French Social Sciences Journal, Atalaia-Intermundos, since 1995, sponsored by Colibri Publishers, Centre National du Livre, Paris, and by Instituto Português do Livro e das Bibliotecas, Lisbon. Distribution at USA Amazon, UK Krisostomus, German Shaker Publ.

3. 2019. Co-organization (with Mário Caeiro) of Revista Lusófona de Estudos Culturais Vol 7/1, Public art for Tourism Communication / Arte Pública para a Comunicação Turística, Braga, CECS.

4. Since 2020: Member of Scientific Comission at journal Arte Pública, at FBAUL, University of Lisbon.

5. 2011: Co-organization (with José Pinheiro Neves) of Revista de Comunicação e Linguagens 'Genealogias da Internet: novos media, culturas e artes digitais na Web 2.0’, (# 42), Lisboa, CECL, Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa.

6. 2003: Co-organization (with António Sousa Ribeiro) of Revista Crítica de Ciências Sociais, (# 33), Coimbra, CES, Faculdade de Economia da Universidade de Coimbra.

7. 2006-2013: Member of Journal of Communications and Languages (Revista de Comunicação e Linguagens)' Editorial Board, New University of Lisbon, Faculty of Social and Human Sciences, Communication and Languages  Studies Centre (Centro de Estudos de Comunicação e Linguagens).

8. 1988-2000: Member of Social Sciences Critical Journal (Revista Crítica de Ciências Sociais)' Editorial Board, University of Coimbra, Faculty of Economy, Center for Social Studies (Centro de Estudos Sociais). 

9. Several reviews for journals Revista Lusófona de Ciências Sociais and Vista, at CECS.


Evaluation of scientific projects and articles


Review of a scientific book:

Andrade, P. (1991). [Review of book] Bryan Pfaffenberger (1988). Microcomputer Applications in Qualitative Research [Softwares em pesquisa qualitative]. Newbury Park: Sage. [Revisão do livro] Bryan Pfaffenberger (1988). Aplicações de Microinformática em pesquisa qualitativa [softwares em pesquisa qualitativa]. Newbury Park: Sage. Revista Crítica de Ciências Sociais, 34, 290-293.



Presentation of lectures as a guest, particularly abroad (5)


1. 2016/9/22: Invited speaker at Bienal de Veneza de Arquitetura, with lecture ‘Socology of Outer Space’. This video-conference was promoted by international project Vila Olímpica Orbital 'UIRA', of which the author is a member and which is coordinated by Emanuel Pimenta. 

2. 2016/10/11: Invited speaker with lecture ‘Méta et Hybrid-Auctorat: Auteurs, Lecteurs et Auteurs à la Web 1.0/2.0/3.0’, through video conference at the event Acta Media 12, Colloque Multidisciplinaire de Processus Écriturales ‘Le Projet Méta-auctorat’, University of S.Paulo, IHEAP, Institute Acte, Univ. Paris-1, Paris, 11 Outuber 2016.

3. 2016: Invited speaker with lecture ‘Web Doc Streaming’, in video conference with the National Education and Research Network-RPN of the Ministry of Science, Culture and Environment of Brazil and Mackenzie University, São Paulo, December 15, 2016.

4. 2013/5/23: Invited speaker with the lecture ‘Educational / Sociological Games: Interactive Multitouch Tables for Art Museums And Web 2.0/3.0’, Seminar class at University of Savoye, Annecy, France.

5. 1987 (18/2/87): Invited speaker at conference and slides projection on the sociologic process of drinking alcohol in Portuguese taverns, at Centro Culturale San Fedele, Milan, Itália, under the title "Visita alle taverne di Lisbona", integrated in the cultural series "Le Città che parlono Portoghese", with Alain Tanner, Antonio Tabucchi and Carlos Paredes.


Participation as a member of scientific societies (extract)


• Association of Librarians, Documentalists and Archivists, since 1985.

• Associação Portuguesa de Socologia-APS, since 1988.

• SOPCOM, since 2006.

• SOS-ART PT, since 2020  (co-founder). This is a scientific and socio-cultural-political movement, for mitigating the effects of the Covid-19 crisis in visual arts, e.g. through sociological studies exhibitions, creation of an Emergency Fund, Protection Circles for atists. It has about 2500 members worldwide at Internet.

 https://sosartept.blogspot.com/p/english.html https://www.facebook.com/sosartept/


Awarding of prizes and grants


1. 1/2/2007 a 31/1/2013: Post-PHD Grant Holder SFRH/BPD/35024/2007 (Scientific Advanced Grant For Requalification of professionals with Solid Previous Teaching Experience), funded by Foundation for Science and Technology-FCT, Lisbon University of Minho, Social Sciences Institute, Communications and Society Research Centre, Braga.

2. 1/10/2003 a 30/9/2006: Post-PHD Grant Holder SFRH / BPD / 14666 / 2003, funded by Foundation for Science and Technology~FCT, Lisbon New University of Lisbon, Faculty of Social and Human Sciences (Faculdade Ciências Sociais Humanas), Center for Studies of Communication and Languages (Centro de Estudos de Comunicação e Linguagens), Av. Berna, 26-C, 5th floor, room 506 1069-061 Lisbon.

3. 1980-3: Grant from Foundation Calouste Gulbenkian (for Doctorat de 3ème Cycle, at École des Hautes Études en Sciences Sociales, Paris). 

4. 1968: First prize in poetry and painting concourse with writer José Jorge Letria Liceu Nacional de Oeiras.

5. 1966: Award for exceptional student in 2nd cycle of secondary studies, at Liceu Nacional de Oeiras.


 

2. Knowledge transfer and enhancement ... 31


2.1. Patents/Industrial Property Registrations (with Cícero Silva and Lev Manovich) ... 31

App ‘Hybrid Discourse Analysis-HDA’. The author is developing, in cooperatioin with Universidade Estadual de São Paulo, Brasil, with the programmer Prof. Cícero Silva, in cnnection with Prof. Lev Manovich from the University of New York, an app for users to apply Hybrid Discourse Analysis-HDA, a method to interpret a variety of texts (industrial, management, academic, commercial, legal, administrative, interviews, biographies, newspapers, etc.). This app uses the Alphabet of Universal Relationships, a logical alphabet gathering 37 content relationshiops used to articulate keywords or concepts. This app, the HAD method and the Alphabet semantic tool is going to be registered in Brazil and USA.


2.2. Activities of cooperation and connection to the productive/business fabric ... 31

Consultancy or studies of a scientific or educational nature


1. Coordinator of Technoscience area at Engage Lab, University of Minho, School of Engineering. http://www.engagelab.org/people

2. 1/9/2016 to 1/9-/2019. Consultant of Program Braga UNESCO Media Art City, Communication and Society Research Centre and Municipality of Braga.


Trainer in vocational training or technological specialization courses. 

• 1/6/1987 a 07/6/1987: Information and Documentation Sciences’ Trainer at Associação dos Deficientes das Forças Armadas.


2.3. Dissemination of science and technology (29) ... 31


Conferences, seminars or lectures, often as invited speaker, aimed at non-specialized audiences, participation in panel discussions, publication of books or dissemination articles, conferences, book/journal presentations, newspapers interviews, some with catalogs and other short publications 


1. 2017.12.19: Co-presentation of book Cibercultura: circum-navegações em redes transculturais de conhecimento, arquivos e pensamento. Editora Humus, with co-editors Manuel Curado, Helena Pires, Fábio Ribeiro, at association GNRation, Braga.

2. 2017: co-proposition of  ‘Passeio Platform’, in: Correia, M: Pires, H. & Andrade, P. 2017). Passeio, passing by, walking by. A platform of urban art and culture. Revista Lusófona de Estudos Cuturais: Cultura Visual, 4, 1, 167-201. Consultabe at: http://www.passeio.pt

3. 2016: Univ. Minho, CECS: co-proposition of a Think Tank for debate on Communication Sciences and Journalism. Today’s site: http://www.cecs.uminho.pt/en/intervencao/think-tank/

4. 2016: proposition of a City of Braga Virtual Museum.

5. 2012/11/10: Public co-presentation of poetry book 'Ménage à 3', Publisher: Cordão de Leitura, Porto, by poet Firmino Mendes and authors Pedro Andrade, José Pinto Leite e José Soares Martins.

6. 2012/10/12: Presentation of book: Campos, Ricardo. (2012). Porque Pintamos a Cidade? Uma Abordagem Etnográfica do Graffiti Urbano. Lisboa: Fim de Século, at Livraria Fabula Urbis, Lisbon.

7. 2010: Violência Simbólica e alteridades culturais: o caso da Arte Pública. In event ‘Diálogos e acções pela não violência’, FNAC Chiado, 27/2/2010, Lisboa.

8. 2007/3/7: Interview to journalist Ana Gaspar about the RTP- Rádio Televisão Portuguesa 50th anniversary “De espelho do regime, ao divórcio e reconciliação com o púlico”, Jornal de Notícias, p. 60.

9. 2007/5/16: Interview to journalist João Quaresma about the soap opera ´Gabriela´: “Os 30 anos da mãe de todas as novelas”, Jornal de Notícias, p. 60.

10. 2007/7/8: Conference and presentation of revue Atalaia/Intermundos # 14/15 inside the event ´Borba, a Cultura e o Homem ao tom da Guitarra Portuguesa´, Borba, organized by Câmara Municipal de Borba.

11. 2007/5/17: Conference/presentation of exhibition ´Louças e Quotidiano: do Barreiro à Peça: catálogo e exposição temporária do Espaço-Museu da Vila Romana do Rabaçal, Peneda´ catalog.

12. 2006/4/30: Interview to journalist Ana Gaspar about the soap opera ´Floribella´: “Contos de fadas ainda têm lugar na TV?”, Jornal de Notícias, p. 61.

13. 2005/2/21: Interview to journalist Ricardo Barroso about the soap opera ´Morangos com Açúcar´: “Morangos ´mimam´ a vida”, Jornal de Notícias, p. 46.

14. 2002/11/29: A vanguarda fala por si [ Interview conducted by Maria Estela Guedes, for internet site ´TriploV´, about Pedro Andrade´s scientific and artistic activities].

15. 2001/1/18: “As dimensões sociais do fundamentalismo religioso”, In Ciclo de Conferências Proliferação de transcendências: a religião que anda no ar, 18 Jan 2001, Lisboa, Centro Cultural Dominicano. (proposition of concepts ´cultuality´, ´multicultualism´, etc.)

16. 1998/8/20: Interview to newspaper ´Público´ (p.15), about sexuality and prostituition.

17. 1998/1/19: Conference on the issue “Sociologia da Internet”, in Faculty of Economics - University de Coimbra.

18. 1998/2/2: Interview to newspaper ´Público´ (p.3), about the debate involving the articulation between public and private life of President Bill Clinton.

19. 1997/2/28: Interview to Rádio Paris Lisboa, about the leisure night life in Lisbon.

20. 1997/3: Interview to Rádio Paris Lisboa, about Centro de Informação, Cultura e Línguas Atalaia and Espaço Ágora, copromoted by the author.

21. 1996: Several interviews and news concerning Atalaia (Rádio-Paris Lisboa, television program “Acontece”, Diário de Notícias, Agenda Cultural da CML, etc).

22. 1996/4/24: Conference “As tabernas de Condeixa: trabalho, lazer e solidariedade”, 25 de Abril commemorations, 1996, Salão do Clube de Condeixa, Condeixa.

23. 1996/6/4: Interview to newspaper ´Público´ on the social phenomenon of cell phones.

24. 1996/6/14: Conference “As tascas de Bragança”, in Instituto Politécnico de Bragança.

25. 1993: Responses in program "Praça Pública", da SIC, regarding the cultural heritage of Portuguese taverns.

26. 1992/1/31: Interview to newspaper Público on II Congresso Português de Sociologia.

27. 1990: Interview to TSF radio station, about Italian "insult firms".

28. 1988/10: Participation in RTP television program "Café Central", directed by Alexandre Manuel, about the theme "Tavern".

29. 1981/1/10: Conference concerning the tavern and Excursion Groups, with slides, at Centro Nacional de Cultura, Lisbon, and guided visit to Lisbon taverns.


 

3. Other relevant activities ... 33

3.1. Participation in academic management services (8) ... 33

(University management services or coordination of research units or coordination of functional teaching units).


2008: Treasurer in Communication and Languages Research Centre (Centro de Estudos de Comunicação e Linguagens, at New University of Lisbon, Faculty of Social and Human Sciences.


Performance of management positions and tasks within the scope of national or international institutions of a scientific, technological or social nature


1. 1985/10/1 to 1987/12/31 Director of Scientific and Technical Information and Documentation Unit (Gabinete de Estudos e Planeamento das Pescas do Ministério da Agricultura e Pescas).

2. Since 2018: Member of Scientific Comission of the international network ‘Visual Methods’, at University of Savoye-Mont Blanc, France.

3. 1988/2/2 to 1988/7/31 Consultant of "Projecto Heródoto", a research project at New University of Lisbon, Faculty of Social and Human Sciences coordinated by Prof. António Hespanha.

4. Since 2020: Member of Scientific Comission at journal Arte Pública, at FBAUL, University of Lisbon.

5. Since 2020: Member of Scientific Comission at Artech Association, at University of Algarve, Faro and University Aberta, Lisbon.

6. 1995-2008. President of Interworlds Atalaia Association (Associação Atalaia Intermundos).

7. Since 2018. Director of Social Web Lab: Mobile Cultures and Tourism Communication, at Av. Eng. Arantes e Oliveira, 5, 3rd floor, A, 1900-221 Lisbon, European Union, Portugal.


3.2. Participation in scientific/academic juries outside the affiliated institution (11) ... 33

 (valued as an examiner ‘arguente’).

Among these participations, the author was invited for the following 7 international juries at foreign Universities.


Post-doc level examiner (co-‘arguente’) 


Marc Veyrat, Université de Paris 8 / Fondation Maison Sciences de l’Homme, Paris, France, 2020/1/28. Membre de júri de HDR- Habilitation à Ditiger des Recherches.


Supervision of PhDs


Larissa Tarachucky, ‘Framework conceitual para apoiar a formulação de estratégias de design de interação urbana envolvendo o uso de recursos de mídia locativa digital’, at University of Santa Catarina, Programa de Pós-Graduação, 2018-2020, Brazil, within the research group Mídia Con, Grupo de Pesquisa em Mídia e Convergência Digital. Coorientação com Professora Maria José Baldessar, 2021/4/7. 


(ongoing, 2022): Rafael Soares Sumão, titled  ‘A construção da imagem social e institucional de uma cidade: a comunicação entre gestores institucionais e os seu públicos , at University of Santa Catarina, Brazil. Coorientação com Professora Maria José Baldessar.


Arguente in PhDs


Noa Garcia, ‘Criterios de buen deseño aplicados a los carteles de fiestas turísticas y tradicionales’, Université Savoie Mont Blanc-France e Universidad de La Laguna, Spain; Orientadores: Jacques Ibanez Bueno e Alfonso Ruiz Ralo, 2020/11/11.


Alba Marin, ‘L’évolution du documentaire áudiovisuel: des formats interctives aux expériences immersives’. Universidad de Sevilla, Spain e Université Savoie Mont Blanc-France; Orientadores: Fernando Contreras e Jacques Ibanez Bueno: 2019/2/4.


Noeli Santos. ‘Transformando blogues em artefatos da mídia-arte: experimentações poético-pedagógicas’, Universidade do Algarve e Universidade Aberta. Area: Média-Arte Digital. Orientação: Bruno Miguel dos Santos Mendes da Silva. Coorientação: Gabriela Borges Martins Caravela. Universidade Aberta, 2019/2/4.


Co-supervisor in a post-master's thesis


Luciano Almeida, pós-graduação intitulada ‘Franquia God of War - da saga grega à nórdica. da Universidade Presbiteriana Mackenzie, S. Paulo, Brasil. 2020/9/2. Co-Orientador Externo com Orientadora Aurora Gedra Ruiz Alvarez.


Arguente in master's thesis


Rui Francisco Moreira Antunes, ‘Sinestesia e conhecimento: arte, ciência e novos media’, FCSH, New University of Lisbon, 2009/2/19.


Carina Sofia Carvalho da Silva, ‘A Percepção de Comportamentos de Risco, Conhecimentos e Atitudes face ao VIH/SIDA pelos Toxicodependentes e Alcoólicos’, University Fernando Pessoa, Faculdade de Ciências Humanas e Sociais, Porto. 2010/6/2.


Joana Reis Correia Leite, ‘Contributo do Museu Nacional de História Natural para a divulgação do património geológico: caracterização do público do Departamento de Mineralogia e Geologia’. Orientador: Fernando Barriga, University of Minho, Escola de Ciências. 2009/12/17.


International consultant

 

Antonnella Varesano, Master thesis dissertation titled 'Interfaces in Multimedia', Univ. Udine, Italy, supervised by Dr. Paolo Parmeggianni, 2011/2. 



3.3. Participation in the supervision/co-supervision of post-graduate students (9) ... 34


At University of Minho, while Researcher:


Arguente in PhDs


Maria Paula Vilhena de Mascarenhas, ‘A Cultura Alimentar nos Grupos Domésticos: Cascais 1960-2005’, University of Minho. 2007/11/2.


Member of  PhD jury


Helena Pereira ‘A curadoria (expandida) como processo de Comunicação da Arte Contemporânea’, Orientação de Jean-Martin Rabot, Universidade do Minho, 1/5/2021.


Supervision of Master theses


Ana Peixoto, 'Selfie: A força comunicacional do autorretrato que as redes sociais reinventaram'. University of Minho, Master Course 'Comunication Sciences': 2016/2/2.


Arguente in Master theses


Edgar Jorge de Sá e Sales, ‘O Diorama Musical: contributos para um projeto cultural numa escola de música. Orientador: José Pinheiro Neves. Universidade do Minho, Braga, 2020/1/31.


Vitor Costeira, ‘A estética Deleuziana do cinema e a memória comunitária: um caso prático’. Orientador: José Pinheiro Neves. Universidade do Minho, Braga, 2012/12/7.


At University of Lisbon (while Auxiliary Professor):

Supervision of Master theses


Fernando Alberto Pinho Alves, 'Educação para os Media: as Imagens Como Pedagogia Socialmente Integradora', At University of Lisbon, Faculty of Fine Arts - FBAUL, Master Course ´Educação Artística´, 2019/12/17.


Cristina de Meneses Santos Loureiro Reis, 'Oportunidades através da fotografia: do First Exposures ao Projecto Focus Apresentação de um estido de caso e proposta de projecto', FBAUL, 2010/3/31.


Rita Lobo Guimarães, 'Práticas de recepção cultural: o público das galerias de arte', FBAUL, 2010/6/2  


Marta Maria Basso Lopes Pernes, 'Os Manuais Escolares de Educação Visual em Formato Digital e o Ensino das Artes no 3.º ciclo do Ensino Básico', FBAUL, 2012/4/27.


3.4. Teaching activities and advanced training ... 35

(Teaching activity with diversity of curricular units taught and relevance of the theme(s))


• 1/10/1988 to 30/9/2001 Assistant (Assistente) at University of Coimbra, Faculty of Economics (Faculdade de Economia da Universidade de Coimbra). Chairs: ‘Sociology of Communication’, ‘Sociology of Everyday Life’, ‘Sociological Methods’, ‘Sociological Sources of Information’ (the first in Portugal), ‘Introduction to Sociology’, ‘Introduction to Social Sciences’.

• 1/10/2004 to 31/9/2012 Co-author of the proposal and organization of Master on Artistic Education University of Lisbon, Faculty of Fine Arts (Faculdade de Belas Artes da Universidade de Lisboa)

• 1/10/2003 to 30/9/2012 Assistant Professor (Professor Auxiliar) at University of Lisbon, Faculty of Fine Arts (Faculdade de Belas Artes da Universidade de Lisboa). Licenses on Communication Design, Product Design, Painting, Sculpture: Chairs ‘Sociology of Art’. Master on Artistic Education : Chairs ‘Art and Technologies’, ‘Digital Libraries and e-Leaning’.

• Assistant Professor at Mestrado em Ciências da Comunicação, Universidade do Minho, 2º semestre de 2014. Chair ‘Cibercultura’, including:

• 2014. Experimental Knowledge Pedagogy, implemented at University of Minho, Master in Cultural Studies, chair Cyberculture, 2013-2014. 

o 1. Knowledge Base on Theoretical Classes. Based on Interactive Pedagogical Resources constructed with both: natural language (for the text); and logical languages (for the meaning grammar), including triplets used in Web 3.0. 

o 2. Knowledge Base on Sources. 

o 3. Knowledge Base on Practical Classes. Based on concept mapping of texts using Web 3.0 triplets.

• 22 lessons that may be found at RepositoriUM within University of Minho in open access.

1. Andrade, P. (2014). Introdução à Cibercultura. Morada URI: http://hdl.handle.net/1822/40627

2. Andrade, P. (2014). Introdução à Investigação: redes sociais e semânticas: Investigação e educação, novas literacias e metodologias. Morada URI: http://hdl.handle.net/1822/40625

3. Andrade, P. (2014). Metodologia da Investigação em Cibercultura: Design da Pesquisa. Morada URI: http://hdl.handle.net/1822/40347

4. Andrade, P. (2014). Metodologia da Investigação em Cibercultura: Métodos usando Hipermédia / Hibrimédia. Morada URI: http://hdl.handle.net/1822/40349

5. Andrade, P. (2014). Espacialidades e Temporalidades da Cibercultura: Controlo e Vigilância na Mediapolis. Morada URI: http://hdl.handle.net/1822/40350

6. Andrade, P. (2014). Espacialidades e Temporalidades da Cibercultura: Pós-Panoptismos. Morada URI: http://hdl.handle.net/1822/40351

7. Andrade, P. (2014). Economia da Cibercultura: Globalização e Tecnocapitalismo. Morada URI: http://hdl.handle.net/1822/40352

8. Andrade, P. (2014). Economia da Cibercultura: Convergência e Remediação. Morada URI: http://hdl.handle.net/1822/40503

9. Andrade, P. (2014). Economia da Cibercultura: a Exclusão Digital (Digital Divide). Morada URI: http://hdl.handle.net/1822/40389

10. Andrade, P. (2014). Economia da Cibercultura: Ciber-consumo na Sociedade do Risco. Morada URI: http://hdl.handle.net/1822/40981

11. Andrade, P. (2014). Novos Poderes no Ciberespaço e Cibertempo: e-Política, e-Governanca e e-Democracia. Morada URI: http://hdl.handle.net/1822/40524

12. Andrade, P. (2014). Novos Poderes no Ciberespaço e Cibertempo: Cidadania / Ativismo Digitais e Tactical Media. Morada URI: http://hdl.handle.net/1822/40525

13. Andrade, P. (2014). Novos Poderes no Ciberespaço e Cibertempo: Hackers, Ciberguerras / Terrorismo. Morada URI: http://hdl.handle.net/1822/40526

14. Andrade, P. (2014). Corpo e Pós-Corpo: Identidades Digitais. Morada URI: http://hdl.handle.net/1822/40626

15. Andrade, P. (2014). Corpo e Pós-Corpo: Etnias, Género, Sexualidades e Feminismo. Morada URI: http://hdl.handle.net/1822/40527

16. Andrade, P. (2014). Corpo e Pós-Corpo: Cyborg, o Não-Humano e o Pós-Humano. Morada URI: http://hdl.handle.net/1822/40808

17. Andrade, P. (2014). Cibercultura e Sub-culturas: Estética Digital. Morada URI: http://hdl.handle.net/1822/40528

18. Andrade, P. (2014). Cibercultura e Sub-culturas: Cyberpunk e Literatura. Morada URI: http://hdl.handle.net/1822/40529

19. Andrade, P. (2014). Cibercultura e Sub-culturas: Artes dos Novos Media. Morada URI: http://hdl.handle.net/1822/40530

20. Andrade, P. (2014). Lazeres e Saberes Digitais: Video Jogos. Morada URI: http://hdl.handle.net/1822/40531

21. Andrade, P. (2014). Lazeres e Saberes Digitais: Blogosferas e Redes Sociais. Morada URI: http://hdl.handle.net/1822/40532

22. Andrade, P. (2014). Análise e Interpretação de Textos

• Complementary training actions for the FCT Doctorate in Communication Studies, at the Institute of Social Sciences of the University of Minho. Started on February 23, 2017, with the action “New media and digital sources for research on communication, within current transcultural networked societies”, by researcher Pedro Andrade.

• Lecture on methods of semantic analysis of digital texts, in the PhD in Communication Sciences, invited by Rosa Cabecinhas, 10/31/2014.

• Lecture on 'Digital Semiotics', in the Cycle of Open Classes of the PhD in Communication Sciences, invited by Helena Pires and Zara-Pinto Coelho, 2014/12/5.

• 01/10/1978 to 30/9/1979 Teacher in Secondary Education: Escola Preparatória de Azambuja.

• 01/10/1979 to 30/9/1980 Teacher in Secondary Education: Escola Preparatória de Torres Vedras.