Research Papers
ACCEPTED RESEARCH PAPERS (fully peer reviewed or edited)
Tracing Time to Measure Space - GENERATIVE ART FUTURING PAST conference, Letterature Festival Internazionale di Roma – 2019 XVIII edizione IL DOMANI DEI CLASSICI
Galileo’s Heritage: Astronomers, Artists and DEEPER DARKER BRIGHTER - Pamela Bain, Carolyn Lewens, Christopher Fluke, James Josephides, Jeffrey Cooke, Igor Andreoni, Roger Alsop and Stephanie Sacco SPECTRA Art & Science Symposium, Adelaide, 2018
NonHuman Agents in Cultural Production: Animals, Environments and Simulations - Jessica Laraine Williams, Roger Alsop, Thijs van Overveld & Mathew Berg – Quite Frankly, Symbiotica Conference, Perth 2018
Using the text of Finnegan’s Wake to create the electro-acoustic work Hush! Caution! Echoland! ACMC Adelaide 2017
Australia on display: Tracing an Australian identity through the evolving costume design for The Australian Ballet’s production The Display E Collett, R Alsop - Studies in Costume & Performance 2 (1), 61-79 2017
SOUND, SHADOW AND LIGHT: generating the experience of a natural environment – Generative Art Conference Florence 2016.
usedlost: Creating a Multi-spatial Audiowork from Virtual Locations - NIME, Griffiths University 2016
Computing gives an artist new tools to be creative – the Conversation 2016
Interpreting Data: Re-contextualizing Data to Develop Approaches to Musical Composition - Vincent Giles & Roger Alsop – Korean Electro-Acoustic Music Society's 2015 Annual Conference (KEAMSAC2015)
Integrating Composer/Improviser’s Actions in the creation of an interactive and provocative composition system – (KEAMSAC2015) In and Out, Over and Under: AN INTERACTIVE AUDIOVISUAL INSTALLATION RESPONDING TO PERCY GRAINGER’S FREE MUSIC AND THE GRAINGER MUSEUM – International Computer Music Conference, Texas 2015
Sublime: An Open Approach to Collaborative Performance – Travis Cox & Roger Alsop - ACMC, Victorian College of the Arts, 2014
Gesture, sound and place. – ISEA2013 proceedings – Roger Alsop & Mark Pedersen (MSD student), 2013
SPEECH: creating a virtual audio-visual artwork – International Computer Music Conference, Perth 2013
FLUIDITY – WE ARE WATER: THE DEVELOPMENT OF AN IMPROVISED AUDIOVISUAL PERFORMANCE – Water Issues Relating to Environmental Landscape Sustainability’ World Water Day, IRESA, Université de Sousse, Tunisie, 2013
TWITCH: translating microscopic fast motion to a musical composition – Roger Alsop & Peter Myers, (published through ANAT/CSIRO) 2014
An Approach to Feature Extraction of Human Movement Qualities and Its Application to Sound Synthesis. – Mark Pedersen & Roger Alsop – ACMC, Queensland University, 2012
As parts of a recomposition of social meaning that transcends previous modes of classification – Autopsya, 2012
ActionA/V: An Improvisatory Process for Translating Movement to an Audiovisual Outcome – ACMC, Australian National University Canberra, 2010
The Trouble with CARE: Creative Arts and Research Ethics – Australian National University (Publisher), B. Bolt, R. Vincs, R. Alsop, M. Sierra, & G. Kett 2010
Transforming Art: Processes for Developing Audio-Visual Works – Sounding Out 5 conference, Bournemouth University, 2010
Crossing Media in Practice: Improvisation Across Art Forms – Third International Congress of Synesthesia, Science and Art 09, International Foundation Arteciudad / artecittà, Granada, 2009
Realtime Integration of Sound, Image and Text in Creating Performance, a three day artist in residency was associated with this paper – Theatre Noise Conference, Central School of Speech and Drama, University of London, 2009
Diversionary Space Project at Royal Melbourne Hospital Short Term Dementia Ward – Darren Steffen & Roger Alsop; UNESCO Observatory 2009 e-journal
Sound Design Skills: exploring a blended learning environment for developing practical and conceptual skills – Roger Alsop & Marsha Berry; Media Arts Scoping Symposium (MASS) Proceedings, VCAM, Melbourne, 2009
Integrating Text Sound and Vision in an Interactive Audio Visual Work – International Conference on Music Communication Science, University of New South Wales, Sydney, 2007
The biggest shed in the world: an approach to computer enhanced creativity – ACMC, Australian National University, Canberra, 2007
Weaving Relationships Between Sound and Image in Improvised Performance – Roger Alsop & Paul Fletcher (Master of Animation student); ACMC, Adelaide University, Adelaide, 2006
Compositional Processes in Developing Poly-Media Performance Works – ACMC Edith Cowan University, Perth, 2003
The Ineluctable Modality of the Audible: Exploring the sound worlds of James Joyce’s Ulysses – World Forum of Acoustic Ecology Symposium, VCA, Melbourne, 2003
Teaching Electro-Acoustic (EA) Composition to the Uninitiated - ACMC Queensland University of Technology, Queensland, 2000
Exploring the Self Through Algorithmic Composition – Leonardo Music Journal, Vol 9: 1999; MIT Press
Personal Expression Through Algorithmic Composition – ACMC, ANU, Canberra, 1998, also published in the e-journal Mikropolyphonie
An Approach to Making Music From Speech – Winner of the New Music Australia Prize for Music and Writing: 1993. This paper was expanded and presented at Synasthetica '94, ANU, as Making Music From Speech