Listen to Bob Marley’s ‘One Love’ as you complete the table below using terms from the word bank.
As you listen, try to recognise these features in the music. Later, you will use these words to describe how the elements of music are used in this song.
Then listen to an extract from ‘One Love’ (0’00’’-1’40’’).
Complete the sentences below using vocabulary from the word bank to describe how the musicians use the elements of music. Where you see an asterisk * one or more words are missing.
Like the blues, rhythm and blues, rock and roll, and many other pop music genres, reggae songs are often based on the primary chords I, IV and V. To better understand the harmony of Reggae songs such as 'Three Little Birds' and 'One Love', complete the following exercise to identify the key and its primary chords on each of the staves below. Then try the key signatures quiz to test your knowledge.
Using the word bank opposite, complete these statements describing the key features of Reggae music. Where you see an asterisk (*) one or more words are missing.
Use the following words to complete the statements describing the key features of Reggae.
* (andante) tempo with a * feel.
* (off-beat) rhythms emphasising the:
* (beats *) with kick drum, snare and bass, and
* or 'half beat' (with * played on the electric guitar and/or organ).
Simple, repeated chords, often based on the three * chords: *.
Simple, * or *, (from the same major/minor or 5 note scale) mainly * (moving by step), vocal melodies, often with repeated pitches, within a * pitch range e.g. an octave.
Lyrics calling for social * and *, comparing the oppression of *, especially in Jamaica, to the story of Egypt's enslavement of the * told in the Old Testament of the Bible.
Typical use of instruments includes:
* and * vocals, singing * harmonies (moving in the same direction) and in *, also known as * (one after another).
*, playing detached/muted off-beat chords.
* playing * ('uneven' semiquaver) * (cymbal) and syncopated * (drum) patterns emphasising beats *, often joined by tambourine, shakers.
* playing independent, melodic, syncopated bass lines, sometimes described as a *.
I, IV and V
2 and 4
Afro-Americans
Antiphony
Back beat
Backing
Bass guitar
Call and response
Conjunct
Diatonic
Drum kit
Electric guitar
Equality
Hi-hat
Isrealites
Justice
Kick and snare
Laid back
Lead
Moderately slow
Off-beat
Off-beat chords
Parallel
Pentatonic
Primary
Small / Limited
Swung
Syncopated
Walking bass
Alongside Reggae, other pop music genres of the 1960s and 70s which grew from blues music (combining African and European musical traditions) include rock, rhythm and blues, funk, and soul music. Perform Soul Man (released 1967) by Sam and Dave, and notice its similarities with blues and reggae, including:
Call and response textures (between voices and instruments).
Syncopated, including 'push', rhythms.
Rhythms (especially drum rhythms) emphasising beats 2 and 4.
Melodies based on diatonic (major/minor), pentatonic (5 note) and blues scales.
Simple, static, repetetive harmony, used to create a 'groove'.
1968 Do The Reggay - Toots and the Maytels
1968 Engine 54 - The Ethiopians
1968 Pressure Drop - Toots and the Maytels
1969 Isrealites - Desmond Dekker and the Aces
1970 Rivers of Babylon - The Melodians
1971 All I Have Is Love - Gregory Isaacs
1971 Guns Don't Argue - Dennis Alcapone
1972 I Can See Clearly Now - Johnny Nash
1973 Get Up Stand Up - Bob Marley
1974 No Woman No Cry - Bob Marley
1975 Rat Race - Bob Marley
1976 One Love - Bob Marley
1977 Equal Rights - Peter Tosh
1977 Exodus - Bob Marley
1977 Three Little Birds - Bob Marley
1978 Is This Love - Bob Marley
1978 Money In My Pocket - Dennis Brown
1979 Ain't That Lovin' You - Dennis Brown
1980 Redemption Song - Bob Marley
1967 Respect - Aretha Franklin (Soul)
1967 Soul Man - Sam And Dave (Soul)
1968 Sittin On The Dock Of The Bay - Otis Redding (Soul)
1968 I Heard It Through The Grapevine - Marvin Gaye (Soul)
1970 Let It Be - The Beatles (Beat Music)
1970 Signed Sealed Delivered - Stevie Wonder (R&B, Soul)
1971 Stairway To Heaven - Led Zeppelin (Prog Rock)
1972 Superstition - Stevie Wonder (Funk, Soul)
1972 Lean On Me - Bill Withers (Soul)
1972 Rocket Man - Elton John (Pop Rock)
1973 Money - Pink Floyd (Prog Rock)
1975 Bohemian Rhapsody - Queen (Prog Rock)
1977 Dancing Queen - ABBA (Disco)
1977 I Feel Love - Donna Summer (Disco)
1977 Sir Duke - Stevie Wonder (Funk, Soul)
1977 Stayin' Alive - Bee Gees (Disco)
1978 September - Earth Wind And Fire (Disco)
1979 Le Freak - Chic (Disco)
1980 Call Me - Blondie (Electro pop / New Wave)
Three Little Birds - Bob Marley
I Can See Clearly Now - Johnny Nash
Kingston Town - UB40
Redemption Song - Bob Marley
No Woman No Cry - Bob Marley
Red Red Wine - UB40
Roxanne - The Police
Isrealites - Desmond Dekker and the Aces
Baby I Love Your Way - Big Mountain
Master Blaster (Jammin') - Stevie Wonder
Pass The Dutchie - Musical Youth
Is This Love - Bob Marley
Could You Be Loved - Bob Marley
Jamming - Bob Marley
Everything I Own - Ken Boothe
The Tide Is High - Blondie
Buffalo Soldier - Bob Marley
Walking On The Moon - The Police
Ghost Town - The Specials
Can't Help Falling In Love - UB40
No Woman No Cry - Bob Marley
One Love - Bob Marley
Three Little Birds - Bob Marley
Is This Love - Bob Marley
Bush Doctor - Peter Tosh
Legalize It - Peter Tosh
Two Sevens Clash - Culture
None Shall Escape the Judgement - Johnny Clarke
Simplicity - Izzy Miller
Revolution - Dennis Brown
King Of The Dancehall - Beenie Man
Gimme the Light - Sean Paul
One Love / People Get Ready - Bob Marley
No Woman No Cry - Bob Marley
Could You Be Loved - Bob Marley
Buffalo Soldier - Bob Marley
Jammin' - Bob Marley
The Harder They Come - Jimmy Cliffe
Legalize It - Peter Tosh
Isrealites - Desmond Dekker
Bam Bam - Sister Nancy
Night Nurse - Gregory Isaacs
Pressure Drop - Toots and The Maytals
Marcus Garvey - Burning Spear
Here I Come - Dennis Brown
Guess Who's Coming To Dinner - Black Uhuru
Sweat - Inner Circle
Book Of Rules - Heptones
Two Sevens Clash - Culture
Many Rivers To Cross - Jimmy Cliffe
Red Red Wine - UB40
Pass The Dutchie - Musical Youth
Moderately slow (andante) tempo with a laid back feel.
Syncopated rhythms emphasising the:
'Back beat' (beats 2 and 4) with kick drum, snare and bass, and
Off-beat or 'half beat' (with off beat chords played on the electric guitar and/or organ).
Simple, repeated chords, often based on the primary chords: I, IV and V.
Simple, diatonic or pentatonic, mainly conjunct, vocal melodies, typically with repeated pitches, within a limited pitch range e.g. an octave.
Lyrics calling for social justice and equality, comparing the oppression of Afro-Americans, especially in Jamaica, to the story of Egypt's enslavement of the Isrealites told in the Old Testament of the Bible.
Typical use of instruments includes:
Lead and backing vocals, singing parallel harmonies and in call and response / antiphony.
Electric guitar, playing detached/muted off-beat chords.
Drum kit playing swung (semiquaver) hi hat and syncopated kick and snare patterns emphasising beats 2 and 4, often joined by tambourine, shakers.
Bass guitar playing independent, melodic, syncopated bass lines, which may be described as a walking bass.