The 1980s was a very transformative era for popular music, witnessing the rise of many new technological effects and an evolving relationship between the artist and their audience. Among the most significant changes in the '80s was the introduction of drum machines and synthesisers. These new technologies changed the entire texture of pop music at the time. Embracing these new instruments were popular artists Madonna and Michael Jackson, creating music with a slicker and more polished sound. Michael Jackson's album, 'Thriller' created a seamless blend of pop, funk, soul and rock music using synthesisers. Similarly, Madonna's 'Material girl' showed how the use of electronic instruments enhanced the songs melody and rhythm and later dominated clubs and radios.
Additionally to electronic music, the '80s witnessed a fusion of pop with rock, funk and R&B. These elements were prominent in the work of artists such as Michael Jackson and Prince, in particular funk fusion. Prince's use of unconventional song structure and synthesised sounds made him one of the most innovative artists of the decade. Similarly, the fusion of funk and soul with pop in songs like 'Bad' and 'Thriller' helped him reach his place as 'King of Pop' and also helped to shape the sound of 80s music as a whole. At the same time, rock music was also continuing to go through its own transformation and gave rise to stadium rock and bands such as Journey and Bon Jovi gained popularity. Many stadium rock songs used guitar riffs and emotive lyrics to create 'sing-along' choruses and the mix of pop and rock would go on to develop 'arena rock' in the future.
On top of this, the evolution of power ballads brought emotionally charged songs which went on to dominate the charts. Power ballads was a genre of music which used a fusion of pop music with the emotional intensity of rock music. Embracing the style, artists such as Celine Dion and Whitney Houston quickly rose to the top of the charts with their emotional and soaring vocal performances.
Sampling was a technique which changed the way music was created. It involves taking a section of an already existing recording and reusing it in another song. This became a popular technique, widely used due to many advancements in technology, particularly digital samplers. The 'fairlight CMI' of 1979 was one of the first digital samplers available but it was very expensive. However, in 1981, the E-mu Emulator and the Linn LM-1 drum machine came about and made sampling more accessible and affordable.
E-mu Emulator
Linn LM-1
The 80s saw rise to many electronic sounds in music, defining the decade's music across many genres. Many further advances in technology made synths more affordable and easier to use, which led to its widespread popularity. Styles that incorporated the use of electronic sounds include synth pop, electronic, pop and even rock. Rock bands such as Rush, Van Halen and Genesis embraced the synth and integrated it into much of their music. A popular example of a song with a prominent synth bassline and electronic textures is Michael Jackson's 'thriller' of 1982.
The Roland Jupiter-8, famously used in Michael Jackson's 'Thriller' in 1982
In the 1980s, vocal processing continued to evolve and more effects such as pitch shifting and harmonizing emerged. Pitch shifting was almost like an early form of autotune and allowed for artists to alter vocals to give them a much more robotic texture, or even to create artificial harmonies. These effects paired very well with styles like synth-pop and new wave as they enhanced their robotic and electronic sounds even further and bands like Eurythmics even experimented with slight detuning in their harmonies to create a more futuristic sound.
Click tracks became an essential tool in the 80s, whether that be in studio recording or live performances. The 1980s was definitely a decade of electronic and mechanical sounding music, and the increase in use of drum machines and sequencers required the need for even righter synchronization. More importantly, click tracks were essential when layering multitrack recordings as it allowed for each individual part to be perfectly synced with the others.
Famously known for his work as a producer for Michael Jackson including the production of 'Off the Wall' (1979), 'Bad' (1987) and 'Thriller' (1982) which went on to become the best-selling album of all time. Jones helped to define modern music through his ability to blend jazz, pop, R&B and even orchestral elements together into one mix. Born in 1933, Jones started his career as a jazz trumpeter, before he moved on to focus on the production side of music. He even went on to arrange music for other famous artists such as Frank Sinatra, Ray Charles and Count Basie. In his career, Jones has won 28 grammy awards and received 80 nominations and his impact on music went on to span several generations and genres and was a great help in shaping the sound of pop music we know today.
In the 1980s, digital audio workstations, also known as DAWs for short, were very new and had very limited functions compared to modern DAWs. At the time, they were very expensive. More well known systems like Synclavier and Fairlight could cost up to $100,000 and even then, hard drives were small and also quite expensive, which limited recording time. In addition to this, many computers of the time had slow processors, which further restricted the recordings in their editing complexity. Despite these limitations, the 1980s served as a first stepping stone towards the better modern DAWs that we know today. Even by the early 1990s, computers became much more powerful and with them, DAWs also received significant upgrades.
A sampler is a device that records, manipulates and place back sections audio known as samples. The Akai MPC60 was an incredible sampler and drum machine designed by Roger Linn together with Akai. This changed music production by offering a user-friendly, pad-based interface along with real-time sequencing which made it very popular among electronic, R&B and hip-hop producers.
The Akai MPC60