Novel approaches to Digital Codicology
Centre d’Études Supérieures de la Renaissance (CESR)
59 rue Néricault Destouches, 37000 Tours, France
Organisers
Dr Alberto Campagnolo, LE STUDIUM Research Fellow FROM University of Udine - IT IN RESIDENCE AT Centre for Advanced Studies in the Renaissance (CESR) / CNRS, University of Tours - FR
Prof. Elena Pierazzo, Centre for Advanced Studies in the Renaissance (CESR) / CNRS, University of Tours - FR
* for online attendance, the registration is free, but mandatory
Despite the advancements in digitization, the study of books as objects, for the most part, still relies on autoptic investigations because traditional digitization transmediates only limited information regarding an object’s materiality. Autoptic observations are not always possible, and this has become even more evident and relevant with the pandemic crisis of Covid-19. While significant progress has been made in accessing written heritage through digitization efforts (IIIF, TEI), the digitization of the material features of books is still lagging and at the experimental phase. The availability of great numbers of textual data has permitted the development of distant reading techniques to discover patterns in texts and the utilization of artificial intelligence to read manuscripts (HTR) and printed books (OCR) en mass. The availability of digital data on the materiality of books would extend these practices to the book as an object. Recently, some projects have brought forward novel approaches to the digitization of material features of books but we lack a comprehensive methodology capable of bringing it together in a coherent research field: digital codicology. In the first two and a half days of the event, eminent scholars at the forefront of material digitization efforts will present their research. The last half-day will be dedicated to a round table and a working group to discuss and set the groundwork for a white paper on what digital codicology is and still needs to become the overarching field we foresee.
KEY WORDS
digital methodologies, digitization, written cultural heritage, modelling, heritage science, Artificial Intelligence, manuscripts, bibliography, musicology
The conference venue is unique. Located right next to the basilica of St Martin in the old city centre of Tours, the Centre d'Études Supérieures de la Renaissance (Centre for Advanced Studies in the Renaissance) is a teaching and research institution which welcomes students and researchers seeking initial or supplementary instruction in all aspects of the Renaissance. The Centre was initially constituted in 1956 on the basis of a library and a documentary archive, supplemented by a collection of photographs and databases. It is now a venue for multi-disciplinary instruction, which, in association with the various Faculties of the University, has responsibility for teaching and research in History, History of Art, Literature, Languages, Musicology, and Philosophy. It currently leads a large research programme dedicated to the cultural regional heritage (Intelligence des Patrimoines). As a research centre it brings together fifty or so researchers committed to the investigation of the "civilization of the Renaissance" from Petrarch to Descartes. Participants will be welcomed in this exceptional surrounding blending Middle Age and Renaissance cultures and will have the opportunity to discover French cuisine and wines
Day 1: Wednesday, 10th May 2023 - Paris Time (GMT +2)
8:30 Welcome coffee & registration
8:45 Official opening (Sophie Gabillet, Elena Pierazzo & Alberto Campagnolo)
Session 1: Modelling and metadata
9:00 Peter Stokes - Modelling Manuscripts in Theory and Practice
9:30 Patrick Andrist - Prototype of a new generation database for the integrated study of manuscripts
10:00 Sonja Schwoll - ResearchSpace - from Conservation Documentation to documenting Book Structures
10:30 Coffee break
Session 2: Heritage Science
11:00 Marie Elisabeth Boutroue - De l'analyse des matériaux à la représentation des données : le cas des encres anciennes
11:30 Zina Cohen & Ira Rabin - Unveiling the use of writing materials in Carolingian manuscripts
12:00 Sarah Fiddyment & Matthew Collins (ONLINE) - What do we do with biocodicological data?
12:30 Holly Wright - Linking our data together: Challenges and Opportunities
13:00 Fenella France - From Materiality to Visualization
13:30 Lunch break
Session 3: Remote session (USA)
15:30 Abigail Slawik (ONLINE) - Using the Open-Source Paper Studies Suite to Identify Mouldmates in Leonardo's Papers
16:00 Dot Porter (ONLINE) - Radical potential for the digitization of premodern manuscripts
16:30 Bill Endres (ONLINE) - Digitization and Digital Codicology: 3D Renderings, Affect, and Leverage
17:00 Bridget Whearty (ONLINE) - A Codicology for Digital Books: Approaching Medieval Manuscripts On Screen and In the Flesh
18:30 Public lecture in French: Anne-Marie Turcan-Verkerk - Un témoin muet et pourtant si éloquent : le manuscrit médiéval
20:00 Wine & cheese cocktail
Day 2: Thursday, 11th May 2023 - Paris Time (GMT +2)
Session 4: Book culture and Digital Practices (I)
9:00 Elena Pierazzo & Alberto Campagnolo - What a carve-up! A new codicology-based method for highly perturbed textual traditions
9:30 Jiří Vnouček - Observing beast & craft on manuscript folia
10:00 Lieve Watteeuw - Characteristics of the 14th century Bible of Anjou. The combined use of Multi Light Reflectance Imaging and MA-XRF to identify materials and techniques
Session 5: Book culture and Digital Practices (II)
10:30 Coffee break
11:00 Orietta Da Rold - Some Experiments with Digital Imaging and Medieval Paper
11:30 Alicia Fornés & Kevin Roger- Computer Vision methodologies applied to musical documents
12:00 Mike Kestemont (ONLINE) & Wouter Haverals - Manuscripts in Order: Charting the Evolution of Scribal Practice in the Herne charterhouse (c. 1350-1400) through Stylochronometry
12:30 Dominique Stutzmann (ONLINE) - Computer Vision and codicology at large scale: looking at (many) books of hours and cartularies
13:00 Lunch break
Session 6: Book culture and Digital Practices (III)
15:00 Serena Crespi - Exploring Florence’s 17th-century manuscript culture through quantitative analysis and distant reading
15:30 Gleb Schmidt, Shari Boodts & Riccardo Macchioro - Codicological descriptions of sermon manuscripts. An experiment in layout analysis combining YOLO and Kraken.
16:00 Suzette van Haaren - Reflecting on digital codicology as method
16:30 N. Kıvılcım Yavuz - Manuscript Metadata and the Potentials of Digital Codicology
17:00Coffee break
17:30 Keynote: Matthew Driscoll - Getting physical: The origin, development and future of <physDesc>
Day 3: Friday, 12th May 2023 - Paris Time (GMT +2)
Session 7: AI and Computational Codicology
9:00 Evina Stein & Martin Tamajka (ONLINE) - QVIRE: investigating the structure of medieval manuscripts with the help of AI
9:30 Hanna Busch - Manuscripts, Metadata, and Machine Learning: How to train an Artificial Paleographer?
10:00 Giuliano Giuffrida - Digital Libraries and digital codicology: the exploitation of the Vatican Apostolic Library's FITS archive
10:30 Coffee break
11:00 Rachel Di Cresce and Melissa Moreton - Making the Book Visible: Visualization Tools and Descriptive Terminology
Session 8: RoundTable
11:30 RoundTable - Digital codicology: present and future
Marilena Maniaci (online); Matthew Driscoll; Judith Schlanger (online)
12:15 Concluding remarks (Elena Pierazzo & Alberto Campagnolo)
12:30 Lunch break
14:30 White paper preparation
16:30 Conclusions
This event is partly funded by the Équipex Biblissima+, Cluster 4 (Traitement approfondi des systèmes graphiques et analyse des documents).
Biblissima+ benefits from the French ministry ANR support (Agence Nationale pour la Recherche) under the "Investissement d'Avenir Programme", grant # ANR-21-ESRE-0005.
This project has received funding from the European Union's EU Framework Programme for Research and Innovation Horizon 2020 under theGrant Agreement No. 787282. The European Research Agency is not responsible for any use that may be made of the information it contains.