COURSE OVERVIEW
In this course, students will explore a range of artists, from the energetic brushstrokes of Van Gogh and the bold, vibrant colours of Matisse to the obsessive, immersive patterns of Yayoi Kusama. By analysing the specific techniques, colour theories, and concepts of these legends, students will learn the discipline of creating "transcripts" (replicas) of famous works. Students translate these styles into wooden sculptures, and the course culminates in a large-scale collaborative painting that celebrates their favourite artist (from the course!).
COURSE OUTCOME
A portfolio of creative research and transcripts replicating famous artists
A hand-painted wooden sculpture that brings a famous style into 3D.
A large-scale group mural inspired by a selected artist’s aesthetic.
REAL WORLD APPLICATION:
Students can apply their experience with creative direction and large-scale projects to careers in public art commissions or urban design.
The practice of "artistic identity" and style replication prepares students for roles in commercial illustration or concept art where they must adapt to specific client aesthetics.
The collaborative mural project builds project management and teamwork skills necessary for high-impact professional environments such as creative agencies or architectural firms.
COURSE PREREQUISITES:
None
Students expand their creative repertoire by adopting different "artistic identities." By mimicking the specific marks of Van Gogh or the minimalism of Matisse, they learn to step outside their comfort zone and use new tools to express visual ideas.
Students expand their creative repertoire by adopting different "artistic identities." By mimicking the spThe final project requires students to work as a collective. They must communicate effectively to ensure their individual styles merge into one cohesive, large-scale painting.
COURSE OUTLINE
Lessons 1–2: Portfolios & Matisse Setting up portfolios and exploring Henri Matisse. Students focus on bold shapes and the "cut-out" method to create a vibrant transcript.
Lessons 3–4: Van Gogh’s Texture Studying impasto and movement. Students replicate Van Gogh’s signature swirling brushstrokes and expressive use of colour.
Lessons 5–6: Kusama’s Patterns Diving into the world of dots and infinity. Students practice precision and repetition to create a transcript in the style of Yayoi Kusama.
Lessons 7–8: Kahlo’s Identity Analysing Frida Kahlo’s use of symbolism and portraiture. Students learn how to layer meaning and narrative through colour and specific imagery.
Lessons 9–10: 2D to 3D Transcripts Students select their favourite artist and begin sketching how that artist's 2D style would look on a 3D wooden object.
Lessons 11–12: Wooden Sculpture Construction A 2-lesson block using wood and mixed media. Students build their forms, focusing on translating painterly marks into physical textures.
Lessons 13–18: Large-Scale Collaboration Students work in small groups to design and execute a large-scale painting. They must choose one artist as their primary inspiration and work together to produce a final, high-impact masterpiece.