In this article, Averie reviews the Goodreads Choice Award nominee She Who Became the Sun.
She Who Became the Sun by Shelley Parker-Chan was interesting, to say the least. It is astonishing that a book like this was nominated for the Goodreads Choice Award with the direction the book community has been taking lately. There was much more bad than good, but what was good was great.
This book is a fictionalized retelling of the rise of the Ming Dynasty, so it is like a more fun version of reading an actual history book. She Who Becomes the Sun focuses on a girl in 14th-century China who takes on the identity of her brother, Zhu, after her father and brother are killed. When the siblings were young, a prophet told the girl she was destined for nothingness. He told Zhu he was destined for greatness. In assuming Zhu’s identity, she hopes to assume his destiny, as well. Zhu keeps her head down and joins a monastery, where she grows into a young adult. For a while, there is only one other person who knows Zhu is a girl, her best friend Xu Da, but the two are separated after the monastery is burned down. The monastery is burned down by the other main character, Ouyang, who is a general of Mongol Prince Henan’s army. Throughout the book, there is a war between the current ruler, Prince Henan, and a rebel group, The Red Turbans. Zhu quickly becomes acquainted with the rebel group after she accidentally causes a landslide that takes out an entire royal army.
This book is much less whimsical than it first appears. While the summary may lead the reader to think this is a mystical take on 14th-century China, there is nothing fun or fantastical about it. The opening proves this by dragging the reader straight into the childhood of the main character, Zhu, where she is starving and trying to hunt for food. Not only is the brutal environment introduced right off the bat, but so is the sexism. Within the first few pages, the book drops the fact Zhu is the only girl left in their village because women were always fed second so, when the food shortage came, all of the women starved. Zhu is not really her name; it is her brother's but, up until the point where she assumes his identity, she is only referred to as “the girl”. This is a cool detail that shows Zhu was literally nobody until she became her brother. However, it was a little repetitive since the only way the author could refer to her was “the girl” over and over again for like twenty pages. All to say, it was a little jarring going from the summary to the actual book.
The personality of Zhu is slightly confusing. She puts up a front that she is just a silly little monk who cracks jokes, but her narration is so serious and melodramatic that it is like reading about two different people. The main goal of Zhu throughout the first three-quarters of the book is to survive. This quickly gets boring since Zhu is safe at a monastery and then safe with the Red Turbans. Like, congratulations. You are alive. You have met your goal. There were a few exciting moments where Zhu was almost found out to be a girl or new characters were introduced, but mostly it was just boring. The most interesting aspect of Zhu’s character is her relationship with gender. Zhu believed that, by pretending to be her brother and taking his destiny, she was hiding from Heaven itself. This was a super interesting concept that heavily impacted the way Zhu thought. This was mostly because she tried to do, say, and even think the way her brother would have to trick Heaven. She tried to make herself believe she was the original Zhu so Heaven could not see her thoughts and take the destiny of greatness away. This led Zhu to some complicated feelings regarding her gender. She hated the weakness that came with being a woman, and heavily rejected her femininity, but it was ultimately her femininity that led her to a position of power. A great example of this is how every woman Zhu interacted with was either able to tell Zhu was a woman or had some inkling of that fact. As Zhu meets capable and powerful women --in their own right-- she begins to realize her femininity is something she can use to her advantage.
However, it was not just Zhu pretending to be a boy that made her relationship with gender more complex. This book is very proudly LGBT+ and Zhu expresses herself as being neither a man nor a woman but something more fluid. The other LGBT+ themes are expressed between Zhu and her wife, Ma, as well as the secondary main character Ouyang, and his unrequited love, Esen. Ouyang had his own perspective throughout the book, and it was absolutely insufferable. Not only was his angsty, yearning personality depressing to read, but it felt like the author favored him over Zhu. Nowhere in the synopsis was Ouyang or his perspective of the story mentioned, but it feels like the reader spends more time with him than Zhu. It is no wonder the sequel, He Who Drowned the World, is more focused on his perspective. The summary is truly the downfall of this book because it definitely has a wide audience, but the synopsis attracts the wrong type of audience by making it sound like a fantastical woman-centric story that is more on par with Mulan.
The writing style ruins the book. She Who Became the Sun is so overwritten that it is difficult to understand. A frequent description of an emotion is that it is like someone was tugging on a string attached to Zhu’s liver. First of all, where even is the liver? Second of all, what emotion is supposed to be conveyed through that description? At times, the book is abstractly written, which makes it very distracting and hard to read. It is truly a struggle to try to decipher whether or not Ouyang is also a woman dressed as a man, a trans man, or has been castrated. Spoiler: it is the latter. Ouyang is just an annoying character all around. This impression is not even regarding his personality, but the way the author writes about him and how others interact with him feels so much like a self-insert. It is hard to enjoy Parker-Chan as an author after reading this novel. It is constantly referenced how he is so small, petite, and has a woman-like beauty. Basically, he is just the stereotype of a gay man including the undertones of misogyny.
In fact, they are not even undertones, Ouyang says how useless women are and how he would kill all of them if he could quite a few times. That is not to say the book is misogynistic, but it is a strange choice to create a character that the reader is supposed to root for, and then force that character to be so irredeemable. The juiciest part of the book was the family drama between Esen and his brother, Wang Baoxiang, which was unfortunately constantly interrupted by Ouyang whining about how much he loves Esen but mustn’t because he vowed to take down the royals from the inside. It was a whole lot of drama that never really went anywhere because Ouyang killed Esen. It would be a more interesting dynamic if the reader actually signed up to read about Ouyang. Instead, all of the poor sapphics just looking for sapphic books among the piles of gay content are struck yet again by the focus being between two men.
She Who Became the Sun currently has 3.87 stars on GoodReads with just over 71k ratings. Another important note is that it was nominated for the 2021 Best Fantasy and the 2021 Best Debut Novel, which is funny, considering it should not be considered a fantasy or the best in any category ever. Clearly, many people enjoyed the book, including Goodreads reviewer Emma, who rated it five stars and wrote, “The novel's greatest power is in its unforgettable characters, each crafted with complexity and stunning individuality. Their authenticity flows from their refusal to be any one thing, each pursuing their own agenda, each brilliant and flawed in their own ways.” It is clearly a very thoughtfully written review, which just comes down to difference in taste. Books are subjective and what constitutes a great read is different for everybody. This again can be shown in the review section by Nicole, who rated it one star and wrote, “The main character was barely in the story. Zhu ended up with no personality... She never really faced any big disappointments.” Nicole is very much correct about Zhu barely being in the story but, of course, the personality discussion is up for debate. While the majority of people enjoyed She Who Became the Sun, it is clear it was never a Goodreads favorite.
While this book attempted to sound intellectual, it really just ended up being confusing and redundant. She Who Became the Sun had the potential to make something great, but the execution was just not there. Hopefully, whoever wrote the summary for it got fired, and the author finds a better way to describe emotions than mentioning D-tier organs.