Symphony No. 94 in G major,
"Surprise" (II. Andante)
Listening Guide
Performed by The Orchestra of the 18th Century, conducted by Frans Brüggen.
Composer: Haydn
Composition: Symphony No. 94 in G major, "Surprise" (II. Andante)
Date: 1791
Genre: symphony
Form: II. Andante is in theme and variations form
Performing Forces: Classical orchestra here with 1st violin section, 2nd violin section, viola section, cellos/bass section, 2 flutes, 2 oboes, 2 trumpets, 2 horns, 2 bassoons, and timpani
What we want you to remember about this composition:
- It is in theme and variations form
- The very loud chord that ends the first phrase of the theme provides the "surprise"
Other things to listen for
- The different ways that Haydn varies the theme: texture, register, instrumentation, key
Timing
Performing Forces, Melody, and Texture
Form:
Eight-measure theme with a question-and-answer structure. The "question" ascends and descends and then the "answer" ascends and descends, and ends with a very loud chord (the answer). In C major and mostly consonant. In homophonic texture, with melody in the violins and accompaniment by the other strings; soft dynamics and then very soft staccato notes until ending with a very loud chord played by the full orchestra, the "surprise."
Theme: aa
Contrasting more legato eight-measure phrase ends like the staccato motives of the a phrase without the loud chord;
b
Theme in the second violins and violas under a higher-pitched 1st violin countermelody. Still in C major and mostly consonant. Ascending part of the theme is forte and the descending part of the phrase is piano; the first-violin countermelody is an interesting line but the overall texture is still homophonic
Variation 1: aa
The first four measures are in unison monophonic texture and very loud and the second four measures (the answer) are in homophonic texture and very soft; In C minor
Variation 2: aa
In C minor with more dissonance; very loud in dynamics; The motives are passed from instrument to instrument in polyphonic imitation.
Develops motives from a and b phrases
Back in C major.The oboes and flutes get the a phrase with fast repeated notes in a higher register; the second time, the violins play the a phrase at original pitch; uses homophonic texture throughout.
Variation 3: aa
The winds get the first a phrase and then it returns to the first violin; very loud for the first statement of a and very soft for the second statement of a; homophonic texture throughout.
Variation 4: ab