Symphony No. 94 in G major,

"Surprise" (II. Andante)

Listening Guide

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Performed by The Orchestra of the 18th Century, conducted by Frans Brüggen.

Composer: Haydn

Composition: Symphony No. 94 in G major, "Surprise" (II. Andante)

Date: 1791

Genre: symphony

Form: II. Andante is in theme and variations form

Performing Forces: Classical orchestra here with 1st violin section, 2nd violin section, viola section, cellos/bass section, 2 flutes, 2 oboes, 2 trumpets, 2 horns, 2 bassoons, and timpani

What we want you to remember about this composition:

  • It is in theme and variations form
  • The very loud chord that ends the first phrase of the theme provides the "surprise"

Other things to listen for

  • The different ways that Haydn varies the theme: texture, register, instrumentation, key

Timing

Performing Forces, Melody, and Texture

Form:

Eight-measure theme with a question-and-answer structure. The "question" ascends and descends and then the "answer" ascends and descends, and ends with a very loud chord (the answer). In C major and mostly consonant. In homophonic texture, with melody in the violins and accompaniment by the other strings; soft dynamics and then very soft staccato notes until ending with a very loud chord played by the full orchestra, the "surprise."

Theme: aa

Contrasting more legato eight-measure phrase ends like the staccato motives of the a phrase without the loud chord;

b

Repetition of b

b

Theme in the second violins and violas under a higher-pitched 1st violin countermelody. Still in C major and mostly consonant. Ascending part of the theme is forte and the descending part of the phrase is piano; the first-violin countermelody is an interesting line but the overall texture is still homophonic

Variation 1: aa

Similar in texture and harmonies; piano dynamic throughout

bb

The first four measures are in unison monophonic texture and very loud and the second four measures (the answer) are in homophonic texture and very soft; In C minor

Variation 2: aa

In C minor with more dissonance; very loud in dynamics; The motives are passed from instrument to instrument in polyphonic imitation.

Develops motives from a and b phrases

Back in C major.The oboes and flutes get the a phrase with fast repeated notes in a higher register; the second time, the violins play the a phrase at original pitch; uses homophonic texture throughout.

Variation 3: aa

The flutes and oboes play countermelodies while the strings play the theme.

bb

The winds get the first a phrase and then it returns to the first violin; very loud for the first statement of a and very soft for the second statement of a; homophonic texture throughout.

Variation 4: ab

Shifting dynamics

bb + extension


Coda