Symphony No. 41 in C Major, K. 551 —

1st Movement, Allegro Vivace

Listening Guide

Composer: Wolfgang Amadeus Mozart

Composition: Symphony No. 41 in C Major, K. 551 — 1st Movement, Allegro Vivace

Date: 1788

Genre: Symphony

Form: Sonata form

Performing Forces: Classical orchestra

What we want you to remember about this composition:

  • Listen to the different sections identified in sonata form.
  • During the development section you will feel the instability of the piece induced by the key changes and ever changing instrument voicings.

Other things to listen for:


Timing

Performing Forces, Melody, and Texture

Form:

Full orchestra. Stated twice—First loud and then soft short responses.

EXPOSITION: Opening triplet motive

The forte dynamic continues, with emphasis on dotted rhythms.Winds perform opening melody followed by staccato string answer;Full bowed motion in strings.

First theme in C major

Motive of three notes continues; Soft lyrical theme with moving ornamentation in accompaniment.

Pause followed by second theme of the exposition

Sudden forte dynamic. Energy increases until sudden softening to third pause; Brass fanfares with complement of the timpani.

Second Pause followed by transition to build tension

Theme played in the strings with grace notes used. Melody builds to a closing;A light singable melody derived from Mozart's aria "Un baccio di mano"

After the third pause, the third theme is introduced


The entire exposition repeats itself

Transition played by flute, oboe and bassoon followed by third theme in strings; Music.

DEVELOPMENT SECTION: Transition to third theme

Modulations in this section add to the instability of the section;

Starts like the exposition but with repetition in different keys.

Modulation to the minor

Slight introduction of third theme motif;

Quiet and subdued.

Implied recapitulation: "Transition"

Now started by the oboes and bassoons;

Now in C minor, not E flat major, which provides a more ominous tone.

Recapitulation in original key: First theme


Pause followed by second theme

Re-emphasizes C minor.

Third theme


Closing material similar to exposition

Full orchestra at forte dynamic.

Closing cadence for the movement