"Hallelujah" from Messiah

Listening Guide

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Performed by English Baroque Soloists and Monteverdi Choir, Conducted by John Eliot Gardiner

Composer: George Frideric Handel

Composition: "Hallelujah" from Messiah

Date: 1741

Genre: chorus from an oratorio

Form: sectional; sections delineated by texture changes

Nature of Text: English language libretto quoting the Bible

Performing Forces: chorus and orchestra

What we want you to remember about this composition:

  • It is for four-part chorus and orchestra
  • It uses a sectional form where sections are delineated by changes in texture

One thing to remember about this composition:

  • In a major key, using mostly major chords
  • Key motives repeat over and over, often in sequence

Timing

Performing Forces, Melody, and Texture

Text and Form:

Orchestra:Introduces main musical motive in a major key with a homophonic texture where parts of the orchestra play the melody and other voices provide the accompaniment


Chorus + orchestra:

Here the choir and the orchestra provide the melody and accompaniment of the homophonic texture

"Hallejulah"

Chorus + orchestra:

Dramatic shift to monophonic with the voices and orchestra performing the same melodic line at the same time.

"For the Lord God omnipotent reigneth"

Chorus + orchestra:

Homophonic texture, as before.

"Hallelujah"

Chorus + orchestra:

Monophonic texture, as before.

"For the Lord God omnipotent reigneth"

Chorus + orchestra:

Homophonic texture, as before.

"Hallelujah"

Chorus + orchestra:

Texture shifts to non-imitative polyphonic with the initial entrance of the sopranos, then the tenors, then the altos.

"For the Lord God omnipotent reigneth"

Chorus + orchestra:

Homophonic texture, as before.

"The Kingdom of this world is begun"

Chorus + orchestra:

Imitative polyphony starts in basses, then is passed to tenors, then to the altos, and then to the sopranos.

"And he shall reign for ever and ever"

Chorus + orchestra:

Monophonic texture, as before.

"King of Kings"

Chorus + orchestra:

Homophonic texture, as before.

"Forever, and ever hallelujah, hallelujah"

Chorus + orchestra: Each entrance is sequenced higher; the women sing the monophonic repeated melody motive

Monophony alternating with homophony

"And Lord of Lords…"

Repeated alternation of the monophonic "king of kings and lord of lords" with homophonic "for ever and ever"

Chorus + orchestra: Homophonic texture

"King of kings and lord of lords"

Chorus + orchestra: Polyphonic texture (with some imitation)

"And he shall reign for ever and ever"

Chorus + orchestra: The alternation of monophonic and homophonic textures.

"King of kings and lord of lords" alternating with "for ever and ever"

Chorus + orchestra: Mostly homophonic

"And he shall reign…Hallelujah"