Peer Workshops

When done well, peer workshops can be fruitful sources of inspiration, feedback, and support for student writers. When done poorly, however, peer workshops quickly become a source of frustration and a waste of classroom time.

The three keys to successful peer workshops are purpose, autonomy, and adaptability.

Purpose

It is important to clearly define the purpose of peer workshops, including the potential benefit to the students' writing and consequently to their overall grades. At the beginning of the semester, take the time to discuss why you have workshops in your class. For instance, peer writing groups serve as an opportunity for each student to

practice offering and receiving writing feedback,

practice making decisions about their own writing based on feedback,

improve analysis, revision, editing, and proofreading skills,

read many models of other authors' writing,

practice working and communicating in groups, etc.

If peer workshops are part of the students' grade, highlight that fact early. You may also consider giving a handout or presentation on workshop instructions. Here are sample workshop requirements, questions, and checklists.

Additional mini-purpose conversations should ideally happen before and after every workshop session. A purpose statement before a workshop might go something like this:

Today, we're going to workshop the first drafts of our articles. Because these are first drafts, we should be focused on global concerns, including message, audience, genre, and organization. Do not mark any grammatical errors at this time. Keep in mind how frustrating it would be to spend half an hour perfecting a paragraph's grammar only to realize later that the paragraph doesn't fit into your article's organization and has to be cut. When your article is being workshopped, it is your responsibility to keep the conversation going. Don't let your group slack to the detriment of your final grade! Use the Ten Writing Priorities (PDF) handout if you get stuck. As you know, the second drafts of your articles are due in one week, so be sure to garner lots of great feedback from today's workshop so that you'll leave today inspired to revise your draft.

The overarching purpose of improving students' writing skills will stay the same throughout the semester, but the purpose of individual workshops will change. For the second draft of an article, for instance, an instructor may highlight editing skills: How does it sound? And how can you make it sound better? This workshop may look exclusively at sentence structure and word choice. Other workshops may focus on expansion, concision (PDF), evidence, introductions, conclusions (PDF), titles, research, documentation, formatting, etc.

When leading students into and through workshop groups, be as explicit as possible about why you are asking them to workshop and remind them every chance you get.

Autonomy

Instructors often connect with students and show dedication by doing what their students are doing with them. If students are writing on last night's reading for ten minutes, the instructor is writing, too. If students are working in groups, the instructor is moving from group to group engaging and supporting them. Students sincerely appreciate these small moves, and instructors read about them on their evaluations often.

The one exception to this philosophy is group workshops. After modeling what peer workshops should look like (perhaps by bringing in something you are writing and encouraging the class to give feedback), and after making explicit the purpose of workshopping in general and today's workshop specifically, consider staying out of the way as much as possible. You might end your purpose statement with something like this:

While you are workshopping, I will come around and check off that all of your have your drafts and draft responses, and then I will be writing over here. I am available to you. Please interrupt me if you have any questions. I would also be happy to join your conversation for a while if you would like to invite me into your group.

After a few weeks, you might have your students write for about 20 minutes on questions such as these:

  1. How can your group members help you be as successful as possible in this class? Be very specific.
  2. What is expected of you in this class and/or as a college writer? What do you need to do to improve your writing?
  3. What have been the strengths of your writing so far? How have they been helpful?
  4. What have been the weaknesses of your writing?
  5. What does your group need to do to make the group as successful and helpful as possible? Be specific in the kinds of things you need from your group.
  6. What will you personally do to make the group useful to you and your group members? Be specific.

Afterward, students can discuss their answers and come up with a plan to strengthen their group's usefulness. In the end, it is up to each student and her or his group to get the most out of peer workshops. When students understand this fact, workshop groups become much more successful overall.

Adaptability

Instructors can successfully implement many different kinds of workshops in their classrooms. And, if one kind of workshop falls flat, you can always change up the plan mid-semester. Here are just a handful of the ways you can bring workshops into your classroom:

  • Group workshops or whole-class workshops (rotate which students' work gets feedback which day—common in creative writing classrooms).
  • Assign workshop groups of 2, 3, 4, or 5, or let students choose their own groups.
  • Workshops in class or outside of class. (Consider giving students a form to fill out reflecting on how the workshop went.)
  • Change workshop groups often, have the same workshop groups all semester, or switch workshop groups at mid-semester.
  • Have students bring in hard copies of drafts ahead of time, exchange, and then write draft responses before the workshop session, or have students bring in hard copies of drafts on the day of workshop and read aloud together or read silently.
  • Have students exchange digital copies of drafts via Sakai or Google folders before class and respond digitally and/or in person.
  • Have groups take turns meeting with the instructor throughout the semester.

Again, the key is to figure out what kind of workshop will work best for your subject matter and with the students you have in the room. Remember that you can and should adapt mid-semester if your workshops aren't working.

Additional Resources

Whole-class Workshops

Barnard, I. (2002). Whole-class workshops: The transformation of students into writers. Issues In Writing, 12(2), 124-143.

Workshops in a First-year Course

Debelius, M. (2010). What do we talk about when we talk about workshops? Charting the first five weeks of a first-year writing course.

In J. Harris, J. D. Miles, & C. Paine (Eds.), Teaching with student texts: Essays toward an informed practice (pp. 154-162). Logan, UT: Utah State University Press.

Holistic Approach to Peer Workshops

Eades, C. (2002). A working model of pedagogical triangulation: A holistic approach to peer-revision workshops. Teaching English In The Two-Year College, 30(1), 60-67.

Anonymity in Draft Workshops

Johnson, J. P. (2002). Critical reading and response: Experimenting with anonymity in draft workshops.

In C. Moore & P. O'Neill (Eds.), Practice in context: Situating the work of writing teachers (pp. 196-204). Urbana, IL: National Council of Teachers of English.