Walking back up the Aventine Hill, today we meet at another church associated with a female saint and martyr. (Remember Santa Sabina on the Aventine?) The foundress of the titulus Balbinae may have been the matron Balbina, for whom part of the extensive catacombs of St. Callixtus was also named. Originally dedicated to the divine Redeemer, the church was reconsecrated, probably by Pope St Gregory the Great, to the 2nd century virgin martyr Balbina. We know essentially nothing definite about St Balbina, nor about her father St Quirinus, or St Felicissimus, both of whose relics are joined with hers at the high altar in a jasper urn.
As before, we find something comforting about this anonymity. The ancient pagan Romans deified their deceased emperors, and sometimes other members of the emperor's family, but certainly, this divinization was beyond possibility for even the average Roman citizen, and was certainly not for slaves, or barbarians, or other anonymous persons. However, the value of the "anonymous" person is counted differently by Christ.
These anonymous saints help us to see that in following Christ faithfully to the end, every human person may be lifted up to glory, for the God we worship "determines the number of the stars and calls them all by name." (Psalm 147:4) Jesus assures us that His "sheep hear His voice, and he calls them by name, and leads them out." (John 10:2)
“Fear not, for I have redeemed you; I have called you by name, you are mine . . . you are precious in my eyes, and honored, and I love you." (Isaiah 43:1,4) "Are not two sparrows sold for a penny? And not one of them will fall to the ground apart from your Father. But even the hairs of your head are all numbered. Fear not, therefore; you are of more value than many sparrows." (Matt 10:29-31)
The church is ancient. It was built as early as the 4th century, and no later than the 6th century, above a house that seems to have been in the possession of the emperor Hadrian, but given to the consul Lucius Fabius Cilone. It overlooks the ruins of the baths of the Emperor Caracala.
Santa Balbina is a church a bit more au naturale, shall we say, in comparison to our recent venues of the great, stately churches of Santi Apostoli and St Peter in the Vatican. It is simple, both inside and out, though not without a few choice elements of grandeur, such as the altar, brought from Old St Peter's in the Vatican, and the magnificent floor of restored 1st century mosaics, rediscovered in the 1930's, depicting birds and signs of the zodiac. There is also an mosaic episcopal throne designed by the famous Cosmati family, renowned for the magnificent floors of Medieval Rome that bear their name. An ancient sarcophagus was discovered during restoration, and is now used as a baptismal font, and frescoes were discovered on the side walls from the 9-14th centuries
In medieval times, the church and monastery stood alone on the Aventine, surrounded by vineyards. Because of invasions by Muslims and barbarians, the monastery was fortified for protection.
The interior is one of elegant simplicity. An apse contains a radiant fresco of St. Balbina in glory, flanked by frescoed forms of Sts. Peter and Paul, and the jasper urn under the altar contains her remains and those of her father. It is a simple basilica style; most of the walls are unadorned. The exposed wooden traves of the roof were common in ancient Roman Christian worship spaces. There are large windows to make the most of natural light.
The Cardinal Priest of the Titulus S. Balbinae today is Péter Erdő, the Archbishop of Esztergom in Hungary. According to Cardinal Erdő, the Hungarian connections of the church were important in the Pope's choice of Santa Balbina as his titular church. The Cardinal recommends that Hungarian pilgrims visit the basilica and says he feels a special responsibility for the building. This is an example of that call from the past that joins us with those who have gone before.
Father Simpliciano of the Nativity founded the Congregation of the Franciscan Sisters of the Sacred Hearts here.
There is no collect church for Santa Balbina, perhaps because anciently, the Basilica stood alone, far away on the Aventine, with no other church in the vicinity from which the stational procession could set out.
Tomorrow we have a special treat in store. We will be visiting with St Cecilia in Trastevere, the patroness of musicians. Her voice and her example shine brightly through the centuries and you will be charmed. There is also her ancient home under the basilica to explore. Rest well tonight, dear pilgrims. See you in the morning, first light!
Right: This short video explains a little of what we know about St Balbina and her father. Also there is a interesting tie here to the Church of St Peter in Chains.
Below: a walking tour of Santa Balbina