Selected Participants

" The Influence of New Cultural and Technological Paradigms on Traditional and Avant-Garde Musical Composition "

—Symposium of New Works and Research into Contemporary Composers

Note: We shall post the detailed timetable and sign-up sheet for auditors on the website as soon as possible.  

The Department of Ethnomusicology, Nanhua University will hold this international symposium on May 21st 2022.  Firstly, congratulations to all the successful applicants!  We are honoured to have your participation in this symposium of new works and contemporary music research.  The symposium shall consist of an online presentation of conference papers, while the “concert” part of the symposium will take the form of links to video recordings of the selected pieces, shared on the symposium website, to be made available to everyone by the end of July.  If you have any questions, please write to us at the following email address: music.conference.nhu@gmail.com.  

The following participants' papers and/or compositions have been selected (non-Chinese names are listed in alphabetical order; Chinese names are listed in order of stroke count):

Selected papers (eight in total)

・Isabel Benito Gutierrez— Visual elements in music: Actions and directions in graphic and verbal scores 

・Yuko Ohara — Introduction to and analysis of Birefringence for solo violin

    大原裕子 — 《雙折射》為小提琴獨奏而作 — 介紹與分析

・Chen-Hui Jen — "Internal Traces in my Compositional Practice"— a discussion on into silence, and keep falling for cello and piano 

    任真慧 — 創作之內在線索 ─ 自為大提琴與鋼琴而作之《恆墜之寂》談起

・Chihchun Chi-sun Lee & I-Hsuan Olivia Tsai — The placement of contemporary music composers in the world of diverse ideologies 

     李志純、蔡宜璇 — 當代作曲家在多元意識形態世界中的挑戰與定位

・Li, Yu-Hsien — The “Aksak Rhythm” in Unsuk Chin’s Piano Etudes: An Example from Piano Etude, No.3 Scherzo ad libitum 

    李御賢 — 陳銀淑音樂作品中隱藏的 “Aksak Rhythm”:以《鋼琴練習曲》第三首〈隨意 的詼諧曲〉為例

・Geli Li — Introduction to and analysis of Seven Mountains for solo piano 

    李歌立 — Seven Mountains為鋼琴獨奏而作 — 介紹與分析

・Guo Xiang-Wei — Transmission and Adaptation: On the Development of Chinese Music Repertoire of Taiwan in the 1950s and 1960s

     郭相煒 — 承接傳統，融入在地 — 論臺灣地區國樂曲目在20世紀50、60年代的發展

                                                                                                                                                                                ・ Po-Chien Liu — Exploration and combination of extended timbre— considering the examples of recent chamber works and joined for piano trio 

     劉博健 — 延伸音色的探索與結合 — 以近年室內樂作品與鋼琴三重奏joined為例

Selected compositions (six in total)

・Yuko Ohara — Birefringence for solo violin

    大原裕子 — 《雙折射》為小提琴獨奏而作

・Chen-Hui Jen — into silence, and keep falling for 'cello and piano

    任真慧 — 《恆墜之寂》為大提琴與鋼琴而作

・Chihchun Chi-sun Lee — Piano Trio, "Realization, Views, Heart Frustration, Nostalgia"

    李志純 — 鋼琴三重奏－意、象、心、念

・Geli Li — Seven Mountains for solo piano 

    李歌立 — Seven Mountains為鋼琴獨奏而作

・Xiao Hu  — Lyrical for solo 'cello 

    胡曉  — 《抒情詩》為大提琴獨奏而作

・ Po-Chien Liu — joined for piano trio 

     劉博健 — 鋼琴三重奏－joined