國際當代音樂研討會與座談 International Symposium of Contemporary Music Research

入選作品

Compositions

中文名字按筆劃由少至多排序；外文名字按字母順序排序：

Chinese names are listed in order of stroke count; non-Chinese names are listed in alphabetical order:

當代作曲家新創作交流會 Symposium of New Works and Research into Contemporary Composers - 王之筠 Chih-yun Wang 王之筠— 《寫在聆聽賞月舞之後》 Chih-yun Wang— After Imagining Dancing in the Moonlight 「有舞必有歌，有歌必有舞。」這是一首以臺灣原住民阿美族歌舞中的姿態作為主題的變奏曲。樂曲採用了阿美族歌謠「賞月舞」中的音高與節奏來表現族人歌舞中的舞蹈與融合所聽到傳統樂器的聲響。主題與變奏分別屬於阿美族歌舞中不同的樣貌，這些小標題亦是代表族人充滿毅力與耐力的精神象徵。 Theme 口簧琴 Var. 1 月光引吭（ti'eciw） Var. 2 耆老的歌聲 Var. 3 播種祭 Var. 4

當代作曲家新創作交流會 Symposium of New Works and Research into Contemporary Composers - 李志純 Chihchun Chi-sun Lee 李志純— 《箏風相繼、爭奇鬥艷》 Chihchun Chi-sun Lee— ZAS! The original version for alto saxohpone and Chinese zheng was from very good friends of mine Dr. Richard Scruggs and Ms. Haiqiong Deng from USA, both are very phenomenal musicians. They have been asking for a new composition since 2003 and have waited

當代作曲家新創作交流會 Symposium of New Works and Research into Contemporary Composers - 陳以軒 Yi-Hsuan Chen 陳以軒— 《瞬頃之境》 Yi-Hsuan Chen— Reawakening 《瞬頃之境》靈感來自「音景」中的聲音流動與變化。作曲者首次注意到「音景」的音樂特性是於某條位於聖地牙哥拉霍亞區的海岸邊與外界隔離的「小徑」中。此環境的聲音型態包含線性、點狀與不同節奏規律的動態變化，有著能夠成為作曲材料的淺力。因此，透過「音景」素材的聲響分析與提煉，作曲者希望能夠從模仿特定環境「音景」的思維獨立而出，進而創造出想像與虛構的景(Imaginary Landscapes)，並能讓觀眾以聽覺的角度切入，彷彿進入從未見過的環境「音景」中。此作品共分三個樂章，每部分針對特定聲響的變化與互動:

當代作曲家新創作交流會 Symposium of New Works and Research into Contemporary Composers - 陳以德 Yi-De Chen 陳以德— 《遠望》 Yi-De Chen— Lights from There 當人們意識到宇宙是如此浩瀚且蘊藏著無限可能性時，常會心生敬畏之情。於是，很自然地便會開始從不同角度進行觀察與探索，試圖建構邏輯並歸納原則，以便能進一步理解。在宇宙中，人們目前能觀測到之可見光與不可見光，皆來自遙遠的星系或未知物質，這些來自遙遠的光，成為一系列的指引，觸發人們持續對宇宙進行探索與研究，更因此讓人們意識到宇宙比以往所估算的還要再更為遼闊。關於宇宙或光的思考。也常為哲學、宗教與藝術所關注的議題。筆者對於宇宙與光的議題亦十分感興趣，使此種對於光的感受與聯想成為這首樂曲的靈感來源。

當代作曲家新創作交流會 Symposium of New Works and Research into Contemporary Composers - Sam Cave Sam Cave— Dreams of Flight Dreams of Flight explores the entire range of the double bass, both through the fingerboard and the overtones of the open strings. From subterranean rumblings to soaring phrases, this piece paints the double bass as an Icarus-like character whose attempts at

當代作曲家新創作交流會 Symposium of New Works and Research into Contemporary Composers - Vytautas Germanavičius Vytautas Germanavicius— L'Astéroïde B612 Vytautas Germanavicius (Lithuanian Academy of Music and Theater) Abstract Clearing up Specific Intonations in Lithuanian Folk Songs and their Applications in Composition „L’Astéroïde B-612” for Two Violins (2021) This paper argues that the

當代作曲家新創作交流會 Symposium of New Works and Research into Contemporary Composers - Andrius Maslekovas Andrius Maslekovas— Shadows of Nocturnal Canvasses It is extremely rare for an artist to combine several seemingly different artistic activities as successfully as did Lithuanian composer and painter Mikalojus Konstantinas Čiurlionis. His visual and musical works represent a unique kind

當代作曲家新創作交流會 Symposium of New Works and Research into Contemporary Composers - Paul SanGregory 桑磊栢 Paul San Gregory— Mist 桑磊栢— 《霧》 This piece was written for the Succession Percussion ensemble and guzheng soloist Jiuan-Reng Yeh. Before composing it, I wrote a simple poem to help me clarify the atmosphere, or mood I wanted to portray. It is a still and quiet place with the

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