While I was keen to reach some sort of closure to this project by producing a book it does not bring an end to my research. I expect there will be typos, mistakes and clarifications to make. I also live in hope that new information may also come to light that may provide more insight.
I intend to collect any such additions and errata on these pages.
Shamefully I omitted Noa Koifman from the Basch and Mahler family trees. Unfortunately news travels slowly on the family grapevine!
Tim Weston's full name is Tim Bergmann-Weston, not Burns-Weston.
Reinhold Frisch and his descendants have been added.
The dates of death for Dr. Lipot Kohn (1919), Ottilie and Jenny Weiss (1942) and Ernst Buchler (1957) have been added.
The date and place of Anna Golwig's death have been revised based on new evidence obtained by Charles Nadler.
Caroline Schlesinger's date of birth (1803) has been added together with her date and place of death (Vienna 1893).
Alice (Alica) Hrvatov's date of death can now be confirmed as after 1963 as she is recorded as the kurator of her cousin's medical files from Ybbs. She surivived the Holocaust!
When I finished writing Extrablatt, I was convinced I'd unearthed every possible detail about our Budapest ancestors. But after a recent trip, a nagging feeling led me back to the Hungarian archives – just in case I'd missed something. And wow, did I! Tucked away in a folder, I stumbled upon a hidden treasure: a collection of Jewish census records dating from 1820 to 1869.
These records are a goldmine! As far as I can tell, they've never been indexed or added to any genealogical databases. I'm not sure if I simply overlooked them before, or if they've only recently become available, but either way, it was an incredible find.
The early censuses, pre-1833, are in Hebrew and remain a mystery for now. However, the dozen or so censuses from 1833 onwards, written in German or occasionally Hungarian, are absolutely illuminating. They've provided an unprecedented glimpse into our ancestors' lives, revealing where they lived, their occupations, birthplaces, birthdates, and even who their servants and housemates were.
After methodically working through page after page, I've managed to uncover these amazing records...
1833 Schlesingers
1836 Schlesingers
1840 The Schlesingers
1844 The Schlesingers
1846 The Basch
1857 The Mahlers
1857 The Jellineks
1857 The Mahlers
1869 The Basch
1869 The Mahlers
Leopold Mahler's company registered in company register 14 June 1878-19 Sept 1882 (Vienna City Archives).
Leopold & Therese's grave found in Zentralfriedhof and confirms the dates we have for both of them.
Above: Leopold & Therese Mahler's grave in the Vienna Zentralfriedhof.
Left: Leopold registers his eponymous company in the Vienna commercial register 14 June 1878
Was Ludwig's father called Armin or Herman?
In Die Familien Extrablatt I refer to Ludwig's father as Armin Basch but was his name Armin (the Magyar version of his name) or Herman (the German version)?
Tracing my steps backwards I initially I would have been guided by the Geni record which calls him Armin. Lacking confidence in my own research I would have initially gone on blind trust that whoever had posted the record had seen some evidence for calling him Armin. Certainly the Budapest address books definitely has him going by both names. In different books there's someone living at the same address going by both Herman and Armin Basch and at least one entry that has him listed as Armin/Herman Basch. Plus there is a record of him changing his business name from Herman to Armin in 1876 (in line with the government's Magyarisation policies).
But why does the Geni record call him Armin and not Herman? I'd assumed that whoever had added the record had access to more information than us but now I'm not so sure. The Geni record for Armin/Herman is pretty thin. Apart from naming him as father of Wilhelm, Ludwig and Regine and husband of Rosalie it doesn't include any other information. There is no date of birth, marriage or death for him - so presumably whoever added the Geni record had not seen any of these records.
So the Geni record was probably primarily based on his name appearing on the birth records of his children. At the time of writing the book I hadn't seen these but recently, with Kerin's help we have found these and now know these name him as Herman!
We have found his obituary which also calls him Hermann. We haven't (yet) found his birth or marriage records but if he was born in Polna where they spoke German then he would have been called Herman, not Armin, by his parents.
Finally, in what counts for more than anything else, I checked back to my mum's notes and she wrote that her father (Rudolf) told her that Ludwig's father (his great grandfather) was called Hermann (with two n's). It was there all along! It just goes to show that I should have listened more to my mum.
Above: Wilhelm Basch's birth record (20 August 1845). His father is listed as Herman Basch
Above: Lazar (Ludwig) Basch's birth record (22 Dec 1851). His father is listed as Herman Basch
Above: Regin Basch's birth records (29 July 1854). The record of her birth appears six lines down from that of Fani Mahler, her future sister-in-law. Her father is listed as Herman Basch
The starting point for my research on Leopold & Katty Fried was Geni. Deciphering the hand-written registers can be excrutiating and, where possible, I preferred to build upon the work of others and consult computer databases rather than orginal documents. I wasn't sure who had done the research that underpinned the family tree on Geni but it appeared to be solid. I doubted I could add much to it. However, in October 2022, I stumbled upon a batch of scanned records from the Jewish community of Pressburg, today's Bratislava, that included birth records from the 1840s. The handwriting was surprisingly legible and so I rolled up my sleeves and methodically went through the registers one by one.
Within a few minures I discovered the birth records of Josef and Bertha Fried. Josef was born on 10 April 1843, Bertha on 14 Nov 1845, - both two years earlier than previously thought.
Josef was born on the same day as a boy who was named "Marcus Fried". His father was called Josef Fried, a man who could well have been a brother of Josef's father Leopold - perhaps a distant great-uncle of ours?
Even more excitingly I discovered two additional children born to Leopold and Katty Fried - Antonia Fried (born 1 Jan 1847) and Moritz Fried (born 19 May 1848). It doesn't appear either of them surivived into adulthood (although, who knows, maybe they did and their stories have just not yet been uncovered?) but they were major additions to our family tree.
My guess is that the birth dates for Josef and Bertha were educated guesses by whoever did the original Geni research. They knew the names of Leopold and Katty's children and the birth dates of some of them so they pencilled in approximate dates for the rest of the children using the one child every two years as a rule of thumb. The addition of Antonia and Moritz changes things and, using the same rule of thumb, I now think the order is Johanna (18??), Josef (1843), Bertha (1845), Antona (1847), Mortiz (1848), Ernestine (1848), Julie (1848), David (1850), Anna (1851) and Josefine (1854) although I am still not convinced this is correct. Moritz, Ernestine and Julie can't *all* have been born in 1848!
Above : Antonia Fried born 1 Jan 1847 to Leopold & Katty Fried in Pressburg (Bratislava)
Above : Berta Fried born to Leopold & Katy Fried
Above : Joseph Fried born to Leopold Fried
Above : Moritz Fried born to Leopold & Katerina Fried
When Gustav Schlesinger died on 29 March 1936 no obituary appeared in the papers making it impossible to know if he was our Gustav. This would have remained a mystery had I not visited the cemetery and taken a look at his tombstone. Gustave is buried in the same cemetery plot as his wife and mother, thus confirming that the man who died on 29 March 1936 was our guy.
To my complete suprise Caroline Schlesinger (Gustav & Therese's mother - Miranda and Hugo's great-great-great-great-great grandmother!) was buried with her son Gustav. The headstone gave both a date of birth (15 June 1803) and death (7 Dec 1893) for her. This meant that she would have lived to the age of 90 and presumably spent her last years in Vienna. When did she move to Vienna? Where did she live? Did she live with Gustav and Sofie for the entire time she was in Vienna? So far the Viennese address books and newspapers are completely silent about her.
According to the IKG records Sofie Schlesinger is also buried in the same plot as her late-husband and her mother in law. She died in 1940 and her name does not appear on the headstone.
The Jewish assets form that Richard completed confirms that the banker who lived on Rainerstrasse as born on 28 October 1877 and is therefore Gustav and Sophie's son. Intriguingly in fairly legible handwriting he gave his wife's name as Paulino Slyblo, an unusual name that I have so far been unable to trace.
There is another Richard Schlesinger (born 1904) who could easily be confused with our Richard. whose parents are Gustav Schlesinger and Sophie Engels
Above : Caroline Schlesinger and Gustav Schlesinger's grave in the Vienna Zentralfriedhof
Emil Schlesinger, bankbeimter, married Emma Gans on 11 March 1919
Paula appears to have married a man called Hugo Friedmann. We don't know much about her life during the twenties and thirties but in the summer of 1942 she and her husband were deported to Theresienstadt together with thousands of other elderly Jews.
At the time they were deported they were living at Fugbachgasse 6/5 in Leopoldstadt. They had probably been forcibly moved there sometime during the preceding three years of Nazi rule.
Theresienstadt ghetto
On the morning of 20 August 1942, Paula and Hugo were detained at the Aspangbahnhof station outside Vienna. Standing beside them were a thousand other elderly Jews.
Sometime around noon, six armed Schutzpolizei under the command of Lieutenant Robert Rill forced them on to a train. The overcrowded train was given the reference IV/8. Fifty-five year old Paula would have been one of the youngest passengers. The average age was 69 years old: the same age as her husband Hugo.
The train, slowly travelled north to the Theresienstadt via Nordbahnhof, Floridsdorf, Jedlersdorf, Stockerau, Absdorf-Hippersdorf, Gmuend, Tabor and Prague, finally pulling into Bohusovice at 7:19 am the following day.
At Bohusovice, Paula and Hugo were taken off the train and forced to walk the 3km to Theresienstadt, carrying their cases.
By the end of the summer of 1942 the arrival of trainloads more deportees had exacerbated conditions in the already overcrowded ghetto. Hunger and disease had resulted in a spike in the death rate.
Treblinka extermination camp
Paula and Hugo didn't stay long in Theresienstadt. Less than a month after their arrival they were informed they would be being moved to another ghetto.
Paula and Hugo were ordered to pack their belongings, and report to the quarantine site (“Schleuse”) in the courtyard of the Aussig Barracks. Camilla Hirsch, an elderly Viennese lady who kept a diary in the ghetto, noted the preparations for the transport:
"20 August 1942. We thought Theresienstadt was something else, but we were horrified to hear of the new orders. And so, sixty five of our people were brought to the Schleuse today, to be sent to another ghetto. The older one is and the poorer his physical condition, the greater the chances the he will be sent away. It was terrible. The column looked like a funeral procession. Everyone went with their luggage, carried for them by the fortunate ones who were allowed to remain. It is doubtful that these poor people will ever see their luggage again.”
On 21 September, Paula and Hugo joined the miserable column of elderly prisoners marching back to Bohusovice. At the station they were loaded onto the waiting railway wagons. The train was the second in a series of eight transports of sick and elderly Jews (“Alterstransporte”) destined for Treblinka. The train was packed with over two thousand elderly Jews whose average age was 72.
From Theresienstadt, the train slowly travelled north to Dresden, and then east to Wroclaw, Poznan and Warsaw before finally stopping at the train tracks inside the Treblinka camp. The entire journey, in which the prisoners had to endure horrific condictions, had taken two, or possibly even three days.
Unlike the ghetto of Theresienstadt, where Jews were simply forced to endure appalling conditions, or the concentration camps, in which prisoners were used as forced labour, Treblinka was an extermination camp. The camp had only one function: to murder those sent there.
To prevent incoming victims from realising the true nature of the camp, Treblinka II was disguised as a transit camp, complete with train schedules and destinations, a fake station clock, and a fake ticket office.
Upon arrival, Paula and Hugo were taken off the train, and forced to stand to attention before being taken to two large barracks where they were seperated and forced to undress. Money and jewelry were collected, ostensibly for safekeeping, at cashier's booth. Jews who resisted were taken away or beaten to death by the guards. Behind the station building, further to the right, there was a Sorting Square where their luggage was collected.
Naked, they were then whipped and beaten by SS officers, along a fenced-off path through the forest, to the gas chambers. Unlike Auschwitz and Majdanek where Zyklon B was used for killing, at Treblinka they murdered victims by suffocating them with simple carbon-monoxide poisoning.
Shortly after their arrival they were both murdered.
Of the 2,020 on board the train on which they were transported, not a single person is known to have survived. In total somewhere between 700,000 and 900,000 people were murdered at Treblinka
Salomon Flesch's leather cutting company registered in the commercial register 22 April 1873- 29 Oct 1875 (Vienna City Archives)
Above : Salomon Flesch registers his eponymous company in the Vienna commercial register 22 April 1873.
The three Weiss sisters - Regine, Jenny and Ottilie - went on holiday to Baden bei Wien together in 1926 and 1927. Frau Regine Kohn and the two Weiss sisters booked into the same guesthouse together. Their names jumped out of the page - while Kohn and Weiss were both very common names and almost impossible to track, the three names appearing together meant that they were almost certainly OUR relatives.
Regine described herself as a kunstgewerblerin (an artisan), while Jenny described herself as a malerin (painter). Despite approaching 50 years old, both Jenny and Ottilie were still not married and used the title "fraulein". Regine booked in alone suggesting that she was already a widow. The three sisters stayed at the Hotel Peter in 1926. The following year they returned and stayed in Helenenstrasse 100.
It was only through sheer luck that I came across them in the curliste. I was actually researching Friedrich Bielitz at the time and by a total coincidence their names appeared just below his. Friedrich was only distantly related to the Weiss sisters so the Bielitz's stay in Baden can only be down to coincidence.
Above : The three sisters Regine Kohn, Jenny Weiss and Ottilie Weiss check into seperate rooms at the Hotel Peter in Baden bei Wien. On the same day Friedrich Bielitz and his family arrive in town and stay at the Steiner's summer cottage at Helenenstrasse 39A. They are related only through Hugo and Helene and were probably unaware of their distant relationship.
Luckily, this meagre additional information provided the key to unlocking much more of their story.
In 1927 there were six Regine Kohn's in the Vienna address book - a hairdresser, a wood merchant, and four who described themselves as "private". Geni suggested that Regine had once been married to a man called Dr.Lipot or Leopold Kohn but gave no other information. And Leopold Kohn was so common a name it was a joke - the Austrian version of John Smith or John Doe. It was practically impossible to pin down which Leopold would be ours. There were twenty-seven Leopold Kohns in the address book, of which two were doctors of law. Picking the 1916 address book at random I scoured the list and discovered that there was a Dr.Leopold Kohn, a lawyer living at Lagergasse 2 in the Landstrasse district. This was the same address that a Regine Kohn could be found ten years later. Sometime between 1916 and 1926 Leopold passed away but after his death his widow Regine remained in the same house!
Now that we knew which Leopold Kohn was ours I was able to methodically work my way through the address books. They moved into Lagergasse 2 in 1907, the same year in which they were married in Josefstadt. By this time they would have both been in their late thirties, a rather late age in these times to be getting married. As far as we know their marriage was childless.
Leopold was born in 1868 in Purbach am Neusiedlersee, or Feketeváros as it was known before the breakup of the empire, on the western borders of Hungary. After gaining his doctorate he spent *** years working as trainee lawyer before finally qualifying for the bar in 1900. Six years later he was a "Hof- und Gerichtsadvokat", a court advocate who was permitted to appear in the higher courts.
On 5 September 1919 Dr.Leopold Kohn died suddenly of a heart attack in Baden bei Wien.
Regine survived him by 23 years and remained in the house on Lagergasse until 1937.
After Kohn, Weiss was probably the most common name in Vienna at the turn of the century, and there were plenty of Carl and Bertha Weiss listed in the address books. Without a funeral notice there was no obvious way of working out when either of them died.
Some further rooting around turned up another family holiday in which Bertha Weiss, private mit famille und dienstmadchen (maid) stayed in Baden bei Wien in May 1911. She was staying in Hotel Peter and on that same day Frau Regine Kohn, a lawyer's wife, booked into the same hotel. The party was made up fo four people and so presumably Ottilie and Jenny joined them.
Above : Bertha Weiss checks into the Hotel Peter in Baden bei Wien with her daughter Regine. Bertha's party consisted of four people, one of whom was a maid. Presumably Ottilie and Jenny made up the rest of the party.
If Bertha was still alive in 1911 (aged 64) and we assumed she died in Vienna (or perhaps Baden bei Wien) before Anschluss then this narrowed the field down to four possibilities - Sept 1913, Sept 1917, Nov 1918 or Oct 1923. Frustratingly I can't figure out a way to narrow this down further so this is probably as close as we are going to get but we can fairly certain that she died sometime between 1911 and 1923.
The new information added to much more to the three sister's story and crucially provided evidence that they all remained alive until at least the late 1920s but it still wasn't clear what had happened to Ottilie and Jenny after Anschluss. Were they still alive in 1938? And if they were alive at the time of Anschluss did they survive?
The picture became clearer in August 2022 when the IKG released the forms that the Jewish community were encouraged to complete so that the IKG could organise their emigration.
Amongst these I found one filled in by Jenny which she had completed on behalf of her and her sisters Ottilie Weiss and Regine Kohn geb. Weiss. On the form she states at length that the three of them were important to each other and should all emigrate together. This meant that they were all still alive in the summer of 1938.
Jenny completed the form on 20 June 1938 and gave her address as Schlosselgasse 1/5. The three story Biedermeier apartment building in Josefstadt was known as "Zum Kleinen Schlössel" - the little castle - and was built in 1834. Looking back through the address books Ottilie had been living in the apartment since 1926. Jenny had possibly been living with her at the same address throughout this period.
Above : Zum Kleinen Schlössel, Schlosselgasse 1 where the Weiss sisters lived from 1926 until Anschluss.
She described herself as an artist and under the education section she describes herself as a pupil of David Kohn. She probably studied under him around the turn of the century.
David Kohn (1861-1922) was a renowned Jewish artist who painted several portraits of the Emperor and in 1892 established a prestigious art academy. His work is still regularly exhibited at the Kunstlerhaus and today his paintings still fetch several thousand dollars. Closer to home he also painted portraits of Joseph Bielitz and his wife Mathilde (see The Bielitzs) and Lily Bileitz (nee Steiner) was also a pupil of his although she probably studied about twenty years later than Jenny.
She describes her previous activity as making copies of old masters, portraits and furniture design.
She spoke English, French and some Italian and in answer to the question "where would you prefer to go?" she gave the answer Sydney, Australia although she couldn't list any friends or relatives who lived abroad and she didn't hold a passport at the time.
Portrait of the Emperor by David Kohn.
David Kohn, the artist and art teacher who taught Jenny Weiss.
Jenny, the youngest sibling, continued at length in describing her sisters's vocational abilities, writing on the back of the form.
She describes her sister Ottilie as a house who can cook, wash and iron as well as speak perfect English, French and Italian.
Her sister, Regine, is described as a handicraft artist who held a license for that type of work until 1928 and can complete the upholstery of desks and other furniture. Like her sisters she can speak English, French and some Italian and is also capable of doing laundry and millinery work.
Jenny, Ottilie and Regine never made it to Sydney. Ottilie and Jenny Weiss both died in a concentration camp in Riga, Latvia.
The records show that they were deported from Vienna on 11 January 1942. Some time beforehand, possibly several weeks earlier, SS guards, or maybe just "wardens" - Jewish men who were blackmailed by the SS to assist in the deportation process - dragged the two elderly sisters out of the house and took them to Kliene Sperlgasse 2. Kleine Sperlgasse was a Jewish school that the Nazis had converted into a transit camp. The rules only permitted Ottilie and Jenny to take baggage and personal effects up to 50 kilograms. Each deportee was allowed to take 100 Reichsmarks.
Transport number 14 departed from Aspangbahnhof station at 5:35pm. 1,000 elderly Jews were packed into third class carriages and guarded by 15 armed policeman from the Schutzpolizei, travelled for four days in appalling conditions. Of the 1,000 deportees on board, 406 - including Ottlie and Jenny - were older than 61 years old. Only 31 of the deportees on board that train survived the war.
"We had enough food, in as much as the Jewish community (Israelitische Kultusgemeinde) had supplied us with provisions, enough for three to five days. During the first two days the heat in the train was turned on, to the point where we thought we would suffocate. Indeed, a few people suffered heart attacks and died on the train. We could not open the windows as they were sealed shut and likewise the doors were locked tight. Moreover the guards threatened to shoot anyone who dared open a window. Finally the heat was turned off and, in spite of the fact that we were packed together like sardines, it was terribly cold, to the extent that we thought we would freeze to death. Some people suffered frostbite to their feet and hands.
On the evening of January 15 we arrived at the Skirotava station on the outskirts of Riga. To say our reception was not friendly would be an understatement. Armed with rubber clubs, the SS men awaiting us urged us to quickly alight from the train, at times not even allowing us to take our personal belongings. 50 women and young girls were selected and sent to the Riga ghetto. We – all the rest – marched on foot for about half an hour from the train station to the Jungfernhof Camp; the dead and sick were loaded onto trucks; we never saw them again. It would seem that they were sent to a better world."
Ottilie and Jenny's last address was Kreuzwiesengasse 2, Richard Golwig's house.
Their sister Regine was deported to Theresienstadt five months later. Her last address is also given as Kreuzwiesengasse 2.
In the USHMM database Ottilie's date of birth is recorded incorrectly as 4 April 1879 (not 1878) and Jenny's name was spelt with a 'Y', not an 'I' as it is written on her birth certificate . These inconsistencies together with the limited knowledge of their lives I had at the time that I orginally researched their story perhaps explain why I had previously failed to find them.
Ernestine Flesch
Ernestine Flesch was buried in Vienna's Zentralfriedhof on 21 Dec 1931. The burial records show her having been registered dead at the mortuary. Her age is given as 50. Our Ernestine would have been 54 in 1931 so this might not be her, however this date fits with other information we know about her (she disappears from the address books in 1932). Perhaps whoever recorded the death had to estimate her age?
Fanni's matriculation form was signed by Theresie. Kerin was able to translate the kurrent script that I was unable to make sense of.
Fanni's first performance at the Musikverein was 25 March 1871. Previously I had mistakenly assumed this was during her time studying at the Conservetoire but now I have realised this took place before she enrolled. She was only sixteen years old. I wonder whether Epstein was in the audience? It was only fourteen months after the Musikverein opened. In those days concerts held in the Kleine Musikverein (nowadays called the Brahmssaal) did not take place on the stage as they do today but instead were performed in the centre of the room so that the musicians could be lit by the skylight.
Fanni did not apparently observe Shabbat, at least not after she got married. An analysis of the dates on which she performed concerts show that she performed on Friday evenings and Saturdays as much as any other day. This would be in keeping with the behaviour of other Jews of the period who wished to assimilate. We can probably assume that Ludwig held similar opinions.
Fanni performed in Ischl on 20 August 1891 (not 23 Jan 1891 as stated in list of concerts).
.
Olga von Turk-Rohn
In the golden age of Romantic music at the turn of the 20th century, few musical partnerships captured the spirit of Franz Schubert’s lieder as purely and profoundly as that of Fanny and the soprano Olga von Turk-Rohn. Their collaboration, which spanned nearly two decades, was marked by artistic synergy, critical acclaim, and a shared devotion to the German lied tradition.
Their first documented performance together took place on 8 December 1896, a concert that would mark the beginning of a fruitful and enduring artistic relationship. Both women were already recognized in their own right—Fanny for her sensitive and expressive pianism, and Olga for her crystalline soprano voice and interpretive depth. Together, they became known among musical connoisseurs as leading interpreters of Schubert, whose centenary in 1897 brought renewed attention to his vocal works.
One of their most celebrated performances occurred on 9 January 1900 at the Berlin Singakademie, where they presented an evening of Schubert and Brahms. Their interpretations were not merely performances—they were dialogues, steeped in mutual understanding and reverence for the music.
Between 1896 and 1904, Fanny and Olga performed together frequently. Their concerts resonated deeply with audiences and critics alike during a time when Romanticism was giving way to modernist experimentation.
In 1909, both women joined the faculty of the newly established Neues Konservatorium für Musik, where they continued to shape the next generation of musicians. Their tenure at the conservatory was marked by innovation and mentorship, with a particular emphasis on the art of lieder performance. Their collaboration came to a close in 1913, when Olga emigrated to the United States, nearly twenty years after their first concert together.
Fanni was said to have been a regular attendee at the salon of Karoline Brudner. Twenty years older than Fanny, Brudner was a had once performed in the theatres of Hanover and Mannheim and later, after losing her voice, opened up a singing academy in Vienna where she became a respected singer teacher.
During the 1880s and 1890s Brudner invited guests to visit her salon for music soirees. Every week on Sunday evenings they would meet between 5-7pm.
Other guests included Brudner's students and well-known artists such as the composers Johannes Brahms, Prof. Robert Fuchs, Eusebius Mandyczewski, Max Josef Beer and Josef Labor and the singers Josef Waldner and Hermann Jessen. Ludwig Koch, chairman of the Vienna Wagner Society and the Society of Friends of Music, as well as the music writer Karl Baron von Savenau, also frequented her salon.
Fanny and Brudner performed together on at least one occassion (and probably many times). On Sunday 6 April 1884 Fanny performed at a concert Brudner had organised for her students at the Small Musikverein Hall. Fanny was not the only celebrity at the event. That evening she performed a duet by Beethoven with the famous cellist Ferdinand Hellmesberger.
Advert for Walter Concert in the Cursalon in Voslau that took place on 14 Aug 1883
Wiener Neustädter Zeitung 11 Aug 1883
Advert for concert in Bosendorfer Saal, 15 Feb 1890
Musikalische Rundschau 10 Feb 1890
Advert for concert with Rose Quartet in Stephanien Saal in Graz that took place on 4 Dec 1884
Grazer Volksblatt 2 Dec 1894
Advert for concert with Rose Quartet in Stephanien Saal in Graz that took place on 4 Dec 1884
Grazer Volksblatt 4 Dec 1894
"Dear Sir! In response to your kind letter, I assume that you are a music lover and send you a ticket for Saturday, provided that you are less interested in my performance than in that of my partner, an excellent artist [...]"
Undated.
In 1880, Ludwig appears to have spent time in Paris. The Hungarian newspaper, the Pester Lloyd reported that Dr.Basch, correspondent for the Neue Freie Presse, was among the attendees at a reception in Paris held by Count Beust, the Austro-Hungarian ambassador to France.
Ludwig was only just starting out in his career as a journalist and yet to make his mark so I wonder if he was actually employed by the Neue Freie Presse or merely acting as a freelancer. The Neue Freie Presse itself only includes a short description of the event.
"[Soirée at Count Beust's] We received a letter from Paris, February 24: The Austro-Hungarian ambassador, Count Beust, gave a soirée yesterday evening, at which French society of all colors gathered as if on a neutral planet. The Duke of Broglie and the ministers of the President of the Republic, the accredited ambassadors of all states, beautiful women from the aristocracy and the middle class, the most respected personalities of the Austrian colony were present. Austrian artists sang and played, and Count Beust acted as the amiable host to Jebermann, so that everyone returned home satisfied."
The Pester Lloyd on the other hand gives a much fuller desciption of the event.
"The halls of the Rez de Chaussée [ground floor] and the Bel etage [first floor] were festively illuminated, the foyer and staircase tastefully decorated with flowers, and the former was attended to by the numerous servants in their traditional livery, wearing powdered hats. Count Beust, adorned with the Grand Cordon of the Legion of Honor and numerous other decorations, received his guests in the first hall with Countess Kuesstein, who was the housewife. Count Kuesstein, who is still convalescing after a long and severe illness, assisted the host in the fulfillment of his duties Likewise, the embassy attaché, Count Zichy.
Among those present, special mention should be made of Minister Tirard, General Gallijet, Duc Décazes, Duc de Broglie, Prince Orloff, the Times correspondent de Blöiß, the correspondent of the New Free Press, Dr. Basch, Ernest Daudet, Arthur Mayer, the director of the Gaulois, Munkácsy and his wife, Madame Türr, the famous collector Spiser and his wife, Consul General Walcher and his wife, Mr. von Ujsalvy, Baron Gränger and his wife, and the ambassadors from China, Persia, and Japan. Prince Hohenlohe, who would otherwise have appeared at this reception, arrived in Berlin yesterday morning following a telegraphic summons."
That evening the conversation was abuzz with rumours that the Russian ambassador to France, Prince Orloff was about to cut off diplomatic relations with France. Diplomatic tensions between Russia and France were mounting as as result of the French government's refusal to hand over the man they believed to have been involved in a plot to blow up the Winter Palace.
"During yesterday's meeting, there was widespread talk that Prince Orloff would resign if the prisoner "Hartmann," whose real name is Karl Mayer and who is suspected of involvement in the Mostan assassination attempt, was not extradited to Russia. According to another version, Prince Orloff is even said to have already resigned. This news, at least, was contradicted by his appearance at Count Beust's reception. Incidentally, there was no reason for such a step, as the French government was not yet in a position to express its intentions, the papers that were supposed to be delivered to it by the Russians against Hartmann are still pending, and the arrested man insists that he is not identical with Karl Mayer."
Although Ludwig was there in a work capacity he no doubt enjoyed the musical entertainment.
"The reception at Count Beust's lasted until half past midnight and was passed by conversation and a concert, which Herr Berta arranged and played a major role in its success. A zither virtuoso performed in the large salon on the first floor. In the large salon on the first floor, Madame Escudier and Herr Berta played the piano, the charming Viennese Miss Hajt played the violin, and the sisters Ida and Lyda Negrini performed successfully. The former received great applause, especially with the song "Farewell to Vienna" by Count Beust, which she tastefully performed with her powerful voice, especially in the higher register."
Ludwig resigned from the Kunstlerhaus on 14 February 1924 as he wanted to write not just some but all of the cooperative's articles for the Press and was disatisfied that there was nothing to write about.
Soon after I published Die Familie Extrablatt a very informative article appeared in the Wien Museum Magazine (18 April 2022) mentions Ludwig and goes on to describe the history of Ring of Vienna in more depth.
In 1924, the Social Democratic city government stopped awarding the "Salvator Medals", which had served as a city award since 1798. But soon thereafter, Mayor Karl Seitz found himself in the embarrassment of not being able to make visible honors for deserving personalities: This is how the idea of a ring of honor for the city of Vienna came about. The specific reason for this is said to have been Seitz's wish to award Ludwig Lazar Basch, an editor of the "Extrablatt", after his 44 years of service. At the Extrablatt, Basch headed the municipal affairs department, among other things, and was made a citizen of the city of Vienna in 1921, so that apart from honorary citizenship there were no other options available at the time.
Mayor Seitz wrote the following letter to Basch:
“I would also like to present you with a visible commemorative plaque in the Vienna City Hall to commemorate your work as a municipal reporter and I have given the order that a memorial ring be made for this purpose. As soon as it is made, I will give you the ring.”
Further documents about the foundation of the ring are not yet known. It is noteworthy that, in contrast to the decorations of the State of Vienna, for example, there are still no award regulations to this day. Apparently, then as now, people didn't want to subject themselves to any restrictions.
For reasons that are not known, the awarding of the ring of honor to Basch seems to have been delayed until December 23, 1925, since the first award was on September 21, 1925 to the Grillparzer researcher August Sauer.
The jeweler M. Hübner (Vienna 1, Kohlmarkt 20) was commissioned with the design and production. The ring shown is made of 14 carat gold and bears the hallmark '585', the corresponding horse's head hallmark 'W' (from 1925) and the hard-to-read manufacturer's mark of the jeweler (Hübner?) on the inside. On the inside of the ring is the hand-cut engraving "Ehrengabe der Stadt Wien" with the addition of the respective year of the award. The applied Vienna coat of arms consists of 8 diamonds and 4 rubies. The ring was presented in a red leather case with the inside imprint: "HÜBNER/·WIEN·/I, KOHLMARKT 20.".
53 people were awarded the ring in it's first iteration up until the creation of the new model in 1941. The ring became the property of the wearer and remained with the heirs after death. The award list shows that in the first years of government under Mayor Karl Seitz, it was mainly people who worked on a voluntary basis in the welfare and health care sectors who received awards. The spirit of the earlier Salvator medals was obviously carried on here.
From the 1930s onwards, the names of the awardees increasingly include artists and cultural workers from the fields of theatre, literature and music, for example the director of the Vienna State Opera, Clemens Krauss, in 1932, or the violinist Fritz Kreisler in 1935.
During the Nazi period a number of less savoury people received the City of Vienna Ring of Honour including the senior Nazis Walter Funk, Robert Ley and Hermann Goring. The city has since disqualified these awards. Awkwardly the list of people who received the award during the Nazi period include several acquaintances of Ludwig including Franz Lehar and Hugo Thimig.
Wilhelm’s journey into the world of opera began in the early 1870s, at the Pest National Theatre, where a remarkable figure was about to shape the course of his life: Hans Richter.
Richter, already a rising star in the world of classical music and a close protégé of Richard Wagner, arrived in Budapest in August 1871 to take up the post of Kapellmeister at the Pest Opera House. His debut performance, Wagner’s Lohengrin, took place on 7 October, marking the beginning of a transformative era for the company—and for Wilhelm.
Between 1871 and 1875, under Richter’s baton, the Pest Opera flourished. The repertoire was rich and ambitious. These were not just any operas—they were the very works that Wilhelm would one day perform himself. During this period, the stage came alive with Wagner’s The Flying Dutchman (15 performances), Tannhäuser (13), and Lohengrin (12); Meyerbeer’s L’Africaine (13), Les Huguenots (9), and Le Prophète (8); Weber’s Der Freischütz (18); Rossini’s William Tell (20); and single performances of Mozart’s The Marriage of Figaro and Gounod’s Faust.
It is likely that these productions were Wilhelm’s first encounters with the operas that would later define his career. One can imagine him seated in the darkened theatre, absorbing every note, every gesture, every nuance—his passion for opera deepening with each performance.
Richter, meanwhile, was not only conducting but also teaching a select group of students. Wilhelm was among them, as was Mariska Szitányi, a fellow student who would later become Richter’s wife. For a little over two years—between late 1871 and early 1874—Wilhelm studied under Richter’s guidance. In early 1874, Richter was appointed director of the Pest Opera, a role that demanded so much of his time that he was forced to give up teaching altogether.
And so, Wilhelm’s formative years as a singer were shaped in the shadow of one of the great conductors of the age, during a golden period of musical innovation and performance. How many of those performances did he attend? We may never know for certain. But given his devotion, his training, and the path he would go on to follow, it’s tempting to believe he was there for many of them—watching, learning, and dreaming of the day he would take the stage himself.
Hans Richter (1880s)
The careers of Wilhelm and Anton Seidl unfolded like a duet—distinct voices shaped by shared origins, converging paths, and a mutual devotion to the music of Richard Wagner. Both men emerged from the vibrant cultural milieu of 19th-century Pest, where the seeds of their musical destinies were sown.
Anton Seidl was born in Pest in 1850, just a few years after Wilhelm. He attended gymnasium during the same period as Wilhelm’s younger brother, Ludwig, and it is highly likely that all three boys were educated at the same institution. This shared academic background is more than a footnote—it suggests a common intellectual and cultural foundation that would later manifest in their parallel careers as leading interpreters of Wagnerian opera.
Seidl, like Wilhelm, studied under the formidable Hans Richter, who had arrived in Budapest in 1871 to take up the role of Kapellmeister at the Pest Opera. Richter was not only a conductor of immense talent but also a mentor to a select group of students, among them Wilhelm and Seidl. Under his guidance, both men developed a deep appreciation for the German operatic tradition, particularly the works of Wagner, which dominated the Pest Opera’s repertoire during Richter’s tenure.
Their shared passion likely brought them together outside the classroom as well. It is easy to imagine the two young men attending performances side by side, discussing the nuances of Tannhäuser or Der Freischütz, and dreaming of the stages they might one day command.
Seidl’s path soon led him directly into the heart of Wagner’s world. In 1872, Wagner wrote to Richter seeking a capable assistant for his work in Bayreuth. Richter recommended Seidl, who accepted the invitation and moved to Bayreuth, where he lived under Wagner’s roof for six years. There, he assisted in preparing the monumental Ring Cycle for its premiere and absorbed Wagner’s artistic philosophy firsthand. This experience would shape Seidl’s entire career and establish him as one of the foremost Wagnerian conductors of his generation.
Meanwhile, Wilhelm was forging his own path as a singer, performing many of the same operas he had first encountered in Budapest. His and Seidl’s careers would intersect again in the late 1870s. In 1879–80, both men worked with the Barmen and Elberfeld Opera Company, a regional ensemble known for its ambitious programming. The following year, they joined the Leipzig Opera, where Seidl took up a conducting post and Wilhelm continued to build his reputation.
Their time in Leipzig was brief but significant. Seidl left in 1882 to join Angelo Neumann’s touring Nibelungen Ring company, bringing Wagner’s epic cycle to audiences across Europe. Wilhelm remained in Leipzig for another year before accepting a position in Rotterdam. Despite the physical distance, their professional bond endured.
That bond was rekindled in the New World. In 1885, Seidl was appointed conductor of the German Opera in New York, a prestigious role that placed him at the center of the city’s burgeoning musical life. Recognizing Wilhelm’s talent and reliability, Seidl invited him to join the company. Their reunion in New York marked the continuation of a collaboration that had begun decades earlier in the classrooms and concert halls of Pest.
Together, they brought the grandeur of Wagnerian opera to American audiences, helping to establish a cultural bridge between Europe and the United States. Their shared journey—from students of Richter to torchbearers of Wagner’s legacy—stands as a testament to the enduring power of mentorship, friendship, and artistic vision.
Bolzano
Listed in German Stage Almanac 1877 as first baritone in Bolzano
April 1875 joins Bolzano
Oct 1875 Dr. Basch of Stuttgart engaged in Bolzano
Oct 1875 performs in Flotow's Martha in Bolzano
Jan 1876 Wilhelm Basch ("from Bozen") staying in Vienna.
25 Jan 1876 Wilhelm Basch performs in Lucretia Borgia in Olomouc Stadt Theatre, Moravia
March 1876 Wilhelm Basch ("from Pest") staying in Vienna.
23 April 1876 performs in Bratislava Redoutensaal
May 1876 performs as Count Luna in Verdi's Troubidour in Bolzano.
10 June 1876 performs in Hotel Zillinger, Wieden
Stuttgart
April 1876 appointed to Stuttgart
9 July 1876 performs as Count Luna in Verdi's Troubidour in Esslingen, Stuttgart
Augsburg / Ulm
August 1876 guest performance (as Count Luna) in Verdi's Troubidour in Augsburg
Nov 1876 performs as Don Juan in Richard Strauss's Don Juan in Ulm
17 Jan 1877 performs as General Belisario in Donizetti's Belisario in Ulm Stadt Theatre
March performs as Marquis de Corcy in Postillon in Ulm Stadt Theatre
March performs as Relusco in Afrikanerin in Ulm Stadt Theatre
March performs as Tell in William Tell in Ulm Stadt Theatre
Gorlitz, eastern Germany
1 April 1877 performs as Carlos V in Verdi's Ernani in Gorlitz
5 April 1877 performs as Pizzaro in Beethoven's Ferdelio in Gorlitz
6 April 1877 performs as Plunkett in Flotow's Martha in Gorlitz
8 April 1877 performs as Count Almaviva in Mozart's Marriage of Figaro in Gorlitz
9 April 1877 performs as Count Almaviva in Mozart's Marriage of Figaro in Gorlitz
11 April 1877 performs as Belisar in Belisar in Gorlitz
12 April 1877 performs as Valentin in Gounod's Margarethe (Faust) in Gorlitz
13 April 1877 performs as Jager in Nachtlager in Gorlitz
17 April 1877 performs as Rigaletto in Rigaletto in Gorlitz
19 April 1877 performs as Juan in Don Juan in Gorlitz
22 April 1877 performs as Tell in William Tell in Gorlitz
23 April 1877 performs as Ottakar in Weber's Freischutz in Gorlitz
24 April 1877 performs as Tell in William Tell in Gorlitz
26 April 1877 performs as Spreecher in Mozart's Magic Flute in Gorlitz
28 April 1877 performs as Luna in Troubadour in Gorlitz
4 May 1877 performs as the Marquis of Corcy in The Postillon de Lonjumeau in Ulm
8 May 1877 performs as Ottakar in Weber's Freischutz in Gorlitz
Magdeburg, northern Germany
1 September 1877 performs as Ottakar in Freischutz in Magdeburg
9 September 1877 performs as Ottakar in Freischutz in Magdeburg
3 September 1877 performs as Luna in Troubadour in Magdeburg
7 September 1877 performs as Comte de Nevers in The Huguenots in Magdeburg
11 September 1877 performs as Pizarro in Figedelio in Magdeburg
13 September 1877 performs as Jager in Nachtlager in Magdeburg
20 September 1877 performs as Valentin in Magarethe (Faust) Magdeburg
23 September 1877 performs as Valentin in Magarethe (Faust) Magdeburg
11 October 1877 performs as Amonasro in Aida in Magdeburg
12 October 1877 performs as Amonasro in Aida in Magdeburg
26 Nov performs as Wolfram in Tanhauser in Magdeburg
27 Nov performs as Wolfram in Tanhauser in Magdeburg
28 Nov Basch performs as Juan in Don Juan in Magdeburg
1 Dec performs in the Marriage of Figaro in Magdeburg
3 Dec performs in Tannhauser in Magdeburg
4 Dec performs as Peter in Lortzing's Czar und Zimmerman in Magdeburg
8 Dec performs as Talmarund in Longerin in Magdeburg
10 Dec performs as Talmarund in Longerin in Magdeburg
Ulm
12 Sept 1877 performs as The Hunter in Keutzer's The Camp of Grenada in Ulm Stadt Theatre
Magdeburg
Listed in German Stage Almanac 1879 as first baritone at Magdeburg Stadttheatre.
13 May 1878 performs in Magdeburg
Budapest
10 August 1878 performs as Nelusko in The African Woman at the Budapest National Theatre
15 August 1878 performs in Budapest National Theatre
Barmen & Elberfeld
Listed in German Stage Almanac 1879 as first baritone at Barmen & Elberfeld united theatres. Seidl working as Kappelmeister.
16 Nov 1878 performs in Elberfeld
12 March 1879 performs in Elberfeld
26-27 March 1879 performs in Barmen
Leipzig Opera
July 1879 joins Leipzig Opera
2 July 1879 performs as Valentin in Faust in Leipzig
8 Aug 1879 performs as Wolfram in Tannhauser in Leipzig
15 Aug 1879 performs as the Count in Pierre Robin in Leipzig
12 Sept 1879 performs as Baal-Hanan in Queen of Sheba in Leipzig
24 Sept 1879 performs in Wagner's "The Ring of the Nibelung" in Leipzig. Role unknown.
14 Oct 1879 performs as Hömemia in "Die heimliche Ehe" [the Secret marriage] in Leipzig .
18 Dec 1879 performs as High Priest in Mozart's Idomeneo in Leipzig .
6 Feb 1880 performs as Leuthold in Rossini's William Tell in Dresden.
24 May 1880 performs in Auber's "Schwarzer Domino" in Leipzig
June 1880 performs as Ubald in Dvorak's Armida in Leipzig
18 July 1880 performs as Conrad von Wettin in Kretschmer's "The standard operaglass" in Leipzig
Nov 1880 performs as Wolfram in Tannhauser in Leipzig
Nov 1880 performs in The Mayoress of Schorndorf in Leipzig
21-22 Nov 1880 performs as Samuel in Verdi's "Masked Ball" in Leipzig
6 Dec 1880 performs in Gouvy's "Oedipus auf Colonos" in Leipzig
8-11 March 1880 performs as the Emperor in Rothenthal's Lendfriese in Leipzig
8 April 1881 performs as Valentin in Gounod's Faust in Leipzig
24 April 1881 performs as "Gawein" in August Klughardt's "Gawein" in Leipzig
29 July 1881 performs as Rigelleto in Leipzig
July 1881 offered role at Wiesbaden Opera but unable to join as still under contract to Leipzig Opera.
11 Aug 1881 performs in "Francesca von Rimini" in Leipzig.
13 Sept 1881 performs as Morales in Bizet's Carmen in Leipzig
Oct 1881 performs as Gutmund in Hallen's "Harald the Viking" in Leipzig
16 Nov 1881 performs as Gawein in Klughart's Iwein in Leipzig
6 Dec 1881 performs in Gouvy's Oedipus auf Kolonious in Leipzig
29 June 1882 performs as Pacio Orsini in Die Nibelungen in Leipzig
June 1882 performs as Wolfram in Tannhauser in Leipzig
5 July 1882 performs as Alberich in "The Nibelungen" in Leipzig
July 1882 Wilhelm and many others leave the Leipzig Opera after a change of management. He joins the Rotterdam Opera.
Hoogduitsche Opera, Rotterdam
2 July 1882 Rotterdam Hoogduitsche Opera announce Wilhelm joining cast for 1882/83 season
16 Sept 1882 performs Wagner's Tannhauser in Rotterdam
18 Sept 1882 performs as William Tell in Rossini's William Tell in Rotterdam
20 Sept 1882 performs Wagner's Tannhauser in Rotterdam
Dec 1882 performs in Bruch's "Arminus" in Rotterdam
2 Jan 1883 performs as Arminus in Bruch's "Arminus" in The Hague
26 Jan 1883 performs as Lord Asthon in Lucia von Lammermoor in Rotterdam
29 Jan 1883 performs as Count Oberthal in Der Prophet in Rotterdam
7 Feb 1883 performs as Drago, haushofmeister in Schumann's Genoveve in Rotterdam
19 Feb 1883 performs as Beckmesser in Wagner's "Die Meistersinger" in Rotterdam
21 Feb 1883 performs as Drago, haushofmeister in Schumann's Genoveve in the Hague.
7 March 1883 performs as Beckmeisser in Die Meistersinger von Nurnberg in Rotterdam
9 March 1883 performs as Lord Asthon in Lucia von Lammermoor in Rotterdam
16 March 1883 performs as Beckmeisser in Die Meistersinger von Nurnberg in Rotterdam
13 April 1883 performs as Graf Almaviva in the Marriage of Figaro in Rotterdam
28 Sept 1883 performs as Graf Almaviva in the Marriage of Figaro in Rotterdam
6 Nov 1883 performs in Die Frieschutz in Rotterdam
16 Nov 1883 performs as Herr Fluth in Die Lustigen Weiber von Windsor in Rotterdam
29 Nov 1883 performs as Sprecher in Mozart's Zauberflote in Rotterdam
2 Dec 1883 performs as the Pied Piper in Nessler's Pied Piper in Rotterdam
1 Jan 1884 performs as Herr Fluth in Die Lustigen Weiber von Windsor in Rotterdam
24 Jan 1884 performs as Hunold Singuf in Pied Piper of Hameln in Gouda
12 Feb 1884 performs with Euterpe singing society as Elias in Schiedam (Rotterdam)
22 Feb 1884 performs as Beckmesser in Wagner's "Die Meistersinger" in Rotterdam
7 March 1884 performs (as Oberon?) in Weber's Oberon in Rotterdam
28 March 1884 performs in Wagner's Tannhauser in Rotterdam
31 March 1884 performs in Grand Hall of the Harmonic Society, Rotterdam
1 April 1884 performs as Kohlborn, a powerful waterlord, in Lortzing's Undine in Rotterdam
15 April 1884performs as Telramund in Wagner's Lohengrin in Rotterdam
20 April 1884 performs as Don Juan in Mozart's Don Juan in Rotterdam
27 April 1884 performs as Wolfram in Wagner's Tannhauser in Rotterdam
4 Oct 1884 performs as Wolfram in Wagner's Tannhauser in Rotterdam
5 Oct 1884 performs as Herr Fluth in Die Lustigen Weiber von Windsor in Rotterdam
15 Nov 1884 performs as Graf Almaviva in the Marriage of Figaro in Rotterdam
17 Nov 1884 performs as Graf Almaviva in the Marriage of Figaro in Rotterdam
18 Nov 1884 performs as Count Oberthal in Der Prophet in Rotterdam
20 Nov 1884 performs at Musicians Pension Fund concert in Rotterdam
28 Nov 1884 performs as Wolfram in Wagner's Tannhauser in Rotterdam
10 Dec 1884 performs as Graf Almaviva in Marriage of Figaro in Rotterdam
12 Dec 1884 performs at Society for the Promotion of Music concert in Rotterdam
23 Jan 1885 performs as Telmarund in Wagner's Lohengrin in Rotterdam
29 Jan 1885 performs with Euterpe Choir in Medelsohn's Paulhus in Schiedam
1 March 1885 performs as Wolfram in Wagner's Tannhauser in Rotterdam
3 March 1885 his replacement announced on a 3 year contract. Wilhelm was probably also on a 3 year contract.
19 March 1885 due to perform as Beckmeisser in Die Meistersinger von Nurnberg in Rotterdam but the performance was cancelled due to Wilhelm and another member of the cast being ill.
30 March 1885 performs in a chamber music performance at the Hall der Maatschappij tot Nut van 't Algemen, Rotterdam
15 April 1885 performs as the Pied Piper in Nessler's Pied Piper in Rotterdam. End of season.
19 April 1885 performs as Telmarund in Wagner's Lohengrin in Manneheim
Appears twice as guest performance in Manneheim
Dresden
20 August 1885 signs 3 year contract with Dresden Opera
Bruno
28 April 1886 performs as the Dutchman in Wagner's The Flying Dutchman in Bruno
30 April 1886 performs as Werner Kirschofer in Nessler's The Trumpeter of Sakkingen in Bruno
2 May 1886 performs as Nélusko, a slave in Mayerbeer's The African Woman, Bruno
New York
17 Nov 1886 performs as Count Oberthal in US premiere of Meyerbeer-Scribe's "Le Prophete" at Metropolitan Opera, New York
28 Nov 1886 performs as Count Oberthal in Meyerbeer-Scribe's "Le Prophete" at Metropolitan Opera, New York
4 Dec 1886 performs as Count Oberthal in debut of Meyerbeer-Scribe's "Le Prophete" at Metropolitan Opera, New York, matinee performance
3 Jan 1887 performs as Lancelot in US premiere of Goldmark's "Merlin" at Metropolitan Opera, New York
7 Jan 1887 performs as Lancelot in Goldmark's "Merlin" at Metropolitan Opera, New York
8 Jan 1887 performs as Telramund in Lohengrin at Metropolitan Opera, New York
10 Jan 1887 performs as Lancelot in Goldmark's "Merlin" at Metropolitan Opera, New York
15 Jan 1887 performs as Lancelot in Goldmark's "Merlin" at Metropolitan Opera, New York
21 Jan 1887 performs as Beckmesser in Wagner's "Die Meistersinger von Nürnberg" at Metropolitan Opera, New York
28 Jan 1887 performs as Lancelot in Goldmark's "Merlin" at Metropolitan Opera, New York
29 Jan 1887 performs as Count Oberthal in Meyerbeer-Scribe's "Le Prophete" at Metropolitan Opera, New York
2 Feb 1887 performs as Beckmesser in Wagner's "Die Meistersinger von Nürnberg" at Metropolitan Opera, New York
5 Feb 1887 performs as Beckmesser in Wagner's "Die Meistersinger von Nürnberg" at Metropolitan Opera, New York
11 Feb 1887 performs as Lancelot in Goldmark's "Merlin" at Metropolitan Opera, New York
21 Feb 1887 performs as Wolfram in Wagner's "Tannhauser" at Metropolitan Opera, New York
23 Feb 1887 performs as Count Oberthal in Meyerbeer-Scribe's "Le Prophete" at Metropolitan Opera, New York
25 Feb 1887 performs as Beckmesser in Wagner's "Die Meistersinger von Nürnberg" at Metropolitan Opera, New York
Budapest
11 Oct 1887 performs as Rigoletto in Verdi's "Rigoletto" in Budapest Opera House
12 Oct 1887 performs as Rigoletto in Verdi's "Rigoletto" in Budapest Opera House
14 Oct 1887 performs as William Tell in Rossini's "Wilhelm Tell" in Budapest Opera House
15 Oct 1887 performs as William Tell in Rossini's "Wilhelm Tell" in Budapest Opera House
17 Oct 1887 performs as Rigoletto in Verdi's "Rigoletto" in National Theatre, Budapest
19 Oct 1887 performs as Rigoletto in Verdi's "Rigoletto" in National Theatre, Budapest
Amsterdam
1 Nov 1887 performs as Wolfram in Wagner's "Tannhauser" in Palace of Popular Culture, Amsterdam
Rotterdam
11 April 1888 benefit concert in Hoogduitsche Opera, Rotterdam
Kaliningrad 1888/1889
performs in Kaliningrad
Berlin
1888 performs at Kroll's Theatre, Berlin for summer season
Berlin
4 May 1889 performs in Kroll's Theatre, Berlin
6 May 1889 performs in Kroll's Theatre, Berlin
7 May 1889 performs as Caspar in Weber's "Der Freschutz" in Kroll's Theatre, Berlin
10 May 1889 performs as Juan in Mozart's "Don Juan" in Kroll's Theatre, Berlin
17 May 1889 performs Lysiart in Weber's "Guryanthe" in Kroll's Theatre, Berlin
21 June 1889 performs as Lord Enrico Ashton in Donazetti's "Lucia di Lammermoor" in Kroll's Theatre, Berlin
5 July 1889 performs in Mayerbeer's "The Hugenots" in Kroll's Theatre
8 July 1889 performs as the Duke in Donizetti's "Lucrezia Borgia" at Kroll's Theatre, Berlin
Kalingrad
Dec 1889 performs as Sach's in Wagner's "Der Meistersinger" at Stadt Theatre, Kalingrad
Berlin
4 May 1890 performs in Verdi's La Triviarta at Kroll's Theatre, Berlin
Wilhelm Basch performs as The Dutchman in Wagner's The Flying Dutchman,
Bruno Stadttheatre, 28 April 1886,
Mährischer Correspondent Brünn ,
Wilhelm Basch performs as Werner Kirschofer in Nessler's The Trumpeter of Sakkingen,
Bruno Stadttheatre, 30 April 1886, Mährischer Correspondent Brünn
Wilhelm Basch performs as Nélusko, a slave in Mayerbeer's The African Woman,
Bruno Stadttheatre, 2 May 1886
Mährischer Correspondent Brünn
Eugen Mendel invited Erwin to become his business partner after falling out with his previous partner. He later fell out with Erwin and they parted ways. Edith Sekules (2000) Surviving the Nazis, exile and Siberia. Vallentine Mitchell p.16 & 24
Erwin entered Dachau concentration camp on 17 November, seven days after he was arrested. Before being transported by train he spent several days in a holding camp in Vienna.
Portait photo courtesy of Matan Shamir. Currently in the possession of Charles Levenback.
Erwin & Helene Basch circa 1890 (courtesy of Charles Levenback)
Adele Fanta dies
Barely a month after arriving in America, Helene received sad news from Europe. Her Tante Adele had passed away in Paris.
Helene was distraught, Although Adele wasn't her aunt as such - she was her mother's cousin, she felt close to her all the same. Henriette Dreyfus, Helene's second cousin, once removed, had written to her giving her the sad news.
Helene wrote back immediately in perfect French.
"To me it's as if she had been waiting to save me, It was her last big blow"
She describes her new life in New York as "very hard, but I am happy to be with the children" and ends the letter by sending kises to her cousins Henriette, Nicole, and "les enfants".
Letter courtesy of Cath Levy
Above : Adlergasse 6, where Hugo was employed as a legal trainee, is highlighted in green. Today it is known as Franz Joseph Kai 19
Hugo was first employed by Dr. Tamboff as a legal trainee in 1901. The address of Dr.Tamboff's offices was given as Adlergasse 6.
Adlergasse no longer exists as the area was heavily bombed during WW2. Adlergasse ran parallel to Franz Josef Kai and after the war they chose not to rebuild the destroyed buildings on Franz Josef Kai but to widen the road instead. The buildings on Adlergasse now form part of Franz Josefs Kai (between Marienbrucke and Schwedenbrucke).
Adlergasse 6 was the only house left standing after the war and is now renumbered as Franz Josef Kai 19.
Adlergasse can be seen leading from Schwedenplatz. Adlergasse 6 can be seen at the far end behind the final fountain. Franz Josef Kai can be seen on the right. These buildings no longer exist.
Image: Adlergasse photographed in 1942. Adlergasse 6 is shaded green.
This image is of Vorlaufstrasse 1. It is dated 1900
The Last Will and Testament of Dr. Hugo Flesch 1934
On 3 July 1934, only six weeks before his death, Hugo addressed his will to his children, Rudi and Annie [i.e. Tante].
As you might expect from a tax lawyer Hugo sets out things precisely.
The money that comes from the Gerst folk [the Gerstmann’s] and from me is initially intended to cover the needs of Großi [Hugo’s mother, Julie Flesch] and mother [Helene Flesch] and only then to serve you.
Großi should possibly receive 300 shillings a month based on today's money value, plus interest and medical costs; this is just a guideline if you need more, of course more.
Your papers must be deposited, namely 2,000 shillings bond and 12,000 shillings bond, as well as securities for the legacy of 10,000 shillings and for the compulsory portion owed of approx. 2,100 shillings, totaling approximately ____ shillings, at the Landerbank in a separate deposit.
Amusingly he refers to the Gerstmanns (Grandpa's aunt & uncle) as the Gerst leute - the barley folk. The Gerstmanns also left Grandpa and Tante a large apartment block that is not mentioned in the will.
Hugo must have known he close to the end as he begins by arranging for his mother to be financially taken care of.
[There is a] signatory authorization from Großi, authoriz[ing] a standing order to the bank to transfer the respective half-yearly balance to Rudi. On the other hand, your account must be ordered to send 300 shillings in monetary terms and interest separately on time each month. In the event of Großi's death, the assets will pass to you; However, you are morally bound to continue to give your mother the enjoyment of the interest.
Großi's furniture includes the dining room, black furniture and boxes in the bedroom Hellmuth and Hilda Fried respectively [not sure who these people are?]. This person must be informed immediately so that they can take over the items and take them into account in general.
He then goes on to stipulate his wishes regarding other members of the family....
Mother [Helene] : Is not provided for if money is lost; I don't have to say what I want. [i.e. don’t lose it!]
Grandparents [Ludwig & Fanni] : There is a letter in the cash register that does not have to go to court and must be opened in the presence of Erwin. This will include in particular: invoice for mother's dowry 10,000 shillings, loan Erwin 20,000 shillings.
I don't want any exact calculations, especially no differences; Should any arise, they may be transported from Hederl [Hedi] for the benefit of them. If Grandpa [Ludwig] dies first, Hedi Basch’s 15,000 shillings will initially be used for Grandma [Fanni] if necessary.
The Elbamühl contract [not sure what this is?] says that the discount does not apply to using Grandma's pension; this is something to pay attention to; therefore about 300 shillings. So we won't get by and Erwin [Helene's brother Erwin Basch] and you will have to contribute. Then she should eat [use] the money, it belongs to her and is there for that purpose.
Yourself [Rudi & Annie] : It is of course a duty for everyone who has something to also support others who have nothing. I'm thinking in particular of Adler, Hellmuth Fried, Erni König until she reached adulthood, Julie Flesch [Hugo’s cousin] and Annie's parents-in-law because of their filial obligation. In an emergency also Hederl and for my friends Diamant etc.
On the other hand, the Gerst folk [The Gerstmann’s] have not saved money so that you or those you support throw the money away, but rather it should only serve to secure your existence. This particularly refers to Ella [Helene?].
The settlement between the two of you should be carried out precisely, possibly in my office, but the assets should stay together as long as possible because the risks are smaller as a result.
His consideration for those less fortunate is touching and paints a picture of a generous and caring man. And, if in fact "Ella" is his pet name for Helene, then his comment that the money should not be frittered away also tells us something.
Yoran Moyal lindly lent me a book entitled Vienna and it's Jews by George E. Berkley. The book travelled from Israel to England via Spain where Yoran met up with his brother Michael. Amazingly Michael, having grown up in Israel now lives in Watford, only a twenty minute drive away from St.Albans. The book was written over thirty years ago and is difficult to get hold of so I was very grateful to Yoran and Michael for the loan. It is superbly written and an important contribution to the history of Viennese Jews that I was very pleased to have the opportunity to read. Towards the end of the book I was treated to an unexpected bonus. The penultimate chapter discussing the rebirth of the Jewish community after the war contained the following passage.
"Many of these expatriates displayed exceptional ingenuity in utlizing new languages.... Most spectacular of all, perhaps, was the career of Rudolf Flesch, a young lawyer who, within five years after coming to America, earned a ph.D in Library Science from Columbia. He then went on to write over ten popular books on the teaching and usage of English, including such best sellers as Why Johnny Can't Read and The Art of Readable Writing."
- Berkely, George E. (1988) Vienna and it's Jews : the tragedy of success 1880-1980s p341-342
Additional information on Rdolf's legal career was published in Advokaten 1938 2nd ed (2022). p.634.
Practical training (8 Aug 1934 - 15 April 1936)
Trainee Lawyer under supervision of Dr. Alois Maritschek (6 July - 27 August 1935)
Takes a break from traineeship to work as a court clerk (16 April - 30 Sept 1936)
Trainee Lawyer under supervision of Dr. Herbert Blaukopf (1 Oct 1936-30 June 1938)
Gained right of substitution for Dr. Alois Maritschek 21 Nov 1936
Sat Austrian Bar Exam 13 Jan 1938
Dr Herbert Blaukopf
We were not previously aware that Rudolf was supervised by Dr Herbert Blaukopf until the publication of Advokaten 1938 (May 2022).
Dr Blaukopf (1890-1960) was born in Czernowitz, Bukovina and studied at the University of Czernowitz where he was awarded a doctorate in 1913. He was admitted to the Austrian Bar in 1920 and set up a law firm at Zelinkgasse 12, Innerstadt. The Blaukopf Family was closely involved in Vienna's exciting music scene during the 1920's and 1930's. Among the chamber music groups that performed in their home was the Kolisch Quartet, known for its performance of Schoenberg. The family themselves were very musical - his wife Anna was a pianist, Herbert played the violin.
Rudolf went to work for him in Oct 1936.
On 15 March, two days after Anschluss, the SA requisitioned Blaukopf's Hudson car for Nazi governmental purposes. Sometime before the end of June he was disbarred from practicing law and was arrested and briefly imprisoned during Kristelnicht in November.
On 15 Feb 1939 he and his wife Anna fled to Paris. When the Germans invaded France in June 1940 they fled south to Bordeaux. They managed to obtain visas from the Portugese Consul, Sousa Mendes on 19 July and crossed into Portugal. They lived in Estoril for while before sailing from Lisbon to New York on the Serpa Pinto in March 1941.
After arriving in the USA Herbert and Anna settled in Berkeley, California where their youngest son Otto lived. Herbert studied at the University of California and qualified as a Certified Public Accountant. The family obtained US citizenship in 1947 and changed their name to Barrett.
Dr. Herbert Blaukopf. Rudolf worked for him as a legal trainee from October 1936.
Vienna and its Jews” by George Berkeley is an important, but hard to find, book about the history of Jewish life in Vienna. As well as being a fascinating read, the book contained an unexpected surprise in the penultimate chapter.
"Many of these expatriates displayed exceptional ingenuity in utlizing new languages.... Most spectacular of all, perhaps, was the career of Rudolf Flesch, a young lawyer who, within five years after coming to America, earned a ph.D in Library Science from Columbia. He then went on to write over ten popular books on the teaching and usage of English, including such best sellers as Why Johnny Can't Read and The Art of Readable Writing."
The reason I love this so much is that the author holds our family history as an exemplar for the history of Viennese Jews as a whole! - The story of our family is important.
Photo courtesy of Abby Connors. My guess would be that this was taken around 1930.
Annie Flesch circa 1930. Courtesy of Abby Connors
Hedi was born in the Sanatorium Leow (Mariannengasse 20) on 24 August 1924 and was jaundiced as a baby.
Her mother Elise ('Lise') committed suicide by gassing herself. See document written by Hedi Levenback for the Leo Baeck Institute 1998.
After the war Trude made a restitution claim on Erwin's estate but failed to mention that Erwin had a daughter and concealed her dealings with Adalbert Kiss. Rudolf represented Hedi and spoke to Trude on Saturday 28 January 1950 and then reported back to Hedi an offer by Trude to transfer 50,000 schillings to Hedi.
It appears that the estate was valued at 70,000 schillings and that Hedi was entitled to a 3/4 share. Rudolf wrote to Trude on Hedi's behalf requesting that the amount should in fact be 52,500 schillings plus interest. Trude appears to have also had a business partnership with Adalbert Kiss.
See letters written by Rudolf Flesch to Trude and to Hedi dated 30 January 1950 held by Charles Levenback
Embarressingly, when I transcribed a video interview that Hedi and Bob recorded in 1997 for the Shoah Foundation, I mistakenly wrote Kieran instead of Kerin. At that time (Winter 2022) I was still not very clear as to Hedi's grandchilren and, being unfamiliar with the name Kerin, I thought she said Kieran. Thankfully I am now much better informed.
My educated guess that Anna stayed at Bunce Court is vindicated. Her husband, Charles Nadler, kindly shared with me her UK ID card from January 1939 on which she states that she was working as "Cook's Assistant" at Bunce Court, Otterden near Faversham. As an assistant in the kitchen she would presumably have known the cook Greta Heidt or "Heitsche" as the kids affectionately called her, very well. In her book "The school that escaped the Nazis" she comes across as one of the most vivid personalities at the school. Cadbury does a good job of describing Heidt - petite, temperamental, cheerful, larger-than-life...
Hanna's son is Timothy Bergmann Weston - not Burns Weston as stated.
Tim describes Hanna's step-mother Leola in glowing terms ("the world's greatest grandmother").
Gustav Bergmann taught at the University of Iowa in Iowa City - not Iowa State University as stated.
Janet & Chad were taught by Gustav Bergmann's literary executor at the University of Texas.
Burns H.Weston died of a sudden and unexpected heart failure not cancer as stated.
Anni Bergmann (nee Golwig) and baby Hanna
Anna Bergmann's UK identify card. Hanna is also pictured.
Thanks to the investigations of Hanna's husband Charles we have now discovered what happened to her mother Anna.
Anna briefly worked as a teacher at the Realgymnasialen Mädchenunterricht, the progressive girls school in Vienna which both Helene Basch and Tante Annie attended. In fact Tante only graduated in 1927, two years before Anna became a teacher.
She taught maths and natural science under the supervision of Dr. Karoline Ludwig. It looks like she was only there for a year (1929/30) before quitting in the summer of 1930 to go to Berlin with Gustav while he worked with Einstein.
Sadly Anna was diagnosed with paranoid schizophrenia and spent the rest of her life in pyschiatric institutions.
At some point in the US she received electro-shock treatment which nowadays is considered barbaric but at the time was thought to be a potential cure for mental illnesses.
Having spent some time at Ellis Island Hospital she was deported from America on the SS Washington in the custody of the ship's medical staff. The ship arrived in Hamburg on the 14 March 1950 from where she travelled by train to Salzburg where she spent six months in hospital before being transferred to the psychiatric hospital at Ybbs on 22 Nov 1950.
The hospital at Ybbs sits on the banks of the Danube in a former monastery. It has been a psychiatric hospital since the early nineteenth century and remains so today.
Above : The psychiatric hospital at Ybbs where Anna lived from 1950-1979
Anna's medical records give a detailed account of her time there. Records of interviews with her give the impression that she was disorientated, talking to herself in English and repeating herself over and over. A few weeks after being admitted to Ybbs she is assessed.
"The patient is highly agitated, talks to herself, has acoustic hallucinations, appears disoriented in terms of location and time, is difficult to make contact with and has an even Lappish cheerfulness. She is led in, speaks English spontaneously while pointing around with her hands.
When asked what is your date of birth? there are a few mistakes before she can say the right thing
(Born in Austria?) She speaks English and German, then explains; "When to wear a wedding ring." Suddenly she interrupts herself and says, "Yes, I was born in Austria. I was just suddenly confused because someone suddenly whispered something to me. That's often done to me, different people whisper to me."
(Do you know these people?) "I know some of them and I know all about the past". Sometimes she doesn't answer questions at all, or she talks to herself without asking a question to be broken.
(Did your husband practice the profession in America?) "Between the lines, as a real handyman with hand and head, scientifically and like a craftsman. Actually I have to ask, what do you know about it"
(When divorced?") "1939"
(Married again?) "It's almost like that now, 1940 with a lot of tears".
(Religion?) "Protestantism, evangelical; I was a freethinker in Austria and with the social-democratic Freidenkebund, as a child I was Hebrew." She asks spontaneously "But you don't tell me anything either, what is written about my husband? Tell me something."
(Relatives in Austria?) She pats the seddel and says: "Yes, thank God"
(Where are you located?) "I'm not in eldorado and nirvana, in the digestion stage, it's going well here too, the memory is fading, I'm completely confused."
The 260 pages of her medical file provide a fascinating insight into her time at Ybbs. As well as her medical records the files include details of her correspondence. She regularly received packages of sweets and an occassional gift of money from friends.
Two schoolfriends Babette Kraus and Evi Schuschny made several enquiries after her health. At school Babette went by the nickname "Bekschi". She and her husband had emigrated to England and were living at 149 Ralph Court Queensway London W2) where she was now called Barbara Benedict. Barbara must have been very close to Anna as she asked both her brother Albert Kraus, a lawyer, and her sister, a political activist, Dr.Rosa Marie Ebner to make enquiries about Anna on her behalf. Another friend, Evi Schuschny, was a talented pianist in her twenties. Evi was now married and called Eva Fuchs and living at Johann Strausgasse 28, Vienna.
Anna also received packages from two ex-colleagues of hers from the Realgymnasialen Mädchenunterricht, Dr. Ella Zilsel and Dr.Herta Leng. Ella lived on Billrothstrasse 32, Vienna. Like Anna, Herta had taught maths and natural science at the school and had first emigrated to Switzerland and later Troy in upstate New York.
Elsa Schilder (Kegelgasse 32, Vienna),
For the first ten years at Ybbs there seems to have been no family contact. Neither her ex-husband Gustav or her daughter Hanna appear to have made contact. Hanna in fact may have never known the whereabouts of her mother.
At the beginning of 1958 Dr. Rosi Keurti (3306 Clarendon Rd., Cleveland, Ohio) wrote to inform the hospital that Anna's daughter Hanna was engaged and due to be married in February. She asked whether it would be advisable for her to write to Anna about this and to send her a picture of her daughter. The hospital asked for Hanna's address and wrote to her in Oberlin but by that time she was no longer living at that address. When questioned about her daughter Anna was able to recall her name and when she was born but seemed to not know anything else about her.
Eventually members of the family learnt of Anna's incarceration in the hospital and made contact. In April 1957 Zvonimir Hrvatov, her cousin Alice's husband, wrote to the hospital enquiring whether Anna was a patient and what the visiting times were. There are no records of whether Alice visited Anna in Ybbs but she appears to have immediately applied to be Anna's legal guardian. six years later she formally became her custodian.
A few year later, in Sept 1961 she recieved a visit from another cousin, Anna Jellinek (Pantownalaar 28 Amersfoort in the Netherlands), who was presumably related to her mother Elsa.
The hospital records detail all her medications and illnesses over the years. At one point in the late 1950s she caught tuberculosis and she became dangerously thin, at one time being reduced to only 50kg.
Anna died in Ybbs on 7 May 1979. Her cause of death was given as: hypostatic pneumonia, marasmus senilis, myocardial damage, decubitus ulcers. She was buried in Ybbs cemetery on 10 May 1979. The grave itself no longer exists and is now a meadow but the caretaker knows the location of the plot.
Above: Alica (sic) Hrvatov is listed as kurator on Anna Bergmann's medical records in 1963. She would have been Anna's closest living relative. This is the only evidence we have that Alice survived the war.
Alice Hrvatov Golwig is listed as the "kurator" of Anni Bergmann's medical records from Ybbs.
Her name on Anna's records are proof that she survived the Holocaust!
She gives her address as Wien 17, Kreuzwiesengasse 2, the family home in which her parents and grandparents had lived since before the First World War.
Paul Frisch, the youngest son of Rudolf and Ernestine Frisch, was one of the most elusive people to track down but it turns out he was also one of the most colourful characters in our family. In July 2022 I revisited his story and realised that, dazzled by the information I had stumbled upon in a fiction book, I had neglected to fully explore the sources I usually turned to. It turned out there was a lot more to his story... so much so it needs a seperate page. See Paul Frisch part 2.
Gisela Frisch (nee Ruckendorfer) was born on 11 July 1880 according to papers submitted to the Nazis as part of their efforts to steal Jewish assets. This was seven months after Karl and Wilhelmine Ruckendorfer got married and would therefore fit in with my assumption that she was their daughter although I have been unable to find a record of her birth.
Paul & Gisela got married in a civil wedding ceremony on 20 November 1919.
In the Vienna City Archives I was able to get hold of Rudolf Frisch's lasting will and testament from 5 Dec 1910.
In it Rudolf gives equal shares of his estate to his sons Julius and Paul, however most of the six page document is devoted to ensuring that Paul does not recieve his share until he is 45 years old (i.e. 1924). Until then his share of the estate was to be held by the Austro- Hungarian Bank. Rudolf obviously did not think very highly of his younger son!
Rudolf does make provision for Paul's (legitimate) children. Should Paul have not outlived his father they would have recieved a quarter of his estate. As far as we know Paul only had one son (Reinhold) in 1910 but rather than name him the document is phrased in an open way to allow for additional children. In case Paul became bankrupt before he reached the age of 45 then Julius would act as executor and use his discretion to pay for the upkeep and education of Paul's children.
His wife Ernestine would inherit all of the furniture and furnishings of the apartment plus 150,000 kroner - a very large sum, similar to the amounts Paul was investing in purchasing apartment blocks at that time!
Julius, of course, would inherit the family firm and become sole owner of Rudolf Frisch pFa.
Above : Rudolf Frisch's signature from his 1910 will.
Mathilde Bielitz died of ulcerative colitis on 20 April 1938 and therefore her death cannot be considered suspicious. Sadly Hedi recalls that she was told that some of the nurses were cruel to Mathilde during her terminal hospitalization. See Hedi Levenback letter to Leo Baeck Institute 1998
"Paul Schlesinger dies" should of course read "Paula Schlesinger dies"
At the outbreak of war Friedrich "Fritz" Bielitz was detained in a UK internment camp on the Isle of Man. Edith Sekules (2000) Surviving the Nazis, exile and Siberia. Vallentine Mitchell p.58
The Holocaust Survival table at the end of volume 3 is perhaps the most important information of the whole project.
Leopold Fried was included in the table by mistake. He died in Trieste in 1924 and therefore should not appear on the list.
Ottilie & Jenny Weiss were deported to a concentration camp in Riga, Latvia on 11 Jan 1942. They did not survive.
Bertha Weiss, Ottilie & Jenny's mother, is not listed as having gone on holiday with the in 1926 or 1927. Nor is she listed as being deported with them in 1942. I still haven't found a date of death for her but in 1938 she would have been over 90 years old in 1938 and therefore I am now assuming that she died sometime earlier, probably just before the start of the First World War.
Reinhold Frisch, Paul's son by his first wife, is now known to have been living in Santiago, Chile.
As a result of these changes I now believe there were 41 relatives alive in March 1938.
Fifteen emigrated. Plus Reinhold was already living in Santiago.
Four remained (Gisela & Liselotte Frisch, Alice & VlaHravatov [nee Golwig] and Margit Banfi)
Twenty one did not survive