Bernadette Mayer


“One of the first people to really write about the truth of motherhood.”

Poet and Author Rachel Zucker on Bernadette Mayer1


Mayer has written and continues to write many books consisting of both short stories and poetry including Ceremony Latin, Proper Names and Other Stores, Poetry State Forest, Sonnets, Scarlet Tanager, Indigo Bunting, The Helens of Troy, and Midwinter Day. Most of these books are collections of poems, but some are short stories and longer pieces. She has also done some work with photographs earlier in her career. A lot of her work focuses on the idea of being a woman in poetry, a field often very male-dominated. Additionally, she talks about the difficulties she faces as a working mother and the excessive responsibilities she has. As a bisexual woman, Mayer speaks about sexuality and sex in a way that is not often represented even today. Mayer focuses on these facets of her life because as she says, she wanted other women to write so she could "see what they're writing," as women's voices are often lost in poetry.1 Mayer's work on gender and sexuality can be categorized into two groups: exposing the difficulties of womanhood and motherhood and creating an accurate depiction of female sexuality.

Right: Young Bernadette Mayer. Image courtesy of PennSound.

Exposing the Difficulties of Womanhood and Motherhood


Since mainly men write poetry, especially at the time Mayer was writing much more, the idea of pregnancy was ignored in most poetry. Therefore, when Mayer writes about ideas that are considered “female-specific” including pregnancy and periods. In her poem “Baby Come Today, October 4th,” Mayer expresses the idea that she is tired of being pregnant and just wants her baby out of her body. Additionally, she shows the pain that giving birth causes: “A resistance bursting test \Of over 200 pounds per square inch.”2 This shows the difficulties that women face in giving birth that men do not often think about.

Mayer also decides to talk about periods in her poem “Ode on Periods.” In this poem, Mayer calls on women to “Hold the bloody sponge up! \For all to see!”3 This shows that Mayer is encouraging women to end the taboo on periods and begin to see them as normal and ordinary. These are experiences unique to women and by choosing to write specifically about this issue, Mayer creates a piece that women can relate to in a way that they cannot relate to other writing. Since women could not relate to poetry, they wouldn’t read poetry, which caused an endless cycle of women not being included in the poetry circle, either in writing or in reading. Mayer chooses to break this cycle. Additionally, she portrays these ideas as normal and a part of everyday life rather than topics that should be viewed as disgusting or taboo. By doing so, Mayer is able to create a community through poetry for women to feel welcome in a sphere where they are usually shunned.

Mayer shows that these issues start young when children are raised. In her "Addendum to Maple Syrup Sonnet," Mayer addresses the issue of separating children based on gender at a young age. She remembers that "the boys are playing frisbee \and the females (sophie & me) are \climbing the tree of my trunks."4 This very distinct separation based on gender is important to the argument Mayer creates. She very specifically chooses to separate the "boys" and the "females" by gender.4 This very purposeful distinction indicates that Mayer is recognizing the fact that children are separated at such a young age, specifically because of gender. This leads to some of Mayer's other points about men and women being held to different standards.

Cover of Mayer's Poetry Book. Courtesy of Emory Rose Library.

Mayer focuses on the idea of having to take care of the kids and always be the provider in Midwinter Day. Through this book, she goes through many of the tasks she must complete in a day, which include a lot of domestic tasks in addition to working. For example, Mayer remarks that “Lewis goes into his room to work” while she had to “[get] the dumb objects out of the bag, [peel] oranges, [make] some space to slice bread, [wash] the tray and [find] a clean cup and [have] to deal with the awful sink.”5 Mayer reveals the stark dichotomy between the tasks that Lewis has to do versus the tasks that Bernadette must do even though they have the same job: writing. Additionally, in her “Laundry and School Epigrams,” Mayer comments that men don’t ever “[take] over the cleaning of the bathroom” and asks why “men find these chores \So demeaning.”6 Here, she demonstrates that men are very focused on themselves and choose to give women the demeaning tasks that must be completed. This emphasis on the difference between men and women and the tasks that they are forced to complete shows how ridiculous this situation is. This frames an argument for men doing more housework.

Left: Mayer with her husband on the cover of Piece of Cake. Image courtesy of SPD Books.


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Mayer reading of Laundry and School Epigrams. Courtesy of PennSound.


She also comments on this idea in more detail in her poem “Situation Vacant.” She explains the difficulties that working women face throughout their lives trying to keep up with household chores, being a good mother, and working their own jobs. She begins the first section of the poem with “Sew \fold laundry” and the second section with “Sew \clean bathroom, kids’ room."3 This repetitive cycle of writing shows the endless cycle Mayer has to endure as a woman, constantly having work to do that is not her own. She is doing work for her family and for her children. By repeating this structure, Mayer emphasizes the inability for women to escape this cyclic family dynamic. She then comments on her duties as a mother and wife: “I can tell when each baby boy, man, \little girl and grown woman’s arm \is limp in sleep.”3 This comment on her motherly duties of knowing her children's and husband's needs and desires very well shows the second layer of responsibilities that mothers and wives must cultivate. Mayer acknowledges this responsibility as important, but also expresses that having all these responsibilities at the same time being tiring.

Finally, Mayer comments on the third duty she has: her job. She explains that she uses her bed for “secret writing.”3 This shows that she is unable to write openly, most likely due to judgement from her family since she has so many other tasks to also complete. The fact that she writes in bed shows that she barely has enough time to be able to write, and must find time to write instead of sleeping. Finally, Mayer shows the fatigue and toll that this feat takes on her body. She exclaims, “Yes I wish I could go horizontal down the street \as if I were in bed.”3 This shows the fatigue that Mayer deals with, as she feels so fatigued she wishes she didn’t have to expend energy to walk. She then talks about how she feels “tired and bad.”3 By showing the pains and difficulties that women, especially working women, go through to get through each day and still complete the tasks they must due to their position in society, Mayer introduces a new perspective in the conversation about how women should be able to go through the world. She cultivates sympathy for women, but especially the working woman. She also cultivates empathy for these working women, encouraging women to be able to relate to poetry.

Left: Mayer's poem "Situation Vacant" in Poetry State Forest. Image courtesy of Google Books.


"Yes I wish I could go horizontal down the street as if I were in bed."

Bernadette Mayer, "Situation Vacant, " Poetry State Forest3


However, Mayer comments not just on the negative parts of being a mother, but also the positive aspects. She talks about how she sees “Lewis dance with Marie. Sophia’s caught by the light that’s left, gold eyes wide brown almonds.”5 This is important because she frames her entire day in the idea that she both appreciates her children and her husband as people but also wishes all of their burdens were not solely on her as a woman. She shows that in everything, there is both a good and bad side. Mayer comments on the importance of including small details like these in her work in an interview: “When I was writing Midwinter Day and I had this feeling that there were no women poets”.1 One of her purposes for writing this book was to create solidarity and a community among women. If there are no female poets, then the idea of motherhood will never be represented in poetry. Mayer seeks to change that by writing about the difficulties that women face. She brings these issues into the light and brings a new voice into poetry.

Left: Photo of Bernadette Mayer. Image Courtesy of UC San Diego Special Collections & Archives

Creating an Accurate Depiction of Female Sexuality


Often, especially in literature, women are often excluded from the conversation of sex and relationships. Women's desires are not viewed as being as valid as men's. However Mayer speaks quite openly about sex and relationships in her life. She doesn’t particularly reference herself all the time or use exact details, but she does speak about sex quite often in her poems. For example, in her poems “Before Sextet” and “After Sextet,” she instructs the reader on how to properly use a condom. However, she uses innuendos in order to describe all of the words relating to sex including “conductor” for condom and “semi-final” for semen.6 This creates a sense of humor in her work, because the actual sentences do not make sense without the hidden meanings of the words. Although it keeps up with the idea that women should be very proper and not speak about sex, it is almost more dirty since she does it in such a subtle manner. Her innuendos emphasize the idea that women have the capability to be sexual too. It also brings a female voice into the conversation about sex and relationships, especially in the sphere of poetry, which often lacks women.

In these two poems, Mayer comments on how to properly use a condom during sex in order to prevent a woman from getting pregnant. She explains that if the condom were to break, one should “quickly wash semi-final away with sobriety and watercolor.”6 By giving such direct instructions on using a condom, an idea seen as male, Mayer is taking control of women’s lives, as women are the ones who get pregnant if a condom breaks. Mayer breaks these gender stereotypes to empower women with both their own sexuality and bodies.

Right: Mayer's Book Scarlet Tanager. Image courtesy of Amazon.com.


"You make me love so beautifully I don't know what to do."

Bernadette Mayer, "Sonnet," Sonnets7


Mayer continuously make subtle and direct references to sex and her own sexuality in her Sonnets. In one sonnet, she exclaims, “You make love so beautifully I don’t know what to do.”7 As a woman, for her to talk about sex is a radical notion. For men, sex is a taboo topic to some degree, but for women that is eve more true. However, Mayer goes even further to comment that “I am a woman & we women must both \Have babies.”7 This is even more of a radical move to talk about sex between two women. Already, women’s sexual desires are seen as not as important as men’s, but when Mayer reveals that she is talking about two women, it shows that she values female sexuality. This validates her own sexuality as a woman and shows that she also has desires as a man would. Additionally, the fact that she talks about her own experiences as a woman who likes both men and women is revolutionary in itself. Even though female sexuality is invalidated, homosexuality is still societally problematic, so by speaking about both, Mayer is truly pushing the boundaries of what society views as acceptable. She also talks about the notion that the purpose of women is to have babies, while the purpose of men is to have sex. By ignoring this idea that she must conform to this role, Mayer pushes the boundaries of female sexuality. However, even though she talks about sex so much, Mayer still doesn’t feel that she addressed it as much as she could have. In an interview, Mayer commented that she “never wrote about sex” and that she feels that is a “cop out.”1 This shows that even though Mayer spoke about sex both subtley and more directly, she felt that it still wasn’t enough. This is interesting to note because Mayer’s work is revolutionary as is even in today’s world.

Left: Photos of Bernadette Mayer. Image courtesy of Dennis Cooper Blogs.

Mayer talks about homosexuality in many of her works. She had multiple relationships with women throughout her life and references these relationships in her works. In her poem “To Muse,” Mayer discusses a relationship with a woman. In this, she talks about how the woman she was with was not as committed to her as she would have liked. She exclaims, “Muse you didn’t stand for me.”3 She then goes on to say that she “[dares her] to come over” and she “[knows she] can’t phone \you fucking lesbian.”3 By speaking openly about her relationship with a woman, Mayer normalizes a relationship between two women. This is especially important, since Mayer did not have to talk about her relationships, especially in writing. She married a man and could choose to never talk about her relationships with women. However, she chose to be open and proud of her bisexuality, especially in her writing. This is not very commonly seen as even today, there is little bisexual representation in media as compared to lesbian and gay representation.

Right: Mayer's Book Poetry State Forest. Image courtesy of New Directions Books.


"legal is my love, not altered I find him loved for being so"

Bernadette Mayer, "Legal is my Love," Indigo Bunting4


Mayer additionally comments on the legality of homosexuality in “Legal is my Love,” a poem that exposes her audience to the idea that love can be illegal. In this poem, Mayer explains “legal is my love, not altered \I find him loved for being so.”4 This shows that because Mayer loved a man, she was loving in the frame what is legal and acceptable by society. She explains that nothing has to be “altered” in order for people to be okay with her partner or love him. There are no complications with this kind of love, even though this is the same kind of love she would share with a woman. She continues “even if my love were illegal, you and i \would love him more, right?”4 This shows that if it were illegal for Mayer to love a man, she would still want to be supported and “come home where \all is legal then.”4 This is important because it shows the reader that if Mayer loves one person, everything is fine, but if she loves another, many more complications arise. This begins to create an argument that all love deserves to be treated equally under the law, because love should be legal under any circumstances.

Left: Mayer's book Indigo Bunting. Image courtesy of Zasterle.


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Mayer reading of "Love is a Babe." Courtesy of PennSound.

Left: Mayer reading from The Sonnets. Courtesy of Don Yorty Explorations


Bernadette Mayer also uses a shock factor in her comments on sexuality. In her first sonnet in Sonnets, Mayer uses very strong language to describe her and her partner in a very sexual manner. This shock factor allows Mayer to show that she is not just a proper and clean woman, but has dirty thoughts in the same way that men do. In this poem, Mayer remarks, “Put your startling hand on my cunt.”7 This shows that Mayer has a strong desire for sex in the same way that men are expected to. She dispels the myth that women are sexual objects to fulfill men’s desires and shows that women have desires of their own. She even goes further to say that she wants her lover to “Bring specific flowers [she] will not know the names of.”7 This mixture of both explicit references and innuendos shows the true nature of Mayer’s sexuality. This can be extrapolated to women’s sexuality, which Mayer proves is very valid.

Collaborations and Impact on Poetry


“If I were a male poet....I would probably have more money than I do.”

Bernadette Mayer1


Mayer was revolutionary in many of the topics she discussed. Speaking openly about sexuality and motherhood was not easy at the time and still is not easy today. Mayer comments a lot on these two ideas, a revolutionary notion for the time. As a woman, she was not given the same credibility as men throughout her career. She is often not taken seriously, since she is a woman, yet she still succeeded and was able to write poetry that has a large impact on society. Mayer commented on some of the earlier days where many New York School poets would stand in a street corner and talk about poetry. However, “There were no other women who would [stand in the street corner.]”1 The fact that Mayer would go to the street corner even though “[she] realized that all these men just thought of me as someone to fuck.”1 This persistence Mayer demonstrates allowed her to be so successful and pave the way for other women writers after her.

Mayer comments a lot on her admiration of Alice Notley, another female poet in the New York School writing around the same time as Mayer. She comments that “[she finds] a lot of inspiration from her work” and that "[she finds] it interesting to compare notes on working as a poet as a mother.”8 This idea of collaboration and representation of women gives women the feeling of being included in poetry and encourages them to read more poetry and potentially even write some of their own.

Additionally, Mayer was able to leave her impact on New York School writing and poetry through the Poetry Project. She led workshops and encouraged a new, more critical thinking focused approach to poetry.9 This new approach changed the way poetry was written in the New York School and allowed Mayer to create her own style and impact future poetry with her own style. This is important to acknowledge because often women's contributions to poetry are not as often recognized, and Mayer has contributed to poetry quite extensively.


Photo of Bernadette Mayer. Image courtesy of Marie Warsh.


Works Cited

1Zucker, Rachel, and Bernadette Mayer. “Commonplace: Conversations with Poets (And Other People).” Commonplace Podcast, www.commonpodcast.com/home/2016/12/22/episode-15-bernadette-mayer. Accessed 11 Nov. 2019.

2Bernadette Mayer, "Baby Come Today, October 4th" from Eating the Colors of a Lineup of Words: The Collected Early Books of Bernadette Mayer.

3Mayer, Bernadette. Poetry State Forest. New Directions Books, 2008.

4Mayer, Bernadette. Indigo Bunting. Zasterle, 2004.

5Mayer, Bernadette. Midwinter Day. New Directions, 1999.

6Mayer, Bernadette. Scarlet Tanager. New Directions Book, 2005.

7Mayer, Bernadette. Sonnets. Tender Buttons Press, 2014.

8Howe, Susan, and Bernadette Mayer. “Pacifica Radio with Susan Howe.” PennSound: Bernadette Mayer, University of Pennsylvania, 22 Apr. 1979, writing.upenn.edu/pennsound/x/Mayer.php. Accessed 10 Nov. 2019.

9“Bernadette Mayer and ‘Language’ in the Poetry Project.” All Poets Welcome: the Lower East Side Poetry Scene in the 1960s, by Daniel Kane, University of California Press, 2003, pp. 187–201.

Header Image courtesy of the New Yorker.

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