brass aflutter, twittering in sunlight waving and curving forms, collecting
and sharing tinkling chimes of vibration. drifting in roaring noise, smashing and clambering over one another,
bent shapes formed by invisible hands, hardened shapes, devoid of context, devoid of meaning, flaying and burnished edges reverberating their exposed edges hands gently embracing a sharpened corner, melting at touch
drifting fingers and poked sheets of copper swinging and arcing shapes of tanned glory returning to plum.
sonor encompasses audible perspectives of jewelry, craftsmanship, and reuse, highlighting the unseen work of the practice.
reused scrap metal from other student projects creates a swirling, suspended arc of copper and brass shapes that play in the light, beckoning touch.
the piece creates a simultaneously harmonious and disjointed auditory effect, with pieces gracefully scraping past one another or tumbling against their neighbor to create a wide variety of sounds.
video accompaniment utilizes sounds from the studio to play with perception and invite participants to question the nature of jewelry and the work as a whole.