** While an artwork from the Ottoman Empire, Hagia Sophia is found in Unit 3: Early Europe and Colonial Americas.
Islamic art/architecture refers to all arts created in the lands where Islam was the dominant religion. Islam was founded by Muhammad (570-632 CE), a merchant from Mecca. In 610 CE, Muhammad had his first religious experience. After some self-doubt and introspection, he accepted his role as God's prophet. His recitations form the Qur'an. In 622, Muhammad fled Mecca with followers to Medina. He returned after battles from 625-630 and purged the Kaaba of all idols of pagan gods. In 632, Muhammad dies as the final prophet after Moses, Abraham, and Jesus.
Islam exists in two principal divisions: Shiite and Sunni. Each is based on a differing claim of leadership after Muhammad's death.
By the end of the Umayyad Dynasty in 750 CE, North Africa, the Middle East, and parts of Spain, India, and Central Asia were converted to Islam or under the control of the Islamic dynasties. It expanded further with the Abbasid Caliphate, ruling from their capital in Baghdad. After Baghdad was sacked in 1258, the Islamic world was split into East (South and Central Asia, Iran, Turkey) and the West (Near East and Arabic Peninsula, North Africa, parts of Sicily and Spain.)
570: Muhammad, founder of Islam and Final Prophet, is born
610: Muhammad begins having revelations
622: Islamic Calendar Begins - Muhammad flees from Mecca to Medina; known as "Hijra"
630: Muhammad returns to Mecca with 10,000 soldiers and takes control of the city, converting the population to Islam and destroying all the idols
632: Muhammad dies in Medina
640: Muslims rule Syria, Palestine, and Iraq in the name of Allah.
642: Byzantine army abandons Alexandria, marking the Muslim conquest of Lower Egypt.
756-1031: Ummayads set up territories in Spain
710: All of North Africa is under Muslim control
711: Muslim victory at Jerez de la Frontera in southern Spain; opening the door to western Europe expansion.
BYZANTINE EMPIRE (about 330-1453) After the Roman emperor Constantine converted to Christianity, he shifted the capital of the Roman empire to the east, making Constantinople the seat of the new Byzantine empire. The Byzantine empire came into constant conflict with expanding Islamic territories, and ultimately lost Constantinople to the Ottoman empire in 1453.
UMAYYAD CALIPHATE (661-750) As the first major Islamic dynasty, their art reflects an emerging Islamic aesthetic; they were centered at Damascus, Syria.
SPANISH UMAYYADS (756-1031) Established by the last Umayyad prince fleeing Syria after the Abbasid conquest, the Spanish Umayyads were the first of many Muslim dynasties to rule in Spain.
ABBASID CALIPHATE (750-1258) This caliphate was the second major Islamic dynasty and one of the longest in power. During the second half of their rule, the Abbasid caliphs were rulers in name only, having become the puppets of other princely states, such as the Buyids, the Samanids, and the Seljuqs.
SAMANIDS (819-1005) The Samanids were the first native Persian dynasty to rule Iran after the collapse of the Sasanian empire and the Arab Muslim conquests. Their rule marked the beginning of a revival of Persian art and culture. The cities of Nishapur, Samarqand, and Bukhara thrived under the Samanids.
ILKHANIDS (1206-1353) One of the khanates (principalities or kingdoms ruled by a khan) established by the descendants of the Mongol conqueror Genghis Khan. "Il Khan" literally means "Lesser Khan," because the Ilkhanids were subordinate to the Mongol Great Khans ruling China (also known as the Yuan dynasty).
NASRID KINGDOM (1232-1492) The Nasrids, centered at their capital of Granada, were the last of many Islamic dynasties to rule in Spain. Their reign ended in 1492, when most Muslims and Jews were cast out of Spain by the Castilian king and queen, Ferdinand and Isabella.
MAMLUKS (1250-1517) The Mamluks (literally, "military slaves") were originally Turkic military forces who served the preceding Egyptian dynasty. They overthrew their masters, establishing their own rule with an unusual political system in which slaves held positions of great power and were recruited into leadership.
OTTOMAN EMPIRE (1299-1923) One of the longest-lasting dynasties in world history, the Ottomans ruled over a vast and varied territory with the help of a highly structured bureaucracy. Many of the Ottoman sultans were great patrons of the arts.
TIMURID EMPIRE (1307-1507) Named for the founder of the dynasty, Timur (called Tamerlane in the West), the Timurids were Turks who conquered much of Greater Iran and Central Asia. They were important patrons of the arts, commissioning architectural monuments as well as fine illustrated manuscripts.
SAFAVID EMPIRE (1501-1722) The Safavids were a Shi'a dynasty that traced its lineage to an important Sufi mystic. Safavid palaces in Isfahan were known all over the world for their opulence and luxury. The Safavid shahs (kings) are renowned for their patronage of fine decorative arts and the production of luxury manuscripts.
MUGHAL EMPIRE (1526-1858) The Mughals traced their lineage to the Mongol rulers of Iran. Their art and architecture is unique in its synthesis of Persian, indigenous Indian, and European influences.
The arts of West and Central Asia play a key role in the history of world art, giving form to the vast cultural interchanges that have occurred in these lands that link the European and Asian peoples
The religious arts of West and Central Asia are united by the traditions of the region: Buddhism and Islam
Use of figural art in religious, contexts varies among traditions, whereas figural art is common in secular art forms across West and Central Asia
Artists of West and Central Asia excelled in the creation of particular art forms exhibiting key characteristics unique to their regions and cultures
Important forms include ceramics, metalwork, textiles, painting, and calligraphy
ARCHITECTURE/RELIGION: Most important building for Muslim worship is the mosque. The mirhrab is a niche in the quibla wall (MN-QW: alphabetical!) Islamic people pray towards the city of Mecca, the most holiest site in Islam (identified by a niche in the wall of a mosque, called a mihrab)
HISTORY & DIVERSITY: Islamic art is not a monolithic style or movement; spans 1,300 years of history and geographical diversity (Asia, Africa, Europe)
Islamic art is intellectual, refined, and decorative; it contains no strong emotions and no pathos, but exhibits serene harmony.
There is an active tradition in many Islamic countries to avoid religious imagery whenever possible, even though the Qur'an does not ban images. Some societies strictly adhere to the prohibition, others allow floral designs/animal motifs, and other disregard the ban.
All Islamic designs, no matter how complicated, were achieved with only a straightedge and a compass. Islamic mathematicians were thinkers of the highest order and geometric forms reinforced their idea that the universe is based on logic and a clear design.
Patterns radiate from a central point with any point being the start. Patterns are not designed to fit a frame but rather to repeat until they reach the edge and then go beyond it.
Arabesque motifs include acanthus and split leaves, scrolling vines, spirals, wheels, and zigzags.
Highly specialized and comes in a number of recognized scripts including Kufic. Kufic is highly distinguished and reserved for official texts like the Qur'an.
Repetition of geometric designs that demonstrate Islamic belief of unity in multiplicity. Used primarily in metalworks and stone. Perforated stone screens (jali) were a specialty.
Patronage comes from secular and religious rulers and the social elite. Textiles, metalwork, and ceramics were produced for the art market both at home and abroad. Calligraphy is one of the most popular art forms in the Islamic world. Calligraphy is based on Arabic script and various in form depending on the period and region of its production. Calligraphy is also considered to be the highest art form in the Islamic world as it was used to transmit the texts revealed from God to Muhammad.
Calligraphers therefore were the most respected Islamic artists. Many remained anonymous due to humble nature as artisans and followers of God. By the 14th/15th centuries, writing examples were eventually signed or attributed to specific calligraphers. Even royalty dabbled in calligraphy, raising the art form to new social heights. Apprenticeships were exacting, making students master everything including the manufacture of ink and the correct posture for sitting while writing.
Mongolian rulers who conquered Iran in 1258 introduced exotic Chinese painting to the Iranian court in the late Middle Ages. Persian manuscript paintings (sometimes called miniatures) gave a visual image to a literary plot, rendering a more enjoyable and easier-to-understand text. A number of schools of manuscript painting were cultivated throughout Persia, some more, others less, under the spell of Chinese painting. Centuries after the Mongols, Chinese elements survive in the Asiatic appearance of figures, the incorporation of Chinese rocks and clouds, and the appearance of motifs such as dragons and chrysanthemums.
Characteristics:
portrayal of figures in a relatively shadowless world
figures usually sumptuously dressed and occupying a richly decorative environment
artists admire intricate details and multicolored geometric patterns
space is divided into a series of flat planes
marriage of text and calligraphy is stressed
point of view shifts in a world perceived at various angles
brilliant color palette with crowded compositions
Folio from a Qur'an
Great Mosque of Djenne
Alhambra
Great Mosque (Cordoba)
Pyxis of al-Mughira
India
Taj Mahal
Jahangir Preferring Sufi Shaikh to Kings (Mughal Empire)
Great Mosque (Masjid-e Jameh)
Bahram Gur fights the Karg (Persia - Mesopotamia/Iran)
The Court of Gayumars (Persia - Mesopotamia/Iran)
The Ardabil Carpet
Basin (Baptisterie de St. Louis) (Syria or Egypt)
Dome of the Rock (Palestine)
The Kaaba (Saudi Arabia)
Mosque of Selim II (Turkey)
Arabesque - a flowing, intricate, and symmetrical pattern deriving from floral motifs.
Calligraphy - decorative or beautiful handwriting.
Charbagh - a rectangular garden in the Persian tradition that is based on the four gardens of Paradise mentioned in the Qur'an.
Imam - an Islamic leadership position; leads Muslims in prayer.
Iwan - a rectangular vaulted space in a Muslim building that is walled on three sides and open on the fourth.
Jali - perforated ornamental stone screens in Islamic art.
Kufic - a highly ornamental Islamic script.
Mihrab - a central niche in a mosque, which indicates the direction to Mecca.
Minaret - a tall, slender column used to call people to prayer.
Minbar - a pulpit from which sermons are given.
Mosque - a Muslim house of worship.
Muezzin - an Islamic official who calls people to prayer traditionally from a minaret.
Muqarna - a honeycomb-like decoration often applied in Islamic buildings to domes, niches, capitals, or vaults. The surface resembles intricate stalactites.
Pyxis - a small cylinder-shaped container with a detachable lid used to contain cosmetics or jewelry.
Qibla - the direction toward Mecca, which Muslims face in prayer.
Qur'an - the Islamic sacred text, dictated to the Prophet Muhammad by the Angel Gabriel.
Sahn - a courtyard in Islamic architecture.
Shahnama - a long epic poem written by the Persian poet Firdawsi between c. 977 and 1010 CE; the national epic of Iran.
Squinch - the polygonal base of a dome that makes a transition from the round dome to a flat wall.
Tessellation - decoration using polygonal shapes with no gaps.