Humans are not native to the "New World"; Americans do not have an ancestry dating back millions of years, the way they do in Africa or Asia.
People migrated from Asia to America over a span of perhaps 30,000 years, crossing the Bering Strait when the frozen winters made the way walkable.
Eventually people understood that the climate was good enough to raise crops, particularly in what is today Mexico and Central America, and the population boomed.
Local rivalries and jealousies played their parts in American civilizations. Some were intensely cultivated and technological, refining metal ore and developing a firm understanding of astronomy and literature. Others remained nomadic and limited their activities as hunter-gatherers.
European colonizers arrived at the end of the 15th century.
Each succeeding civilization buried or destroyed the remains of the civilization before, so only the hardiest ruins have survived the test of time.
Most of what can be gleaned about pre-Columbian American society is ascertained by archaeologists working on elaborate burial grounds or digging through the ruins of ancient cities.
Andes Civilizations
Chavin (900-200 BCE) Coastal Peru. Named for Chavin de Huantar (temple). Specialized in pottery and domestication of llamas. Created irrigation systems. No written records. Refined gold work. Carvings and sculptures.
Inca or Inka (1400-1533 CE) Peru. No writing but a kept a record system, khipu. Machu Picchu most famous settlement. Engineers of roads and complex irrigation. Highly polished metals, textiles, and pottery.
1438 - Pachacuti founds in the Inca Empire
1450 - Machu Picchu constructed
1531 - Inca Civil War
1532 - Francisco Pizarro leads the Spanish conquest of the Inca Empire
Mesoamerica
Olmec (1,600-400 BCE) Mexico. 1st major civilization in Mexico. Known for large stone heads carved from basalt. No written records. Naturalistic art with individualized heads perhaps to commemorate leaders.
Mayan (1000 BCE-1521 CE) Belize, Guatemala, Honduras, Yucatan. Built many stepped pyramids. Hieroglyphic writing. Math and calendar advancements. Created codices.
Aztecs (1300-1521 CE) Central Mexico. Established Tenochtitlan. Developed mathematics, the canoe, Aztec calendar, and medicine. Remembered most for stone temples.
1440-1469: Under Moctezuma I, the Aztecs become the dominant power in Mesoamerica
1519-1521: Hernan Cortes leads the Spanish conquest of Mexico
North America
Anasazi (550-1400 CE) American Southwest
Mississippian (800-1500 CE) Eastern United States
NW Coast Native American (18th c- present) Pacific Northwest
ENDURING UNDERSTANDING: The culture, beliefs, and physical settings of a region play an important role in the creation, subject matter, and siting of works of art.
Essential Knowledge:
The art of the indigenous people of America is among the oldest artistic traditions in the world. It extends from about 10,000 BCE through the time of the European invasions.
The art of this area can be divided into many cultural and historical groupings both in North and South America.
Ancient Mesoamerican art (from parts of Mexico, Guatemala, Honduras, and Belize) is characterized by architectural structures such as pyramids, a strong influence of astronomy and calendars on ritual objects, and great value placed on green objects such as jade or feathers.
Three major cultures of ancient Mesoamerica include the Olmec, the Maya, and the Mexica (also called the Aztecs).
There is a great emphasis on figural art in ancient Mesoamerica, including representations of rulers and mythical events.
Art of the central Andes (from Bolivia, Peru, and Ecuador) shows a deep respect for animals and plants, as well as shamanistic religions.
The physical environment of the central Andes (the Amazon, the Andes mountains, and the coastal deserts) plays a large role in art making.
Art in central Andes was generally made by groups in workshops, rather than by individuals.
Themes in Andean art particularly address the earth-bound and the celestial.
Native North American art has diverse themes, but many of the artworks concern nature, animals, and large rituals. Respect for elders is a key unifying factor.
There is no unifying name for the native people of North America, other than terms that have been imposed by others (i.e., Native Americans, First Nations, etc.).
ENDURING UNDERSTANDING: Cultural interaction through war, trade, and travel can influence art and art making.
Essential Knowledge:
The art of the indigenous people of America is among the oldest artistic traditions in the world. It extends from about 10,000 BCE through the time of the European invasions.
Mesoamerican civilizations have had a broad impact on the world as a whole.
Mesoamerican objects were valued and treasured in Europe by connoisseurs and collectors. National museums were opened to promote an understanding of ancient American art. 20th century artists both in Latin America and elsewhere around the world have been influenced by the art of ancient America.
Current Native Americans today strongly identify with the cultural achievements of their ancestors. Art forms are maintained and revived.
There are exchanges of materials, ideas, and subject matter between Native Americans and Europeans.
ENDURING UNDERSTANDING: Art and art making can be influenced by a variety of concerns including audience, function, and patron.
Essential Knowledge:
The modern concept of art is different than the intended purpose of objects from this period. Objects were created to represent or contain a life force, and viewing was seen as a participatory activity.
Art was generally generated in workshops.
Rulers were the major patrons. Patrons could also include a family member, a tribal leader, or an elder.
ENDURING UNDERSTANDING: Art making is influenced by available materials and processes.
Essential Knowledge:
Mesoamericans and Native Americans use trade materials, animal-based products, and precious stones. Works of art are generally functional.
Central Andean artists prized featherwork, textiles, and green stones, and favored works made of metal and bone. Ceramics and wood were considered as occupying the lowest end of the artistic-scale.
Pyramids began as earthwork and then grew to multilevel strcutures. Sites were often added to over many years. Most architecture is made of stone, using the post-and-lintel system and faced with painted sculpture. There are large plazas placed before the pyramids.
North American Indians produced works that included ceramics, hide paintings, basketry, weaving, adobe structures, and monumental earthworks.
ENDURING UNDERSTANDING: Art history is best understood through an evolving tradition of theories and interpretations.
Essential Knowledge:
There are many differences in the cultures of the Americas and therefore many approaches to studying the various art forms.
Examination of artwork from this period relies on many sources including archaeology and written accounts by colonists.
A multidisciplinary approach is used to examine the works of this period.
There are many approaches to Native North American art including archaeology, tribal history, and anthropology.
Chavin de Huantar
Nose Ornament
Lanzon Stela
Jaguar Relief
Yaxchilan
Structure 40
Lintel 25, Structure 23
Structure 33
Templo Mayor
The Coyolxauhqui Monolith
The Calendar Stone
Olmec-Style Mask
Ruler's Feather Headdress
City of Cusco
Qorikancha
Walls at Saqsa Waman
Maize Cobs
City of Macchu Picchu
Observatory
Intihuantana Stone
All-T'oqapu Tunic
Mesa Verde Cliff Dwellings
Serpent Mound
Transformation Mask
Bandolier Bag
Painted Elk Hide
Black on Black Ceramic Vessel
MESOAMERICA - Area extend from Central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica.
PRE-COLUMBIAN - Americas before the arrival of Christopher Columbus.
EFFIGY MOUND - Earthen mound in the form of an animal, symbol, human, religious figure, etc.
EARTHWORK - Art made by shaping the land itself using natural materials.
ASHLAR MASONRY - Finely shaped stone blocks fitted without mortar; used by Inca at elite/sacred sites; earthquake proof.
LANZON - Translates to "Great Spear". A granite stela of the central deity of Chavin culture; shaped to look like a digging stick.
CONTOUR RIVALRY - Chavin reliefs; Lines in the work can be read multiple ways. Used to enlighten those that understand and exclude those that do not.
REPOUSSE - Metalwork hammered into relief from reverse side.
AXIS MUNDI - Line/stem through earth's center connecting surface to underworld and heavens. Universe revolves around this site.
SHAMAN - Religious/mystical expert who functions as healer, prophet, and custodian of cultural tradition.
Mesa Verde and the preservation of Ancestral Puebloan Heritage (Khan Video)
Yaxchilán—Lintels 24 and 25 from Structure 23 and structures 33 and 40 (Khan Academy)
Unearthing the Aztec past, the destruction of the Templo Mayor (Khan Video)
Templo Mayor at Tenochtitlan, the Coyolxauhqui Stone, and an Olmec Mask (Khan Academy)