Students use their genre novel writing from Lang & Lit classes* to develop a mythical creature. The creature is a result of the world created in their writing which has likely occurred as a result of an SDG gone wrong. With development in their VA process journal alongside the writing process, students will illustrate a being which helps to explain the written narrative.
Throughout these tasks, students follow the creative process through research, ideation, designing and skill development, as well as reflecting and discussing artistic intentions.
Relief Linoleum Printmaking:
Design the creature as a 2D image, transfer design to linoleum
Learn about relief printmaking through the use of 2 or more colors
Click on the Resource icons in each section to find detailed instructions, examples, templates and more.
*EAL students will do the development narrative work in Art classes
Mythical creatures could result from real world issues to explain the unexplainable
What is the role of mythical creatures within the context of the culture that they exist?
How do artists contribute to the documentation of the past?
What is a mythical creature?
How can you synthesize and adapt imagery for expressive ends?
How does cultural iconography influence the way stories are told?
To what extent do people need stories to believe there is a reason for unexplainable occurrences?
Change:
Folklore and mythical creatures can result from change occurring in or from a real life event.
Narrative:
Narratives of mythical creatures identify the social construction of realities within a culture.
Globalization & Sustainability
The impact of decision-making on humankind and the environment
Complete these drawing exercises in your process journal during class time.
Value Scale: Stippling, Cross Hatching, Blended & Hatching
Mannequin quick/slow
Shoe contour
Apple bites
Bicycle still life
Ink Monsters
Consider the genre writing you are doing in Lang & Lit class. What does the landscape look like? Draw the scene in your process journal, filling one page. Color is not necessary but values must be included through a drawing skill we have practiced previously (cross hatching, stippling, etc.).
To better understand mythical creatures and their possible connections to your writing you will research cultural creatures which are found within historical storytelling.
Your research should be presented as a google slide using the template provided. Include MLA citations, an image of the creature and a short description of its characteristics.
Create a mind map in your PJ or a Jamboard to determine what characteristics your creature will have. The mind map must include:
Connection to at least one SDG (Amabie)
Physical attributes
Action characteristics
After your brainstorm begin to draw your creature based on your idea development. You should include a grid of four boxes showing a thumbnail version of the creature for printing practice.
Peer Critique (Instructions on lesson slides)
Follow the slide resource linked here. You will be given a small lino block for this practice. The creature you draw/transfer onto the block will be a small version of the final concept.
This practice allows you two colors/ The first color will be without details, the second is detailed (like facial features, etc.).
Now that you have developed your mythical creature and practiced carving/printing you will develop the final print artwork. Begin by tracing the lino block in your PJ to get the accurate size. Draw out your creature and possible landscape from your idea development.
Add color (no more than 2-3 colors including black) using colored pencil. These colors are representing your ink choices so be sure that we have the colors you select.
Number your layers 1-2/3. 1 is representative of the first cuts (1=white/negative space areas).
Include a color key to indicate which color areas are cut out first, second, third.
*Don't forget annotations!*
Follow your color plan to begin the first cuts into your lino block.
You will start only carving away the white (negative space) areas of the drawing.
After all of the #1 cuts are complete, you will apply the lightest color ink to the block.
Print the lightest color 7 times (using the printing guide). Clean the block with water (no soap!) and you are ready to carve the #2 areas.
Image on left is the first layer of ink, Image on right is with two layers.
Student demonstration
Using your color plan in the process journal as a guide, cut the areas you marked '2'. This will either be black (if you only have two layers) or the next lightest color (for those with three layers).
Line up your block for printing this next round on top of the seven prints you did previously. Use the guide template provided in class.
*Important to clean your block between carving and printing. Get rid of the lino 'worms' so that they don't get stuck in your ink and ruin the print!
*When washing the lino block between colors it must dry completely before carving or printing again.
Once you have completed printing all of your colors you will title, number, and sign each print. Follow the guide under Resources.
Each print is labeled the same way using PENCIL only.
Now we will prepare your work for the MYP Exhibition by creating a QR code which will guide the audience to your writing from English classes or Artist Statement*.
Go to QRstuff.com and create your code:
Data Type: Website URL
Website URL: copy & paste the link to your google doc
Download QR Code (Green button) png file.
Upload QR code png to your Art folder.
DONE!
*If you have Ms. Pacholik you will write an artist statement. This should be 3-5 sentences explaining to an audience about your mythical creature. Complete this as a google doc and insert it into your Art drive folder.
Join in on the classroom Gallery Walk and respond to your classmates' finished artworks. You will also receive feedback on your own prints.
After reading through your feedback from others, reflect on your experiences and final artwork.
Complete the reflection worksheet for criteria C and D (in your google drive folder).
You will need to refer to your process journal, Gallery Walk to identify the feedback you received to effectively respond.