The Assassination of Archduke Ferdinand, 1914

Post date: 30-May-2013 06:57:59

Two bullets fired on a Sarajevo street on a sunny June morning in 1914 set in motion a series of events that shaped the world we live in today. World War One, World War Two, the Cold War and its conclusion all trace their origins to the gunshots that interrupted that summer day.

The victims, Archduke Franz Ferdinand - heir to the throne of the Austro-Hungarian Empire, and his wife Sophie, were in the Bosnian city in conjunction with Austrian troop exercises nearby. The couple was returning from an official visit to City Hall. The assassin, 19-year-old Gavrilo Princip burned with the fire of Slavic nationalism. He envisioned the death of the Archduke as the key that would unlock the shackles binding his people to the Austro-Hungarian Empire.

A third party, Serbia, figured prominently in the plot. Independent Serbia provided the guns, ammunition and training that made the assassination possible.

The Balkan Region of Europe entered the twentieth century much as she left it: a cauldron of seething political intrigue needing only the slightest increase of heat to boil over into open conflict. The shots that day in Sarajevo pushed the cauldron to the boiling point and beyond.

A Royal Murder

Seven conspirators joined the crowd lining the Archduke's route to City Hall. Each took a different position, ready to attack the royal car if the opportunity presented itself. The six-car procession approached one conspirator, Gabrinovic (or Cabrinovic), who threw his bomb only to see it bounce off the Archduke's car and explode near the following car.

Unhurt, the Archduke and his wife sped to the reception at City Hall. The ceremonies finished, the Royal procession amazingly retraced its steps bringing the Archduke into the range of the leader of the conspiracy, Gavrilo Princip. More amazingly, the royal car stopped right in front of Princip providing him the opportunity to fire two shots. Both bullets hit home.

Borijove Jevtic, one of the conspirators gave this eyewitness account:

"When Francis Ferdinand and his retinue drove from the station they were allowed to pass the first two conspirators. The motor cars were driving too fast to make an attempt feasible and in the crowd were many Serbians; throwing a grenade would have killed many innocent people.

When the car passed Gabrinovic, the compositor, he threw his grenade. It hit the side of the car, but Francis Ferdinand with presence of mind threw himself back and was uninjured. Several officers riding in his attendance were injured.

The cars sped to the Town Hall and the rest of the conspirators did not interfere with them. After the reception in the Town Hall General Potiorek, the Austrian Commander, pleaded with Francis Ferdinand to leave the city, as it was seething with rebellion. The Archduke was persuaded to drive the shortest way out of the city and to go quickly.

The road to the manoeuvres was shaped like the letter V, making a sharp turn at the bridge over the River Nilgacka [Miljacka]. Francis Ferdinand's car could go fast enough until it reached this spot but here it was forced to slow down for the turn. Here Princip had taken his stand.

As the car came abreast he stepped forward from the curb, drew his automatic pistol from his coat and fired two shots. The first struck the wife of the Archduke, the Archduchess Sofia, in the abdomen. She was an expectant mother. She died instantly.

The second bullet struck the Archduke close to the heart.

He uttered only one word, 'Sofia' -- a call to his stricken wife. Then his head fell back and he collapsed. He died almost instantly.

The officers seized Princip. They beat him over the head with the flat of their swords. They knocked him down, they kicked him, scraped the skin from his neck with the edges of their swords, tortured him, all but killed him."

Another Perspective

Count Franz von Harrach rode on the running board of the royal car serving as a bodyguard for the Archduke. His account begins immediately after Princip fires his two shots:

"As the car quickly reversed, a thin stream of blood spurted from His Highness's mouth onto my right check. As I was pulling out my handkerchief to wipe the blood away from his mouth, the Duchess cried out to him, 'In Heaven's name, what has happened to you?' At that she slid off the seat and lay on the floor of the car, with her face between his knees.

I had no idea that she too was hit and thought she had simply fainted with fright. Then I heard His Imperial Highness say, 'Sopherl, Sopherl, don't die. Stay alive for the children!'

At that, I seized the Archduke by the collar of his uniform, to stop his head dropping forward and asked him if he was in great pain. He answered me quite distinctly, 'It's nothing!' His face began to twist somewhat but he went on repeating, six or seven times, ever more faintly as he gradually lost consciousness, 'It's nothing!' Then, after a short pause, there was a violent choking sound caused by the bleeding. It was stopped as we reached the Konak."

References:

Brook-Shepard, Gordon, Archduke of Sarajevo (1984); Dedijer, Vladimir, The Road To Sarajevo (1966); Morton, Frederick, Thunder At Twilight (1989).

"Assassination of Archduke Ferdinand, 1914," EyeWitness to History, www.eyewitnesstohistory.com (1998).

Vocabulary

set in motion: If a process or event is set in motion, something causes it to happen or begin to happen.

Our desires in food are largely set in motion by our sense of smell.

heir: Someone's heir is the person who will inherit their money, property, or title when they die.

Her son was the sole heir to his grandparents' fortune.

in conjunction with: If one thing is done or used in conjunction with another, the two things are done or used together. [FORMAL]

The army should have operated in conjunction with the fleet.

envision: If you envision (AmE)/envisage(BrE) a situation or event, you imagine it, or think that it is likely to happen.

He had never envisaged spending the whole of his working life in that particular job.

shackles: chains, handcuffs

Slaves in shackles, to break the shackles

prominently: noticeably

cauldron: A cauldron is a very large round metal pot used for cooking over a fire.

seethe: If you are seething, you are very angry about something but do not express your feelings about it. I seethed with rage.

If you say that a place is seething, you are emphasizing that it is very full of people or things and that they are all moving about. The bars and restaurants were seething with customers.

intrigue: intrigue is the making of secret plans that are intended to harm or deceive other people. the plots and intrigues in the novel.

If something intrigues you, you are fascinated by it and curious about it. She had hesitated, even though the job intrigued her.

retrace your steps: If you retrace your steps, you return to where you started from, using the same route.

He retraced his steps to the spot where he'd left the case.

feasible: If something is feasible, it can be done, made, or achieved.

Are these experiments technically feasible?

presence of mind: calmness, concentration

curb: χαλινάρι # (ΗΠΑ) κράσπεδο ή πεζοδρομίου (kerb - BrE)#

μτφ. μέσο ή όριο συγκράτησης,: you must put a curb your feelings πρέπει να χαλιναγωγήσεις τα συναισθήματά σου

abdomen: κοιλιακή χώρα

scrape: If you scrape something from a surface, you remove it, especially by pulling a sharp object over the surface. She went round the car scraping the frost off the windows.

If something scrapes against something else it rubs against it, making a noise, called a scrape.

The cab driver struggled with her luggage, scraping a bag against the door.

...the scrape of a guard's boot.

...the scraping of a chair across the floor.

If you scrape a part of your body, you accidentally rub it against something hard and rough, and damage it slightly.

perspective: A perspective is a particular way of thinking about something.

The death of his father 18 months ago has given him a new perspective on life.

If you get something in perspective or into perspective, you judge its real importance by considering it in relation to everything else. If you get something out of perspective, you fail to do this.

account (n.) description

distinctly: clearly

choke: If you choke on something, it prevents you from breathing properly.

A small child could choke on the doll's hair. / The girl choked to death after breathing in smoke.

To choke someone means to squeeze their neck until they are dead.

If a place is choked with things or people, it is full of them and they prevent movement in it.

The village's roads are choked with traffic. / The gutters were choked by fallen leaves.