Publications

[I think of myself as a librarian and visual artist, but cannot seem to stop trying to write something.]

(Essayist) Book Dummies: An Imaginary Studio, A Non-Stop Practice, 1993-2015. New York: bookdummypress, 2016.

(Essayist) Lucia Papčo. New York: Christian Duvernois Gallery, 2014.

(Essayist) Publicaciones sobre libros fotográficos y fotografia impresa.  Edited by Leandro Villaro. Buenos Aires: Universidad Nacional de La Plata, 2014.

(Contributor) 10X10 Japanese Photobooks. Edited by Matthew Carson, Russet Lederman, Olga Yatskevitch and Michael Lange. New York: 10X10, 2014.

(Contributor) Memories Can’t Wait. Edited by Kate Levy and Bridget de Gersigny. New York: International Center of Photography, 2013.

(Essayist)  19th Century Photography.  New York: Routledge, 2007.

(Essayist)  Scribner’s Encyclopedia of Europe, 1789-1914, 1st edition.  New York: Scribner’s, 2006.

(Essayist)  Fashions, Fads and Style.  1st edition.  5 volumes.  Detroit MI: U*X*L, c2004.

(Essayist) Contemporary Artists, 5th edition.  St. James Press, 2002. Essays: Milton Glaser, Komar & Melamid, David Ireland, Maya Lin, Chris Marker, Yasumasa Morimura

“Viewpoint: E-Bay as BHA? New Paradigms in Researching the Ephemeral.”  Art Libraries Journal (ARLIS UK & Ireland), Vol. 26, no. 2 (Fall 2001).

Sophia Style.  New York: Friedman-Fairfax (Barnes & Noble), c2001, 2004.

(Co-author)  “Guggenheim Exhibitions: from Research and Development to Reference.”  International Federation of Library Associations (IFLA) Journal, Fall 2001.

(Co-author) “Integrated Art Documentation: The Guggenheim Perspective.”  Art Documentation: Bulletin of the Art Libraries Society of North America, Vol. 20, no. 1, Spring 2001.

(Bibliographer) La Belle Assemblée.  Richard Martin, Editor.  New York: The Costume Institute/New York University, 1996.

(Editor) La Dernière Mode.  Richard Martin, Bibliographer.  New York: The Costume Institute/New York University, 1996.