Publications
[I think of myself as a librarian and visual artist, but cannot seem to stop trying to write something.]
(Essayist) Book Dummies: An Imaginary Studio, A Non-Stop Practice, 1993-2015. New York: bookdummypress, 2016.
(Essayist) Lucia Papčo. New York: Christian Duvernois Gallery, 2014.
(Essayist) Publicaciones sobre libros fotográficos y fotografia impresa. Edited by Leandro Villaro. Buenos Aires: Universidad Nacional de La Plata, 2014.
(Contributor) 10X10 Japanese Photobooks. Edited by Matthew Carson, Russet Lederman, Olga Yatskevitch and Michael Lange. New York: 10X10, 2014.
(Contributor) Memories Can’t Wait. Edited by Kate Levy and Bridget de Gersigny. New York: International Center of Photography, 2013.
(Essayist) 19th Century Photography. New York: Routledge, 2007.
(Essayist) Scribner’s Encyclopedia of Europe, 1789-1914, 1st edition. New York: Scribner’s, 2006.
(Essayist) Fashions, Fads and Style. 1st edition. 5 volumes. Detroit MI: U*X*L, c2004.
(Essayist) Contemporary Artists, 5th edition. St. James Press, 2002. Essays: Milton Glaser, Komar & Melamid, David Ireland, Maya Lin, Chris Marker, Yasumasa Morimura
“Viewpoint: E-Bay as BHA? New Paradigms in Researching the Ephemeral.” Art Libraries Journal (ARLIS UK & Ireland), Vol. 26, no. 2 (Fall 2001).
Sophia Style. New York: Friedman-Fairfax (Barnes & Noble), c2001, 2004.
(Co-author) “Guggenheim Exhibitions: from Research and Development to Reference.” International Federation of Library Associations (IFLA) Journal, Fall 2001.
(Co-author) “Integrated Art Documentation: The Guggenheim Perspective.” Art Documentation: Bulletin of the Art Libraries Society of North America, Vol. 20, no. 1, Spring 2001.
(Bibliographer) La Belle Assemblée. Richard Martin, Editor. New York: The Costume Institute/New York University, 1996.
(Editor) La Dernière Mode. Richard Martin, Bibliographer. New York: The Costume Institute/New York University, 1996.