By the end of this lesson, students will be able to:
Sight-sing and transcribe melodies that use the pentatonic scale.
Improvise a pentatonic melody in major or minor.
Demonstrate further proficiency in identifying extended chords and sight-reading rhythms with syncopated divisions and ties in simple time.
Improvisation: Contour and Shape (Chenette, Foundations of Aural Skills)
Handout: Modes: Triads built on Each Step
Relative Darkness and Brightness of Modes (Source: Chelsey Hamm, OMT, "Introduction to Diatonic Modes")
The Improvisation Train: Open up the pentatonic ladder (click on "pentatonic scales") or notate the pentatonic scales on the board as a visual reference. Then, try the Improvisation Train exercise to practice ear-training and build your memory skills as a group. You can do this exercise in duets, groups, or as a full class. Be sure to practice in both major and minor!
1) Select a tempo and meter for the improvisation. Consider using a backing track (like one of these: Rock | Funk | Slow Blues | Waltz) to help keep time during your improvisation. Conducting is recommended!
2) The first student in the train sings one measure, using only notes from the pentatonic scale on neutral syllables ("da" or "ta").
3) The whole class repeats the improvised measure using solfège.
3) The next student in line adds a second measure of improvisation (neutral syllables again).
4) The whole class repeats both measures in order using solfège.
5) The next student in line adds a 3rd measure, etc . . . Keep building and repeating until you can't remember the melody anymore!
Rhythmic Improvisation (16th-Note Syncopation & Rests in Simple Time): Continued practice from Unit 2-2.
Melodic Sight-Reading: Sight read melodies in all sections. These melodies include both the major and minor pentatonic collections.
Warm up by singing through the pentatonic scales and having a classmate or instructor point to syllables and skip around. You can find a visual here (click on "pentatonic scales.")
Rhythm Sight-Reading: Continue sight reading rhythms in the section "Syncopated Subdivisions." These rhythms include syncopation at the level of the subdivision in simple time and tresillo rhythms.
Aural Anthology: Select melodies from the sight-singing chapter for melodic dictation.
Chord ID & Shuttles: Continue practice identifying sus, power, added6, and extended chords. Continue practice transcribing chord progressions using diatonic shuttles.