In this area of study students study scripts from the modern era of theatre and investigate innovations in theatre practice from the 1920s to the present. They study at least three distinct theatre styles of the modern era, as well as scripts associated with each.
They learn about contexts, cultural origins, production roles and performance possibilities for each of the selected theatre styles. Through practical workshops students gain knowledge of how these styles shaped and contributed to the world of modern theatre.
• characteristics and features of three or more theatre styles from the modern era
• origins, characteristics and contexts of scripts from the modern era
• approaches to exploring theatre styles implied in scripts, including consideration of previous productions where relevant
• production processes for realising scripts from the modern era for performance to an audience
• approaches to interpretation of scripts through acting, direction and design
• innovations established in theatre production in the modern era
• theatre terminology and expressions.
• describe the factors that influence the development of theatre styles in the modern era
• describe how the contexts of scripts can influence a production
• outline characteristics of theatre styles from the modern era
• identify and describe production processes that are characteristic of the modern era
• research and discuss production roles and their use in the modern era
• research and discuss the impact of theatre productions on audiences in the modern era
• identify and describe innovations established in theatre production in the modern era
• use theatre terminology and expressions in writing and discussion.
Factsheet for Modern Theatre Style
2. Multiple Choice and Short Answer Test covering modern theatre styles, including a script annotation.
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PLAYWRIGHT: Anna Deavere Smith
PLAY: Twiligh: Los Angeles, 1992
Link to Reading AND Script excerpt
(note: this might also be described as ''documentary theatre" and can be traced back to the work of Erwin Piscator (colleague of Brecht).
PLAYWRIGHT: Caryl Churchill
PLAY: Top Girls
PLAYWRIGHT: Wesley Enoch & Deborah Mailman
PLAY: 7 Stages of Grieving
Link to reading and script excerpt PDF
(note: this might also be described as ''documentary theatre" and can be traced back to the work of Erwin Piscator and deliberately uses Epic Theatre techniques).
PLAYWRIGHT: Tennessee Williams
PLAY: The Glass Menagerie
Link to reading AND script excerpt PDF
Link to reading about style PDF
Link to useful online resource
(note: you will also want to refer back to the Y11 Unit 2 Reader, chapter 15)
Music: Stephen Flaherty, LYRICS: Lynn Ahrens
BOOK: Ahrens and Flaherty
SHOW: Seussical the Musical
Link to reading about style PDF
PLAYWRIGHT: Arthur Miller
PLAY: Death of a Salesman