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Introduction and Early History
The first magazine was presented and published between 1663 and 1668 by Johann Rist, a German Theologian and poet (Osei-Hwere et. al., Media Communication...). In English, the title was translated as Edifying Monthly Discussions. The publication sparked inspiration for many other literary journal authors, including women, who had begun a new venture of increased literacy. The Athenian Mercury became the first magazine targeted for a female audience.
British appeal grew, and followed in the footsteps of their European neighbors (Osei-Hwere et. al., Media Communication...). These British magazines began to shape more to the form of what we know magazines as today, in contrast to the broad genre that original magazines were. These magazines, such as Robinson Crusoe, the Tatler, and the Spectator, had genre-specific audiences, publishing foreign affairs in some, and daily living and culture in others.
After magazines made their way to North America, they became a literary luxury of sorts, only afforded or made available to "highbrow" audiences (Osei-Hwere et. al., Media Communication...). In the 1830s, when printing became more affordable, magazines of all sorts, for all audiences, began taking off. Female-targeted pieces gained popularity, creating jobs, and pastimes, for women.
Photojournalism
Magazines rely heavily on the use of photojournalism. Photographs are used to spark emotion, inspiration, show an event, or a new concept. Modern photojournalism took place in Germany in 1925, with the invention of the Leica camera to capture pictures without bulky equipment (Collins, Modern Photojournalism). There are many different types of photojournalism. For example, advertising photojournalism depicts a product of service attempting to reach audiences to be sold. Another example is art photojournalism, which is subjective, made to invoke emotion or tell a story. (Richtin, 1985).
Photojournalism had a large impact on society and its portrayal of current events, many of which we still dissect today. Photos used in magazines during the mid-1900s began presenting celebrities and public figures as people to "look up to" in terms of fashion, high-end events, and products used by the public figure.
Pseudo-Event Popularity
Include a professional bio that identifies your name, major, graduation year, and what you enjoyed about contributing to this class Wiki. Also, explain why you chose the topic (i.e., its relevance to you) and what is something interesting about your assigned topic that you didn't know before. It would be great if you uploaded your Bitmoji character but that's not required. You can delete this text when you're ready to start writing your bio.
Collins, R. (n.d.). A Brief History of Photography and Photojournalism.Modern photojournalism: 1920-1990. https://aperture.org/?s=photojournalism (internet-based)
Ritchin, F. (n.d.). The future of photojournalism: Aperture: Fall 1985. Aperture. https://issues.aperture.org/article/1985/3/3/the-future-of-photojournalism (magazine)
Osei-Hwere, E., & Osei-Hwere, P. (n.d.). History of magazine publishing. Media Communication Convergence and Literacy. https://oer.pressbooks.pub/mediacommunication/chapter/history-of-magazine-publishing/ (internet based)
What is photojournalism and why is it important?. NYTLicensing. (n.d.). https://nytlicensing.com/latest/marketing/what-is-photojournalism/ (newspaper)
Make sure your references are in APA format. You need to cite all in-text citations. You can delete this textbox when you're reading to begin citing the visuals in APA format.
Claudia. (2025, January 21). The Zouvae Jacket. Flickr. https://www.flickr.com/photos/46030682@N07/5240553670/in/photolist-8Z6d2C-2fyDfay-69ufPq-9wc5kK-9wc4bP-9wc4qH-9wc4yr-9wf8fy-9wc6TT-9wf6cU-9wf7AC-9wc4ji-9wc6ge-9wc75B-9wf84J-9wc54r-9wc5wt-9wocCU-9wc5Jv-9wf6GL-9wc4Vv-9wf6md-9wc7iB-9wc5Tr-58fs2k (visual)
Pavlyk, A. (2025, January 21). Marilyn Monroe =). Flickr. https://www.flickr.com/photos/40062152@N04/3865810688/in/photolist-5Wgc2b-7tAmhd-8V84QR-acHyW7-byai9N-6TBhQq-54j8DJ-cCMWtU-tYciAH-RnTTzt-tXQA27-3kByDo-5528nr-gRxyRS-7D9pnn-9GBfjB-bqtDgp-bqtqzk-bqtBcT-bfSi5V-bqXum8-bqu2TH-bqtCkk-bqtBMk-bqx1LD-bqu2xx-bqtC46-bqtDqe-9LNFTd-bqtD1g-bw66v1-bqtq5c-bqtqR2-bqtDQr-bqu3Qv-9EPUqM-ZLU8Yh-bvpCu9-bqu38x-9sZpPC-bwaXnV-bJjpy4-bvpCdU-bvpwUm-bt8wcZ-bt37x6-9sfBHq-bx68Up-bJjiLp-bt8wGa (visual)