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Later Europe & Colonial America (Part 2) - 40 Works / 21% of AP Exam
Works covered in the Assignments
Later Europe & Colonial Americas (Part 2)
Olympia. Édouard Manet. 1863 C.E. Oil on canvas.
The Horse in Motion. Eadweard Muybridge. 1878 C.E. Albumen print.
The Burghers of Calais. Auguste Rodin. 1884–1895 C.E. Bronze.
The Coiffure. Mary Cassatt. 1890–1891 C.E. Drypoint and aquatint.
Where Do We Come From? What Are We? Where Are We Going? Paul Gauguin. 1897–1898 C.E. Oil on canvas.
Carson, Pirie, Scott and Company Building. Chicago, Illinois, U.S. Louis Sullivan (architect). 1899–1903 C.E. Iron, steel, glass, and terra cotta.
The Kiss. Constantin Brancusi. Original 1907–1908 C.E. Stone.
Improvisation 28 (second version). Vassily Kandinsky. 1912 C.E. Oil on canvas.
Villa Savoye. Poissy-sur-Seine, France. Le Corbusier (architect). 1929 C.E. Steel and reinforced concrete.
Fallingwater. Pennsylvania, U.S. Frank Lloyd Wright (architect). 1936–1939 C.E. Reinforced concrete, sandstone, steel, and glass.
The Two Fridas. Frida Kahlo. 1939 C.E. Oil on canvas.
Woman, I. Willem de Kooning. 1950–1952 C.E. Oil on canvas.
The Bay. Helen Frankenthaler. 1963 C.E. Acrylic on canvas.
Lipstick (Ascending) on Caterpillar Tracks. Claes Oldenburg. 1969–1974 C.E. Cor-Ten steel, steel, aluminum, and cast resin; painted with polyurethane enamel.
Works you'll need to Independantly Learn - 26
Later Europe & Colonial Americas (Part 2)
The Stone Breakers. Gustave Courbet. 1849 C.E. (destroyed in 1945). Oil on canvas.
Nadar Raising Photography to the Height of Art. Honoré Daumier. 1862 C.E. Lithograph.
The Saint-Lazare Station. Claude Monet. 1877 C.E. Oil on canvas.
The Valley of Mexico from the Hillside of Santa Isabel (El Valle de México desde el Cerro de Santa Isabel). Jose María Velasco. 1882 C.E. Oil on canvas.
The Starry Night. Vincent van Gogh. 1889 C.E. Oil on canvas.
The Scream. Edvard Munch. 1893 C.E. Tempera and pastels on cardboard.
Mont Sainte-Victoire. Paul Cézanne. 1902–1904 C.E. Oil on canvas.
Les Demoiselles d’Avignon. Pablo Picasso. 1907 C.E. Oil on canvas.
The Steerage. Alfred Stieglitz. 1907 C.E. Photogravure.
The Kiss. Gustav Klimt. 1907–1908 C.E. Oil and gold leaf on canvas.
The Portuguese. Georges Braque. 1911 C.E. Oil on canvas.
Goldfish. Henri Matisse. 1912 C.E. Oil on canvas.
Self-Portrait as a Soldier. Ernst Ludwig Kirchner. 1915 C.E. Oil on canvas.
Memorial Sheet for Karl Liebknecht. Käthe Kollwitz. 1919–1920 C.E. Woodcut.
Composition with Red, Blue and Yellow. Piet Mondrian. 1930 C.E. Oil on canvas.
Illustration from The Results of the First Five-Year Plan. Varvara Stepanova. 1932 C.E. Photomontage.
Object (Le Déjeuner en fourrure). Meret Oppenheim. 1936 C.E. Fur-covered cup, saucer, and spoon.
The Migration of the Negro, Panel no. 49. Jacob Lawrence. 1940–1941 C.E. Casein tempera on hardboard.
The Jungle. Wifredo Lam. 1943 C.E. Gouache on paper mounted on canvas.
Dream of a Sunday Afternoon in the Alameda Park. Diego Rivera. 1947–1948 C.E. Fresco.
Fountain (second version). Marcel Duchamp. 1950 C.E. (original 1917). Readymade glazed sanitary china with black paint.
Seagram Building. New York City, U.S. Ludwig Mies van der Rohe and Philip Johnson (architects). 1954–1958 C.E. Steel frame with glass curtain wall and bronze.
Marilyn Diptych. Andy Warhol. 1962 C.E. Oil, acrylic, and silkscreen enamel on canvas.
Narcissus Garden. Yayoi Kusama. Original installation and performance 1966. Mirror balls.
Spiral Jetty. Great Salt Lake, Utah, U.S. Robert Smithson. 1970 C.E. Earthwork: mud, precipitated salt crystals, rocks, and water coil.
House in New Castle County. Delaware, U.S. Robert Venturi, John Rauch, and Denise Scott Brown (architects). 1978–1983 C.E. Wood frame and stucco.
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LATER EUROPE & AMERICAS (PART 2)
Tips:
Please review all course material before taking the quiz.
Utilize the Content Area > Later Europe & Colonial Americas (Part 2) to learn the works.
Tips for wrtiting a successful essay:
For Tasks 1 & 2: Be specific in describing what it looks like but also why it was created.
For Task 5: Be sure to define the key characteristics of surrealism artworks and discuss where/how this work fits within that art movement.
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Tips for creating a successful snapshot:
Include a Thumbnail image of the assigned artwork!
Be descriptive and specific!
The visual characteristics should be observational or something that you can see. You can discuss the style, art elements and principles, material, scale/size, how it's displayed/viewed, etc.
How to complete the DBA:
STEP 1: Complete the Gallery Review Worksheet. Submit the worksheet to the 9.04 DBA Assessment.
STEP 2: There is NO DBA call. Please find your gallery 9 exam passwords within the grading feedback.
STEP 3: Continue moving forward. Keep in mind that you will complete the gallery 9 DBA when you complete the 10.03 DBA as it covers galleries 9 & 10 together. You are also responsible for knowing the remaining artworks from this content area.
Tips:
There are 2 Exams. Exam A is multiple choice and Exam B is essays. Please review all course material before taking the exam.
Utilize the Content Area > Later Europe & Colonial Americas (Part 2) to learn ALL 40 artworks.