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Early Europe & Colonial Americas (Part 2) - 34 Works / 21% of AP Exam
Later Europe & Colonial Americas (Part 1) - 14 Works / 21% of AP Exam
Works covered in the Assignments
Early Europe & Colonial Americas (Part 2)
Pazzi Chapel. Basilica di Santa Croce. Florence, Italy. Filippo Brunelleschi (architect). c. 1429–1461 C.E. Masonry.
The Arnol ni Portrait. Jan van Eyck. c. 1434 C.E. Oil on wood.
David. Donatello. c. 1440–1460 C.E. Bronze.
Madonna and Child with Two Angels. Fra Filippo Lippi. c. 1465 C.E. Tempera on wood.
Last Supper. Leonardo da Vinci. c. 1494–1498 C.E. Oil and tempera.
Adam and Eve. Albrecht Dürer. 1504 C.E. Engraving.
School of Athens. Raphael. 1509–1511 C.E. Fresco.
Isenheim altarpiece. Matthias Grünewald. c. 1512–1516 C.E. Oil on wood.
Venus of Urbino. Titian. c. 1538 C.E. Oil on canvas.
Hunters in the Snow. Pieter Bruegel the Elder. 1565 C.E. Oil on wood.
Calling of Saint Matthew. Caravaggio. c. 1597–1601 C.E. Oil on canvas.
Self-Portrait with Saskia. Rembrandt van Rijn. 1636 C.E. Etching.
San Carlo alle Quattro Fontane. Rome, Italy. Francesco Borromini (architect). 1638– 1646 C.E. Stone and stucco.
Las Meninas. Diego Velázquez. c. 1656 C.E. Oil on canvas.
Screen with the Siege of Belgrade and hunting scene. Circle of the González Family. c. 1697–1701 C.E. Tempera and resin on wood, shell inlay.
Spaniard and Indian Produce a Mestizo. Attributed to Juan Rodríguez Juárez. c. 1715 C.E. Oil on canvas.
Later Europe & Colonial Americas (Part 1)
A Philosopher Giving a Lecture on the Orrery. Joseph Wright of Derby. c. 1763–1765 C.E. Oil on canvas.
The Swing. Jean-Honoré Fragonard. 1767 C.E. Oil on canvas.
Liberty Leading the People. Eugène Delacroix. 1830 C.E. Oil on canvas.
Works you'll need to Independantly Learn - 28
Early Europe & Colonial Americas (Part 2)
Annunciation Triptych (Merode Altarpiece). Workshop of Robert Campin. 1427– 1432 C.E. Oil on wood.
Palazzo Rucellai. Florence, Italy. Leon Battista Alberti (architect). c. 1450 C.E. Stone, masonry.
Birth of Venus. Sandro Botticelli. c. 1484–1486 C.E. Tempera on canvas.
Sistine Chapel ceiling and altar wall frescoes. Vatican City, Italy. Michelangelo. Ceiling frescoes: c. 1508–1512 C.E.; altar frescoes: c. 1536–1541 C.E. Fresco.
Entombment of Christ. Jacopo da Pontormo. 1525–1528 C.E. Oil on wood.
Allegory of Law and Grace. Lucas Cranach the Elder. c. 1530 C.E. Woodcut and letterpress.
Frontispiece of the Codex Mendoza. Viceroyalty of New Spain. c. 1541–1542 C.E. Ink and color on paper.
Il Gesù, including Triumph of the Name of Jesus ceiling fresco. Rome, Italy. Giacomo da Vignola, plan (architect); Giacomo della Porta, facade (architect); Giovanni Battista Gaulli, ceiling fresco (artist). Church: 16th century C.E.; facade: 1568–1584 C.E.; fresco and stucco gures: 1676–1679 C.E. Brick, marble, fresco, and stucco.
Mosque of Selim II. Edirne, Turkey. Sinan (architect). 1568–1575 C.E. Brick and stone.
Henri IV Receives the Portrait of Marie de’ Medici, from the Marie de’ Medici Cycle. Peter Paul Rubens. 1621–1625 C.E. Oil on canvas.
Ecstasy of Saint Teresa. Cornaro Chapel, Church of Santa Maria della Vittoria. Rome, Italy. Gian Lorenzo Bernini. c. 1647–1652 C.E. Marble (sculpture); stucco and gilt bronze (chapel).
Angel with Arquebus, Asiel Timor Dei. Master of Calamarca (La Paz School). c. 17th century C.E. Oil on canvas.
Woman Holding a Balance. Johannes Vermeer. c. 1664 C.E. Oil on canvas.
The Palace at Versailles. Versailles, France. Louis Le Vau and Jules Hardouin- Mansart (architects). Begun 1669 C.E. Masonry, stone, wood, iron, and gold leaf (architecture); marble and bronze (sculpture); gardens.
The Virgin of Guadalupe (Virgen de Guadalupe). Miguel González. c. 1698 C.E. Based on original Virgin of Guadalupe. Basilica of Guadalupe, Mexico City. 16th century C.E. Oil on canvas on wood, inlaid with mother-of-pearl.
Fruit and Insects. Rachel Ruysch. 1711 C.E. Oil on wood.
The Tête à Tête, from Marriage à la Mode. William Hogarth. c. 1743 C.E. Oil on canvas.
Later Europe & Colonial Americas (Part 1)
Portrait of Sor Juana Inés de la Cruz. Miguel Cabrera. c. 1750 C.E. Oil on canvas.
Monticello. Virginia, U.S. Thomas Jefferson (architect). 1768–1809 C.E. Brick, glass, stone, and wood.
The Oath of the Horatii. Jacques-Louis David. 1784 C.E. Oil on canvas.
George Washington. Jean-Antoine Houdon. 1788–1792 C.E. Marble.
Self-Portrait. Elisabeth Louise Vigée Le Brun. 1790 C.E. Oil on canvas.
Y no hai remedio (And There’s Nothing to Be Done), from Los Desastres de la Guerra (The Disasters of War), plate 15. Francisco de Goya. 1810–1823 C.E. (published 1863). Etching, drypoint, burin, and burnishing.
La Grande Odalisque. Jean-Auguste-Dominique Ingres. 1814 C.E. Oil on canvas.
The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm). Thomas Cole. 1836 C.E. Oil on canvas.
Still Life in Studio. Louis-Jacques-Mandé Daguerre. 1837 C.E. Daguerreotype.
Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). Joseph Mallord William Turner. 1840 C.E. Oil on canvas.
Palace of Westminster (Houses of Parliament). London, England. Charles Barry and Augustus W. N. Pugin (architects). 1840–1870 C.E. Limestone masonry and glass.
Everything you need to learn about Early Europe & Colonial Americas and Later Europe & Colonial Americas be found on this site.
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EARLY EUROPE & COLONIAL AMERICAS (PART 2)
LATER EUROPE & AMERICAS (PART 1)
Tips for wrtiting a successful essay:
For Tasks 2 & 3: Be specific in discussing how you know it was created by that artist. This needs to be visual or subject related. Think about mark-making techniques, compositional layout, how he creates his figures, material use, etc.
For Tasks 4 and 5: Be sure to explain how the historical art period and geography effected how and why the artist created prints or chose the subject/themes that he did.
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Tips for creating a successful snapshot:
Include a Thumbnail image of the assigned artwork!
Be descriptive and specific!
The visual characteristics should be observational or something that you can see. You can discuss the style, art elements and principles, material, scale/size, how it's displayed/viewed, etc.
Tips:
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Utilize the Content Areas > Early Europe & Colonial Americas (Part 2) to review and learn the artworks.
Tips for wrtiting a successful essay:
For Task 2: The thesis will always be within the first line of the prompt.
For Task 6: The Corroborate task is the most difficult aspect of this essay. Please read what is written under the Let's Break It Down on the right column of the template for more clarification.
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How to complete the DBA:
STEP 1: Complete the Gallery Review Worksheet. Submit the worksheet to the 8.05 Assessment link before you schedule the DBA.
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STEP 3: Complete the DBA. You will be covering BOTH gallery 7 and 8 artworks in this DBA. You are also responsible for knowing the remaining artworks from the content areas.
STEP 4: After the DBA, go to the Gradebook Icon and scroll back down the to the 8.05 DBA Assessment. In the student Comments Text Box, document the day/time and a brief sentence of what was discussed. Hit resubmit for a grade.
Tips:
Please review all course material before taking the exam.
Utilize the Content Area > Early Europe & Colonial Americas (Part 2) and Later Europe & Colonial Americas (Part 1) to review and learn ALL 47 artworks.